The Lippard Effect. The Inertia of The Discourse and Institutions

Autores
Krochmalny, Pablo
Año de publicación
2013
Idioma
inglés
Tipo de recurso
artículo
Estado
versión publicada
Descripción
The resonance of Lucy Lippard's discourse reached the exhibition "Open Work in Latin America, New York & Beyond: Conceptualism Reconsidered, 1967-1978" curated by Harper Montgomery at Hunter College. History anchors itself once again in the shelves of conceptual art. For the lovers of conspiracies, conceptualism is a complex, non-linear phenomenon. It can't be reduced to a chronology but crystallises into networks of power. The story of Lippard persists beyond the evidences reaped by the history of art in the last decade. One demonstration of the standing of an institutional collection like that of Cisneros, ought to be carefully examining the investigations into conceptualism that are being developed in diverse parts of the world, and not remaining petrified in the face of the advances made in the investigation of art and curatorial practices. An institutional collection is not built up out of commercial interests nor personal caprices, but through historical investigation.
Fil: Krochmalny, Pablo. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina
Materia
ARTE CONCEPTUAL
OBRA ABIERTA
COLECCIÓN
CURADURÍA
Nivel de accesibilidad
acceso abierto
Condiciones de uso
https://creativecommons.org/licenses/by-nc-nd/2.5/ar/
Repositorio
CONICET Digital (CONICET)
Institución
Consejo Nacional de Investigaciones Científicas y Técnicas
OAI Identificador
oai:ri.conicet.gov.ar:11336/26918
Acceder
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spelling The Lippard Effect. The Inertia of The Discourse and InstitutionsKrochmalny, PabloARTE CONCEPTUALOBRA ABIERTACOLECCIÓNCURADURÍAhttps://purl.org/becyt/ford/6.4https://purl.org/becyt/ford/6The resonance of Lucy Lippard's discourse reached the exhibition "Open Work in Latin America, New York & Beyond: Conceptualism Reconsidered, 1967-1978" curated by Harper Montgomery at Hunter College. History anchors itself once again in the shelves of conceptual art. For the lovers of conspiracies, conceptualism is a complex, non-linear phenomenon. It can't be reduced to a chronology but crystallises into networks of power. The story of Lippard persists beyond the evidences reaped by the history of art in the last decade. One demonstration of the standing of an institutional collection like that of Cisneros, ought to be carefully examining the investigations into conceptualism that are being developed in diverse parts of the world, and not remaining petrified in the face of the advances made in the investigation of art and curatorial practices. An institutional collection is not built up out of commercial interests nor personal caprices, but through historical investigation.Fil: Krochmalny, Pablo. Consejo Nacional de Investigaciones Científicas y Técnicas; ArgentinaA Desk2013-05info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdfapplication/pdfhttp://hdl.handle.net/11336/26918Krochmalny, Pablo; The Lippard Effect. The Inertia of The Discourse and Institutions; A Desk; A Desk; 5-2013; 1-32564-8330CONICET DigitalCONICETenginfo:eu-repo/semantics/altIdentifier/url/http://www.a-desk.org/highlights/The-Lippard-effect-The-inertia-of.htmlinfo:eu-repo/semantics/openAccesshttps://creativecommons.org/licenses/by-nc-nd/2.5/ar/reponame:CONICET Digital (CONICET)instname:Consejo Nacional de Investigaciones Científicas y Técnicas2026-04-15T10:04:30Zoai:ri.conicet.gov.ar:11336/26918instacron:CONICETInstitucionalhttp://ri.conicet.gov.ar/Organismo científico-tecnológicoNo correspondehttp://ri.conicet.gov.ar/oai/requestdasensio@conicet.gov.ar; lcarlino@conicet.gov.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:34982026-04-15 10:04:31.016CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicasfalse
dc.title.none.fl_str_mv The Lippard Effect. The Inertia of The Discourse and Institutions
title The Lippard Effect. The Inertia of The Discourse and Institutions
spellingShingle The Lippard Effect. The Inertia of The Discourse and Institutions
Krochmalny, Pablo
ARTE CONCEPTUAL
OBRA ABIERTA
COLECCIÓN
CURADURÍA
title_short The Lippard Effect. The Inertia of The Discourse and Institutions
title_full The Lippard Effect. The Inertia of The Discourse and Institutions
