The Nuevo cancionero: A change of paradigm in argentine folklore

Autores
Díaz, Claudio Fernando
Año de publicación
2016
Idioma
inglés
Tipo de recurso
parte de libro
Estado
versión publicada
Descripción
Fil: Díaz, Claudio Fernando. Universidad Nacional de Córdoba. Facultad de Filosofía y Humanidades. Escuela de Letras; Argentina.
A field of cultural production that was gradually established in Argentina since the mid twentieth century as part of the more general evolution of the communications media and mass culture came to controversially be called “folklore” in the social imaginary. Quite a number of scholars have shown the difference between this type of musical expression, which pertains to mass culture, and authentically folkloric phenomena--no matter how they are defined. Despite these issues, the “folklore” connected to the recording industry and big Argentine festivals like Cosquín and Jesús María has continued to evolve, is still called “folklore” and is an important type of popular music in Argentina. As I have mentioned elsewhere, I propose that Argentine folklore be studied as a specific field of cultural production--in other words, as a system of social relations having its own rules of production and consecration. Because this field of discursive production is part of the cultural industry’s overall production of popular music, its game rules are very different from the ones found in the sociocultural areas where the musical genres comprising the larger field of popular music originally came from. However, like all fields of discursive cultural production, folklore operates according to the principle of competition for legitimacy, which evolved per specific rules and is based upon specific ideals regarding conseration. These rules are not arbitrary; instead, they were gradually constructed by means of the battles that impacted the field’s formative process from the 1920s on. This is how the “classic” paradigm of production -as I call it--specific to the field of folklore was constructed.
Fil: Díaz, Claudio Fernando. Universidad Nacional de Córdoba. Facultad de Filosofía y Humanidades. Escuela de Letras; Argentina.
Ciencias Sociales Interdisciplinarias
Materia
FOLKLORE
DISCURSO
NUEVO CANCIONERO
PARADIGMA
Nivel de accesibilidad
acceso abierto
Condiciones de uso
Repositorio
Repositorio Digital Universitario (UNC)
Institución
Universidad Nacional de Córdoba
OAI Identificador
oai:rdu.unc.edu.ar:11086/548896

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spelling The Nuevo cancionero: A change of paradigm in argentine folkloreDíaz, Claudio FernandoFOLKLOREDISCURSONUEVO CANCIONEROPARADIGMAFil: Díaz, Claudio Fernando. Universidad Nacional de Córdoba. Facultad de Filosofía y Humanidades. Escuela de Letras; Argentina.A field of cultural production that was gradually established in Argentina since the mid twentieth century as part of the more general evolution of the communications media and mass culture came to controversially be called “folklore” in the social imaginary. Quite a number of scholars have shown the difference between this type of musical expression, which pertains to mass culture, and authentically folkloric phenomena--no matter how they are defined. Despite these issues, the “folklore” connected to the recording industry and big Argentine festivals like Cosquín and Jesús María has continued to evolve, is still called “folklore” and is an important type of popular music in Argentina. As I have mentioned elsewhere, I propose that Argentine folklore be studied as a specific field of cultural production--in other words, as a system of social relations having its own rules of production and consecration. Because this field of discursive production is part of the cultural industry’s overall production of popular music, its game rules are very different from the ones found in the sociocultural areas where the musical genres comprising the larger field of popular music originally came from. However, like all fields of discursive cultural production, folklore operates according to the principle of competition for legitimacy, which evolved per specific rules and is based upon specific ideals regarding conseration. These rules are not arbitrary; instead, they were gradually constructed by means of the battles that impacted the field’s formative process from the 1920s on. This is how the “classic” paradigm of production -as I call it--specific to the field of folklore was constructed.Fil: Díaz, Claudio Fernando. Universidad Nacional de Córdoba. Facultad de Filosofía y Humanidades. Escuela de Letras; Argentina.Ciencias