Aesthetic Artefacts or Documents?: Museums of Art and History in Late Nineteenth-Century Buenos Aires
- Autores
- Malosetti Costa, Laura
- Año de publicación
- 2016
- Idioma
- inglés
- Tipo de recurso
- artículo
- Estado
- versión publicada
- Descripción
- Argentina’s National Museum of History and the National Museum of Fine Arts were created almost at the same time in Buenos Aires, towards the end of the nineteenth century. Many of the artefacts collected in both museums are of the same kind: oil paintings, drawings, engravings, and sculptures, depicting battles, portraits, landscapes, and costumbrista scenes. However, the artefacts in each institution were understood differently: those in the Museum of Fine Arts were considered as ‘art’, while those in the other museum were seen as historical documents. This differentiation between the material of art history and that of history deserves critical examination. The creation of each museum may explain this distinction, as well as offering a point of departure for further reflections about the way in which those artefacts have been exhibited, studied, and preserved.
Fil: Malosetti Costa, Laura. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad Nacional de San Martín; Argentina - Materia
-
Museos
Artefactos visuales
Historia
Buenos Aires - Nivel de accesibilidad
- acceso abierto
- Condiciones de uso
- https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
- Repositorio
- Institución
- Consejo Nacional de Investigaciones Científicas y Técnicas
- OAI Identificador
- oai:ri.conicet.gov.ar:11336/89489
Ver los metadatos del registro completo
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Aesthetic Artefacts or Documents?: Museums of Art and History in Late Nineteenth-Century Buenos AiresMalosetti Costa, LauraMuseosArtefactos visualesHistoriaBuenos Aireshttps://purl.org/becyt/ford/6.1https://purl.org/becyt/ford/6Argentina’s National Museum of History and the National Museum of Fine Arts were created almost at the same time in Buenos Aires, towards the end of the nineteenth century. Many of the artefacts collected in both museums are of the same kind: oil paintings, drawings, engravings, and sculptures, depicting battles, portraits, landscapes, and costumbrista scenes. However, the artefacts in each institution were understood differently: those in the Museum of Fine Arts were considered as ‘art’, while those in the other museum were seen as historical documents. This differentiation between the material of art history and that of history deserves critical examination. The creation of each museum may explain this distinction, as well as offering a point of departure for further reflections about the way in which those artefacts have been exhibited, studied, and preserved.Fil: Malosetti Costa, Laura. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad Nacional de San Martín; ArgentinaTaylor & Francis2016-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdfapplication/pdfhttp://hdl.handle.net/11336/89489Malosetti Costa, Laura; Aesthetic Artefacts or Documents?: Museums of Art and History in Late Nineteenth-Century Buenos Aires; Taylor & Francis; Museum History Journal; 9; 1; 1-2016; 108-1201936-9824CONICET DigitalCONICETenginfo:eu-repo/semantics/altIdentifier/url/https://www.tandfonline.com/doi/full/10.1080/19369816.2015.1118260info:eu-repo/semantics/altIdentifier/doi/10.1080/19369816.2015.1118260info:eu-repo/semantics/openAccesshttps://creativecommons.org/licenses/by-nc-sa/2.5/ar/reponame:CONICET Digital (CONICET)instname:Consejo Nacional de Investigaciones Científicas y Técnicas2025-09-29T09:45:58Zoai:ri.conicet.gov.ar:11336/89489instacron:CONICETInstitucionalhttp://ri.conicet.gov.ar/Organismo científico-tecnológicoNo correspondehttp://ri.conicet.gov.ar/oai/requestdasensio@conicet.gov.ar; lcarlino@conicet.gov.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:34982025-09-29 09:45:59.152CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicasfalse |
dc.title.none.fl_str_mv |
Aesthetic Artefacts or Documents?: Museums of Art and History in Late Nineteenth-Century Buenos Aires |
title |
Aesthetic Artefacts or Documents?: Museums of Art and History in Late Nineteenth-Century Buenos Aires |
spellingShingle |
Aesthetic Artefacts or Documents?: Museums of Art and History in Late Nineteenth-Century Buenos Aires Malosetti Costa, Laura Museos Artefactos visuales Historia Buenos Aires |
title_short |
Aesthetic Artefacts or Documents?: Museums of Art and History in Late Nineteenth-Century Buenos Aires |
title_full |
Aesthetic Artefacts or Documents?: Museums of Art and History in Late Nineteenth-Century Buenos Aires |
title_fullStr |
