Between Sound and Movement in Embodied Tango Performance: Implications for the Study of the Perfomative Style in Tango

Autores
Alimenti Bel, Demian
Año de publicación
2018
Idioma
inglés
Tipo de recurso
documento de conferencia
Estado
versión publicada
Descripción
In a recent work we studied differences that characterize styles of A. Troilo’s and O. Pugliese’s tango orchestras by analyzed the relationships between phenomenal accents and grouping units of the sonic melodic-rhythmic patterns. In the present work, we continue the stylistic analysis focusing on the expressiveness of the tango performer’s body movements. The aim is to observe and describe expressive gestures in the movements of two bandoneon performers, interpreting a same tango according to Troilo and Pugliese styles. We analyzed the quality of body movements and effector gestures (Laban, 1971; Godoy and Leman, 2010) in the performance of rhythmic-melodic patterns. As to Troilo, the accentual and gestural conjunction is generally coincident with the metric scheme, and also with the grouping units. As to Pugliese, the melodic-rhythmic patterns are not performed in phase with the metric structure: the temporal distribution occurs at different levels of the metric hierarchy.
Materia
Arte
Music
Style
Sound
Movement
Embodied
Troilo
Pugliese
Nivel de accesibilidad
acceso abierto
Condiciones de uso
http://creativecommons.org/licenses/by/4.0/
Repositorio
CIC Digital (CICBA)
Institución
Comisión de Investigaciones Científicas de la Provincia de Buenos Aires
OAI Identificador
oai:digital.cic.gba.gob.ar:11746/10496

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network_name_str CIC Digital (CICBA)
spelling Between Sound and Movement in Embodied Tango Performance: Implications for the Study of the Perfomative Style in TangoAlimenti Bel, DemianArteMusicStyleSoundMovementEmbodiedTroiloPuglieseIn a recent work we studied differences that characterize styles of A. Troilo’s and O. Pugliese’s tango orchestras by analyzed the relationships between phenomenal accents and grouping units of the sonic melodic-rhythmic patterns. In the present work, we continue the stylistic analysis focusing on the expressiveness of the tango performer’s body movements. The aim is to observe and describe expressive gestures in the movements of two bandoneon performers, interpreting a same tango according to Troilo and Pugliese styles. We analyzed the quality of body movements and effector gestures (Laban, 1971; Godoy and Leman, 2010) in the performance of rhythmic-melodic patterns. As to Troilo, the accentual and gestural conjunction is generally coincident with the metric scheme, and also with the grouping units. As to Pugliese, the melodic-rhythmic patterns are not performed in phase with the metric structure: the temporal distribution occurs at different levels of the metric hierarchy.2018-06info:eu-repo/semantics/conferenceObjectinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_5794info:ar-repo/semantics/documentoDeConferenciaapplication/pdfhttps://digital.cic.gba.gob.ar/handle/11746/10496enginfo:eu-repo/semantics/openAccesshttp://creativecommons.org/licenses/by/4.0/reponame:CIC Digital (CICBA)instname:Comisión de Investigaciones Científicas de la Provincia de Buenos Airesinstacron:CICBA2025-09-04T09:43:39Zoai:digital.cic.gba.gob.ar:11746/10496Institucionalhttp://digital.cic.gba.gob.arOrganismo científico-tecnológicoNo correspondehttp://digital.cic.gba.gob.ar/oai/snrdmarisa.degiusti@sedici.unlp.edu.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:94412025-09-04 09:43:40.29CIC Digital (CICBA) - Comisión de Investigaciones Científicas de la Provincia de Buenos Airesfalse
dc.title.none.fl_str_mv Between Sound and Movement in Embodied Tango Performance: Implications for the Study of the Perfomative Style in Tango
title Between Sound and Movement in Embodied Tango Performance: Implications for the Study of the Perfomative Style in Tango
spellingShingle Between Sound and Movement in Embodied Tango Performance: Implications for the Study of the Perfomative Style in Tango
Alimenti Bel, Demian
Arte
Music
Style
Sound
Movement
Embodied
Troilo
Pugliese
