Small-Group Interactions with Music and Others in Social Dance

Autores
Marchiano, María; Martínez, Isabel Cecilia
Año de publicación
2019
Idioma
inglés
Tipo de recurso
documento de conferencia
Estado
versión publicada
Descripción
Motivation. In musical environments, large groups of people synchronize on intra-personal, inter-personal, and inter-group levels (Clayton, 2013). Motion behaviour with music has been studied in personal, dyadic (Carlson et al., 2018), and large group’s levels in dance conditions. We aim at studying personal and interpersonal small-group level interactions with music in an electronic dance music (EDM) social context. Methodology. Stimulus: Audiovisual recording of an EDM party in La Plata City, Argentina. Musical analysis: musicological analysis of form. Movement analysis: Observation of a 4:26 minutes of Tech House track, interactive behaviour and microanalysis of legs’ motion patterns of 15 dancers. Results. Small-group interaction: people group together in circles (2-5 people each). Each group shows two kinetic behaviours: (i) a shared 2 beat/4 beat leg’s motion pattern in entrainment with musical metre; and (ii) a dyadic dance-together behaviour inside the small group with momentary inter-personal movement synchronisation, prompted by intentional body contact or mutual gazes. Personal behaviour: most people change their leg’s movement at the main themes’ beginnings (signalled mainly by the salience of the bassline and the high pitched percussions, among others timbral-textural features). Implications. Even though movements’ dancers show a common kinetic behaviour, and a personal, intentional kinetic alignment with musical features such as metric and timbral-textural changes of EDM musical style, interactions within small groups tend to be reduced to dyads, suggesting a transcendence of early traces of communicative musicality in adult social life.
Laboratorio para el Estudio de la Experiencia Musical
Materia
Música
Embodied cognition
Music and movement
Nivel de accesibilidad
acceso abierto
Condiciones de uso
http://creativecommons.org/licenses/by-nc-sa/4.0/
Repositorio
SEDICI (UNLP)
Institución
Universidad Nacional de La Plata
OAI Identificador
oai:sedici.unlp.edu.ar:10915/105668
Acceder
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oai_identifier_str oai:sedici.unlp.edu.ar:10915/105668
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repository_id_str 1329
network_name_str SEDICI (UNLP)
spelling Small-Group Interactions with Music and Others in Social DanceMarchiano, MaríaMartínez, Isabel CeciliaMúsicaEmbodied cognitionMusic and movementMotivation. In musical environments, large groups of people synchronize on intra-personal, inter-personal, and inter-group levels (Clayton, 2013). Motion behaviour with music has been studied in personal, dyadic (Carlson et al., 2018), and large group’s levels in dance conditions. We aim at studying personal and interpersonal small-group level interactions with music in an electronic dance music (EDM) social context. Methodology. Stimulus: Audiovisual recording of an EDM party in La Plata City, Argentina. Musical analysis: musicological analysis of form. Movement analysis: Observation of a 4:26 minutes of Tech House track, interactive behaviour and microanalysis of legs’ motion patterns of 15 dancers. Results. Small-group interaction: people group together in circles (2-5 people each). Each group shows two kinetic behaviours: (i) a shared 2 beat/4 beat leg’s motion pattern in entrainment with musical metre; and (ii) a dyadic dance-together behaviour inside the small group with momentary inter-personal movement synchronisation, prompted by intentional body contact or mutual gazes. Personal behaviour: most people change their leg’s movement at the main themes’ beginnings (signalled mainly by the salience of the bassline and the high pitched percussions, among others timbral-textural features). Implications. Even though movements’ dancers show a common kinetic behaviour, and a personal, intentional kinetic alignment with musical features such as metric and timbral-textural changes of EDM musical style, interactions within small groups tend to be reduced to dyads, suggesting a transcendence of early traces of communicative musicality in adult social life.Laboratorio para el Estudio de la Experiencia Musical2019-08-07info:eu-repo/semantics/conferenceObjectinfo:eu-repo/semantics/publishedVersionResumenhttp://purl.org/coar/resource_type/c_5794info:ar-repo/semantics/documentoDeConferenciaapplication/pdf134-134http://sedici.unlp.edu.ar/handle/10915/105668enginfo:eu-repo/semantics/openAccesshttp://creativecommons.org/licenses/by-nc-sa/4.0/Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)reponame:SEDICI (UNLP)instname:Universidad Nacional de La Platainstacron:UNLP2025-09-29T11:23:28Zoai:sedici.unlp.edu.ar:10915/105668Institucionalhttp://sedici.unlp.edu.ar/Universidad públicaNo correspondehttp://sedici.unlp.edu.ar/oai/snrdalira@sedici.unlp.edu.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:13292025-09-29 11:23:28.407SEDICI (UNLP) - Universidad Nacional de La Platafalse
