Something to tell: musical work interpretations of the performer as narrator
- Autores
- Tanco, Matías Germán
- Año de publicación
- 2018
- Idioma
- inglés
- Tipo de recurso
- documento de conferencia
- Estado
- versión publicada
- Descripción
- The relationship between music and narrative has been extensively discussed since Nattiez (1990) onwards, establishing similarities between music and literary discourse, and its adequation to narratology. Beyond its literary form, narration is present in everyday life and is considered as a way of thinking, interpreting and creating a sense of the world and life, within the framework of one's own culture (Bruner, 1986). Narration and music are linked in intersubjective communication from early childhood, being together in time without the need for a grammatical discourse (Malloch & Trevarthen, 1999). However, there is little evidence in the literature about the performer musician as a teller or narrator, and, as a consequence little is known about the ways a musical piece expresses the narrator's point of view.
Laboratorio para el Estudio de la Experiencia Musical - Materia
-
Música
Música
Interpretación musical
Performance
Narración - Nivel de accesibilidad
- acceso abierto
- Condiciones de uso
- http://creativecommons.org/licenses/by-nc-sa/4.0/
- Repositorio
- Institución
- Universidad Nacional de La Plata
- OAI Identificador
- oai:sedici.unlp.edu.ar:10915/136958
Ver los metadatos del registro completo
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Something to tell: musical work interpretations of the performer as narratorTanco, Matías GermánMúsicaMúsicaInterpretación musicalPerformanceNarraciónThe relationship between music and narrative has been extensively discussed since Nattiez (1990) onwards, establishing similarities between music and literary discourse, and its adequation to narratology. Beyond its literary form, narration is present in everyday life and is considered as a way of thinking, interpreting and creating a sense of the world and life, within the framework of one's own culture (Bruner, 1986). Narration and music are linked in intersubjective communication from early childhood, being together in time without the need for a grammatical discourse (Malloch & Trevarthen, 1999). However, there is little evidence in the literature about the performer musician as a teller or narrator, and, as a consequence little is known about the ways a musical piece expresses the narrator's point of view.Laboratorio para el Estudio de la Experiencia Musical2018-07-26info:eu-repo/semantics/conferenceObjectinfo:eu-repo/semantics/publishedVersionObjeto de conferenciahttp://purl.org/coar/resource_type/c_5794info:ar-repo/semantics/documentoDeConferenciaapplication/pdf459-460http://sedici.unlp.edu.ar/handle/10915/136958enginfo:eu-repo/semantics/altIdentifier/isbn/978-3-200-05771-5info:eu-repo/semantics/openAccesshttp://creativecommons.org/licenses/by-nc-sa/4.0/Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)reponame:SEDICI (UNLP)instname:Universidad Nacional de La Platainstacron:UNLP2025-09-03T11:06:44Zoai:sedici.unlp.edu.ar:10915/136958Institucionalhttp://sedici.unlp.edu.ar/Universidad públicaNo correspondehttp://sedici.unlp.edu.ar/oai/snrdalira@sedici.unlp.edu.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:13292025-09-03 11:06:44.677SEDICI (UNLP) - Universidad Nacional de La Platafalse |
dc.title.none.fl_str_mv |
Something to tell: musical work interpretations of the performer as narrator |
title |
Something to tell: musical work interpretations of the performer as narrator |
spellingShingle |
Something to tell: musical work interpretations of the performer as narrator Tanco, Matías Germán Música Música Interpretación musical Performance Narración |
title_short |
Something to tell: musical work interpretations of the performer as narrator |
title_full |
Something to tell: musical work interpretations of the performer as narrator |
title_fullStr |
Something to tell: musical work interpretations of the performer as narrator |
title_full_unstemmed |
Something to tell: musical work interpretations of the performer as narrator |
title_sort |
Something to tell: musical work interpretations of the performer as narrator |
dc.creator.none.fl_str_mv |
Tanco, Matías Germán |
author |
Tanco, Matías Germán |
author_facet |
Tanco, Matías Germán |
author_role |
author |
dc.subject.none.fl_str_mv |
Música Música Interpretación musical Performance Narración |
topic |
Música Música Interpretación musical Performance Narración |
dc.description.none.fl_txt_mv |
The relationship between music and narrative has been extensively discussed since Nattiez (1990) onwards, establishing similarities between music and literary discourse, and its adequation to narratology. Beyond its literary form, narration is present in everyday life and is considered as a way of thinking, interpreting and creating a sense of the world and life, within the framework of one's own culture (Bruner, 1986). Narration and music are linked in intersubjective communication from early childhood, being together in time without the need for a grammatical discourse (Malloch & Trevarthen, 1999). However, there is little evidence in the literature about the performer musician as a teller or narrator, and, as a consequence little is known about the ways a musical piece expresses the narrator's point of view. Laboratorio para el Estudio de la Experiencia Musical |
description |
The relationship between music and narrative has been extensively discussed since Nattiez (1990) onwards, establishing similarities between music and literary discourse, and its adequation to narratology. Beyond its literary form, narration is present in everyday life and is considered as a way of thinking, interpreting and creating a sense of the world and life, within the framework of one's own culture (Bruner, 1986). Narration and music are linked in intersubjective communication from early childhood, being together in time without the need for a grammatical discourse (Malloch & Trevarthen, 1999). However, there is little evidence in the literature about the performer musician as a teller or narrator, and, as a consequence little is known about the ways a musical piece expresses the narrator's point of view. |
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2018 |
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2018-07-26 |
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eng |
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