'Buenos Aires beat': A topography of rock culture in Buenos Aires, 1965-1970
- Autores
- Sánchez Trolliet, Ana Belén
- Año de publicación
- 2014
- Idioma
- inglés
- Tipo de recurso
- reseña artículo
- Estado
- versión publicada
- Descripción
- In this article, I examine the rise of 'countercultural rock' in the city of Buenos Aires between 1965 and 1970. Through the identification, mapping and analysis of real and imaginary spaces, I analyse how rock occupied the city both materially and symbolically. This dual approach to the study of the production, circulation and consumption of rock music enables us to understand a paradox which spanned those formative years: although it was postulated as the genre of modern Buenos Aires, its aesthetic was geared towards constructing an anti-urban account that favoured escape towards idealized natural environments.
Instituto de Historia, Teoría y Praxis de la Arquitectura y la Ciudad - Materia
-
Urbanismo
Cultura
Música - Nivel de accesibilidad
- acceso abierto
- Condiciones de uso
- http://creativecommons.org/licenses/by-nc-sa/4.0/
- Repositorio
.jpg)
- Institución
- Universidad Nacional de La Plata
- OAI Identificador
- oai:sedici.unlp.edu.ar:10915/85177
Ver los metadatos del registro completo
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'Buenos Aires beat': A topography of rock culture in Buenos Aires, 1965-1970 |
| title |
'Buenos Aires beat': A topography of rock culture in Buenos Aires, 1965-1970 |
| spellingShingle |
'Buenos Aires beat': A topography of rock culture in Buenos Aires, 1965-1970 Sánchez Trolliet, Ana Belén Urbanismo Cultura Música |
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'Buenos Aires beat': A topography of rock culture in Buenos Aires, 1965-1970 |
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'Buenos Aires beat': A topography of rock culture in Buenos Aires, 1965-1970 |
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'Buenos Aires beat': A topography of rock culture in Buenos Aires, 1965-1970 |
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'Buenos Aires beat': A topography of rock culture in Buenos Aires, 1965-1970 |
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Sánchez Trolliet, Ana Belén |
| author |
Sánchez Trolliet, Ana Belén |
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Sánchez Trolliet, Ana Belén |
| author_role |
author |
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Urbanismo Cultura Música |
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Urbanismo Cultura Música |
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In this article, I examine the rise of 'countercultural rock' in the city of Buenos Aires between 1965 and 1970. Through the identification, mapping and analysis of real and imaginary spaces, I analyse how rock occupied the city both materially and symbolically. This dual approach to the study of the production, circulation and consumption of rock music enables us to understand a paradox which spanned those formative years: although it was postulated as the genre of modern Buenos Aires, its aesthetic was geared towards constructing an anti-urban account that favoured escape towards idealized natural environments. Instituto de Historia, Teoría y Praxis de la Arquitectura y la Ciudad |
| description |
In this article, I examine the rise of 'countercultural rock' in the city of Buenos Aires between 1965 and 1970. Through the identification, mapping and analysis of real and imaginary spaces, I analyse how rock occupied the city both materially and symbolically. This dual approach to the study of the production, circulation and consumption of rock music enables us to understand a paradox which spanned those formative years: although it was postulated as the genre of modern Buenos Aires, its aesthetic was geared towards constructing an anti-urban account that favoured escape towards idealized natural environments. |
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2014 |
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2014 |
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