Aesthetic Artefacts or Documents?: Museums of Art and History in Late Nineteenth-Century Buenos Aires |
title_full_unstemmed |
Aesthetic Artefacts or Documents?: Museums of Art and History in Late Nineteenth-Century Buenos Aires |
title_sort |
Aesthetic Artefacts or Documents?: Museums of Art and History in Late Nineteenth-Century Buenos Aires |
dc.creator.none.fl_str_mv |
Malosetti Costa, Laura |
author |
Malosetti Costa, Laura |
author_facet |
Malosetti Costa, Laura |
author_role |
author |
dc.subject.none.fl_str_mv |
Museos Artefactos visuales Historia Buenos Aires |
topic |
Museos Artefactos visuales Historia Buenos Aires |
purl_subject.fl_str_mv |
https://purl.org/becyt/ford/6.1 https://purl.org/becyt/ford/6 |
dc.description.none.fl_txt_mv |
Argentina’s National Museum of History and the National Museum of Fine Arts were created almost at the same time in Buenos Aires, towards the end of the nineteenth century. Many of the artefacts collected in both museums are of the same kind: oil paintings, drawings, engravings, and sculptures, depicting battles, portraits, landscapes, and costumbrista scenes. However, the artefacts in each institution were understood differently: those in the Museum of Fine Arts were considered as ‘art’, while those in the other museum were seen as historical documents. This differentiation between the material of art history and that of history deserves critical examination. The creation of each museum may explain this distinction, as well as offering a point of departure for further reflections about the way in which those artefacts have been exhibited, studied, and preserved. Fil: Malosetti Costa, Laura. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad Nacional de San Martín; Argentina |
description |
Argentina’s National Museum of History and the National Museum of Fine Arts were created almost at the same time in Buenos Aires, towards the end of the nineteenth century. Many of the artefacts collected in both museums are of the same kind: oil paintings, drawings, engravings, and sculptures, depicting battles, portraits, landscapes, and costumbrista scenes. However, the artefacts in each institution were understood differently: those in the Museum of Fine Arts were considered as ‘art’, while those in the other museum were seen as historical documents. This differentiation between the material of art history and that of history deserves critical examination. The creation of each museum may explain this distinction, as well as offering a point of departure for further reflections about the way in which those artefacts have been exhibited, studied, and preserved. |
publishDate |
2016 |
dc.date.none.fl_str_mv |
2016-01 |
dc.type.none.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion http://purl.org/coar/resource_type/c_6501 info:ar-repo/semantics/articulo |
format |
article |
status_str |
publishedVersion |
dc.identifier.none.fl_str_mv |
http://hdl.handle.net/11336/89489 Malosetti Costa, Laura; Aesthetic Artefacts or Documents?: Museums of Art and History in Late Nineteenth-Century Buenos Aires; Taylor & Francis; Museum History Journal; 9; 1; 1-2016; 108-120 1936-9824 CONICET Digital CONICET |
url |
http://hdl.handle.net/11336/89489 |
identifier_str_mv |
Malosetti Costa, Laura; Aesthetic Artefacts or Documents?: Museums of Art and History in Late Nineteenth-Century Buenos Aires; Taylor & Francis; Museum History Journal; 9; 1; 1-2016; 108-120 1936-9824 CONICET Digital CONICET |
dc.language.none.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
info:eu-repo/semantics/altIdentifier/url/https://www.tandfonline.com/doi/full/10.1080/19369816.2015.1118260 info:eu-repo/semantics/altIdentifier/doi/10.1080/19369816.2015.1118260 |
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info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by-nc-sa/2.5/ar/ |
eu_rights_str_mv |
openAccess |
rights_invalid_str_mv |
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/ |
dc.format.none.fl_str_mv |
application/pdf application/pdf |
dc.publisher.none.fl_str_mv |
Taylor & Francis |
publisher.none.fl_str_mv |
Taylor & Francis |
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CONICET Digital (CONICET) |
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CONICET Digital (CONICET) |
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Consejo Nacional de Investigaciones Científicas y Técnicas |
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CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicas |
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dasensio@conicet.gov.ar; lcarlino@conicet.gov.ar |
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13.070432 |