Buenos Aires: An Art Metropolis in the Late Nineteenth Century

Autores
Baldasarre, Maria Isabel
Año de publicación
2017
Idioma
inglés
Tipo de recurso
artículo
Estado
versión publicada
Descripción
This article focuses on the emergence of private art collecting and the art market in Buenos Aires from late 19th century up to the 1910s. In the absence of artistic institutions, like museums or academies, the Buenos Aires case is unique in Latin-America. Its art system was driven by art dealers and collectors. Local art commerce was developed in the city first through "bazaars" (unspecialized stores) and, at the end of the 19th century, through the installation of the first professional art galleries. Local art buyers favored European contemporary paintings and sculptures and made numerous purchases in renowned art galleries like the Paris-based Boussod, Valadon & Cie. Gallery. At the same time, foreign dealers and particularly the French State planned international exhibitions in order to profit from the acquisition power of the upper class in Buenos Aires and to develop a receptive market in the city.
Fil: Baldasarre, Maria Isabel. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad Nacional de San Martín. Instituto de Altos Estudios Sociales; Argentina
Materia
BUENOS AIRES
SIGLO XIX
SIGLO XX
MERCADO
Nivel de accesibilidad
acceso abierto
Condiciones de uso
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
Repositorio
CONICET Digital (CONICET)
Institución
Consejo Nacional de Investigaciones Científicas y Técnicas
OAI Identificador
oai:ri.conicet.gov.ar:11336/79432
Acceder
id CONICETDig_c31e0f105472eb163e02c8cb75c8f38b
oai_identifier_str oai:ri.conicet.gov.ar:11336/79432
network_acronym_str CONICETDig
repository_id_str 3498
network_name_str CONICET Digital (CONICET)
spelling Buenos Aires: An Art Metropolis in the Late Nineteenth CenturyBaldasarre, Maria IsabelBUENOS AIRESSIGLO XIXSIGLO XXMERCADOhttps://purl.org/becyt/ford/6.4https://purl.org/becyt/ford/6This article focuses on the emergence of private art collecting and the art market in Buenos Aires from late 19th century up to the 1910s. In the absence of artistic institutions, like museums or academies, the Buenos Aires case is unique in Latin-America. Its art system was driven by art dealers and collectors. Local art commerce was developed in the city first through "bazaars" (unspecialized stores) and, at the end of the 19th century, through the installation of the first professional art galleries. Local art buyers favored European contemporary paintings and sculptures and made numerous purchases in renowned art galleries like the Paris-based Boussod, Valadon & Cie. Gallery. At the same time, foreign dealers and particularly the French State planned international exhibitions in order to profit from the acquisition power of the upper class in Buenos Aires and to develop a receptive market in the city.Fil: Baldasarre, Maria Isabel. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad Nacional de San Martín. Instituto de Altos Estudios Sociales; ArgentinaAssociation of Historians of Nineteenth-Century Art2017-03info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdfapplication/pdfhttp://hdl.handle.net/11336/79432Baldasarre, Maria Isabel; Buenos Aires: An Art Metropolis in the Late Nineteenth Century; Association of Historians of Nineteenth-Century Art; Nineteenth-Century Art Worldwide; 16; 1; 3-2017; 1-541543-1002CONICET DigitalCONICETenginfo:eu-repo/semantics/altIdentifier/url/http://www.19thc-artworldwide.org/spring17/baldasarre-on-buenos-aires-an-art-metropolis-in-the-late-nineteenth-centuryinfo:eu-repo/semantics/altIdentifier/doi/10.29411/ncaw.2017.16.1.2info:eu-repo/semantics/openAccesshttps://creativecommons.org/licenses/by-nc-sa/2.5/ar/reponame:CONICET Digital (CONICET)instname:Consejo Nacional de Investigaciones Científicas y Técnicas2025-10-22T11:08:00Zoai:ri.conicet.gov.ar:11336/79432instacron:CONICETInstitucionalhttp://ri.conicet.gov.ar/Organismo científico-tecnológicoNo correspondehttp://ri.conicet.gov.ar/oai/requestdasensio@conicet.gov.ar; lcarlino@conicet.gov.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:34982025-10-22 11:08:00.528CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicasfalse
dc.title.none.fl_str_mv Buenos Aires: An Art Metropolis in the Late Nineteenth Century
title Buenos Aires: An Art Metropolis in the Late Nineteenth Century
spellingShingle Buenos Aires: An Art Metropolis in the Late Nineteenth Century
Baldasarre, Maria Isabel
BUENOS AIRES
SIGLO XIX
SIGLO XX
MERCADO
title_short Buenos Aires: An Art Metropolis in the Late Nineteenth Century
