An Exorcistical Film: Archives, Sounds, and the Haunted Present in Gastón Solnicki´s Papirosen

Autores
Kantor, Débora Galia
Año de publicación
2023
Idioma
inglés
Tipo de recurso
artículo
Estado
versión publicada
Descripción
This essay aims to discuss and review Argentine-Jewish director Gastón Solnicki´s second feature Papirosen, a 70-minute film made of a plethora of found footage (the Solnicki family archive) and a vast, 200-hour footage shot and mounted throughout a decade. The labyrinthine constitution of trauma, its fundamental dislocation of space and time and the haunting complexion of its persistence are addressed archeologically by this author´s exploration of archival footage and sound distortion. Solnicki´s work, beyond the notion of “archive effect” is the work of a post-human -“medium-author”- who calls on cinema´s capacity to invoke the past and rearrange trauma, and claims that the time and sensorial experience of images is no other than contemporaneity.
Fil: Kantor, Débora Galia. Universidad Nacional de San Martín. Instituto de Altos Estudios Sociales; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina
Materia
Film
Archives
Non-fiction
Judaism
Nivel de accesibilidad
acceso abierto
Condiciones de uso
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
Repositorio
CONICET Digital (CONICET)
Institución
Consejo Nacional de Investigaciones Científicas y Técnicas
OAI Identificador
oai:ri.conicet.gov.ar:11336/230295
Acceder
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network_name_str CONICET Digital (CONICET)
spelling An Exorcistical Film: Archives, Sounds, and the Haunted Present in Gastón Solnicki´s PapirosenKantor, Débora GaliaFilmArchivesNon-fictionJudaismhttps://purl.org/becyt/ford/6.4https://purl.org/becyt/ford/6This essay aims to discuss and review Argentine-Jewish director Gastón Solnicki´s second feature Papirosen, a 70-minute film made of a plethora of found footage (the Solnicki family archive) and a vast, 200-hour footage shot and mounted throughout a decade. The labyrinthine constitution of trauma, its fundamental dislocation of space and time and the haunting complexion of its persistence are addressed archeologically by this author´s exploration of archival footage and sound distortion. Solnicki´s work, beyond the notion of “archive effect” is the work of a post-human -“medium-author”- who calls on cinema´s capacity to invoke the past and rearrange trauma, and claims that the time and sensorial experience of images is no other than contemporaneity.Fil: Kantor, Débora Galia. Universidad Nacional de San Martín. Instituto de Altos Estudios Sociales; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; ArgentinaThe Association for Jewish Studies2023-08info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdfapplication/pdfhttp://hdl.handle.net/11336/230295Kantor, Débora Galia; An Exorcistical Film: Archives, Sounds, and the Haunted Present in Gastón Solnicki´s Papirosen; The Association for Jewish Studies; The Magazine of the Association for Jewish Studies; 8-2023; 1-31529-6423CONICET DigitalCONICETenginfo:eu-repo/semantics/altIdentifier/url/https://www.associationforjewishstudies.org/docs/default-source/ajs-perspectives/ajs-perspectives-reel-stories-web.pdf?Status=Master&sfvrsn=478ba116_3info:eu-repo/semantics/openAccesshttps://creativecommons.org/licenses/by-nc-sa/2.5/ar/reponame:CONICET Digital (CONICET)instname:Consejo Nacional de Investigaciones Científicas y Técnicas2025-09-29T09:54:30Zoai:ri.conicet.gov.ar:11336/230295instacron:CONICETInstitucionalhttp://ri.conicet.gov.ar/Organismo científico-tecnológicoNo correspondehttp://ri.conicet.gov.ar/oai/requestdasensio@conicet.gov.ar; lcarlino@conicet.gov.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:34982025-09-29 09:54:30.547CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicasfalse
dc.title.none.fl_str_mv An Exorcistical Film: Archives, Sounds, and the Haunted Present in Gastón Solnicki´s Papirosen
title An Exorcistical Film: Archives, Sounds, and the Haunted Present in Gastón Solnicki´s Papirosen
spellingShingle An Exorcistical Film: Archives, Sounds, and the Haunted Present in Gastón Solnicki´s Papirosen
Kantor, Débora Galia
Film
Archives
Non-fiction
Judaism
title_short An Exorcistical Film: Archives, Sounds, and the Haunted Present in Gastón Solnicki´s Papirosen
