Geographies of Love(Lessness), Space and Affectivity in Viajo Porque Preciso , Volto Porque Te Amo (I Travel Because I Need to, I Come Back Because I Love You) (Karim Aïnouz and Ma...

Autores
Depetris Chauvin, Irene
Año de publicación
2016
Idioma
inglés
Tipo de recurso
artículo
Estado
versión publicada
Descripción
This article looks at how the idea of open space, articulated within a theoretical matrix that privileges affect, might be used to think through the inscription of subjects in the contemporary world. The audio-visual construction of space in the films Viajo porque preciso, volto porque te amo (2009), by Karim Aïnouz and Marcelo Gomes, and Turistas (2009), by Alicia Scherson, resonates with Giuliana Bruno’s (2002) idea of a cinema informed ‘by a cartographic practice of the intimate that sets out a haptic route’, a ‘mobile geography’ that blurs the limits between external space and affectivity. In these films, the co-existence of inner and outer mappings on the same surface, as pure filmic materialities, visual and sound potentials, problematises the hermetic nature of the private, making inner space porous, open to flows and contaminations. I will give an account of this new mobile and affective geography by analysing the trajectories of the protagonists of these films – a geologist and a female biologist – along with the relations they establish with the flora, fauna and physical and human environment they traverse. The central claim of this article is that through a visual, sonic and tactile inventory of nature, these films introduce a haptic dimension which is both aesthetic matrix and a way of thinking affects and subjectivity in the contemporary world.
Fil: Depetris Chauvin, Irene. Universidad de Buenos Aires. Facultad de Filosofía y Letras; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina
Materia
Cine Chileno
Cine Brasileño
Paisaje
Afectos
Nivel de accesibilidad
acceso abierto
Condiciones de uso
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
Repositorio
CONICET Digital (CONICET)
Institución
Consejo Nacional de Investigaciones Científicas y Técnicas
OAI Identificador
oai:ri.conicet.gov.ar:11336/44650

id CONICETDig_a8aecbb8dee1f48afab1812aa335f750
oai_identifier_str oai:ri.conicet.gov.ar:11336/44650
network_acronym_str CONICETDig
repository_id_str 3498
network_name_str CONICET Digital (CONICET)
spelling Geographies of Love(Lessness), Space and Affectivity in Viajo Porque Preciso , Volto Porque Te Amo (I Travel Because I Need to, I Come Back Because I Love You) (Karim Aïnouz and Marcelo Gomes, 2009) and Turistas (Tourists) (Alicia Scherson , 2009 )Depetris Chauvin, IreneCine ChilenoCine BrasileñoPaisajeAfectoshttps://purl.org/becyt/ford/6.4https://purl.org/becyt/ford/6This article looks at how the idea of open space, articulated within a theoretical matrix that privileges affect, might be used to think through the inscription of subjects in the contemporary world. The audio-visual construction of space in the films Viajo porque preciso, volto porque te amo (2009), by Karim Aïnouz and Marcelo Gomes, and Turistas (2009), by Alicia Scherson, resonates with Giuliana Bruno’s (2002) idea of a cinema informed ‘by a cartographic practice of the intimate that sets out a haptic route’, a ‘mobile geography’ that blurs the limits between external space and affectivity. In these films, the co-existence of inner and outer mappings on the same surface, as pure filmic materialities, visual and sound potentials, problematises the hermetic nature of the private, making inner space porous, open to flows and contaminations. I will give an account of this new mobile and affective geography by analysing the trajectories of the protagonists of these films – a geologist and a female biologist – along with the relations they establish with the flora, fauna and physical and human environment they traverse. The central claim of this article is that through a visual, sonic and tactile inventory of nature, these films introduce a haptic dimension which is both aesthetic matrix and a way of thinking affects and subjectivity in the contemporary world.Fil: Depetris Chauvin, Irene. Universidad de Buenos Aires. Facultad de Filosofía y Letras; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; ArgentinaTaylor & Francis2016-05info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdfapplication/pdfhttp://hdl.handle.net/11336/44650Depetris Chauvin, Irene; Geographies of Love(Lessness), Space and Affectivity in Viajo Porque Preciso , Volto Porque Te Amo (I Travel Because I Need to, I Come Back Because I Love You) (Karim Aïnouz and Marcelo Gomes, 2009) and Turistas (Tourists) (Alicia Scherson , 2009 ); Taylor & Francis; Journal of Latin American Cultural Studies; 25; 3; 5-2016; 467-4831356-9325CONICET DigitalCONICETenginfo:eu-repo/semantics/altIdentifier/doi/10.1080/13569325.2016.1184038info:eu-repo/semantics/altIdentifier/url/https://www.tandfonline.com/doi/full/10.1080/13569325.2016.1184038info:eu-repo/semantics/openAccesshttps://creativecommons.org/licenses/by-nc-sa/2.5/ar/reponame:CONICET Digital (CONICET)instname:Consejo Nacional de Investigaciones Científicas y Técnicas2025-09-03T09:50:07Zoai:ri.conicet.gov.ar:11336/44650instacron:CONICETInstitucionalhttp://ri.conicet.gov.ar/Organismo científico-tecnológicoNo correspondehttp://ri.conicet.gov.ar/oai/requestdasensio@conicet.gov.ar; lcarlino@conicet.gov.