DJing & Reading the Crowd in an EDM Context from a Second Person Perspective
- Autores
- Marchiano, María; Tanco, Matías Germán
- Año de publicación
- 2021
- Idioma
- inglés
- Tipo de recurso
- documento de conferencia
- Estado
- versión publicada
- Descripción
- Background: DJing is a performance where a DJ plays pre-made electronic dance music’s tracks (EDM) for a dancing crowd during a party. DJs claim they read the crowd in order to play music (Broughton & Brewster, 2002), making DJ-audience interaction very relevant to DJing. The active participation of the crowd that the party requires makes a difference from other performer-audience situations. We think that this could be a case of Second Person Interaction, whose main features involve face-to-face exchanges, direct perception of mental states in others’ body expressions, psychological attributions, changes in both mental states and reciprocal actions (Pérez & Gomila, 2021). Both the musical performance and the one-to-many interaction’s features involved in DJing has not yet been fully described from a second-person perspective. Aims: The research aimed to describe DJ-crowd interaction from the DJ’s perspective, identify its second person features, and analyze the impact of this interaction on music.
Laboratorio para el Estudio de la Experiencia Musical - Materia
-
Música
Electronic dance music
DJ
second person interaction
Performance
audience - Nivel de accesibilidad
- acceso abierto
- Condiciones de uso
- http://creativecommons.org/licenses/by-nc-sa/4.0/
- Repositorio
- Institución
- Universidad Nacional de La Plata
- OAI Identificador
- oai:sedici.unlp.edu.ar:10915/136939
Ver los metadatos del registro completo
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DJing & Reading the Crowd in an EDM Context from a Second Person PerspectiveMarchiano, MaríaTanco, Matías GermánMúsicaElectronic dance musicDJsecond person interactionPerformanceaudienceBackground: DJing is a performance where a DJ plays pre-made electronic dance music’s tracks (EDM) for a dancing crowd during a party. DJs claim they read the crowd in order to play music (Broughton & Brewster, 2002), making DJ-audience interaction very relevant to DJing. The active participation of the crowd that the party requires makes a difference from other performer-audience situations. We think that this could be a case of Second Person Interaction, whose main features involve face-to-face exchanges, direct perception of mental states in others’ body expressions, psychological attributions, changes in both mental states and reciprocal actions (Pérez & Gomila, 2021). Both the musical performance and the one-to-many interaction’s features involved in DJing has not yet been fully described from a second-person perspective. Aims: The research aimed to describe DJ-crowd interaction from the DJ’s perspective, identify its second person features, and analyze the impact of this interaction on music.Laboratorio para el Estudio de la Experiencia Musical2021-07-28info:eu-repo/semantics/conferenceObjectinfo:eu-repo/semantics/publishedVersionResumenhttp://purl.org/coar/resource_type/c_5794info:ar-repo/semantics/documentoDeConferenciaapplication/pdfhttp://sedici.unlp.edu.ar/handle/10915/136939enginfo:eu-repo/semantics/openAccesshttp://creativecommons.org/licenses/by-nc-sa/4.0/Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)reponame:SEDICI (UNLP)instname:Universidad Nacional de La Platainstacron:UNLP2025-09-03T11:06:44Zoai:sedici.unlp.edu.ar:10915/136939Institucionalhttp://sedici.unlp.edu.ar/Universidad públicaNo correspondehttp://sedici.unlp.edu.ar/oai/snrdalira@sedici.unlp.edu.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:13292025-09-03 11:06:44.669SEDICI (UNLP) - Universidad Nacional de La Platafalse |
dc.title.none.fl_str_mv |
DJing & Reading the Crowd in an EDM Context from a Second Person Perspective |
title |
DJing & Reading the Crowd in an EDM Context from a Second Person Perspective |
spellingShingle |
DJing & Reading the Crowd in an EDM Context from a Second Person Perspective Marchiano, María Música Electronic dance music DJ second person interaction Performance audience |
title_short |
DJing & Reading the Crowd in an EDM Context from a Second Person Perspective |
title_full |
DJing & Reading the Crowd in an EDM Context from a Second Person Perspective |
title_fullStr |
DJing & Reading the Crowd in an EDM Context from a Second Person Perspective |
title_full_unstemmed |
DJing & Reading the Crowd in an EDM Context from a Second Person Perspective |
title_sort |
DJing & Reading the Crowd in an EDM Context from a Second Person Perspective |
dc.creator.none.fl_str_mv |
Marchiano, María Tanco, Matías Germán |
author |
Marchiano, María |
author_facet |
Marchiano, María Tanco, Matías Germán |
author_role |
author |
author2 |
Tanco, Matías Germán |
author2_role |
author |
dc.subject.none.fl_str_mv |
Música Electronic dance music DJ second person interaction Performance audience |
topic |
Música Electronic dance music DJ second person interaction Performance audience |
dc.description.none.fl_txt_mv |
Background: DJing is a performance where a DJ plays pre-made electronic dance music’s tracks (EDM) for a dancing crowd during a party. DJs claim they read the crowd in order to play music (Broughton & Brewster, 2002), making DJ-audience interaction very relevant to DJing. The active participation of the crowd that the party requires makes a difference from other performer-audience situations. We think that this could be a case of Second Person Interaction, whose main features involve face-to-face exchanges, direct perception of mental states in others’ body expressions, psychological attributions, changes in both mental states and reciprocal actions (Pérez & Gomila, 2021). Both the musical performance and the one-to-many interaction’s features involved in DJing has not yet been fully described from a second-person perspective. Aims: The research aimed to describe DJ-crowd interaction from the DJ’s perspective, identify its second person features, and analyze the impact of this interaction on music. Laboratorio para el Estudio de la Experiencia Musical |
description |
Background: DJing is a performance where a DJ plays pre-made electronic dance music’s tracks (EDM) for a dancing crowd during a party. DJs claim they read the crowd in order to play music (Broughton & Brewster, 2002), making DJ-audience interaction very relevant to DJing. The active participation of the crowd that the party requires makes a difference from other performer-audience situations. We think that this could be a case of Second Person Interaction, whose main features involve face-to-face exchanges, direct perception of mental states in others’ body expressions, psychological attributions, changes in both mental states and reciprocal actions (Pérez & Gomila, 2021). Both the musical performance and the one-to-many interaction’s features involved in DJing has not yet been fully described from a second-person perspective. Aims: The research aimed to describe DJ-crowd interaction from the DJ’s perspective, identify its second person features, and analyze the impact of this interaction on music. |
publishDate |
2021 |
dc.date.none.fl_str_mv |
2021-07-28 |
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eng |
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eng |
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