Buenos Aires: An Art Metropolis in the Late Nineteenth Century
- Autores
- Baldasarre, Maria Isabel
- Año de publicación
- 2017
- Idioma
- inglés
- Tipo de recurso
- artículo
- Estado
- versión publicada
- Descripción
- This article focuses on the emergence of private art collecting and the art market in Buenos Aires from late 19th century up to the 1910s. In the absence of artistic institutions, like museums or academies, the Buenos Aires case is unique in Latin-America. Its art system was driven by art dealers and collectors. Local art commerce was developed in the city first through "bazaars" (unspecialized stores) and, at the end of the 19th century, through the installation of the first professional art galleries. Local art buyers favored European contemporary paintings and sculptures and made numerous purchases in renowned art galleries like the Paris-based Boussod, Valadon & Cie. Gallery. At the same time, foreign dealers and particularly the French State planned international exhibitions in order to profit from the acquisition power of the upper class in Buenos Aires and to develop a receptive market in the city.
Fil: Baldasarre, Maria Isabel. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad Nacional de San Martín. Instituto de Altos Estudios Sociales; Argentina - Materia
-
BUENOS AIRES
SIGLO XIX
SIGLO XX
MERCADO - Nivel de accesibilidad
- acceso abierto
- Condiciones de uso
- https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
- Repositorio
- Institución
- Consejo Nacional de Investigaciones Científicas y Técnicas
- OAI Identificador
- oai:ri.conicet.gov.ar:11336/79432
Ver los metadatos del registro completo
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Buenos Aires: An Art Metropolis in the Late Nineteenth CenturyBaldasarre, Maria IsabelBUENOS AIRESSIGLO XIXSIGLO XXMERCADOhttps://purl.org/becyt/ford/6.4https://purl.org/becyt/ford/6This article focuses on the emergence of private art collecting and the art market in Buenos Aires from late 19th century up to the 1910s. In the absence of artistic institutions, like museums or academies, the Buenos Aires case is unique in Latin-America. Its art system was driven by art dealers and collectors. Local art commerce was developed in the city first through "bazaars" (unspecialized stores) and, at the end of the 19th century, through the installation of the first professional art galleries. Local art buyers favored European contemporary paintings and sculptures and made numerous purchases in renowned art galleries like the Paris-based Boussod, Valadon & Cie. Gallery. At the same time, foreign dealers and particularly the French State planned international exhibitions in order to profit from the acquisition power of the upper class in Buenos Aires and to develop a receptive market in the city.Fil: Baldasarre, Maria Isabel. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad Nacional de San Martín. Instituto de Altos Estudios Sociales; ArgentinaAssociation of Historians of Nineteenth-Century Art2017-03info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdfapplication/pdfhttp://hdl.handle.net/11336/79432Baldasarre, Maria Isabel; Buenos Aires: An Art Metropolis in the Late Nineteenth Century; Association of Historians of Nineteenth-Century Art; Nineteenth-Century Art Worldwide; 16; 1; 3-2017; 1-541543-1002CONICET DigitalCONICETenginfo:eu-repo/semantics/altIdentifier/url/http://www.19thc-artworldwide.org/spring17/baldasarre-on-buenos-aires-an-art-metropolis-in-the-late-nineteenth-centuryinfo:eu-repo/semantics/altIdentifier/doi/10.29411/ncaw.2017.16.1.2info:eu-repo/semantics/openAccesshttps://creativecommons.org/licenses/by-nc-sa/2.5/ar/reponame:CONICET Digital (CONICET)instname:Consejo Nacional de Investigaciones Científicas y Técnicas2025-09-29T09:39:34Zoai:ri.conicet.gov.ar:11336/79432instacron:CONICETInstitucionalhttp://ri.conicet.gov.ar/Organismo científico-tecnológicoNo correspondehttp://ri.conicet.gov.ar/oai/requestdasensio@conicet.gov.ar; lcarlino@conicet.gov.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:34982025-09-29 09:39:34.46CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicasfalse |
dc.title.none.fl_str_mv |
Buenos Aires: An Art Metropolis in the Late Nineteenth Century |
title |
Buenos Aires: An Art Metropolis in the Late Nineteenth Century |
spellingShingle |
Buenos Aires: An Art Metropolis in the Late Nineteenth Century Baldasarre, Maria Isabel BUENOS AIRES SIGLO XIX SIGLO XX MERCADO |
title_short |
Buenos Aires: An Art Metropolis in the Late Nineteenth Century |
title_full |
Buenos Aires: An Art Metropolis in the Late Nineteenth Century |
title_fullStr |
Buenos Aires: An Art Metropolis in the Late Nineteenth Century |
title_full_unstemmed |