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:34982025-09-03 09:50:07.566CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicasfalse
dc.title.none.fl_str_mv Geographies of Love(Lessness), Space and Affectivity in Viajo Porque Preciso , Volto Porque Te Amo (I Travel Because I Need to, I Come Back Because I Love You) (Karim Aïnouz and Marcelo Gomes, 2009) and Turistas (Tourists) (Alicia Scherson , 2009 )
title Geographies of Love(Lessness), Space and Affectivity in Viajo Porque Preciso , Volto Porque Te Amo (I Travel Because I Need to, I Come Back Because I Love You) (Karim Aïnouz and Marcelo Gomes, 2009) and Turistas (Tourists) (Alicia Scherson , 2009 )
spellingShingle Geographies of Love(Lessness), Space and Affectivity in Viajo Porque Preciso , Volto Porque Te Amo (I Travel Because I Need to, I Come Back Because I Love You) (Karim Aïnouz and Marcelo Gomes, 2009) and Turistas (Tourists) (Alicia Scherson , 2009 )
Depetris Chauvin, Irene
Cine Chileno
Cine Brasileño
Paisaje
Afectos
title_short Geographies of Love(Lessness), Space and Affectivity in Viajo Porque Preciso , Volto Porque Te Amo (I Travel Because I Need to, I Come Back Because I Love You) (Karim Aïnouz and Marcelo Gomes, 2009) and Turistas (Tourists) (Alicia Scherson , 2009 )
title_full Geographies of Love(Lessness), Space and Affectivity in Viajo Porque Preciso , Volto Porque Te Amo (I Travel Because I Need to, I Come Back Because I Love You) (Karim Aïnouz and Marcelo Gomes, 2009) and Turistas (Tourists) (Alicia Scherson , 2009 )
title_fullStr Geographies of Love(Lessness), Space and Affectivity in Viajo Porque Preciso , Volto Porque Te Amo (I Travel Because I Need to, I Come Back Because I Love You) (Karim Aïnouz and Marcelo Gomes, 2009) and Turistas (Tourists) (Alicia Scherson , 2009 )
title_full_unstemmed Geographies of Love(Lessness), Space and Affectivity in Viajo Porque Preciso , Volto Porque Te Amo (I Travel Because I Need to, I Come Back Because I Love You) (Karim Aïnouz and Marcelo Gomes, 2009) and Turistas (Tourists) (Alicia Scherson , 2009 )
title_sort Geographies of Love(Lessness), Space and Affectivity in Viajo Porque Preciso , Volto Porque Te Amo (I Travel Because I Need to, I Come Back Because I Love You) (Karim Aïnouz and Marcelo Gomes, 2009) and Turistas (Tourists) (Alicia Scherson , 2009 )
dc.creator.none.fl_str_mv Depetris Chauvin, Irene
author Depetris Chauvin, Irene
author_facet Depetris Chauvin, Irene
author_role author
dc.subject.none.fl_str_mv Cine Chileno
Cine Brasileño
Paisaje
Afectos
topic Cine Chileno
Cine Brasileño
Paisaje
Afectos
purl_subject.fl_str_mv https://purl.org/becyt/ford/6.4
https://purl.org/becyt/ford/6
dc.description.none.fl_txt_mv This article looks at how the idea of open space, articulated within a theoretical matrix that privileges affect, might be used to think through the inscription of subjects in the contemporary world. The audio-visual construction of space in the films Viajo porque preciso, volto porque te amo (2009), by Karim Aïnouz and Marcelo Gomes, and Turistas (2009), by Alicia Scherson, resonates with Giuliana Bruno’s (2002) idea of a cinema informed ‘by a cartographic practice of the intimate that sets out a haptic route’, a ‘mobile geography’ that blurs the limits between external space and affectivity. In these films, the co-existence of inner and outer mappings on the same surface, as pure filmic materialities, visual and sound potentials, problematises the hermetic nature of the private, making inner space porous, open to flows and contaminations. I will give an account of this new mobile and affective geography by analysing the trajectories of the protagonists of these films – a geologist and a female biologist – along with the relations they establish with the flora, fauna and physical and human environment they traverse. The central claim of this article is that through a visual, sonic and tactile inventory of nature, these films introduce a haptic dimension which is both aesthetic matrix and a way of thinking affects and subjectivity in the contemporary world.