Sociales Interdisciplinarias2016info:eu-repo/semantics/bookPartinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_3248info:ar-repo/semantics/parteDeLibroapplication/pdf978-0-252-09843-7http://hdl.handle.net/11086/548896enginfo:eu-repo/semantics/openAccessreponame:Repositorio Digital Universitario (UNC)instname:Universidad Nacional de Córdobainstacron:UNC2025-09-04T12:33:05Zoai:rdu.unc.edu.ar:11086/548896Institucionalhttps://rdu.unc.edu.ar/Universidad públicaNo correspondehttp://rdu.unc.edu.ar/oai/snrdoca.unc@gmail.comArgentinaNo correspondeNo correspondeNo correspondeopendoar:25722025-09-04 12:33:05.753Repositorio Digital Universitario (UNC) - Universidad Nacional de Córdobafalse
dc.title.none.fl_str_mv The Nuevo cancionero: A change of paradigm in argentine folklore
title The Nuevo cancionero: A change of paradigm in argentine folklore
spellingShingle The Nuevo cancionero: A change of paradigm in argentine folklore
Díaz, Claudio Fernando
FOLKLORE
DISCURSO
NUEVO CANCIONERO
PARADIGMA
title_short The Nuevo cancionero: A change of paradigm in argentine folklore
title_full The Nuevo cancionero: A change of paradigm in argentine folklore
title_fullStr The Nuevo cancionero: A change of paradigm in argentine folklore
title_full_unstemmed The Nuevo cancionero: A change of paradigm in argentine folklore
title_sort The Nuevo cancionero: A change of paradigm in argentine folklore
dc.creator.none.fl_str_mv Díaz, Claudio Fernando
author Díaz, Claudio Fernando
author_facet Díaz, Claudio Fernando
author_role author
dc.subject.none.fl_str_mv FOLKLORE
DISCURSO
NUEVO CANCIONERO
PARADIGMA
topic FOLKLORE
DISCURSO
NUEVO CANCIONERO
PARADIGMA
dc.description.none.fl_txt_mv Fil: Díaz, Claudio Fernando. Universidad Nacional de Córdoba. Facultad de Filosofía y Humanidades. Escuela de Letras; Argentina.
A field of cultural production that was gradually established in Argentina since the mid twentieth century as part of the more general evolution of the communications media and mass culture came to controversially be called “folklore” in the social imaginary. Quite a number of scholars have shown the difference between this type of musical expression, which pertains to mass culture, and authentically folkloric phenomena--no matter how they are defined. Despite these issues, the “folklore” connected to the recording industry and big Argentine festivals like Cosquín and Jesús María has continued to evolve, is still called “folklore” and is an important type of popular music in Argentina. As I have mentioned elsewhere, I propose that Argentine folklore be studied as a specific field of cultural production--in other words, as a system of social relations having its own rules of production and consecration. Because this field of discursive production is part of the cultural industry’s overall production of popular music, its game rules are very different from the ones found in the sociocultural areas where the musical genres comprising the larger field of popular music originally came from. However, like all fields of discursive cultural production, folklore operates according to the principle of competition for legitimacy, which evolved per specific rules and is based upon specific ideals regarding conseration. These rules are not arbitrary; instead, they were gradually constructed by means of the battles that impacted the field’s formative process from the 1920s on. This is how the “classic” paradigm of production -as I call it--specific to the field of folklore was constructed.
Fil: Díaz, Claudio Fernando. Universidad Nacional de Córdoba. Facultad de Filosofía y Humanidades. Escuela de Letras; Argentina.
Ciencias Sociales Interdisciplinarias
description Fil: Díaz, Claudio Fernando. Universidad Nacional de Córdoba. Facultad de Filosofía y Humanidades. Escuela de Letras; Argentina.
publishDate 2016
dc.date.none.fl_str_mv 2016
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info:eu-repo/semantics/publishedVersion
http://purl.org/coar/resource_type/c_3248
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status_str publishedVersion
dc.identifier.none.fl_str_mv 978-0-252-09843-7
http://hdl.handle.net/11086/548896
identifier_str_mv 978-0-252-09843-7
url http://hdl.handle.net/11086/548896
dc.language.none.fl_str_mv eng
language eng
dc.rights.none.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
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reponame_str Repositorio Digital Universitario (UNC)
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instname_str Universidad Nacional de Córdoba
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