title_short Between Sound and Movement in Embodied Tango Performance: Implications for the Study of the Perfomative Style in Tango
title_full Between Sound and Movement in Embodied Tango Performance: Implications for the Study of the Perfomative Style in Tango
title_fullStr Between Sound and Movement in Embodied Tango Performance: Implications for the Study of the Perfomative Style in Tango
title_full_unstemmed Between Sound and Movement in Embodied Tango Performance: Implications for the Study of the Perfomative Style in Tango
title_sort Between Sound and Movement in Embodied Tango Performance: Implications for the Study of the Perfomative Style in Tango
dc.creator.none.fl_str_mv Alimenti Bel, Demian
author Alimenti Bel, Demian
author_facet Alimenti Bel, Demian
author_role author
dc.subject.none.fl_str_mv Arte
Music
Style
Sound
Movement
Embodied
Troilo
Pugliese
topic Arte
Music
Style
Sound
Movement
Embodied
Troilo
Pugliese
dc.description.none.fl_txt_mv In a recent work we studied differences that characterize styles of A. Troilo’s and O. Pugliese’s tango orchestras by analyzed the relationships between phenomenal accents and grouping units of the sonic melodic-rhythmic patterns. In the present work, we continue the stylistic analysis focusing on the expressiveness of the tango performer’s body movements. The aim is to observe and describe expressive gestures in the movements of two bandoneon performers, interpreting a same tango according to Troilo and Pugliese styles. We analyzed the quality of body movements and effector gestures (Laban, 1971; Godoy and Leman, 2010) in the performance of rhythmic-melodic patterns. As to Troilo, the accentual and gestural conjunction is generally coincident with the metric scheme, and also with the grouping units. As to Pugliese, the melodic-rhythmic patterns are not performed in phase with the metric structure: the temporal distribution occurs at different levels of the metric hierarchy.
description In a recent work we studied differences that characterize styles of A. Troilo’s and O. Pugliese’s tango orchestras by analyzed the relationships between phenomenal accents and grouping units of the sonic melodic-rhythmic patterns. In the present work, we continue the stylistic analysis focusing on the expressiveness of the tango performer’s body movements. The aim is to observe and describe expressive gestures in the movements of two bandoneon performers, interpreting a same tango according to Troilo and Pugliese styles. We analyzed the quality of body movements and effector gestures (Laban, 1971; Godoy and Leman, 2010) in the performance of rhythmic-melodic patterns. As to Troilo, the accentual and gestural conjunction is generally coincident with the metric scheme, and also with the grouping units. As to Pugliese, the melodic-rhythmic patterns are not performed in phase with the metric structure: the temporal distribution occurs at different levels of the metric hierarchy.
publishDate 2018
dc.date.none.fl_str_mv 2018-06
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info:eu-repo/semantics/publishedVersion
http://purl.org/coar/resource_type/c_5794
info:ar-repo/semantics/documentoDeConferencia
format conferenceObject
status_str publishedVersion
dc.identifier.none.fl_str_mv https://digital.cic.gba.gob.ar/handle/11746/10496
url https://digital.cic.gba.gob.ar/handle/11746/10496
dc.language.none.fl_str_mv eng
language eng
dc.rights.none.fl_str_mv info:eu-repo/semantics/openAccess
http://creativecommons.org/licenses/by/4.0/
eu_rights_str_mv openAccess
rights_invalid_str_mv http://creativecommons.org/licenses/by/4.0/
dc.format.none.fl_str_mv application/pdf
dc.source.none.fl_str_mv reponame:CIC Digital (CICBA)
instname:Comisión de Investigaciones Científicas de la Provincia de Buenos Aires
instacron:CICBA
reponame_str CIC Digital (CICBA)
collection CIC Digital (CICBA)
instname_str Comisión de Investigaciones Científicas de la Provincia de Buenos Aires
instacron_str CICBA
institution CICBA
repository.name.fl_str_mv CIC Digital (CICBA) - Comisión de Investigaciones Científicas de la Provincia de Buenos Aires
repository.mail.fl_str_mv marisa.degiusti@sedici.unlp.edu.ar
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