Between Sound and Movement in Embodied Tango Performance: Implications for the Study of the Perfomative Style in Tango
- Autores
- Alimenti Bel, Demian
- Año de publicación
- 2018
- Idioma
- inglés
- Tipo de recurso
- documento de conferencia
- Estado
- versión publicada
- Descripción
- In a recent work we studied differences that characterize styles of A. Troilo’s and O. Pugliese’s tango orchestras by analyzed the relationships between phenomenal accents and grouping units of the sonic melodic-rhythmic patterns. In the present work, we continue the stylistic analysis focusing on the expressiveness of the tango performer’s body movements. The aim is to observe and describe expressive gestures in the movements of two bandoneon performers, interpreting a same tango according to Troilo and Pugliese styles. We analyzed the quality of body movements and effector gestures (Laban, 1971; Godoy and Leman, 2010) in the performance of rhythmic-melodic patterns. As to Troilo, the accentual and gestural conjunction is generally coincident with the metric scheme, and also with the grouping units. As to Pugliese, the melodic-rhythmic patterns are not performed in phase with the metric structure: the temporal distribution occurs at different levels of the metric hierarchy.
- Materia
-
Arte
Music
Style
Sound
Movement
Embodied
Troilo
Pugliese - Nivel de accesibilidad
- acceso abierto
- Condiciones de uso
- http://creativecommons.org/licenses/by/4.0/
- Repositorio
- Institución
- Comisión de Investigaciones Científicas de la Provincia de Buenos Aires
- OAI Identificador
- oai:digital.cic.gba.gob.ar:11746/10496
Ver los metadatos del registro completo
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spelling |
Between Sound and Movement in Embodied Tango Performance: Implications for the Study of the Perfomative Style in TangoAlimenti Bel, DemianArteMusicStyleSoundMovementEmbodiedTroiloPuglieseIn a recent work we studied differences that characterize styles of A. Troilo’s and O. Pugliese’s tango orchestras by analyzed the relationships between phenomenal accents and grouping units of the sonic melodic-rhythmic patterns. In the present work, we continue the stylistic analysis focusing on the expressiveness of the tango performer’s body movements. The aim is to observe and describe expressive gestures in the movements of two bandoneon performers, interpreting a same tango according to Troilo and Pugliese styles. We analyzed the quality of body movements and effector gestures (Laban, 1971; Godoy and Leman, 2010) in the performance of rhythmic-melodic patterns. As to Troilo, the accentual and gestural conjunction is generally coincident with the metric scheme, and also with the grouping units. As to Pugliese, the melodic-rhythmic patterns are not performed in phase with the metric structure: the temporal distribution occurs at different levels of the metric hierarchy.2018-06info:eu-repo/semantics/conferenceObjectinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_5794info:ar-repo/semantics/documentoDeConferenciaapplication/pdfhttps://digital.cic.gba.gob.ar/handle/11746/10496enginfo:eu-repo/semantics/openAccesshttp://creativecommons.org/licenses/by/4.0/reponame:CIC Digital (CICBA)instname:Comisión de Investigaciones Científicas de la Provincia de Buenos Airesinstacron:CICBA2025-09-04T09:43:39Zoai:digital.cic.gba.gob.ar:11746/10496Institucionalhttp://digital.cic.gba.gob.arOrganismo científico-tecnológicoNo correspondehttp://digital.cic.gba.gob.ar/oai/snrdmarisa.degiusti@sedici.unlp.edu.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:94412025-09-04 09:43:40.29CIC Digital (CICBA) - Comisión de Investigaciones Científicas de la Provincia de Buenos Airesfalse |
dc.title.none.fl_str_mv |
Between Sound and Movement in Embodied Tango Performance: Implications for the Study of the Perfomative Style in Tango |
title |
Between Sound and Movement in Embodied Tango Performance: Implications for the Study of the Perfomative Style in Tango |
spellingShingle |
Between Sound and Movement in Embodied Tango Performance: Implications for the Study of the Perfomative Style in Tango Alimenti Bel, Demian Arte Music Style Sound Movement Embodied Troilo Pugliese |
title_short |
Between Sound and Movement in Embodied Tango Performance: Implications for the Study of the Perfomative Style in Tango |
