The second person in the interpretation and reinterpretation in orchestra row

Autores
Epele, Juliette; Martínez, Isabel Cecilia
Año de publicación
2021
Idioma
inglés
Tipo de recurso
documento de conferencia
Estado
versión publicada
Descripción
Numerous studies on temporal regulation show that music performers not only build a stable self-regulatory system, but also co-regulate their performance by interacting with other musicians and with the music they produce together. Enactivism postulates that expressive musical performance is based on the conjunction of entrainment, sensorimotor prediction and expressive alignment (Leman, 2016), from which actions with expressive intention derive. However, little is known on how expressive intentions are mutually grasped by co-partners during performance. It is assumed that the second person perspective of mental attribution (a post cognitive approach related to social cognition) that refers to the ways direct, spontaneous, explicit and reactive intentional and reciprocal expressions take place between interactants (Pérez and Gomila 2018), can provide an answer.
Facultad de Artes
Laboratorio para el Estudio de la Experiencia Musical
Materia
Música
music interaction
second person
orchestra row
temporal variability
alignment
Nivel de accesibilidad
acceso abierto
Condiciones de uso
http://creativecommons.org/licenses/by-nc-sa/4.0/
Repositorio
SEDICI (UNLP)
Institución
Universidad Nacional de La Plata
OAI Identificador
oai:sedici.unlp.edu.ar:10915/136982
Acceder
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network_name_str SEDICI (UNLP)
spelling The second person in the interpretation and reinterpretation in orchestra rowEpele, JulietteMartínez, Isabel CeciliaMúsicamusic interactionsecond personorchestra rowtemporal variabilityalignmentNumerous studies on temporal regulation show that music performers not only build a stable self-regulatory system, but also co-regulate their performance by interacting with other musicians and with the music they produce together. Enactivism postulates that expressive musical performance is based on the conjunction of entrainment, sensorimotor prediction and expressive alignment (Leman, 2016), from which actions with expressive intention derive. However, little is known on how expressive intentions are mutually grasped by co-partners during performance. It is assumed that the second person perspective of mental attribution (a post cognitive approach related to social cognition) that refers to the ways direct, spontaneous, explicit and reactive intentional and reciprocal expressions take place between interactants (Pérez and Gomila 2018), can provide an answer.Facultad de ArtesLaboratorio para el Estudio de la Experiencia Musical2021-07info:eu-repo/semantics/conferenceObjectinfo:eu-repo/semantics/publishedVersionObjeto de conferenciahttp://purl.org/coar/resource_type/c_5794info:ar-repo/semantics/documentoDeConferenciaapplication/pdfhttp://sedici.unlp.edu.ar/handle/10915/136982enginfo:eu-repo/semantics/openAccesshttp://creativecommons.org/licenses/by-nc-sa/4.0/Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)reponame:SEDICI (UNLP)instname:Universidad Nacional de La Platainstacron:UNLP2025-09-03T11:06:44Zoai:sedici.unlp.edu.ar:10915/136982Institucionalhttp://sedici.unlp.edu.ar/Universidad públicaNo correspondehttp://sedici.unlp.edu.ar/oai/snrdalira@sedici.unlp.edu.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:13292025-09-03 11:06:44.793SEDICI (UNLP) - Universidad Nacional de La Platafalse
dc.title.none.fl_str_mv The second person in the interpretation and reinterpretation in orchestra row
title The second person in the interpretation and reinterpretation in orchestra row
spellingShingle The second person in the interpretation and reinterpretation in orchestra row
Epele, Juliette
Música
music interaction
second person
orchestra row
temporal variability
alignment
title_short The second person in the interpretation and reinterpretation in orchestra row
title_full The second person in the interpretation and reinterpretation in orchestra row
title_fullStr The second person in the interpretation and reinterpretation in orchestra row
title_full_unstemmed The second person in the interpretation and reinterpretation in orchestra row
title_sort The second person in the interpretation and reinterpretation in orchestra row
dc.creator.none.fl_str_mv Epele, Juliette
Martínez, Isabel Cecilia
author Epele, Juliette
author_facet Epele, Juliette
Martínez, Isabel Cecilia
author_role author
author2 Martínez, Isabel Cecilia
author2_role author
dc.subject.none.fl_str_mv Música
music interaction
second person
orchestra row
temporal variability
alignment
topic Música
music interaction
second person
orchestra row
temporal variability
alignment
dc.description.none.fl_txt_mv Numerous studies on temporal regulation show that music performers not only build a stable self-regulatory system, but also co-regulate their performance by interacting with other musicians and with the music they produce together. Enactivism postulates that expressive musical performance is based on the conjunction of entrainment, sensorimotor prediction and expressive alignment (Leman, 2016), from which actions with expressive intention derive. However, little is known on how expressive intentions are mutually grasped by co-partners during performance. It is assumed that the second person perspective of mental attribution (a post cognitive approach related to social cognition) that refers to the ways direct, spontaneous, explicit and reactive intentional and reciprocal expressions take place between interactants (Pérez and Gomila 2018), can provide an answer.
Facultad de Artes
Laboratorio para el Estudio de la Experiencia Musical
description Numerous studies on temporal regulation show that music performers not only build a stable self-regulatory system, but also co-regulate their performance by interacting with other musicians and with the music they produce together. Enactivism postulates that expressive musical performance is based on the conjunction of entrainment, sensorimotor prediction and expressive alignment (Leman, 2016), from which actions with expressive intention derive. However, little is known on how expressive intentions are mutually grasped by co-partners during performance. It is assumed that the second person perspective of mental attribution (a post cognitive approach related to social cognition) that refers to the ways direct, spontaneous, explicit and reactive intentional and reciprocal expressions take place between interactants (Pérez and Gomila 2018), can provide an answer.
publishDate 2021
dc.date.none.fl_str_mv 2021-07
dc.type.none.fl_str_mv info:eu-repo/semantics/conferenceObject
info:eu-repo/semantics/publishedVersion
Objeto de conferencia
http://purl.org/coar/resource_type/c_5794
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status_str publishedVersion
dc.identifier.none.fl_str_mv http://sedici.unlp.edu.ar/handle/10915/136982
url http://sedici.unlp.edu.ar/handle/10915/136982
dc.language.none.fl_str_mv eng
language eng
dc.rights.none.fl_str_mv info:eu-repo/semantics/openAccess
http://creativecommons.org/licenses/by-nc-sa/4.0/
Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)
eu_rights_str_mv openAccess
rights_invalid_str_mv http://creativecommons.org/licenses/by-nc-sa/4.0/
Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)
dc.format.none.fl_str_mv application/pdf
dc.source.none.fl_str_mv reponame:SEDICI (UNLP)
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instname_str Universidad Nacional de La Plata
instacron_str UNLP
institution UNLP
repository.name.fl_str_mv SEDICI (UNLP) - Universidad Nacional de La Plata
repository.mail.fl_str_mv alira@sedici.unlp.edu.ar
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