Singing pedagogy and contemporary vocal music: A troubled relationship

Autores
Alessandroni Bentancor, Nicolás Jesús; Beltramone, Camila; Sanguinetti, Laura
Año de publicación
2017
Idioma
inglés
Tipo de recurso
artículo
Estado
versión publicada
Descripción
In this paper, we explore the interrelationships between knowledge construction in the field of Vocal Pedagogy and compositional forms of the academic music of the 20th century. We propose that research logics within Vocal Technique contributed to the thinking of the time providing a matrix to consider the vocal instrument from an objectivist position. The importance of the inquiries presented lies on the slow expansion that contemporary vocal music acquired in the last years, and in the absence of a Vocal Technique teaching method that considers the particular characteristics of this repertoire. As a current challenge, we consider necessary to chart a new model in Vocal Technique that favors the interpretation of the vocal repertoire of the 20th Century, and to establish a corpus of knowledge about (i) which are the new required skills and abilities, (ii) how they are produced, and (iii) how they should be taught.
Fil: Alessandroni Bentancor, Nicolás Jesús. Universidad Nacional de La Plata; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Instituto de Investigaciones Filosóficas - Sadaf; Argentina
Fil: Beltramone, Camila. Universidad Nacional de La Plata. Facultad de Bellas Artes. Departamento de Música. Laboratorio para el Estudio de la Experiencia Musical; Argentina
Fil: Sanguinetti, Laura. Universidad Nacional de La Plata. Facultad de Bellas Artes. Departamento de Música. Laboratorio para el Estudio de la Experiencia Musical; Argentina
Materia
20th Century Music
Contemporary Vocal Music
Singing Skills
Vocal Pedagogy
Nivel de accesibilidad
acceso abierto
Condiciones de uso
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
Repositorio
CONICET Digital (CONICET)
Institución
Consejo Nacional de Investigaciones Científicas y Técnicas
OAI Identificador
oai:ri.conicet.gov.ar:11336/74407

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spelling Singing pedagogy and contemporary vocal music: A troubled relationshipAlessandroni Bentancor, Nicolás JesúsBeltramone, CamilaSanguinetti, Laura20th Century MusicContemporary Vocal MusicSinging SkillsVocal Pedagogyhttps://purl.org/becyt/ford/6.4https://purl.org/becyt/ford/6https://purl.org/becyt/ford/6.3https://purl.org/becyt/ford/6In this paper, we explore the interrelationships between knowledge construction in the field of Vocal Pedagogy and compositional forms of the academic music of the 20th century. We propose that research logics within Vocal Technique contributed to the thinking of the time providing a matrix to consider the vocal instrument from an objectivist position. The importance of the inquiries presented lies on the slow expansion that contemporary vocal music acquired in the last years, and in the absence of a Vocal Technique teaching method that considers the particular characteristics of this repertoire. As a current challenge, we consider necessary to chart a new model in Vocal Technique that favors the interpretation of the vocal repertoire of the 20th Century, and to establish a corpus of knowledge about (i) which are the new required skills and abilities, (ii) how they are produced, and (iii) how they should be taught.Fil: Alessandroni Bentancor, Nicolás Jesús. Universidad Nacional de La Plata; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Instituto de Investigaciones Filosóficas - Sadaf; ArgentinaFil: Beltramone, Camila. Universidad Nacional de La Plata. Facultad de Bellas Artes. Departamento de Música. Laboratorio para el Estudio de la Experiencia Musical; ArgentinaFil: Sanguinetti, Laura. Universidad Nacional de La Plata. Facultad de Bellas Artes. Departamento de Música. Laboratorio para el Estudio de la Experiencia Musical; ArgentinaUniversidade de Trás-os-Montes e Alto Douro. Universidade de Santiago de Compostela2017-12info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdfapplication/pdfhttp://hdl.handle.net/11336/74407Alessandroni Bentancor, Nicolás Jesús; Beltramone, Camila; Sanguinetti, Laura; Singing pedagogy and contemporary vocal music: A troubled relationship; Universidade de Trás-os-Montes e Alto Douro. Universidade de Santiago de Compostela; European Review of Artistic Studies; 8; 2; 12-2017; 1-161647-3558CONICET DigitalCONICETenginfo:eu-repo/semantics/altIdentifier/url/http://www.eras.utad.pt/docs/JUN%20MUSICA%202017.pdfinfo:eu-repo/semantics/openAccesshttps://creativecommons.org/licenses/by-nc-sa/2.5/ar/reponame:CONICET Digital (CONICET)instname:Consejo Nacional de Investigaciones Científicas y Técnicas2025-10-22T12:19:10Zoai:ri.conicet.gov.ar:11336/74407instacron:CONICETInstitucionalhttp://ri.conicet.gov.ar/Organismo científico-tecnológicoNo correspondehttp://ri.conicet.gov.ar/oai/requestdasensio@conicet.gov.ar; lcarlino@conicet.gov.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:34982025-10-22 12:19:10.436CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicasfalse
dc.title.none.fl_str_mv Singing pedagogy and contemporary vocal music: A troubled relationship
title Singing pedagogy and contemporary vocal music: A troubled relationship
spellingShingle Singing pedagogy and contemporary vocal music: A troubled relationship
Alessandroni Bentancor, Nicolás Jesús
20th Century Music
Contemporary Vocal Music
Singing Skills
Vocal Pedagogy
