DJing & Reading the Crowd in an EDM Context from a Second Person Perspective

Autores
Marchiano, María; Tanco, Matías Germán
Año de publicación
2021
Idioma
inglés
Tipo de recurso
documento de conferencia
Estado
versión publicada
Descripción
Background: DJing is a performance where a DJ plays pre-made electronic dance music’s tracks (EDM) for a dancing crowd during a party. DJs claim they read the crowd in order to play music (Broughton & Brewster, 2002), making DJ-audience interaction very relevant to DJing. The active participation of the crowd that the party requires makes a difference from other performer-audience situations. We think that this could be a case of Second Person Interaction, whose main features involve face-to-face exchanges, direct perception of mental states in others’ body expressions, psychological attributions, changes in both mental states and reciprocal actions (Pérez & Gomila, 2021). Both the musical performance and the one-to-many interaction’s features involved in DJing has not yet been fully described from a second-person perspective. Aims: The research aimed to describe DJ-crowd interaction from the DJ’s perspective, identify its second person features, and analyze the impact of this interaction on music.
Laboratorio para el Estudio de la Experiencia Musical
Materia
Música
Electronic dance music
DJ
second person interaction
Performance
audience
Nivel de accesibilidad
acceso abierto
Condiciones de uso
http://creativecommons.org/licenses/by-nc-sa/4.0/
Repositorio
SEDICI (UNLP)
Institución
Universidad Nacional de La Plata
OAI Identificador
oai:sedici.unlp.edu.ar:10915/136939

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network_name_str SEDICI (UNLP)
spelling DJing & Reading the Crowd in an EDM Context from a Second Person PerspectiveMarchiano, MaríaTanco, Matías GermánMúsicaElectronic dance musicDJsecond person interactionPerformanceaudienceBackground: DJing is a performance where a DJ plays pre-made electronic dance music’s tracks (EDM) for a dancing crowd during a party. DJs claim they read the crowd in order to play music (Broughton & Brewster, 2002), making DJ-audience interaction very relevant to DJing. The active participation of the crowd that the party requires makes a difference from other performer-audience situations. We think that this could be a case of Second Person Interaction, whose main features involve face-to-face exchanges, direct perception of mental states in others’ body expressions, psychological attributions, changes in both mental states and reciprocal actions (Pérez & Gomila, 2021). Both the musical performance and the one-to-many interaction’s features involved in DJing has not yet been fully described from a second-person perspective. Aims: The research aimed to describe DJ-crowd interaction from the DJ’s perspective, identify its second person features, and analyze the impact of this interaction on music.Laboratorio para el Estudio de la Experiencia Musical2021-07-28info:eu-repo/semantics/conferenceObjectinfo:eu-repo/semantics/publishedVersionResumenhttp://purl.org/coar/resource_type/c_5794info:ar-repo/semantics/documentoDeConferenciaapplication/pdfhttp://sedici.unlp.edu.ar/handle/10915/136939enginfo:eu-repo/semantics/openAccesshttp://creativecommons.org/licenses/by-nc-sa/4.0/Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)reponame:SEDICI (UNLP)instname:Universidad Nacional de La Platainstacron:UNLP2025-09-03T11:06:44Zoai:sedici.unlp.edu.ar:10915/136939Institucionalhttp://sedici.unlp.edu.ar/Universidad públicaNo correspondehttp://sedici.unlp.edu.ar/oai/snrdalira@sedici.unlp.edu.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:13292025-09-03 11:06:44.669SEDICI (UNLP) - Universidad Nacional de La Platafalse
dc.title.none.fl_str_mv DJing & Reading the Crowd in an EDM Context from a Second Person Perspective
title DJing & Reading the Crowd in an EDM Context from a Second Person Perspective
spellingShingle DJing & Reading the Crowd in an EDM Context from a Second Person Perspective
Marchiano, María
Música
Electronic dance music
DJ
second person interaction
Performance
audience
title_short DJing & Reading the Crowd in an EDM Context from a Second Person Perspective
title_full DJing & Reading the Crowd in an EDM Context from a Second Person Perspective
title_fullStr DJing & Reading the Crowd in an EDM Context from a Second Person Perspective
title_full_unstemmed DJing & Reading the Crowd in an EDM Context from a Second Person Perspective
title_sort DJing & Reading the Crowd in an EDM Context from a Second Person Perspective
dc.creator.none.fl_str_mv Marchiano, María
Tanco, Matías Germán
author Marchiano, María
author_facet Marchiano, María
Tanco, Matías Germán
author_role author
author2 Tanco, Matías Germán
author2_role author
dc.subject.none.fl_str_mv Música
Electronic dance music
DJ
second person interaction
Performance
audience
topic Música
Electronic dance music
DJ
second person interaction
Performance
audience
dc.description.none.fl_txt_mv Background: DJing is a performance where a DJ plays pre-made electronic dance music’s tracks (EDM) for a dancing crowd during a party. DJs claim they read the crowd in order to play music (Broughton & Brewster, 2002), making DJ-audience interaction very relevant to DJing. The active participation of the crowd that the party requires makes a difference from other performer-audience situations. We think that this could be a case of Second Person Interaction, whose main features involve face-to-face exchanges, direct perception of mental states in others’ body expressions, psychological attributions, changes in both mental states and reciprocal actions (Pérez & Gomila, 2021). Both the musical performance and the one-to-many interaction’s features involved in DJing has not yet been fully described from a second-person perspective. Aims: The research aimed to describe DJ-crowd interaction from the DJ’s perspective, identify its second person features, and analyze the impact of this interaction on music.
Laboratorio para el Estudio de la Experiencia Musical
description Background: DJing is a performance where a DJ plays pre-made electronic dance music’s tracks (EDM) for a dancing crowd during a party. DJs claim they read the crowd in order to play music (Broughton & Brewster, 2002), making DJ-audience interaction very relevant to DJing. The active participation of the crowd that the party requires makes a difference from other performer-audience situations. We think that this could be a case of Second Person Interaction, whose main features involve face-to-face exchanges, direct perception of mental states in others’ body expressions, psychological attributions, changes in both mental states and reciprocal actions (Pérez & Gomila, 2021). Both the musical performance and the one-to-many interaction’s features involved in DJing has not yet been fully described from a second-person perspective. Aims: The research aimed to describe DJ-crowd interaction from the DJ’s perspective, identify its second person features, and analyze the impact of this interaction on music.
publishDate 2021
dc.date.none.fl_str_mv 2021-07-28
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dc.language.none.fl_str_mv eng
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dc.rights.none.fl_str_mv info:eu-repo/semantics/openAccess
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Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)
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