title_full An Exorcistical Film: Archives, Sounds, and the Haunted Present in Gastón Solnicki´s Papirosen
title_fullStr An Exorcistical Film: Archives, Sounds, and the Haunted Present in Gastón Solnicki´s Papirosen
title_full_unstemmed An Exorcistical Film: Archives, Sounds, and the Haunted Present in Gastón Solnicki´s Papirosen
title_sort An Exorcistical Film: Archives, Sounds, and the Haunted Present in Gastón Solnicki´s Papirosen
dc.creator.none.fl_str_mv Kantor, Débora Galia
author Kantor, Débora Galia
author_facet Kantor, Débora Galia
author_role author
dc.subject.none.fl_str_mv Film
Archives
Non-fiction
Judaism
topic Film
Archives
Non-fiction
Judaism
purl_subject.fl_str_mv https://purl.org/becyt/ford/6.4
https://purl.org/becyt/ford/6
dc.description.none.fl_txt_mv This essay aims to discuss and review Argentine-Jewish director Gastón Solnicki´s second feature Papirosen, a 70-minute film made of a plethora of found footage (the Solnicki family archive) and a vast, 200-hour footage shot and mounted throughout a decade. The labyrinthine constitution of trauma, its fundamental dislocation of space and time and the haunting complexion of its persistence are addressed archeologically by this author´s exploration of archival footage and sound distortion. Solnicki´s work, beyond the notion of “archive effect” is the work of a post-human -“medium-author”- who calls on cinema´s capacity to invoke the past and rearrange trauma, and claims that the time and sensorial experience of images is no other than contemporaneity.
Fil: Kantor, Débora Galia. Universidad Nacional de San Martín. Instituto de Altos Estudios Sociales; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina
description This essay aims to discuss and review Argentine-Jewish director Gastón Solnicki´s second feature Papirosen, a 70-minute film made of a plethora of found footage (the Solnicki family archive) and a vast, 200-hour footage shot and mounted throughout a decade. The labyrinthine constitution of trauma, its fundamental dislocation of space and time and the haunting complexion of its persistence are addressed archeologically by this author´s exploration of archival footage and sound distortion. Solnicki´s work, beyond the notion of “archive effect” is the work of a post-human -“medium-author”- who calls on cinema´s capacity to invoke the past and rearrange trauma, and claims that the time and sensorial experience of images is no other than contemporaneity.
publishDate 2023
dc.date.none.fl_str_mv 2023-08
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://purl.org/coar/resource_type/c_6501
info:ar-repo/semantics/articulo
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv http://hdl.handle.net/11336/230295
Kantor, Débora Galia; An Exorcistical Film: Archives, Sounds, and the Haunted Present in Gastón Solnicki´s Papirosen; The Association for Jewish Studies; The Magazine of the Association for Jewish Studies; 8-2023; 1-3
1529-6423
CONICET Digital
CONICET
url http://hdl.handle.net/11336/230295
identifier_str_mv Kantor, Débora Galia; An Exorcistical Film: Archives, Sounds, and the Haunted Present in Gastón Solnicki´s Papirosen; The Association for Jewish Studies; The Magazine of the Association for Jewish Studies; 8-2023; 1-3
1529-6423
CONICET Digital
CONICET
dc.language.none.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv info:eu-repo/semantics/altIdentifier/url/https://www.associationforjewishstudies.org/docs/default-source/ajs-perspectives/ajs-perspectives-reel-stories-web.pdf?Status=Master&sfvrsn=478ba116_3
dc.rights.none.fl_str_mv info:eu-repo/semantics/openAccess
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
eu_rights_str_mv openAccess
rights_invalid_str_mv https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv The Association for Jewish Studies
publisher.none.fl_str_mv The Association for Jewish Studies
dc.source.none.fl_str_mv reponame:CONICET Digital (CONICET)
instname:Consejo Nacional de Investigaciones Científicas y Técnicas
reponame_str CONICET Digital (CONICET)
collection CONICET Digital (CONICET)
instname_str Consejo Nacional de Investigaciones Científicas y Técnicas
repository.name.fl_str_mv CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicas
repository.mail.fl_str_mv dasensio@conicet.gov.ar; lcarlino@conicet.gov.ar
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score 13.070432

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