Music as environment: movement cues as descriptors of musical experience

Autores
Damesón, Javier; Martínez, Isabel Cecilia
Año de publicación
2018
Idioma
inglés
Tipo de recurso
documento de conferencia
Estado
versión publicada
Descripción
Enactivism considers cognitive processes as originated in perceptually guided-actions; it sees cognitive activity as an outcome of the circular dynamic interactions between an organism and its environment (Schiavio et al., 2017), and the minds as inherent attributes of bodies in the world (Di Paolo et al., 2017). From this perspective, body movement might bring cues to explore self-organization phenomena of musical experience. We focused on physical movement properties employing two analytical frameworks: (a) impulsiveness based in Effort Laban`s model that relates low-level physical movements to mid-level expressive qualities; and (b) Recurrence Quantification Analysis (RQA) Entropy, from Dynamic Systems Theory.
Laboratorio para el Estudio de la Experiencia Musical
Materia
Música
Enactivism
Embodied Movement
Musical Experience
Laban
RQA Entropy
Nivel de accesibilidad
acceso abierto
Condiciones de uso
http://creativecommons.org/licenses/by-nc-sa/4.0/
Repositorio
SEDICI (UNLP)
Institución
Universidad Nacional de La Plata
OAI Identificador
oai:sedici.unlp.edu.ar:10915/136902
Acceder
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network_name_str SEDICI (UNLP)
spelling Music as environment: movement cues as descriptors of musical experienceDamesón, JavierMartínez, Isabel CeciliaMúsicaEnactivismEmbodied MovementMusical ExperienceLabanRQA EntropyEnactivism considers cognitive processes as originated in perceptually guided-actions; it sees cognitive activity as an outcome of the circular dynamic interactions between an organism and its environment (Schiavio et al., 2017), and the minds as inherent attributes of bodies in the world (Di Paolo et al., 2017). From this perspective, body movement might bring cues to explore self-organization phenomena of musical experience. We focused on physical movement properties employing two analytical frameworks: (a) impulsiveness based in Effort Laban`s model that relates low-level physical movements to mid-level expressive qualities; and (b) Recurrence Quantification Analysis (RQA) Entropy, from Dynamic Systems Theory.Laboratorio para el Estudio de la Experiencia Musical2018-07-26info:eu-repo/semantics/conferenceObjectinfo:eu-repo/semantics/publishedVersionResumenhttp://purl.org/coar/resource_type/c_5794info:ar-repo/semantics/documentoDeConferenciaapplication/pdfhttp://sedici.unlp.edu.ar/handle/10915/136902enginfo:eu-repo/semantics/altIdentifier/isbn/978-3-200-05771-5info:eu-repo/semantics/openAccesshttp://creativecommons.org/licenses/by-nc-sa/4.0/Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)reponame:SEDICI (UNLP)instname:Universidad Nacional de La Platainstacron:UNLP2025-10-22T17:15:34Zoai:sedici.unlp.edu.ar:10915/136902Institucionalhttp://sedici.unlp.edu.ar/Universidad públicaNo correspondehttp://sedici.unlp.edu.ar/oai/snrdalira@sedici.unlp.edu.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:13292025-10-22 17:15:35.09SEDICI (UNLP) - Universidad Nacional de La Platafalse
dc.title.none.fl_str_mv Music as environment: movement cues as descriptors of musical experience
title Music as environment: movement cues as descriptors of musical experience
spellingShingle Music as environment: movement cues as descriptors of musical experience
Damesón, Javier
Música
Enactivism
Embodied Movement
Musical Experience
Laban
RQA Entropy
title_short Music as environment: movement cues as descriptors of musical experience
title_full Music as environment: movement cues as descriptors of musical experience
title_fullStr Music as environment: movement cues as descriptors of musical experience
title_full_unstemmed Music as environment: movement cues as descriptors of musical experience
title_sort Music as environment: movement cues as descriptors of musical experience
dc.creator.none.fl_str_mv Damesón, Javier
Martínez, Isabel Cecilia
author Damesón, Javier
author_facet Damesón, Javier
Martínez, Isabel Cecilia
author_role author
author2 Martínez, Isabel Cecilia
author2_role author
dc.subject.none.fl_str_mv Música
Enactivism
Embodied Movement
Musical Experience
Laban
RQA Entropy
topic Música
Enactivism
Embodied Movement
Musical Experience
Laban
RQA Entropy
dc.description.none.fl_txt_mv Enactivism considers cognitive processes as originated in perceptually guided-actions; it sees cognitive activity as an outcome of the circular dynamic interactions between an organism and its environment (Schiavio et al., 2017), and the minds as inherent attributes of bodies in the world (Di Paolo et al., 2017). From this perspective, body movement might bring cues to explore self-organization phenomena of musical experience. We focused on physical movement properties employing two analytical frameworks: (a) impulsiveness based in Effort Laban`s model that relates low-level physical movements to mid-level expressive qualities; and (b) Recurrence Quantification Analysis (RQA) Entropy, from Dynamic Systems Theory.
Laboratorio para el Estudio de la Experiencia Musical
description Enactivism considers cognitive processes as originated in perceptually guided-actions; it sees cognitive activity as an outcome of the circular dynamic interactions between an organism and its environment (Schiavio et al., 2017), and the minds as inherent attributes of bodies in the world (Di Paolo et al., 2017). From this perspective, body movement might bring cues to explore self-organization phenomena of musical experience. We focused on physical movement properties employing two analytical frameworks: (a) impulsiveness based in Effort Laban`s model that relates low-level physical movements to mid-level expressive qualities; and (b) Recurrence Quantification Analysis (RQA) Entropy, from Dynamic Systems Theory.
publishDate 2018
dc.date.none.fl_str_mv 2018-07-26
dc.type.none.fl_str_mv info:eu-repo/semantics/conferenceObject
info:eu-repo/semantics/publishedVersion
Resumen
http://purl.org/coar/resource_type/c_5794
info:ar-repo/semantics/documentoDeConferencia
format conferenceObject
status_str publishedVersion
dc.identifier.none.fl_str_mv http://sedici.unlp.edu.ar/handle/10915/136902
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dc.language.none.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv info:eu-repo/semantics/altIdentifier/isbn/978-3-200-05771-5
dc.rights.none.fl_str_mv info:eu-repo/semantics/openAccess
http://creativecommons.org/licenses/by-nc-sa/4.0/
Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)
eu_rights_str_mv openAccess
rights_invalid_str_mv http://creativecommons.org/licenses/by-nc-sa/4.0/
Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)
dc.format.none.fl_str_mv application/pdf
dc.source.none.fl_str_mv reponame:SEDICI (UNLP)
instname:Universidad Nacional de La Plata
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reponame_str SEDICI (UNLP)
collection SEDICI (UNLP)
instname_str Universidad Nacional de La Plata
instacron_str UNLP
institution UNLP
repository.name.fl_str_mv SEDICI (UNLP) - Universidad Nacional de La Plata
repository.mail.fl_str_mv alira@sedici.unlp.edu.ar
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