"Buenos Aires beat": A topography of rock culture in Buenos Aires, 1965-1970

Autores
Sanchez Trolliet, Ana Belen
Año de publicación
2014
Idioma
inglés
Tipo de recurso
artículo
Estado
versión publicada
Descripción
In this article, I examine the rise of 'countercultural rock' in the city of Buenos Aires between 1965 and 1970. Through the identification, mapping and analysis of real and imaginary spaces, I analyse how rock occupied the city both materially and symbolically. This dual approach to the study of the production, circulation and consumption of rock music enables us to understand a paradox which spanned those formative years: although it was postulated as the genre of modern Buenos Aires, its aesthetic was geared towards constructing an anti-urban account that favoured escape towards idealized natural environments.
Fil: Sanchez Trolliet, Ana Belen. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - La Plata; Argentina. Universidad de Buenos Aires; Argentina. Universidad Nacional de La Plata. Facultad de Arquitectura y Urbanismo. Instituto de Investigaciones en Historia, Teoría y Praxis de la Arquitectura y la Ciudad; Argentina
Materia
Ciudad
Rock
Topografías
Buenos Aires
Nivel de accesibilidad
acceso abierto
Condiciones de uso
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
Repositorio
CONICET Digital (CONICET)
Institución
Consejo Nacional de Investigaciones Científicas y Técnicas
OAI Identificador
oai:ri.conicet.gov.ar:11336/79722
Acceder
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oai_identifier_str oai:ri.conicet.gov.ar:11336/79722
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network_name_str CONICET Digital (CONICET)
spelling "Buenos Aires beat": A topography of rock culture in Buenos Aires, 1965-1970Sanchez Trolliet, Ana BelenCiudadRockTopografíasBuenos Aireshttps://purl.org/becyt/ford/6.1https://purl.org/becyt/ford/6In this article, I examine the rise of 'countercultural rock' in the city of Buenos Aires between 1965 and 1970. Through the identification, mapping and analysis of real and imaginary spaces, I analyse how rock occupied the city both materially and symbolically. This dual approach to the study of the production, circulation and consumption of rock music enables us to understand a paradox which spanned those formative years: although it was postulated as the genre of modern Buenos Aires, its aesthetic was geared towards constructing an anti-urban account that favoured escape towards idealized natural environments.Fil: Sanchez Trolliet, Ana Belen. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - La Plata; Argentina. Universidad de Buenos Aires; Argentina. Universidad Nacional de La Plata. Facultad de Arquitectura y Urbanismo. Instituto de Investigaciones en Historia, Teoría y Praxis de la Arquitectura y la Ciudad; ArgentinaCambridge University Press2014-08info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdfapplication/pdfhttp://hdl.handle.net/11336/79722Sanchez Trolliet, Ana Belen; "Buenos Aires beat": A topography of rock culture in Buenos Aires, 1965-1970; Cambridge University Press; Urban History; 41; 3; 8-2014; 517-5360963-92681469-8706CONICET DigitalCONICETenginfo:eu-repo/semantics/altIdentifier/url/http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=9043546&fulltextType=RA&fileId=S0963926813000722info:eu-repo/semantics/altIdentifier/doi/10.1017/S0963926813000722info:eu-repo/semantics/altIdentifier/url/https://www.semanticscholar.org/paper/%E2%80%98Buenos-Aires-beat%E2%80%99%3A-a-topography-of-rock-culture-Trolliet/1579984194ddc19bbe185417994fa23eaf7eb941info:eu-repo/semantics/openAccesshttps://creativecommons.org/licenses/by-nc-sa/2.5/ar/reponame:CONICET Digital (CONICET)instname:Consejo Nacional de Investigaciones Científicas y Técnicas2025-10-22T11:53:16Zoai:ri.conicet.gov.ar:11336/79722instacron:CONICETInstitucionalhttp://ri.conicet.gov.ar/Organismo científico-tecnológicoNo correspondehttp://ri.conicet.gov.ar/oai/requestdasensio@conicet.gov.ar; lcarlino@conicet.gov.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:34982025-10-22 11:53:16.969CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicasfalse
dc.title.none.fl_str_mv "Buenos Aires beat": A topography of rock culture in Buenos Aires, 1965-1970
title "Buenos Aires beat": A topography of rock culture in Buenos Aires, 1965-1970
spellingShingle "Buenos Aires beat": A topography of rock culture in Buenos Aires, 1965-1970
Sanchez Trolliet, Ana Belen
Ciudad
Rock
Topografías
Buenos Aires