Buenos Aires: An Art Metropolis in the Late Nineteenth Century |
title_sort |
Buenos Aires: An Art Metropolis in the Late Nineteenth Century |
dc.creator.none.fl_str_mv |
Baldasarre, Maria Isabel |
author |
Baldasarre, Maria Isabel |
author_facet |
Baldasarre, Maria Isabel |
author_role |
author |
dc.subject.none.fl_str_mv |
BUENOS AIRES SIGLO XIX SIGLO XX MERCADO |
topic |
BUENOS AIRES SIGLO XIX SIGLO XX MERCADO |
purl_subject.fl_str_mv |
https://purl.org/becyt/ford/6.4 https://purl.org/becyt/ford/6 |
dc.description.none.fl_txt_mv |
This article focuses on the emergence of private art collecting and the art market in Buenos Aires from late 19th century up to the 1910s. In the absence of artistic institutions, like museums or academies, the Buenos Aires case is unique in Latin-America. Its art system was driven by art dealers and collectors. Local art commerce was developed in the city first through "bazaars" (unspecialized stores) and, at the end of the 19th century, through the installation of the first professional art galleries. Local art buyers favored European contemporary paintings and sculptures and made numerous purchases in renowned art galleries like the Paris-based Boussod, Valadon & Cie. Gallery. At the same time, foreign dealers and particularly the French State planned international exhibitions in order to profit from the acquisition power of the upper class in Buenos Aires and to develop a receptive market in the city. Fil: Baldasarre, Maria Isabel. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad Nacional de San Martín. Instituto de Altos Estudios Sociales; Argentina |
description |
This article focuses on the emergence of private art collecting and the art market in Buenos Aires from late 19th century up to the 1910s. In the absence of artistic institutions, like museums or academies, the Buenos Aires case is unique in Latin-America. Its art system was driven by art dealers and collectors. Local art commerce was developed in the city first through "bazaars" (unspecialized stores) and, at the end of the 19th century, through the installation of the first professional art galleries. Local art buyers favored European contemporary paintings and sculptures and made numerous purchases in renowned art galleries like the Paris-based Boussod, Valadon & Cie. Gallery. At the same time, foreign dealers and particularly the French State planned international exhibitions in order to profit from the acquisition power of the upper class in Buenos Aires and to develop a receptive market in the city. |
publishDate |
2017 |
dc.date.none.fl_str_mv |
2017-03 |
dc.type.none.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion http://purl.org/coar/resource_type/c_6501 info:ar-repo/semantics/articulo |
format |
article |
status_str |
publishedVersion |
dc.identifier.none.fl_str_mv |
http://hdl.handle.net/11336/79432 Baldasarre, Maria Isabel; Buenos Aires: An Art Metropolis in the Late Nineteenth Century; Association of Historians of Nineteenth-Century Art; Nineteenth-Century Art Worldwide; 16; 1; 3-2017; 1-54 1543-1002 CONICET Digital CONICET |
url |
http://hdl.handle.net/11336/79432 |
identifier_str_mv |
Baldasarre, Maria Isabel; Buenos Aires: An Art Metropolis in the Late Nineteenth Century; Association of Historians of Nineteenth-Century Art; Nineteenth-Century Art Worldwide; 16; 1; 3-2017; 1-54 1543-1002 CONICET Digital CONICET |
dc.language.none.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
info:eu-repo/semantics/altIdentifier/url/http://www.19thc-artworldwide.org/spring17/baldasarre-on-buenos-aires-an-art-metropolis-in-the-late-nineteenth-century info:eu-repo/semantics/altIdentifier/doi/10.29411/ncaw.2017.16.1.2 |
dc.rights.none.fl_str_mv |
info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by-nc-sa/2.5/ar/ |
eu_rights_str_mv |
openAccess |
rights_invalid_str_mv |
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/ |
dc.format.none.fl_str_mv |
application/pdf application/pdf |
dc.publisher.none.fl_str_mv |
Association of Historians of Nineteenth-Century Art |
publisher.none.fl_str_mv |
Association of Historians of Nineteenth-Century Art |
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reponame:CONICET Digital (CONICET) instname:Consejo Nacional de Investigaciones Científicas y Técnicas |
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CONICET Digital (CONICET) |
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Consejo Nacional de Investigaciones Científicas y Técnicas |
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CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicas |
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dasensio@conicet.gov.ar; lcarlino@conicet.gov.ar |
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