Singing pedagogy and contemporary vocal music: A troubled relationship

Autores
Alessandroni Betancor, Nicolás Jesús; Beltramone, Camila María; Sanguinetti, Laura
Año de publicación
2017
Idioma
inglés
Tipo de recurso
artículo
Estado
versión publicada
Descripción
In this paper, we explore the interrelationships between knowledge construction in the field of Vocal Pedagogy and compositional forms of the academic music of the 20th century. We propose that research logics within Vocal Technique contributed to the thinking of the time providing a matrix to consider the vocal instrument from an objectivist position. The importance of the inquiries presented lies on the slow expansion that contemporary vocal music acquired in the last years, and in the absence of a Vocal Technique teaching method that considers the particular characteristics of this repertoire. As a current challenge, we consider necessary to chart a new model in Vocal Technique that favors the interpretation of the vocal repertoire of the 20th Century, and to establish a corpus of knowledge about (i) which are the new required skills and abilities, (ii) how they are produced, and (iii) how they should be taught.
Laboratorio para el Estudio de la Experiencia Musical
Consejo Nacional de Investigaciones Científicas y Técnicas
Materia
Música
20th century music
Contemporary vocal music
Singing skills
Vocal pedagogy
Nivel de accesibilidad
acceso abierto
Condiciones de uso
http://creativecommons.org/licenses/by-nc-sa/4.0/
Repositorio
SEDICI (UNLP)
Institución
Universidad Nacional de La Plata
OAI Identificador
oai:sedici.unlp.edu.ar:10915/99080

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spelling Singing pedagogy and contemporary vocal music: A troubled relationshipAlessandroni Betancor, Nicolás JesúsBeltramone, Camila MaríaSanguinetti, LauraMúsica20th century musicContemporary vocal musicSinging skillsVocal pedagogyIn this paper, we explore the interrelationships between knowledge construction in the field of Vocal Pedagogy and compositional forms of the academic music of the 20th century. We propose that research logics within Vocal Technique contributed to the thinking of the time providing a matrix to consider the vocal instrument from an objectivist position. The importance of the inquiries presented lies on the slow expansion that contemporary vocal music acquired in the last years, and in the absence of a Vocal Technique teaching method that considers the particular characteristics of this repertoire. As a current challenge, we consider necessary to chart a new model in Vocal Technique that favors the interpretation of the vocal repertoire of the 20th Century, and to establish a corpus of knowledge about (i) which are the new required skills and abilities, (ii) how they are produced, and (iii) how they should be taught.Laboratorio para el Estudio de la Experiencia MusicalConsejo Nacional de Investigaciones Científicas y Técnicas2017-12info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArticulohttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdf1-16http://sedici.unlp.edu.ar/handle/10915/99080enginfo:eu-repo/semantics/altIdentifier/url/https://ri.conicet.gov.ar/11336/74407info:eu-repo/semantics/altIdentifier/url/http://www.eras.utad.pt/docs/JUN%20MUSICA%202017.pdfinfo:eu-repo/semantics/altIdentifier/issn/1647-3558info:eu-repo/semantics/altIdentifier/hdl/11336/74407info:eu-repo/semantics/openAccesshttp://creativecommons.org/licenses/by-nc-sa/4.0/Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)reponame:SEDICI (UNLP)instname:Universidad Nacional de La Platainstacron:UNLP2025-10-22T17:01:55Zoai:sedici.unlp.edu.ar:10915/99080Institucionalhttp://sedici.unlp.edu.ar/Universidad públicaNo correspondehttp://sedici.unlp.edu.ar/oai/snrdalira@sedici.unlp.edu.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:13292025-10-22 17:01:56.266SEDICI (UNLP) - Universidad Nacional de La Platafalse
dc.title.none.fl_str_mv Singing pedagogy and contemporary vocal music: A troubled relationship
title Singing pedagogy and contemporary vocal music: A troubled relationship
spellingShingle Singing pedagogy and contemporary vocal music: A troubled relationship
Alessandroni Betancor, Nicolás Jesús
Música
20th century music
Contemporary vocal music
Singing skills
Vocal pedagogy
title_short Singing pedagogy and contemporary vocal music: A troubled relationship
title_full Singing pedagogy and contemporary vocal music: A troubled relationship
title_fullStr Singing pedagogy and contemporary vocal music: A troubled relationship
title_full_unstemmed Singing pedagogy and contemporary vocal music: A troubled relationship
title_sort Singing pedagogy and contemporary vocal music: A troubled relationship
dc.creator.none.fl_str_mv Alessandroni Betancor, Nicolás Jesús
Beltramone, Camila María
Sanguinetti, Laura
author Alessandroni Betancor, Nicolás Jesús
author_facet Alessandroni Betancor, Nicolás Jesús
Beltramone, Camila María
Sanguinetti, Laura
author_role author
author2 Beltramone, Camila María
Sanguinetti, Laura
author2_role author
author
dc.subject.none.fl_str_mv Música
20th century music
Contemporary vocal music
Singing skills
Vocal pedagogy
topic Música
20th century music
Contemporary vocal music
Singing skills
Vocal pedagogy
dc.description.none.fl_txt_mv In this paper, we explore the interrelationships between knowledge construction in the field of Vocal Pedagogy and compositional forms of the academic music of the 20th century. We propose that research logics within Vocal Technique contributed to the thinking of the time providing a matrix to consider the vocal instrument from an objectivist position. The importance of the inquiries presented lies on the slow expansion that contemporary vocal music acquired in the last years, and in the absence of a Vocal Technique teaching method that considers the particular characteristics of this repertoire. As a current challenge, we consider necessary to chart a new model in Vocal Technique that favors the interpretation of the vocal repertoire of the 20th Century, and to establish a corpus of knowledge about (i) which are the new required skills and abilities, (ii) how they are produced, and (iii) how they should be taught.
Laboratorio para el Estudio de la Experiencia Musical
Consejo Nacional de Investigaciones Científicas y Técnicas
description In this paper, we explore the interrelationships between knowledge construction in the field of Vocal Pedagogy and compositional forms of the academic music of the 20th century. We propose that research logics within Vocal Technique contributed to the thinking of the time providing a matrix to consider the vocal instrument from an objectivist position. The importance of the inquiries presented lies on the slow expansion that contemporary vocal music acquired in the last years, and in the absence of a Vocal Technique teaching method that considers the particular characteristics of this repertoire. As a current challenge, we consider necessary to chart a new model in Vocal Technique that favors the interpretation of the vocal repertoire of the 20th Century, and to establish a corpus of knowledge about (i) which are the new required skills and abilities, (ii) how they are produced, and (iii) how they should be taught.
publishDate 2017
dc.date.none.fl_str_mv 2017-12
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info:eu-repo/semantics/altIdentifier/issn/1647-3558
info:eu-repo/semantics/altIdentifier/hdl/11336/74407
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Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)
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Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)
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