Fil: Depetris Chauvin, Irene. Universidad de Buenos Aires. Facultad de Filosofía y Letras; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina
description This article looks at how the idea of open space, articulated within a theoretical matrix that privileges affect, might be used to think through the inscription of subjects in the contemporary world. The audio-visual construction of space in the films Viajo porque preciso, volto porque te amo (2009), by Karim Aïnouz and Marcelo Gomes, and Turistas (2009), by Alicia Scherson, resonates with Giuliana Bruno’s (2002) idea of a cinema informed ‘by a cartographic practice of the intimate that sets out a haptic route’, a ‘mobile geography’ that blurs the limits between external space and affectivity. In these films, the co-existence of inner and outer mappings on the same surface, as pure filmic materialities, visual and sound potentials, problematises the hermetic nature of the private, making inner space porous, open to flows and contaminations. I will give an account of this new mobile and affective geography by analysing the trajectories of the protagonists of these films – a geologist and a female biologist – along with the relations they establish with the flora, fauna and physical and human environment they traverse. The central claim of this article is that through a visual, sonic and tactile inventory of nature, these films introduce a haptic dimension which is both aesthetic matrix and a way of thinking affects and subjectivity in the contemporary world.
publishDate 2016
dc.date.none.fl_str_mv 2016-05
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://purl.org/coar/resource_type/c_6501
info:ar-repo/semantics/articulo
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv http://hdl.handle.net/11336/44650
Depetris Chauvin, Irene; Geographies of Love(Lessness), Space and Affectivity in Viajo Porque Preciso , Volto Porque Te Amo (I Travel Because I Need to, I Come Back Because I Love You) (Karim Aïnouz and Marcelo Gomes, 2009) and Turistas (Tourists) (Alicia Scherson , 2009 ); Taylor & Francis; Journal of Latin American Cultural Studies; 25; 3; 5-2016; 467-483
1356-9325
CONICET Digital
CONICET
url http://hdl.handle.net/11336/44650
identifier_str_mv Depetris Chauvin, Irene; Geographies of Love(Lessness), Space and Affectivity in Viajo Porque Preciso , Volto Porque Te Amo (I Travel Because I Need to, I Come Back Because I Love You) (Karim Aïnouz and Marcelo Gomes, 2009) and Turistas (Tourists) (Alicia Scherson , 2009 ); Taylor & Francis; Journal of Latin American Cultural Studies; 25; 3; 5-2016; 467-483
1356-9325
CONICET Digital
CONICET
dc.language.none.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv info:eu-repo/semantics/altIdentifier/doi/10.1080/13569325.2016.1184038
info:eu-repo/semantics/altIdentifier/url/https://www.tandfonline.com/doi/full/10.1080/13569325.2016.1184038
dc.rights.none.fl_str_mv info:eu-repo/semantics/openAccess
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
eu_rights_str_mv openAccess
rights_invalid_str_mv https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv Taylor & Francis
publisher.none.fl_str_mv Taylor & Francis
dc.source.none.fl_str_mv reponame:CONICET Digital (CONICET)
instname:Consejo Nacional de Investigaciones Científicas y Técnicas
reponame_str CONICET Digital (CONICET)
collection CONICET Digital (CONICET)
instname_str Consejo Nacional de Investigaciones Científicas y Técnicas
repository.name.fl_str_mv CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicas
repository.mail.fl_str_mv dasensio@conicet.gov.ar; lcarlino@conicet.gov.ar
_version_ 1842269014184689664
score 13.13397