Engaged in an undertaking of the highest artistic culture: two projects for a South American Academy in Rome (1897-1911)

Autores
Murace, Giulia
Año de publicación
2021
Idioma
inglés
Tipo de recurso
documento de conferencia
Estado
versión publicada
Descripción
This paper revolves around two projects that involved artistic and diplomatic relationships between Italy (Rome in particular) and South America (especially Argentina) at the turn of the 19th and beginning of the 20th centuries. On one hand, I seek to contribute to the discussion about Rome as cultural capital: as ascertained by recent studies, it never really lost its attraction, neither as a place to visit nor as a place of artistic education. On the other hand, I propose an additional perspective about the Argentinian system of art consolidation process. Buenos Aires did not have a national academy of fine arts until 1905, but in 1897 the Government constituted the National Commission of Fine Arts with the aim of regulating the flow of young artists who left annually to Europe (they were taken under control by the national Patronage of pensionnaires just in 1909).
Fil: Murace, Giulia. Universidad Nacional de San Martin. Centro de Investigaciones En Arte y Patrimonio. - Consejo Nacional de Investigaciones Cientificas y Tecnicas. Oficina de Coordinacion Administrativa Pque. Centenario. Centro de Investigaciones En Arte y Patrimonio.; Argentina
35th Congress of the International Committee of the History of Arts
Florencia
Italia
Comité International d'Histoire de l'Art
Bononia University Press
Materia
ROME
LATIN AMERICA
ACADEMY OF ART
DIPLOMACY
Nivel de accesibilidad
acceso abierto
Condiciones de uso
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
Repositorio
CONICET Digital (CONICET)
Institución
Consejo Nacional de Investigaciones Científicas y Técnicas
OAI Identificador
oai:ri.conicet.gov.ar:11336/178988
Acceder
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spelling Engaged in an undertaking of the highest artistic culture: two projects for a South American Academy in Rome (1897-1911)Murace, GiuliaROMELATIN AMERICAACADEMY OF ARTDIPLOMACYhttps://purl.org/becyt/ford/6.4https://purl.org/becyt/ford/6This paper revolves around two projects that involved artistic and diplomatic relationships between Italy (Rome in particular) and South America (especially Argentina) at the turn of the 19th and beginning of the 20th centuries. On one hand, I seek to contribute to the discussion about Rome as cultural capital: as ascertained by recent studies, it never really lost its attraction, neither as a place to visit nor as a place of artistic education. On the other hand, I propose an additional perspective about the Argentinian system of art consolidation process. Buenos Aires did not have a national academy of fine arts until 1905, but in 1897 the Government constituted the National Commission of Fine Arts with the aim of regulating the flow of young artists who left annually to Europe (they were taken under control by the national Patronage of pensionnaires just in 1909).Fil: Murace, Giulia. Universidad Nacional de San Martin. Centro de Investigaciones En Arte y Patrimonio. - Consejo Nacional de Investigaciones Cientificas y Tecnicas. Oficina de Coordinacion Administrativa Pque. Centenario. Centro de Investigaciones En Arte y Patrimonio.; Argentina35th Congress of the International Committee of the History of ArtsFlorenciaItaliaComité International d'Histoire de l'ArtBononia University PressBononia University Press2021info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/conferenceObjectCongresoBookhttp://purl.org/coar/resource_type/c_5794info:ar-repo/semantics/documentoDeConferenciaapplication/pdfapplication/pdfhttp://hdl.handle.net/11336/178988Engaged in an undertaking of the highest artistic culture: two projects for a South American Academy in Rome (1897-1911); 35th Congress of the International Committee of the History of Arts; Florencia; Italia; 2019; 1-159788869236501CONICET DigitalCONICETenginfo:eu-repo/semantics/altIdentifier/url/https://buponline.com/prodotto/motion-transformation/info:eu-repo/semantics/altIdentifier/url/https://buponline.com/az13zg/uploads/d-1-650-ciha-motion-transformation-vol1.pdfInternacionalinfo:eu-repo/semantics/openAccesshttps://creativecommons.org/licenses/by-nc-sa/2.5/ar/reponame:CONICET Digital (CONICET)instname:Consejo Nacional de Investigaciones Científicas y Técnicas2025-10-15T15:45:49Zoai:ri.conicet.gov.ar:11336/178988instacron:CONICETInstitucionalhttp://ri.conicet.gov.ar/Organismo científico-tecnológicoNo correspondehttp://ri.conicet.gov.ar/oai/requestdasensio@conicet.gov.ar; lcarlino@conicet.gov.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:34982025-10-15 15:45:50.038CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicasfalse
dc.title.none.fl_str_mv Engaged in an undertaking of the highest artistic culture: two projects for a South American Academy in Rome (1897-1911)
title Engaged in an undertaking of the highest artistic culture: two projects for a South American Academy in Rome (1897-1911)
spellingShingle Engaged in an undertaking of the highest artistic culture: two projects for a South American Academy in Rome (1897-1911)
Murace, Giulia
ROME
LATIN AMERICA
ACADEMY OF ART
DIPLOMACY