title_short "Buenos Aires beat": A topography of rock culture in Buenos Aires, 1965-1970
title_full "Buenos Aires beat": A topography of rock culture in Buenos Aires, 1965-1970
title_fullStr "Buenos Aires beat": A topography of rock culture in Buenos Aires, 1965-1970
title_full_unstemmed "Buenos Aires beat": A topography of rock culture in Buenos Aires, 1965-1970
title_sort "Buenos Aires beat": A topography of rock culture in Buenos Aires, 1965-1970
dc.creator.none.fl_str_mv Sanchez Trolliet, Ana Belen
author Sanchez Trolliet, Ana Belen
author_facet Sanchez Trolliet, Ana Belen
author_role author
dc.subject.none.fl_str_mv Ciudad
Rock
Topografías
Buenos Aires
topic Ciudad
Rock
Topografías
Buenos Aires
purl_subject.fl_str_mv https://purl.org/becyt/ford/6.1
https://purl.org/becyt/ford/6
dc.description.none.fl_txt_mv In this article, I examine the rise of 'countercultural rock' in the city of Buenos Aires between 1965 and 1970. Through the identification, mapping and analysis of real and imaginary spaces, I analyse how rock occupied the city both materially and symbolically. This dual approach to the study of the production, circulation and consumption of rock music enables us to understand a paradox which spanned those formative years: although it was postulated as the genre of modern Buenos Aires, its aesthetic was geared towards constructing an anti-urban account that favoured escape towards idealized natural environments.
Fil: Sanchez Trolliet, Ana Belen. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - La Plata; Argentina. Universidad de Buenos Aires; Argentina. Universidad Nacional de La Plata. Facultad de Arquitectura y Urbanismo. Instituto de Investigaciones en Historia, Teoría y Praxis de la Arquitectura y la Ciudad; Argentina
description In this article, I examine the rise of 'countercultural rock' in the city of Buenos Aires between 1965 and 1970. Through the identification, mapping and analysis of real and imaginary spaces, I analyse how rock occupied the city both materially and symbolically. This dual approach to the study of the production, circulation and consumption of rock music enables us to understand a paradox which spanned those formative years: although it was postulated as the genre of modern Buenos Aires, its aesthetic was geared towards constructing an anti-urban account that favoured escape towards idealized natural environments.
publishDate 2014
dc.date.none.fl_str_mv 2014-08
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://purl.org/coar/resource_type/c_6501
info:ar-repo/semantics/articulo
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv http://hdl.handle.net/11336/79722
Sanchez Trolliet, Ana Belen; "Buenos Aires beat": A topography of rock culture in Buenos Aires, 1965-1970; Cambridge University Press; Urban History; 41; 3; 8-2014; 517-536
0963-9268
1469-8706
CONICET Digital
CONICET
url http://hdl.handle.net/11336/79722
identifier_str_mv Sanchez Trolliet, Ana Belen; "Buenos Aires beat": A topography of rock culture in Buenos Aires, 1965-1970; Cambridge University Press; Urban History; 41; 3; 8-2014; 517-536
0963-9268
1469-8706
CONICET Digital
CONICET
dc.language.none.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv info:eu-repo/semantics/altIdentifier/url/http://journals.cambridge.org/action/displayAbstract?fromPage=online&aid=9043546&fulltextType=RA&fileId=S0963926813000722
info:eu-repo/semantics/altIdentifier/doi/10.1017/S0963926813000722
info:eu-repo/semantics/altIdentifier/url/https://www.semanticscholar.org/paper/%E2%80%98Buenos-Aires-beat%E2%80%99%3A-a-topography-of-rock-culture-Trolliet/1579984194ddc19bbe185417994fa23eaf7eb941
dc.rights.none.fl_str_mv info:eu-repo/semantics/openAccess
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
eu_rights_str_mv openAccess
rights_invalid_str_mv https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv Cambridge University Press
publisher.none.fl_str_mv Cambridge University Press
dc.source.none.fl_str_mv reponame:CONICET Digital (CONICET)
instname:Consejo Nacional de Investigaciones Científicas y Técnicas
reponame_str CONICET Digital (CONICET)
collection CONICET Digital (CONICET)
instname_str Consejo Nacional de Investigaciones Científicas y Técnicas
repository.name.fl_str_mv CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicas
repository.mail.fl_str_mv dasensio@conicet.gov.ar; lcarlino@conicet.gov.ar
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score 12.982451

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