dc.title.none.fl_str_mv Small-Group Interactions with Music and Others in Social Dance
title Small-Group Interactions with Music and Others in Social Dance
spellingShingle Small-Group Interactions with Music and Others in Social Dance
Marchiano, María
Música
Embodied cognition
Music and movement
title_short Small-Group Interactions with Music and Others in Social Dance
title_full Small-Group Interactions with Music and Others in Social Dance
title_fullStr Small-Group Interactions with Music and Others in Social Dance
title_full_unstemmed Small-Group Interactions with Music and Others in Social Dance
title_sort Small-Group Interactions with Music and Others in Social Dance
dc.creator.none.fl_str_mv Marchiano, María
Martínez, Isabel Cecilia
author Marchiano, María
author_facet Marchiano, María
Martínez, Isabel Cecilia
author_role author
author2 Martínez, Isabel Cecilia
author2_role author
dc.subject.none.fl_str_mv Música
Embodied cognition
Music and movement
topic Música
Embodied cognition
Music and movement
dc.description.none.fl_txt_mv Motivation. In musical environments, large groups of people synchronize on intra-personal, inter-personal, and inter-group levels (Clayton, 2013). Motion behaviour with music has been studied in personal, dyadic (Carlson et al., 2018), and large group’s levels in dance conditions. We aim at studying personal and interpersonal small-group level interactions with music in an electronic dance music (EDM) social context. Methodology. Stimulus: Audiovisual recording of an EDM party in La Plata City, Argentina. Musical analysis: musicological analysis of form. Movement analysis: Observation of a 4:26 minutes of Tech House track, interactive behaviour and microanalysis of legs’ motion patterns of 15 dancers. Results. Small-group interaction: people group together in circles (2-5 people each). Each group shows two kinetic behaviours: (i) a shared 2 beat/4 beat leg’s motion pattern in entrainment with musical metre; and (ii) a dyadic dance-together behaviour inside the small group with momentary inter-personal movement synchronisation, prompted by intentional body contact or mutual gazes. Personal behaviour: most people change their leg’s movement at the main themes’ beginnings (signalled mainly by the salience of the bassline and the high pitched percussions, among others timbral-textural features). Implications. Even though movements’ dancers show a common kinetic behaviour, and a personal, intentional kinetic alignment with musical features such as metric and timbral-textural changes of EDM musical style, interactions within small groups tend to be reduced to dyads, suggesting a transcendence of early traces of communicative musicality in adult social life.
Laboratorio para el Estudio de la Experiencia Musical
description Motivation. In musical environments, large groups of people synchronize on intra-personal, inter-personal, and inter-group levels (Clayton, 2013). Motion behaviour with music has been studied in personal, dyadic (Carlson et al., 2018), and large group’s levels in dance conditions. We aim at studying personal and interpersonal small-group level interactions with music in an electronic dance music (EDM) social context. Methodology. Stimulus: Audiovisual recording of an EDM party in La Plata City, Argentina. Musical analysis: musicological analysis of form. Movement analysis: Observation of a 4:26 minutes of Tech House track, interactive behaviour and microanalysis of legs’ motion patterns of 15 dancers. Results. Small-group interaction: people group together in circles (2-5 people each). Each group shows two kinetic behaviours: (i) a shared 2 beat/4 beat leg’s motion pattern in entrainment with musical metre; and (ii) a dyadic dance-together behaviour inside the small group with momentary inter-personal movement synchronisation, prompted by intentional body contact or mutual gazes. Personal behaviour: most people change their leg’s movement at the main themes’ beginnings (signalled mainly by the salience of the bassline and the high pitched percussions, among others timbral-textural features). Implications. Even though movements’ dancers show a common kinetic behaviour, and a personal, intentional kinetic alignment with musical features such as metric and timbral-textural changes of EDM musical style, interactions within small groups tend to be reduced to dyads, suggesting a transcendence of early traces of communicative musicality in adult social life.
publishDate 2019
dc.date.none.fl_str_mv 2019-08-07
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dc.language.none.fl_str_mv eng
language eng
dc.rights.none.fl_str_mv info:eu-repo/semantics/openAccess
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eu_rights_str_mv openAccess
rights_invalid_str_mv http://creativecommons.org/licenses/by-nc-sa/4.0/
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