Subjectivity in Kurt Cobain's songs “Come as you are”, “Stay Away”, “All apologies” : the use of metaphors and metaphorical expressions alluding to the construction of identities...

Autores
Corso, Noelia del Valle
Año de publicación
2024
Idioma
inglés
Tipo de recurso
tesis de grado
Estado
versión aceptada
Colaborador/a o director/a de tesis
Insaurralde, Andrea
Bicoff, Carla
Descripción
Fil: This Final Research Paper (FRP) employs hermeneutics to show how metaphors and metaphorical expressions are used by Kurt Cobain, the singer and songwriter of the rock band “Nirvana”, making allusions to Subjectivity’s construction, i.e.: how identity is constructed. In order to do so, this FRP draws on the theoretical framework given by authors dealing with Language and Power, mainly from the viewpoints of Fairclough (1989), Gadamer (1975), Nietzche (2012), Mouffe (1999), Skinner (2007) and Lotman (1995), who also make reference to how Subjectivity is constructed. By analyzing selected lyrics written and composed by Kurt Cobain, this study reveals that Cobain's compositions encode how identities are constructed. Moreover, this research contributes to our understanding of the role of language in shaping identities, a concept known as Subjectivity. Finally, this FRP will be held following Gadamer’s (1975) idea that there is not a univocal view or final interpretation of any text.
Fil: Corso, Noelia del Valle. Universidad FASTA. Facultad de Ciencias de la Educación; Argentina.
Fil: Insaurralde, Andrea. Universidad FASTA. Facultad de Ciencias de la Educación; Argentina.
Fil: Bicoff, Carla. Universidad FASTA. Facultad de Ciencias de la Educación; Argentina.
Materia
Subjectivity
Identity
Language
Nivel de accesibilidad
acceso abierto
Condiciones de uso
http://creativecommons.org/licences/by-nc-nd/3.0/deed.es_AR
Repositorio
REDI Repositorio Digital (Universidad FASTA)
Institución
Universidad FASTA
OAI Identificador
oai:dspace.ufasta.edu.ar:123456789/87405
Acceder
id REDI_d15f16135779157e41154ff79e660a75
oai_identifier_str oai:dspace.ufasta.edu.ar:123456789/87405
network_acronym_str REDI
repository_id_str 2867
network_name_str REDI Repositorio Digital (Universidad FASTA)
spelling Subjectivity in Kurt Cobain's songs “Come as you are”, “Stay Away”, “All apologies” : the use of metaphors and metaphorical expressions alluding to the construction of identitiesCorso, Noelia del ValleSubjectivityIdentityLanguageFil: This Final Research Paper (FRP) employs hermeneutics to show how metaphors and metaphorical expressions are used by Kurt Cobain, the singer and songwriter of the rock band “Nirvana”, making allusions to Subjectivity’s construction, i.e.: how identity is constructed. In order to do so, this FRP draws on the theoretical framework given by authors dealing with Language and Power, mainly from the viewpoints of Fairclough (1989), Gadamer (1975), Nietzche (2012), Mouffe (1999), Skinner (2007) and Lotman (1995), who also make reference to how Subjectivity is constructed. By analyzing selected lyrics written and composed by Kurt Cobain, this study reveals that Cobain's compositions encode how identities are constructed. Moreover, this research contributes to our understanding of the role of language in shaping identities, a concept known as Subjectivity. Finally, this FRP will be held following Gadamer’s (1975) idea that there is not a univocal view or final interpretation of any text. Fil: Corso, Noelia del Valle. Universidad FASTA. Facultad de Ciencias de la Educación; Argentina.Fil: Insaurralde, Andrea. Universidad FASTA. Facultad de Ciencias de la Educación; Argentina.Fil: Bicoff, Carla. Universidad FASTA. Facultad de Ciencias de la Educación; Argentina.Universidad FASTA. Facultad de Ciencias de la EducaciónInsaurralde, AndreaBicoff, Carla2024info:eu-repo/semantics/bachelorThesisinfo:eu-repo/semantics/acceptedVersionhttp://purl.org/coar/resource_type/c_7a1finfo:ar-repo/semantics/trabajoFinalDeGradoapplication/pdfapplication/pdfhttps://dspace.ufasta.edu.ar/handle/123456789/87405enginfo:eu-repo/semantics/openAccesshttp://creativecommons.org/licences/by-nc-nd/3.0/deed.es_ARreponame:REDI Repositorio Digital (Universidad FASTA)instname:Universidad FASTA2026-04-09T10:17:55Zoai:dspace.ufasta.edu.ar:123456789/87405instacron:UFASTAInstitucionalhttps://dspace.ufasta.edu.ar/Universidad privadahttps://www.ufasta.edu.ar/https://dspace.ufasta.edu.ar/server/oai/Argentinaopendoar:28672026-04-09 10:17:55.292REDI Repositorio Digital (Universidad FASTA) - Universidad FASTAfalse
dc.title.none.fl_str_mv Subjectivity in Kurt Cobain's songs “Come as you are”, “Stay Away”, “All apologies” : the use of metaphors and metaphorical expressions alluding to the construction of identities
title Subjectivity in Kurt Cobain's songs “Come as you are”, “Stay Away”, “All apologies” : the use of metaphors and metaphorical expressions alluding to the construction of identities
spellingShingle Subjectivity in Kurt Cobain's songs “Come as you are”, “Stay Away”, “All apologies” : the use of metaphors and metaphorical expressions alluding to the construction of identities