title_full |
Between Sound and Movement in Embodied Tango Performance: Implications for the Study of the Perfomative Style in Tango |
title_fullStr |
Between Sound and Movement in Embodied Tango Performance: Implications for the Study of the Perfomative Style in Tango |
title_full_unstemmed |
Between Sound and Movement in Embodied Tango Performance: Implications for the Study of the Perfomative Style in Tango |
title_sort |
Between Sound and Movement in Embodied Tango Performance: Implications for the Study of the Perfomative Style in Tango |
dc.creator.none.fl_str_mv |
Alimenti Bel, Demian |
author |
Alimenti Bel, Demian |
author_facet |
Alimenti Bel, Demian |
author_role |
author |
dc.subject.none.fl_str_mv |
Arte Music Style Sound Movement Embodied Troilo Pugliese |
topic |
Arte Music Style Sound Movement Embodied Troilo Pugliese |
dc.description.none.fl_txt_mv |
In a recent work we studied differences that characterize styles of A. Troilo’s and O. Pugliese’s tango orchestras by analyzed the relationships between phenomenal accents and grouping units of the sonic melodic-rhythmic patterns. In the present work, we continue the stylistic analysis focusing on the expressiveness of the tango performer’s body movements. The aim is to observe and describe expressive gestures in the movements of two bandoneon performers, interpreting a same tango according to Troilo and Pugliese styles. We analyzed the quality of body movements and effector gestures (Laban, 1971; Godoy and Leman, 2010) in the performance of rhythmic-melodic patterns. As to Troilo, the accentual and gestural conjunction is generally coincident with the metric scheme, and also with the grouping units. As to Pugliese, the melodic-rhythmic patterns are not performed in phase with the metric structure: the temporal distribution occurs at different levels of the metric hierarchy. |
description |
In a recent work we studied differences that characterize styles of A. Troilo’s and O. Pugliese’s tango orchestras by analyzed the relationships between phenomenal accents and grouping units of the sonic melodic-rhythmic patterns. In the present work, we continue the stylistic analysis focusing on the expressiveness of the tango performer’s body movements. The aim is to observe and describe expressive gestures in the movements of two bandoneon performers, interpreting a same tango according to Troilo and Pugliese styles. We analyzed the quality of body movements and effector gestures (Laban, 1971; Godoy and Leman, 2010) in the performance of rhythmic-melodic patterns. As to Troilo, the accentual and gestural conjunction is generally coincident with the metric scheme, and also with the grouping units. As to Pugliese, the melodic-rhythmic patterns are not performed in phase with the metric structure: the temporal distribution occurs at different levels of the metric hierarchy. |
publishDate |
2018 |
dc.date.none.fl_str_mv |
2018-06 |
dc.type.none.fl_str_mv |
info:eu-repo/semantics/conferenceObject info:eu-repo/semantics/publishedVersion http://purl.org/coar/resource_type/c_5794 info:ar-repo/semantics/documentoDeConferencia |
format |
conferenceObject |
status_str |
publishedVersion |
dc.identifier.none.fl_str_mv |
https://digital.cic.gba.gob.ar/handle/11746/10496 |
url |
https://digital.cic.gba.gob.ar/handle/11746/10496 |
dc.language.none.fl_str_mv |
eng |
language |
eng |
dc.rights.none.fl_str_mv |
info:eu-repo/semantics/openAccess http://creativecommons.org/licenses/by/4.0/ |
eu_rights_str_mv |
openAccess |
rights_invalid_str_mv |
http://creativecommons.org/licenses/by/4.0/ |
dc.format.none.fl_str_mv |
application/pdf |
dc.source.none.fl_str_mv |
reponame:CIC Digital (CICBA) instname:Comisión de Investigaciones Científicas de la Provincia de Buenos Aires instacron:CICBA |
reponame_str |
CIC Digital (CICBA) |
collection |
CIC Digital (CICBA) |
instname_str |
Comisión de Investigaciones Científicas de la Provincia de Buenos Aires |
instacron_str |
CICBA |
institution |
CICBA |
repository.name.fl_str_mv |
CIC Digital (CICBA) - Comisión de Investigaciones Científicas de la Provincia de Buenos Aires |
repository.mail.fl_str_mv |
marisa.degiusti@sedici.unlp.edu.ar |
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12.623145 |