Singing pedagogy and contemporary vocal music: A troubled relationship
- Autores
- Alessandroni Betancor, Nicolás Jesús; Beltramone, Camila María; Sanguinetti, Laura
- Año de publicación
- 2017
- Idioma
- inglés
- Tipo de recurso
- artículo
- Estado
- versión publicada
- Descripción
- In this paper, we explore the interrelationships between knowledge construction in the field of Vocal Pedagogy and compositional forms of the academic music of the 20th century. We propose that research logics within Vocal Technique contributed to the thinking of the time providing a matrix to consider the vocal instrument from an objectivist position. The importance of the inquiries presented lies on the slow expansion that contemporary vocal music acquired in the last years, and in the absence of a Vocal Technique teaching method that considers the particular characteristics of this repertoire. As a current challenge, we consider necessary to chart a new model in Vocal Technique that favors the interpretation of the vocal repertoire of the 20th Century, and to establish a corpus of knowledge about (i) which are the new required skills and abilities, (ii) how they are produced, and (iii) how they should be taught.
Laboratorio para el Estudio de la Experiencia Musical
Consejo Nacional de Investigaciones Científicas y Técnicas - Materia
-
Música
20th century music
Contemporary vocal music
Singing skills
Vocal pedagogy - Nivel de accesibilidad
- acceso abierto
- Condiciones de uso
- http://creativecommons.org/licenses/by-nc-sa/4.0/
- Repositorio
.jpg)
- Institución
- Universidad Nacional de La Plata
- OAI Identificador
- oai:sedici.unlp.edu.ar:10915/99080
Ver los metadatos del registro completo
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Singing pedagogy and contemporary vocal music: A troubled relationshipAlessandroni Betancor, Nicolás JesúsBeltramone, Camila MaríaSanguinetti, LauraMúsica20th century musicContemporary vocal musicSinging skillsVocal pedagogyIn this paper, we explore the interrelationships between knowledge construction in the field of Vocal Pedagogy and compositional forms of the academic music of the 20th century. We propose that research logics within Vocal Technique contributed to the thinking of the time providing a matrix to consider the vocal instrument from an objectivist position. The importance of the inquiries presented lies on the slow expansion that contemporary vocal music acquired in the last years, and in the absence of a Vocal Technique teaching method that considers the particular characteristics of this repertoire. As a current challenge, we consider necessary to chart a new model in Vocal Technique that favors the interpretation of the vocal repertoire of the 20th Century, and to establish a corpus of knowledge about (i) which are the new required skills and abilities, (ii) how they are produced, and (iii) how they should be taught.Laboratorio para el Estudio de la Experiencia MusicalConsejo Nacional de Investigaciones Científicas y Técnicas2017-12info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArticulohttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdf1-16http://sedici.unlp.edu.ar/handle/10915/99080enginfo:eu-repo/semantics/altIdentifier/url/https://ri.conicet.gov.ar/11336/74407info:eu-repo/semantics/altIdentifier/url/http://www.eras.utad.pt/docs/JUN%20MUSICA%202017.pdfinfo:eu-repo/semantics/altIdentifier/issn/1647-3558info:eu-repo/semantics/altIdentifier/hdl/11336/74407info:eu-repo/semantics/openAccesshttp://creativecommons.org/licenses/by-nc-sa/4.0/Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)reponame:SEDICI (UNLP)instname:Universidad Nacional de La Platainstacron:UNLP2025-10-22T17:01:55Zoai:sedici.unlp.edu.ar:10915/99080Institucionalhttp://sedici.unlp.edu.ar/Universidad públicaNo correspondehttp://sedici.unlp.edu.ar/oai/snrdalira@sedici.unlp.edu.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:13292025-10-22 17:01:56.266SEDICI (UNLP) - Universidad Nacional de La Platafalse |
| dc.title.none.fl_str_mv |
Singing pedagogy and contemporary vocal music: A troubled relationship |
| title |
Singing pedagogy and contemporary vocal music: A troubled relationship |
| spellingShingle |
Singing pedagogy and contemporary vocal music: A troubled relationship Alessandroni Betancor, Nicolás Jesús Música 20th century music Contemporary vocal music Singing skills Vocal pedagogy |
| title_short |
Singing pedagogy and contemporary vocal music: A troubled relationship |
| title_full |
Singing pedagogy and contemporary vocal music: A troubled relationship |
| title_fullStr |
Singing pedagogy and contemporary vocal music: A troubled relationship |
| title_full_unstemmed |
Singing pedagogy and contemporary vocal music: A troubled relationship |
| title_sort |
Singing pedagogy and contemporary vocal music: A troubled relationship |
| dc.creator.none.fl_str_mv |
Alessandroni Betancor, Nicolás Jesús Beltramone, Camila María Sanguinetti, Laura |
| author |
Alessandroni Betancor, Nicolás Jesús |
| author_facet |
Alessandroni Betancor, Nicolás Jesús Beltramone, Camila María Sanguinetti, Laura |
| author_role |
author |
| author2 |
Beltramone, Camila María Sanguinetti, Laura |
| author2_role |
author author |
| dc.subject.none.fl_str_mv |
Música 20th century music Contemporary vocal music Singing skills Vocal pedagogy |
| topic |
Música 20th century music Contemporary vocal music Singing skills Vocal pedagogy |
| dc.description.none.fl_txt_mv |
In this paper, we explore the interrelationships between knowledge construction in the field of Vocal Pedagogy and compositional forms of the academic music of the 20th century. We propose that research logics within Vocal Technique contributed to the thinking of the time providing a matrix to consider the vocal instrument from an objectivist position. The importance of the inquiries presented lies on the slow expansion that contemporary vocal music acquired in the last years, and in the absence of a Vocal Technique teaching method that considers the particular characteristics of this repertoire. As a current challenge, we consider necessary to chart a new model in Vocal Technique that favors the interpretation of the vocal repertoire of the 20th Century, and to establish a corpus of knowledge about (i) which are the new required skills and abilities, (ii) how they are produced, and (iii) how they should be taught. Laboratorio para el Estudio de la Experiencia Musical Consejo Nacional de Investigaciones Científicas y Técnicas |
| description |
In this paper, we explore the interrelationships between knowledge construction in the field of Vocal Pedagogy and compositional forms of the academic music of the 20th century. We propose that research logics within Vocal Technique contributed to the thinking of the time providing a matrix to consider the vocal instrument from an objectivist position. The importance of the inquiries presented lies on the slow expansion that contemporary vocal music acquired in the last years, and in the absence of a Vocal Technique teaching method that considers the particular characteristics of this repertoire. As a current challenge, we consider necessary to chart a new model in Vocal Technique that favors the interpretation of the vocal repertoire of the 20th Century, and to establish a corpus of knowledge about (i) which are the new required skills and abilities, (ii) how they are produced, and (iii) how they should be taught. |
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2017 |
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2017-12 |
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eng |
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