title_short Singing pedagogy and contemporary vocal music: A troubled relationship
title_full Singing pedagogy and contemporary vocal music: A troubled relationship
title_fullStr Singing pedagogy and contemporary vocal music: A troubled relationship
title_full_unstemmed Singing pedagogy and contemporary vocal music: A troubled relationship
title_sort Singing pedagogy and contemporary vocal music: A troubled relationship
dc.creator.none.fl_str_mv Alessandroni Bentancor, Nicolás Jesús
Beltramone, Camila
Sanguinetti, Laura
author Alessandroni Bentancor, Nicolás Jesús
author_facet Alessandroni Bentancor, Nicolás Jesús
Beltramone, Camila
Sanguinetti, Laura
author_role author
author2 Beltramone, Camila
Sanguinetti, Laura
author2_role author
author
dc.subject.none.fl_str_mv 20th Century Music
Contemporary Vocal Music
Singing Skills
Vocal Pedagogy
topic 20th Century Music
Contemporary Vocal Music
Singing Skills
Vocal Pedagogy
purl_subject.fl_str_mv https://purl.org/becyt/ford/6.4
https://purl.org/becyt/ford/6
https://purl.org/becyt/ford/6.3
https://purl.org/becyt/ford/6
dc.description.none.fl_txt_mv In this paper, we explore the interrelationships between knowledge construction in the field of Vocal Pedagogy and compositional forms of the academic music of the 20th century. We propose that research logics within Vocal Technique contributed to the thinking of the time providing a matrix to consider the vocal instrument from an objectivist position. The importance of the inquiries presented lies on the slow expansion that contemporary vocal music acquired in the last years, and in the absence of a Vocal Technique teaching method that considers the particular characteristics of this repertoire. As a current challenge, we consider necessary to chart a new model in Vocal Technique that favors the interpretation of the vocal repertoire of the 20th Century, and to establish a corpus of knowledge about (i) which are the new required skills and abilities, (ii) how they are produced, and (iii) how they should be taught.
Fil: Alessandroni Bentancor, Nicolás Jesús. Universidad Nacional de La Plata; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Instituto de Investigaciones Filosóficas - Sadaf; Argentina
Fil: Beltramone, Camila. Universidad Nacional de La Plata. Facultad de Bellas Artes. Departamento de Música. Laboratorio para el Estudio de la Experiencia Musical; Argentina
Fil: Sanguinetti, Laura. Universidad Nacional de La Plata. Facultad de Bellas Artes. Departamento de Música. Laboratorio para el Estudio de la Experiencia Musical; Argentina
description In this paper, we explore the interrelationships between knowledge construction in the field of Vocal Pedagogy and compositional forms of the academic music of the 20th century. We propose that research logics within Vocal Technique contributed to the thinking of the time providing a matrix to consider the vocal instrument from an objectivist position. The importance of the inquiries presented lies on the slow expansion that contemporary vocal music acquired in the last years, and in the absence of a Vocal Technique teaching method that considers the particular characteristics of this repertoire. As a current challenge, we consider necessary to chart a new model in Vocal Technique that favors the interpretation of the vocal repertoire of the 20th Century, and to establish a corpus of knowledge about (i) which are the new required skills and abilities, (ii) how they are produced, and (iii) how they should be taught.
publishDate 2017
dc.date.none.fl_str_mv 2017-12
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://purl.org/coar/resource_type/c_6501
info:ar-repo/semantics/articulo
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv http://hdl.handle.net/11336/74407
Alessandroni Bentancor, Nicolás Jesús; Beltramone, Camila; Sanguinetti, Laura; Singing pedagogy and contemporary vocal music: A troubled relationship; Universidade de Trás-os-Montes e Alto Douro. Universidade de Santiago de Compostela; European Review of Artistic Studies; 8; 2; 12-2017; 1-16
1647-3558
CONICET Digital
CONICET
url http://hdl.handle.net/11336/74407
identifier_str_mv Alessandroni Bentancor, Nicolás Jesús; Beltramone, Camila; Sanguinetti, Laura; Singing pedagogy and contemporary vocal music: A troubled relationship; Universidade de Trás-os-Montes e Alto Douro. Universidade de Santiago de Compostela; European Review of Artistic Studies; 8; 2; 12-2017; 1-16
1647-3558
CONICET Digital
CONICET
dc.language.none.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv info:eu-repo/semantics/altIdentifier/url/http://www.eras.utad.pt/docs/JUN%20MUSICA%202017.pdf
dc.rights.none.fl_str_mv info:eu-repo/semantics/openAccess
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
eu_rights_str_mv openAccess
rights_invalid_str_mv https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv Universidade de Trás-os-Montes e Alto Douro. Universidade de Santiago de Compostela
publisher.none.fl_str_mv Universidade de Trás-os-Montes e Alto Douro. Universidade de Santiago de Compostela
dc.source.none.fl_str_mv reponame:CONICET Digital (CONICET)
instname:Consejo Nacional de Investigaciones Científicas y Técnicas
reponame_str CONICET Digital (CONICET)
collection CONICET Digital (CONICET)
instname_str Consejo Nacional de Investigaciones Científicas y Técnicas
repository.name.fl_str_mv CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicas
repository.mail.fl_str_mv dasensio@conicet.gov.ar; lcarlino@conicet.gov.ar
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