Schoenberg’s Op. 11, No. 3: Composing with Tones of the Motive

Autores
Rodríguez, Edgardo José; Martínez, Alejandro Héctor
Año de publicación
2023
Idioma
inglés
Tipo de recurso
artículo
Estado
versión publicada
Descripción
The third piece of Schoenberg's Op. 11 has been associated with his brief period of "radical athematicism." In our study, we provide strong analytical evidence against this claim. The piece is the result of developing variation applied to an initial Grundgestalt. In other words, the organic conception of form that characterized his entire body of work also structures this composition.
A terceira peça do Op. 11 de Schoenberg tem sido associada com seu breve período de "atematismo radical." Em nosso estudo, fornecemos fortes evidências analíticas contra essa afirmação. A peça é o resultado do desenvolvimento da variação progressiva aplicada a uma Grundgestalt inicial. Em outras palavras, a concepção orgânica da forma que caracterizou todo o seu corpo de trabalho também estrutura essa composição.
Facultad de Artes
Materia
Música
Schoenberg
Atematismo radical
Variaçióno progresiva
Nivel de accesibilidad
acceso abierto
Condiciones de uso
http://creativecommons.org/licenses/by-nc-sa/4.0/
Repositorio
SEDICI (UNLP)
Institución
Universidad Nacional de La Plata
OAI Identificador
oai:sedici.unlp.edu.ar:10915/162840
Acceder
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network_name_str SEDICI (UNLP)
spelling Schoenberg’s Op. 11, No. 3: Composing with Tones of the MotiveOp. 11, no. 3 de Schoenberg: Compondo com notas do motivoRodríguez, Edgardo JoséMartínez, Alejandro HéctorMúsicaSchoenbergAtematismo radicalVariaçióno progresivaThe third piece of Schoenberg's Op. 11 has been associated with his brief period of "radical athematicism." In our study, we provide strong analytical evidence against this claim. The piece is the result of developing variation applied to an initial Grundgestalt. In other words, the organic conception of form that characterized his entire body of work also structures this composition.A terceira peça do Op. 11 de Schoenberg tem sido associada com seu breve período de "atematismo radical." Em nosso estudo, fornecemos fortes evidências analíticas contra essa afirmação. A peça é o resultado do desenvolvimento da variação progressiva aplicada a uma Grundgestalt inicial. Em outras palavras, a concepção orgânica da forma que caracterizou todo o seu corpo de trabalho também estrutura essa composição.Facultad de Artes2023-12-31info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArticulohttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdfhttp://sedici.unlp.edu.ar/handle/10915/162840enginfo:eu-repo/semantics/altIdentifier/url/https://revistamusicatheorica.tema.mus.br/index.php/musica-theorica/article/view/255info:eu-repo/semantics/altIdentifier/issn/2525-5541info:eu-repo/semantics/altIdentifier/doi/10.52930/mt.v8i2info:eu-repo/semantics/openAccesshttp://creativecommons.org/licenses/by-nc-sa/4.0/Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)reponame:SEDICI (UNLP)instname:Universidad Nacional de La Platainstacron:UNLP2025-09-29T11:42:50Zoai:sedici.unlp.edu.ar:10915/162840Institucionalhttp://sedici.unlp.edu.ar/Universidad públicaNo correspondehttp://sedici.unlp.edu.ar/oai/snrdalira@sedici.unlp.edu.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:13292025-09-29 11:42:51.101SEDICI (UNLP) - Universidad Nacional de La Platafalse
dc.title.none.fl_str_mv Schoenberg’s Op. 11, No. 3: Composing with Tones of the Motive
Op. 11, no. 3 de Schoenberg: Compondo com notas do motivo
title Schoenberg’s Op. 11, No. 3: Composing with Tones of the Motive
spellingShingle Schoenberg’s Op. 11, No. 3: Composing with Tones of the Motive
Rodríguez, Edgardo José
Música
Schoenberg
Atematismo radical
Variaçióno progresiva
title_short Schoenberg’s Op. 11, No. 3: Composing with Tones of the Motive
title_full Schoenberg’s Op. 11, No. 3: Composing with Tones of the Motive
title_fullStr Schoenberg’s Op. 11, No. 3: Composing with Tones of the Motive
title_full_unstemmed Schoenberg’s Op. 11, No. 3: Composing with Tones of the Motive
title_sort Schoenberg’s Op. 11, No. 3: Composing with Tones of the Motive
dc.creator.none.fl_str_mv Rodríguez, Edgardo José
Martínez, Alejandro Héctor
author Rodríguez, Edgardo José
author_facet Rodríguez, Edgardo José
Martínez, Alejandro Héctor
author_role author
author2 Martínez, Alejandro Héctor
author2_role author
dc.subject.none.fl_str_mv Música
Schoenberg
Atematismo radical
Variaçióno progresiva
topic Música
Schoenberg
Atematismo radical
Variaçióno progresiva
dc.description.none.fl_txt_mv The third piece of Schoenberg's Op. 11 has been associated with his brief period of "radical athematicism." In our study, we provide strong analytical evidence against this claim. The piece is the result of developing variation applied to an initial Grundgestalt. In other words, the organic conception of form that characterized his entire body of work also structures this composition.
A terceira peça do Op. 11 de Schoenberg tem sido associada com seu breve período de "atematismo radical." Em nosso estudo, fornecemos fortes evidências analíticas contra essa afirmação. A peça é o resultado do desenvolvimento da variação progressiva aplicada a uma Grundgestalt inicial. Em outras palavras, a concepção orgânica da forma que caracterizou todo o seu corpo de trabalho também estrutura essa composição.
Facultad de Artes
description The third piece of Schoenberg's Op. 11 has been associated with his brief period of "radical athematicism." In our study, we provide strong analytical evidence against this claim. The piece is the result of developing variation applied to an initial Grundgestalt. In other words, the organic conception of form that characterized his entire body of work also structures this composition.
publishDate 2023
dc.date.none.fl_str_mv 2023-12-31
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
Articulo
http://purl.org/coar/resource_type/c_6501
info:ar-repo/semantics/articulo
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv http://sedici.unlp.edu.ar/handle/10915/162840
url http://sedici.unlp.edu.ar/handle/10915/162840
dc.language.none.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv info:eu-repo/semantics/altIdentifier/url/https://revistamusicatheorica.tema.mus.br/index.php/musica-theorica/article/view/255
info:eu-repo/semantics/altIdentifier/issn/2525-5541
info:eu-repo/semantics/altIdentifier/doi/10.52930/mt.v8i2
dc.rights.none.fl_str_mv info:eu-repo/semantics/openAccess
http://creativecommons.org/licenses/by-nc-sa/4.0/
Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)
eu_rights_str_mv openAccess
rights_invalid_str_mv http://creativecommons.org/licenses/by-nc-sa/4.0/
Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)
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instname_str Universidad Nacional de La Plata
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repository.name.fl_str_mv SEDICI (UNLP) - Universidad Nacional de La Plata
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