title_full Buenos Aires: An Art Metropolis in the Late Nineteenth Century
title_fullStr Buenos Aires: An Art Metropolis in the Late Nineteenth Century
title_full_unstemmed Buenos Aires: An Art Metropolis in the Late Nineteenth Century
title_sort Buenos Aires: An Art Metropolis in the Late Nineteenth Century
dc.creator.none.fl_str_mv Baldasarre, Maria Isabel
author Baldasarre, Maria Isabel
author_facet Baldasarre, Maria Isabel
author_role author
dc.subject.none.fl_str_mv BUENOS AIRES
SIGLO XIX
SIGLO XX
MERCADO
topic BUENOS AIRES
SIGLO XIX
SIGLO XX
MERCADO
purl_subject.fl_str_mv https://purl.org/becyt/ford/6.4
https://purl.org/becyt/ford/6
dc.description.none.fl_txt_mv This article focuses on the emergence of private art collecting and the art market in Buenos Aires from late 19th century up to the 1910s. In the absence of artistic institutions, like museums or academies, the Buenos Aires case is unique in Latin-America. Its art system was driven by art dealers and collectors. Local art commerce was developed in the city first through "bazaars" (unspecialized stores) and, at the end of the 19th century, through the installation of the first professional art galleries. Local art buyers favored European contemporary paintings and sculptures and made numerous purchases in renowned art galleries like the Paris-based Boussod, Valadon & Cie. Gallery. At the same time, foreign dealers and particularly the French State planned international exhibitions in order to profit from the acquisition power of the upper class in Buenos Aires and to develop a receptive market in the city.
Fil: Baldasarre, Maria Isabel. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad Nacional de San Martín. Instituto de Altos Estudios Sociales; Argentina
description This article focuses on the emergence of private art collecting and the art market in Buenos Aires from late 19th century up to the 1910s. In the absence of artistic institutions, like museums or academies, the Buenos Aires case is unique in Latin-America. Its art system was driven by art dealers and collectors. Local art commerce was developed in the city first through "bazaars" (unspecialized stores) and, at the end of the 19th century, through the installation of the first professional art galleries. Local art buyers favored European contemporary paintings and sculptures and made numerous purchases in renowned art galleries like the Paris-based Boussod, Valadon & Cie. Gallery. At the same time, foreign dealers and particularly the French State planned international exhibitions in order to profit from the acquisition power of the upper class in Buenos Aires and to develop a receptive market in the city.
publishDate 2017
dc.date.none.fl_str_mv 2017-03
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://purl.org/coar/resource_type/c_6501
info:ar-repo/semantics/articulo
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv http://hdl.handle.net/11336/79432
Baldasarre, Maria Isabel; Buenos Aires: An Art Metropolis in the Late Nineteenth Century; Association of Historians of Nineteenth-Century Art; Nineteenth-Century Art Worldwide; 16; 1; 3-2017; 1-54
1543-1002
CONICET Digital
CONICET
url http://hdl.handle.net/11336/79432
identifier_str_mv Baldasarre, Maria Isabel; Buenos Aires: An Art Metropolis in the Late Nineteenth Century; Association of Historians of Nineteenth-Century Art; Nineteenth-Century Art Worldwide; 16; 1; 3-2017; 1-54
1543-1002
CONICET Digital
CONICET
dc.language.none.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv info:eu-repo/semantics/altIdentifier/url/http://www.19thc-artworldwide.org/spring17/baldasarre-on-buenos-aires-an-art-metropolis-in-the-late-nineteenth-century
info:eu-repo/semantics/altIdentifier/doi/10.29411/ncaw.2017.16.1.2
dc.rights.none.fl_str_mv info:eu-repo/semantics/openAccess
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
eu_rights_str_mv openAccess
rights_invalid_str_mv https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv Association of Historians of Nineteenth-Century Art
publisher.none.fl_str_mv Association of Historians of Nineteenth-Century Art
dc.source.none.fl_str_mv reponame:CONICET Digital (CONICET)
instname:Consejo Nacional de Investigaciones Científicas y Técnicas
reponame_str CONICET Digital (CONICET)
collection CONICET Digital (CONICET)
instname_str Consejo Nacional de Investigaciones Científicas y Técnicas
repository.name.fl_str_mv CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicas
repository.mail.fl_str_mv dasensio@conicet.gov.ar; lcarlino@conicet.gov.ar
_version_ 1846781404097019904
score 12.982451

Publicaciones similares