Something to tell: musical work interpretations of the performer as narrator

Autores
Tanco, Matías Germán
Año de publicación
2018
Idioma
inglés
Tipo de recurso
documento de conferencia
Estado
versión publicada
Descripción
The relationship between music and narrative has been extensively discussed since Nattiez (1990) onwards, establishing similarities between music and literary discourse, and its adequation to narratology. Beyond its literary form, narration is present in everyday life and is considered as a way of thinking, interpreting and creating a sense of the world and life, within the framework of one's own culture (Bruner, 1986). Narration and music are linked in intersubjective communication from early childhood, being together in time without the need for a grammatical discourse (Malloch & Trevarthen, 1999). However, there is little evidence in the literature about the performer musician as a teller or narrator, and, as a consequence little is known about the ways a musical piece expresses the narrator's point of view.
Laboratorio para el Estudio de la Experiencia Musical
Materia
Música
Música
Interpretación musical
Performance
Narración
Nivel de accesibilidad
acceso abierto
Condiciones de uso
http://creativecommons.org/licenses/by-nc-sa/4.0/
Repositorio
SEDICI (UNLP)
Institución
Universidad Nacional de La Plata
OAI Identificador
oai:sedici.unlp.edu.ar:10915/136958
Acceder
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spelling Something to tell: musical work interpretations of the performer as narratorTanco, Matías GermánMúsicaMúsicaInterpretación musicalPerformanceNarraciónThe relationship between music and narrative has been extensively discussed since Nattiez (1990) onwards, establishing similarities between music and literary discourse, and its adequation to narratology. Beyond its literary form, narration is present in everyday life and is considered as a way of thinking, interpreting and creating a sense of the world and life, within the framework of one's own culture (Bruner, 1986). Narration and music are linked in intersubjective communication from early childhood, being together in time without the need for a grammatical discourse (Malloch & Trevarthen, 1999). However, there is little evidence in the literature about the performer musician as a teller or narrator, and, as a consequence little is known about the ways a musical piece expresses the narrator's point of view.Laboratorio para el Estudio de la Experiencia Musical2018-07-26info:eu-repo/semantics/conferenceObjectinfo:eu-repo/semantics/publishedVersionObjeto de conferenciahttp://purl.org/coar/resource_type/c_5794info:ar-repo/semantics/documentoDeConferenciaapplication/pdf459-460http://sedici.unlp.edu.ar/handle/10915/136958enginfo:eu-repo/semantics/altIdentifier/isbn/978-3-200-05771-5info:eu-repo/semantics/openAccesshttp://creativecommons.org/licenses/by-nc-sa/4.0/Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)reponame:SEDICI (UNLP)instname:Universidad Nacional de La Platainstacron:UNLP2025-09-29T11:34:39Zoai:sedici.unlp.edu.ar:10915/136958Institucionalhttp://sedici.unlp.edu.ar/Universidad públicaNo correspondehttp://sedici.unlp.edu.ar/oai/snrdalira@sedici.unlp.edu.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:13292025-09-29 11:34:40.26SEDICI (UNLP) - Universidad Nacional de La Platafalse
dc.title.none.fl_str_mv Something to tell: musical work interpretations of the performer as narrator
title Something to tell: musical work interpretations of the performer as narrator
spellingShingle Something to tell: musical work interpretations of the performer as narrator
Tanco, Matías Germán
Música
Música
Interpretación musical
Performance
Narración
title_short Something to tell: musical work interpretations of the performer as narrator
title_full Something to tell: musical work interpretations of the performer as narrator
title_fullStr Something to tell: musical work interpretations of the performer as narrator
title_full_unstemmed Something to tell: musical work interpretations of the performer as narrator
title_sort Something to tell: musical work interpretations of the performer as narrator
dc.creator.none.fl_str_mv Tanco, Matías Germán
author Tanco, Matías Germán
author_facet Tanco, Matías Germán
author_role author
dc.subject.none.fl_str_mv Música
Música
Interpretación musical
Performance
Narración
topic Música
Música
Interpretación musical
Performance
Narración
dc.description.none.fl_txt_mv The relationship between music and narrative has been extensively discussed since Nattiez (1990) onwards, establishing similarities between music and literary discourse, and its adequation to narratology. Beyond its literary form, narration is present in everyday life and is considered as a way of thinking, interpreting and creating a sense of the world and life, within the framework of one's own culture (Bruner, 1986). Narration and music are linked in intersubjective communication from early childhood, being together in time without the need for a grammatical discourse (Malloch & Trevarthen, 1999). However, there is little evidence in the literature about the performer musician as a teller or narrator, and, as a consequence little is known about the ways a musical piece expresses the narrator's point of view.
Laboratorio para el Estudio de la Experiencia Musical
description The relationship between music and narrative has been extensively discussed since Nattiez (1990) onwards, establishing similarities between music and literary discourse, and its adequation to narratology. Beyond its literary form, narration is present in everyday life and is considered as a way of thinking, interpreting and creating a sense of the world and life, within the framework of one's own culture (Bruner, 1986). Narration and music are linked in intersubjective communication from early childhood, being together in time without the need for a grammatical discourse (Malloch & Trevarthen, 1999). However, there is little evidence in the literature about the performer musician as a teller or narrator, and, as a consequence little is known about the ways a musical piece expresses the narrator's point of view.
publishDate 2018
dc.date.none.fl_str_mv 2018-07-26
dc.type.none.fl_str_mv info:eu-repo/semantics/conferenceObject
info:eu-repo/semantics/publishedVersion
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dc.language.none.fl_str_mv eng
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Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)
eu_rights_str_mv openAccess
rights_invalid_str_mv http://creativecommons.org/licenses/by-nc-sa/4.0/
Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)
dc.format.none.fl_str_mv application/pdf
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