'Buenos Aires beat': A topography of rock culture in Buenos Aires, 1965-1970
- Autores
- Sánchez Trolliet, Ana Belén
- Año de publicación
- 2014
- Idioma
- inglés
- Tipo de recurso
- reseña artículo
- Estado
- versión publicada
- Descripción
- In this article, I examine the rise of 'countercultural rock' in the city of Buenos Aires between 1965 and 1970. Through the identification, mapping and analysis of real and imaginary spaces, I analyse how rock occupied the city both materially and symbolically. This dual approach to the study of the production, circulation and consumption of rock music enables us to understand a paradox which spanned those formative years: although it was postulated as the genre of modern Buenos Aires, its aesthetic was geared towards constructing an anti-urban account that favoured escape towards idealized natural environments.
Instituto de Historia, Teoría y Praxis de la Arquitectura y la Ciudad - Materia
-
Urbanismo
Cultura
Música - Nivel de accesibilidad
- acceso abierto
- Condiciones de uso
- http://creativecommons.org/licenses/by-nc-sa/4.0/
- Repositorio
- Institución
- Universidad Nacional de La Plata
- OAI Identificador
- oai:sedici.unlp.edu.ar:10915/85177
Ver los metadatos del registro completo
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'Buenos Aires beat': A topography of rock culture in Buenos Aires, 1965-1970Sánchez Trolliet, Ana BelénUrbanismoCulturaMúsicaIn this article, I examine the rise of 'countercultural rock' in the city of Buenos Aires between 1965 and 1970. Through the identification, mapping and analysis of real and imaginary spaces, I analyse how rock occupied the city both materially and symbolically. This dual approach to the study of the production, circulation and consumption of rock music enables us to understand a paradox which spanned those formative years: although it was postulated as the genre of modern Buenos Aires, its aesthetic was geared towards constructing an anti-urban account that favoured escape towards idealized natural environments.Instituto de Historia, Teoría y Praxis de la Arquitectura y la Ciudad2014info:eu-repo/semantics/reviewinfo:eu-repo/semantics/publishedVersionRevisionhttp://purl.org/coar/resource_type/c_dcae04bcinfo:ar-repo/semantics/resenaArticuloapplication/pdf517-536http://sedici.unlp.edu.ar/handle/10915/85177enginfo:eu-repo/semantics/altIdentifier/issn/0963-9268info:eu-repo/semantics/altIdentifier/doi/10.1017/S0963926813000722info:eu-repo/semantics/openAccesshttp://creativecommons.org/licenses/by-nc-sa/4.0/Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)reponame:SEDICI (UNLP)instname:Universidad Nacional de La Platainstacron:UNLP2025-09-29T11:16:25Zoai:sedici.unlp.edu.ar:10915/85177Institucionalhttp://sedici.unlp.edu.ar/Universidad públicaNo correspondehttp://sedici.unlp.edu.ar/oai/snrdalira@sedici.unlp.edu.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:13292025-09-29 11:16:26.197SEDICI (UNLP) - Universidad Nacional de La Platafalse |
dc.title.none.fl_str_mv |
'Buenos Aires beat': A topography of rock culture in Buenos Aires, 1965-1970 |
title |
'Buenos Aires beat': A topography of rock culture in Buenos Aires, 1965-1970 |
spellingShingle |
'Buenos Aires beat': A topography of rock culture in Buenos Aires, 1965-1970 Sánchez Trolliet, Ana Belén Urbanismo Cultura Música |
title_short |
'Buenos Aires beat': A topography of rock culture in Buenos Aires, 1965-1970 |
title_full |
'Buenos Aires beat': A topography of rock culture in Buenos Aires, 1965-1970 |
title_fullStr |
'Buenos Aires beat': A topography of rock culture in Buenos Aires, 1965-1970 |
title_full_unstemmed |
'Buenos Aires beat': A topography of rock culture in Buenos Aires, 1965-1970 |
title_sort |
'Buenos Aires beat': A topography of rock culture in Buenos Aires, 1965-1970 |
dc.creator.none.fl_str_mv |
Sánchez Trolliet, Ana Belén |
author |
Sánchez Trolliet, Ana Belén |
author_facet |
Sánchez Trolliet, Ana Belén |
author_role |
author |
dc.subject.none.fl_str_mv |
Urbanismo Cultura Música |
topic |
Urbanismo Cultura Música |
dc.description.none.fl_txt_mv |
In this article, I examine the rise of 'countercultural rock' in the city of Buenos Aires between 1965 and 1970. Through the identification, mapping and analysis of real and imaginary spaces, I analyse how rock occupied the city both materially and symbolically. This dual approach to the study of the production, circulation and consumption of rock music enables us to understand a paradox which spanned those formative years: although it was postulated as the genre of modern Buenos Aires, its aesthetic was geared towards constructing an anti-urban account that favoured escape towards idealized natural environments. Instituto de Historia, Teoría y Praxis de la Arquitectura y la Ciudad |
description |
In this article, I examine the rise of 'countercultural rock' in the city of Buenos Aires between 1965 and 1970. Through the identification, mapping and analysis of real and imaginary spaces, I analyse how rock occupied the city both materially and symbolically. This dual approach to the study of the production, circulation and consumption of rock music enables us to understand a paradox which spanned those formative years: although it was postulated as the genre of modern Buenos Aires, its aesthetic was geared towards constructing an anti-urban account that favoured escape towards idealized natural environments. |
publishDate |
2014 |
dc.date.none.fl_str_mv |
2014 |
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review |
status_str |
publishedVersion |
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http://sedici.unlp.edu.ar/handle/10915/85177 |
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http://sedici.unlp.edu.ar/handle/10915/85177 |
dc.language.none.fl_str_mv |
eng |
language |
eng |
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info:eu-repo/semantics/openAccess http://creativecommons.org/licenses/by-nc-sa/4.0/ Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) |
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openAccess |
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http://creativecommons.org/licenses/by-nc-sa/4.0/ Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) |
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application/pdf 517-536 |
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