title_fullStr The Lippard Effect. The Inertia of The Discourse and Institutions
title_full_unstemmed The Lippard Effect. The Inertia of The Discourse and Institutions
title_sort The Lippard Effect. The Inertia of The Discourse and Institutions
dc.creator.none.fl_str_mv Krochmalny, Pablo
author Krochmalny, Pablo
author_facet Krochmalny, Pablo
author_role author
dc.subject.none.fl_str_mv ARTE CONCEPTUAL
OBRA ABIERTA
COLECCIÓN
CURADURÍA
topic ARTE CONCEPTUAL
OBRA ABIERTA
COLECCIÓN
CURADURÍA
purl_subject.fl_str_mv https://purl.org/becyt/ford/6.4
https://purl.org/becyt/ford/6
dc.description.none.fl_txt_mv The resonance of Lucy Lippard's discourse reached the exhibition "Open Work in Latin America, New York & Beyond: Conceptualism Reconsidered, 1967-1978" curated by Harper Montgomery at Hunter College. History anchors itself once again in the shelves of conceptual art. For the lovers of conspiracies, conceptualism is a complex, non-linear phenomenon. It can't be reduced to a chronology but crystallises into networks of power. The story of Lippard persists beyond the evidences reaped by the history of art in the last decade. One demonstration of the standing of an institutional collection like that of Cisneros, ought to be carefully examining the investigations into conceptualism that are being developed in diverse parts of the world, and not remaining petrified in the face of the advances made in the investigation of art and curatorial practices. An institutional collection is not built up out of commercial interests nor personal caprices, but through historical investigation.
Fil: Krochmalny, Pablo. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina
description The resonance of Lucy Lippard's discourse reached the exhibition "Open Work in Latin America, New York & Beyond: Conceptualism Reconsidered, 1967-1978" curated by Harper Montgomery at Hunter College. History anchors itself once again in the shelves of conceptual art. For the lovers of conspiracies, conceptualism is a complex, non-linear phenomenon. It can't be reduced to a chronology but crystallises into networks of power. The story of Lippard persists beyond the evidences reaped by the history of art in the last decade. One demonstration of the standing of an institutional collection like that of Cisneros, ought to be carefully examining the investigations into conceptualism that are being developed in diverse parts of the world, and not remaining petrified in the face of the advances made in the investigation of art and curatorial practices. An institutional collection is not built up out of commercial interests nor personal caprices, but through historical investigation.
publishDate 2013
dc.date.none.fl_str_mv 2013-05
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://purl.org/coar/resource_type/c_6501
info:ar-repo/semantics/articulo
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv http://hdl.handle.net/11336/26918
Krochmalny, Pablo; The Lippard Effect. The Inertia of The Discourse and Institutions; A Desk; A Desk; 5-2013; 1-3
2564-8330
CONICET Digital
CONICET
url http://hdl.handle.net/11336/26918
identifier_str_mv Krochmalny, Pablo; The Lippard Effect. The Inertia of The Discourse and Institutions; A Desk; A Desk; 5-2013; 1-3
2564-8330
CONICET Digital
CONICET
dc.language.none.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv info:eu-repo/semantics/altIdentifier/url/http://www.a-desk.org/highlights/The-Lippard-effect-The-inertia-of.html
dc.rights.none.fl_str_mv info:eu-repo/semantics/openAccess
https://creativecommons.org/licenses/by-nc-nd/2.5/ar/
eu_rights_str_mv openAccess
rights_invalid_str_mv https://creativecommons.org/licenses/by-nc-nd/2.5/ar/
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv A Desk
publisher.none.fl_str_mv A Desk
dc.source.none.fl_str_mv reponame:CONICET Digital (CONICET)
instname:Consejo Nacional de Investigaciones Científicas y Técnicas
reponame_str CONICET Digital (CONICET)
collection CONICET Digital (CONICET)
instname_str Consejo Nacional de Investigaciones Científicas y Técnicas
repository.name.fl_str_mv CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicas
repository.mail.fl_str_mv dasensio@conicet.gov.ar; lcarlino@conicet.gov.ar
_version_ 1862631213767852032
score 13.203462

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