title_short Engaged in an undertaking of the highest artistic culture: two projects for a South American Academy in Rome (1897-1911)
title_full Engaged in an undertaking of the highest artistic culture: two projects for a South American Academy in Rome (1897-1911)
title_fullStr Engaged in an undertaking of the highest artistic culture: two projects for a South American Academy in Rome (1897-1911)
title_full_unstemmed Engaged in an undertaking of the highest artistic culture: two projects for a South American Academy in Rome (1897-1911)
title_sort Engaged in an undertaking of the highest artistic culture: two projects for a South American Academy in Rome (1897-1911)
dc.creator.none.fl_str_mv Murace, Giulia
author Murace, Giulia
author_facet Murace, Giulia
author_role author
dc.subject.none.fl_str_mv ROME
LATIN AMERICA
ACADEMY OF ART
DIPLOMACY
topic ROME
LATIN AMERICA
ACADEMY OF ART
DIPLOMACY
purl_subject.fl_str_mv https://purl.org/becyt/ford/6.4
https://purl.org/becyt/ford/6
dc.description.none.fl_txt_mv This paper revolves around two projects that involved artistic and diplomatic relationships between Italy (Rome in particular) and South America (especially Argentina) at the turn of the 19th and beginning of the 20th centuries. On one hand, I seek to contribute to the discussion about Rome as cultural capital: as ascertained by recent studies, it never really lost its attraction, neither as a place to visit nor as a place of artistic education. On the other hand, I propose an additional perspective about the Argentinian system of art consolidation process. Buenos Aires did not have a national academy of fine arts until 1905, but in 1897 the Government constituted the National Commission of Fine Arts with the aim of regulating the flow of young artists who left annually to Europe (they were taken under control by the national Patronage of pensionnaires just in 1909).
Fil: Murace, Giulia. Universidad Nacional de San Martin. Centro de Investigaciones En Arte y Patrimonio. - Consejo Nacional de Investigaciones Cientificas y Tecnicas. Oficina de Coordinacion Administrativa Pque. Centenario. Centro de Investigaciones En Arte y Patrimonio.; Argentina
35th Congress of the International Committee of the History of Arts
Florencia
Italia
Comité International d'Histoire de l'Art
Bononia University Press
description This paper revolves around two projects that involved artistic and diplomatic relationships between Italy (Rome in particular) and South America (especially Argentina) at the turn of the 19th and beginning of the 20th centuries. On one hand, I seek to contribute to the discussion about Rome as cultural capital: as ascertained by recent studies, it never really lost its attraction, neither as a place to visit nor as a place of artistic education. On the other hand, I propose an additional perspective about the Argentinian system of art consolidation process. Buenos Aires did not have a national academy of fine arts until 1905, but in 1897 the Government constituted the National Commission of Fine Arts with the aim of regulating the flow of young artists who left annually to Europe (they were taken under control by the national Patronage of pensionnaires just in 1909).
publishDate 2021
dc.date.none.fl_str_mv 2021
dc.type.none.fl_str_mv info:eu-repo/semantics/publishedVersion
info:eu-repo/semantics/conferenceObject
Congreso
Book
http://purl.org/coar/resource_type/c_5794
info:ar-repo/semantics/documentoDeConferencia
status_str publishedVersion
format conferenceObject
dc.identifier.none.fl_str_mv http://hdl.handle.net/11336/178988
Engaged in an undertaking of the highest artistic culture: two projects for a South American Academy in Rome (1897-1911); 35th Congress of the International Committee of the History of Arts; Florencia; Italia; 2019; 1-15
9788869236501
CONICET Digital
CONICET
url http://hdl.handle.net/11336/178988
identifier_str_mv Engaged in an undertaking of the highest artistic culture: two projects for a South American Academy in Rome (1897-1911); 35th Congress of the International Committee of the History of Arts; Florencia; Italia; 2019; 1-15
9788869236501
CONICET Digital
CONICET
dc.language.none.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv info:eu-repo/semantics/altIdentifier/url/https://buponline.com/prodotto/motion-transformation/
info:eu-repo/semantics/altIdentifier/url/https://buponline.com/az13zg/uploads/d-1-650-ciha-motion-transformation-vol1.pdf
dc.rights.none.fl_str_mv info:eu-repo/semantics/openAccess
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
eu_rights_str_mv openAccess
rights_invalid_str_mv https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.coverage.none.fl_str_mv Internacional
dc.publisher.none.fl_str_mv Bononia University Press
publisher.none.fl_str_mv Bononia University Press
dc.source.none.fl_str_mv reponame:CONICET Digital (CONICET)
instname:Consejo Nacional de Investigaciones Científicas y Técnicas
reponame_str CONICET Digital (CONICET)
collection CONICET Digital (CONICET)
instname_str Consejo Nacional de Investigaciones Científicas y Técnicas
repository.name.fl_str_mv CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicas
repository.mail.fl_str_mv dasensio@conicet.gov.ar; lcarlino@conicet.gov.ar
_version_ 1846083557196300288
score 13.22299

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