Talking about tango : A qualitative study of musical interaction from the Second Person perspective in a tango duo

Autores
Alimenti Bel, Demian
Año de publicación
2021
Idioma
inglés
Tipo de recurso
documento de conferencia
Estado
versión publicada
Descripción
In this paper, interaction is approached from the Second Person (2P) Perspective of mental attribution (Pérez and Gomila, 2021), a theoretical framework that focuses on the problem of interaction between individuals, including the emotional involvement and the direct attributions of intentionality present in human communication. Specifically, 2P interactions are those that occur in situations in which two human beings meet face to face, body to body, get emotional, and understand and perceive each other through intentional actions (Gomila, 2002). We posit that the communication between tango performers is mediated by this type of low-level interactions (intentional actions), which are essential for the expressive-musical construction of a tango piece. In order to make meaning within the normative framework of the practice of tango, the processes of composition, performance and improvisation of a tango duo must be collaborative and co-created.
Laboratorio para el Estudio de la Experiencia Musical
Materia
Música
Tango
Musical Interaction
Communication
Second Person Perspective
Nivel de accesibilidad
acceso abierto
Condiciones de uso
http://creativecommons.org/licenses/by-nc-sa/4.0/
Repositorio
SEDICI (UNLP)
Institución
Universidad Nacional de La Plata
OAI Identificador
oai:sedici.unlp.edu.ar:10915/136897
Acceder
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network_name_str SEDICI (UNLP)
spelling Talking about tango : A qualitative study of musical interaction from the Second Person perspective in a tango duoAlimenti Bel, DemianMúsicaTangoMusical InteractionCommunicationSecond Person PerspectiveIn this paper, interaction is approached from the Second Person (2P) Perspective of mental attribution (Pérez and Gomila, 2021), a theoretical framework that focuses on the problem of interaction between individuals, including the emotional involvement and the direct attributions of intentionality present in human communication. Specifically, 2P interactions are those that occur in situations in which two human beings meet face to face, body to body, get emotional, and understand and perceive each other through intentional actions (Gomila, 2002). We posit that the communication between tango performers is mediated by this type of low-level interactions (intentional actions), which are essential for the expressive-musical construction of a tango piece. In order to make meaning within the normative framework of the practice of tango, the processes of composition, performance and improvisation of a tango duo must be collaborative and co-created.Laboratorio para el Estudio de la Experiencia Musical2021info:eu-repo/semantics/conferenceObjectinfo:eu-repo/semantics/publishedVersionResumenhttp://purl.org/coar/resource_type/c_5794info:ar-repo/semantics/documentoDeConferenciaapplication/pdfhttp://sedici.unlp.edu.ar/handle/10915/136897enginfo:eu-repo/semantics/altIdentifier/url/https://drive.google.com/file/d/1xRqxWJ5W7gAQUqt4j5NcK0Avm7eLN8T2/viewinfo:eu-repo/semantics/openAccesshttp://creativecommons.org/licenses/by-nc-sa/4.0/Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)reponame:SEDICI (UNLP)instname:Universidad Nacional de La Platainstacron:UNLP2025-09-03T11:06:44Zoai:sedici.unlp.edu.ar:10915/136897Institucionalhttp://sedici.unlp.edu.ar/Universidad públicaNo correspondehttp://sedici.unlp.edu.ar/oai/snrdalira@sedici.unlp.edu.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:13292025-09-03 11:06:44.592SEDICI (UNLP) - Universidad Nacional de La Platafalse
dc.title.none.fl_str_mv Talking about tango : A qualitative study of musical interaction from the Second Person perspective in a tango duo
title Talking about tango : A qualitative study of musical interaction from the Second Person perspective in a tango duo
spellingShingle Talking about tango : A qualitative study of musical interaction from the Second Person perspective in a tango duo
Alimenti Bel, Demian
Música
Tango
Musical Interaction
Communication
Second Person Perspective
title_short Talking about tango : A qualitative study of musical interaction from the Second Person perspective in a tango duo
title_full Talking about tango : A qualitative study of musical interaction from the Second Person perspective in a tango duo
title_fullStr Talking about tango : A qualitative study of musical interaction from the Second Person perspective in a tango duo
title_full_unstemmed Talking about tango : A qualitative study of musical interaction from the Second Person perspective in a tango duo
title_sort Talking about tango : A qualitative study of musical interaction from the Second Person perspective in a tango duo
dc.creator.none.fl_str_mv Alimenti Bel, Demian
author Alimenti Bel, Demian
author_facet Alimenti Bel, Demian
author_role author
dc.subject.none.fl_str_mv Música
Tango
Musical Interaction
Communication
Second Person Perspective
topic Música
Tango
Musical Interaction
Communication
Second Person Perspective
dc.description.none.fl_txt_mv In this paper, interaction is approached from the Second Person (2P) Perspective of mental attribution (Pérez and Gomila, 2021), a theoretical framework that focuses on the problem of interaction between individuals, including the emotional involvement and the direct attributions of intentionality present in human communication. Specifically, 2P interactions are those that occur in situations in which two human beings meet face to face, body to body, get emotional, and understand and perceive each other through intentional actions (Gomila, 2002). We posit that the communication between tango performers is mediated by this type of low-level interactions (intentional actions), which are essential for the expressive-musical construction of a tango piece. In order to make meaning within the normative framework of the practice of tango, the processes of composition, performance and improvisation of a tango duo must be collaborative and co-created.
Laboratorio para el Estudio de la Experiencia Musical
description In this paper, interaction is approached from the Second Person (2P) Perspective of mental attribution (Pérez and Gomila, 2021), a theoretical framework that focuses on the problem of interaction between individuals, including the emotional involvement and the direct attributions of intentionality present in human communication. Specifically, 2P interactions are those that occur in situations in which two human beings meet face to face, body to body, get emotional, and understand and perceive each other through intentional actions (Gomila, 2002). We posit that the communication between tango performers is mediated by this type of low-level interactions (intentional actions), which are essential for the expressive-musical construction of a tango piece. In order to make meaning within the normative framework of the practice of tango, the processes of composition, performance and improvisation of a tango duo must be collaborative and co-created.
publishDate 2021
dc.date.none.fl_str_mv 2021
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dc.language.none.fl_str_mv eng
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dc.rights.none.fl_str_mv info:eu-repo/semantics/openAccess
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eu_rights_str_mv openAccess
rights_invalid_str_mv http://creativecommons.org/licenses/by-nc-sa/4.0/
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