'Buenos Aires beat': A topography of rock culture in Buenos Aires, 1965-1970

Autores
Sánchez Trolliet, Ana Belén
Año de publicación
2014
Idioma
inglés
Tipo de recurso
reseña artículo
Estado
versión publicada
Descripción
In this article, I examine the rise of 'countercultural rock' in the city of Buenos Aires between 1965 and 1970. Through the identification, mapping and analysis of real and imaginary spaces, I analyse how rock occupied the city both materially and symbolically. This dual approach to the study of the production, circulation and consumption of rock music enables us to understand a paradox which spanned those formative years: although it was postulated as the genre of modern Buenos Aires, its aesthetic was geared towards constructing an anti-urban account that favoured escape towards idealized natural environments.
Instituto de Historia, Teoría y Praxis de la Arquitectura y la Ciudad
Materia
Urbanismo
Cultura
Música
Nivel de accesibilidad
acceso abierto
Condiciones de uso
http://creativecommons.org/licenses/by-nc-sa/4.0/
Repositorio
SEDICI (UNLP)
Institución
Universidad Nacional de La Plata
OAI Identificador
oai:sedici.unlp.edu.ar:10915/85177

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network_name_str SEDICI (UNLP)
spelling 'Buenos Aires beat': A topography of rock culture in Buenos Aires, 1965-1970Sánchez Trolliet, Ana BelénUrbanismoCulturaMúsicaIn this article, I examine the rise of 'countercultural rock' in the city of Buenos Aires between 1965 and 1970. Through the identification, mapping and analysis of real and imaginary spaces, I analyse how rock occupied the city both materially and symbolically. This dual approach to the study of the production, circulation and consumption of rock music enables us to understand a paradox which spanned those formative years: although it was postulated as the genre of modern Buenos Aires, its aesthetic was geared towards constructing an anti-urban account that favoured escape towards idealized natural environments.Instituto de Historia, Teoría y Praxis de la Arquitectura y la Ciudad2014info:eu-repo/semantics/reviewinfo:eu-repo/semantics/publishedVersionRevisionhttp://purl.org/coar/resource_type/c_dcae04bcinfo:ar-repo/semantics/resenaArticuloapplication/pdf517-536http://sedici.unlp.edu.ar/handle/10915/85177enginfo:eu-repo/semantics/altIdentifier/issn/0963-9268info:eu-repo/semantics/altIdentifier/doi/10.1017/S0963926813000722info:eu-repo/semantics/openAccesshttp://creativecommons.org/licenses/by-nc-sa/4.0/Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)reponame:SEDICI (UNLP)instname:Universidad Nacional de La Platainstacron:UNLP2025-09-29T11:16:25Zoai:sedici.unlp.edu.ar:10915/85177Institucionalhttp://sedici.unlp.edu.ar/Universidad públicaNo correspondehttp://sedici.unlp.edu.ar/oai/snrdalira@sedici.unlp.edu.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:13292025-09-29 11:16:26.197SEDICI (UNLP) - Universidad Nacional de La Platafalse
dc.title.none.fl_str_mv 'Buenos Aires beat': A topography of rock culture in Buenos Aires, 1965-1970
title 'Buenos Aires beat': A topography of rock culture in Buenos Aires, 1965-1970
spellingShingle 'Buenos Aires beat': A topography of rock culture in Buenos Aires, 1965-1970
Sánchez Trolliet, Ana Belén
Urbanismo
Cultura
Música
title_short 'Buenos Aires beat': A topography of rock culture in Buenos Aires, 1965-1970
title_full 'Buenos Aires beat': A topography of rock culture in Buenos Aires, 1965-1970
title_fullStr 'Buenos Aires beat': A topography of rock culture in Buenos Aires, 1965-1970
title_full_unstemmed 'Buenos Aires beat': A topography of rock culture in Buenos Aires, 1965-1970
title_sort 'Buenos Aires beat': A topography of rock culture in Buenos Aires, 1965-1970
dc.creator.none.fl_str_mv Sánchez Trolliet, Ana Belén
author Sánchez Trolliet, Ana Belén
author_facet Sánchez Trolliet, Ana Belén
author_role author
dc.subject.none.fl_str_mv Urbanismo
Cultura
Música
topic Urbanismo
Cultura
Música
dc.description.none.fl_txt_mv In this article, I examine the rise of 'countercultural rock' in the city of Buenos Aires between 1965 and 1970. Through the identification, mapping and analysis of real and imaginary spaces, I analyse how rock occupied the city both materially and symbolically. This dual approach to the study of the production, circulation and consumption of rock music enables us to understand a paradox which spanned those formative years: although it was postulated as the genre of modern Buenos Aires, its aesthetic was geared towards constructing an anti-urban account that favoured escape towards idealized natural environments.
Instituto de Historia, Teoría y Praxis de la Arquitectura y la Ciudad
description In this article, I examine the rise of 'countercultural rock' in the city of Buenos Aires between 1965 and 1970. Through the identification, mapping and analysis of real and imaginary spaces, I analyse how rock occupied the city both materially and symbolically. This dual approach to the study of the production, circulation and consumption of rock music enables us to understand a paradox which spanned those formative years: although it was postulated as the genre of modern Buenos Aires, its aesthetic was geared towards constructing an anti-urban account that favoured escape towards idealized natural environments.
publishDate 2014
dc.date.none.fl_str_mv 2014
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Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)
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