Corso, Noelia del Valle
Subjectivity
Identity
Language
title_short Subjectivity in Kurt Cobain's songs “Come as you are”, “Stay Away”, “All apologies” : the use of metaphors and metaphorical expressions alluding to the construction of identities
title_full Subjectivity in Kurt Cobain's songs “Come as you are”, “Stay Away”, “All apologies” : the use of metaphors and metaphorical expressions alluding to the construction of identities
title_fullStr Subjectivity in Kurt Cobain's songs “Come as you are”, “Stay Away”, “All apologies” : the use of metaphors and metaphorical expressions alluding to the construction of identities
title_full_unstemmed Subjectivity in Kurt Cobain's songs “Come as you are”, “Stay Away”, “All apologies” : the use of metaphors and metaphorical expressions alluding to the construction of identities
title_sort Subjectivity in Kurt Cobain's songs “Come as you are”, “Stay Away”, “All apologies” : the use of metaphors and metaphorical expressions alluding to the construction of identities
dc.creator.none.fl_str_mv Corso, Noelia del Valle
author Corso, Noelia del Valle
author_facet Corso, Noelia del Valle
author_role author
dc.contributor.none.fl_str_mv Insaurralde, Andrea
Bicoff, Carla
dc.subject.none.fl_str_mv Subjectivity
Identity
Language
topic Subjectivity
Identity
Language
dc.description.none.fl_txt_mv Fil: This Final Research Paper (FRP) employs hermeneutics to show how metaphors and metaphorical expressions are used by Kurt Cobain, the singer and songwriter of the rock band “Nirvana”, making allusions to Subjectivity’s construction, i.e.: how identity is constructed. In order to do so, this FRP draws on the theoretical framework given by authors dealing with Language and Power, mainly from the viewpoints of Fairclough (1989), Gadamer (1975), Nietzche (2012), Mouffe (1999), Skinner (2007) and Lotman (1995), who also make reference to how Subjectivity is constructed. By analyzing selected lyrics written and composed by Kurt Cobain, this study reveals that Cobain's compositions encode how identities are constructed. Moreover, this research contributes to our understanding of the role of language in shaping identities, a concept known as Subjectivity. Finally, this FRP will be held following Gadamer’s (1975) idea that there is not a univocal view or final interpretation of any text.
Fil: Corso, Noelia del Valle. Universidad FASTA. Facultad de Ciencias de la Educación; Argentina.
Fil: Insaurralde, Andrea. Universidad FASTA. Facultad de Ciencias de la Educación; Argentina.
Fil: Bicoff, Carla. Universidad FASTA. Facultad de Ciencias de la Educación; Argentina.
description Fil: This Final Research Paper (FRP) employs hermeneutics to show how metaphors and metaphorical expressions are used by Kurt Cobain, the singer and songwriter of the rock band “Nirvana”, making allusions to Subjectivity’s construction, i.e.: how identity is constructed. In order to do so, this FRP draws on the theoretical framework given by authors dealing with Language and Power, mainly from the viewpoints of Fairclough (1989), Gadamer (1975), Nietzche (2012), Mouffe (1999), Skinner (2007) and Lotman (1995), who also make reference to how Subjectivity is constructed. By analyzing selected lyrics written and composed by Kurt Cobain, this study reveals that Cobain's compositions encode how identities are constructed. Moreover, this research contributes to our understanding of the role of language in shaping identities, a concept known as Subjectivity. Finally, this FRP will be held following Gadamer’s (1975) idea that there is not a univocal view or final interpretation of any text.
publishDate 2024
dc.date.none.fl_str_mv 2024
dc.type.none.fl_str_mv info:eu-repo/semantics/bachelorThesis
info:eu-repo/semantics/acceptedVersion
http://purl.org/coar/resource_type/c_7a1f
info:ar-repo/semantics/trabajoFinalDeGrado
format bachelorThesis
status_str acceptedVersion
dc.identifier.none.fl_str_mv https://dspace.ufasta.edu.ar/handle/123456789/87405
url https://dspace.ufasta.edu.ar/handle/123456789/87405
dc.language.none.fl_str_mv eng
language eng
dc.rights.none.fl_str_mv info:eu-repo/semantics/openAccess
http://creativecommons.org/licences/by-nc-nd/3.0/deed.es_AR
eu_rights_str_mv openAccess
rights_invalid_str_mv http://creativecommons.org/licences/by-nc-nd/3.0/deed.es_AR
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv Universidad FASTA. Facultad de Ciencias de la Educación
publisher.none.fl_str_mv Universidad FASTA. Facultad de Ciencias de la Educación
dc.source.none.fl_str_mv reponame:REDI Repositorio Digital (Universidad FASTA)
instname:Universidad FASTA
reponame_str REDI Repositorio Digital (Universidad FASTA)
collection REDI Repositorio Digital (Universidad FASTA)
instname_str Universidad FASTA
repository.name.fl_str_mv REDI Repositorio Digital (Universidad FASTA) - Universidad FASTA
repository.mail.fl_str_mv
_version_ 1862000367828467712
score 13.05261

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