Geographies of Love(Lessness), Space and Affectivity in Viajo Porque Preciso , Volto Porque Te Amo (I Travel Because I Need to, I Come Back Because I Love You) (Karim Aïnouz and Ma...
- Autores
- Depetris Chauvin, Irene
- Año de publicación
- 2016
- Idioma
- inglés
- Tipo de recurso
- artículo
- Estado
- versión publicada
- Descripción
- This article looks at how the idea of open space, articulated within a theoretical matrix that privileges affect, might be used to think through the inscription of subjects in the contemporary world. The audio-visual construction of space in the films Viajo porque preciso, volto porque te amo (2009), by Karim Aïnouz and Marcelo Gomes, and Turistas (2009), by Alicia Scherson, resonates with Giuliana Bruno’s (2002) idea of a cinema informed ‘by a cartographic practice of the intimate that sets out a haptic route’, a ‘mobile geography’ that blurs the limits between external space and affectivity. In these films, the co-existence of inner and outer mappings on the same surface, as pure filmic materialities, visual and sound potentials, problematises the hermetic nature of the private, making inner space porous, open to flows and contaminations. I will give an account of this new mobile and affective geography by analysing the trajectories of the protagonists of these films – a geologist and a female biologist – along with the relations they establish with the flora, fauna and physical and human environment they traverse. The central claim of this article is that through a visual, sonic and tactile inventory of nature, these films introduce a haptic dimension which is both aesthetic matrix and a way of thinking affects and subjectivity in the contemporary world.
Fil: Depetris Chauvin, Irene. Universidad de Buenos Aires. Facultad de Filosofía y Letras; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina - Materia
-
Cine Chileno
Cine Brasileño
Paisaje
Afectos - Nivel de accesibilidad
- acceso abierto
- Condiciones de uso
- https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
- Repositorio
- Institución
- Consejo Nacional de Investigaciones Científicas y Técnicas
- OAI Identificador
- oai:ri.conicet.gov.ar:11336/44650
Ver los metadatos del registro completo
id |
CONICETDig_a8aecbb8dee1f48afab1812aa335f750 |
---|---|
oai_identifier_str |
oai:ri.conicet.gov.ar:11336/44650 |
network_acronym_str |
CONICETDig |
repository_id_str |
3498 |
network_name_str |
CONICET Digital (CONICET) |
spelling |
Geographies of Love(Lessness), Space and Affectivity in Viajo Porque Preciso , Volto Porque Te Amo (I Travel Because I Need to, I Come Back Because I Love You) (Karim Aïnouz and Marcelo Gomes, 2009) and Turistas (Tourists) (Alicia Scherson , 2009 )Depetris Chauvin, IreneCine ChilenoCine BrasileñoPaisajeAfectoshttps://purl.org/becyt/ford/6.4https://purl.org/becyt/ford/6This article looks at how the idea of open space, articulated within a theoretical matrix that privileges affect, might be used to think through the inscription of subjects in the contemporary world. The audio-visual construction of space in the films Viajo porque preciso, volto porque te amo (2009), by Karim Aïnouz and Marcelo Gomes, and Turistas (2009), by Alicia Scherson, resonates with Giuliana Bruno’s (2002) idea of a cinema informed ‘by a cartographic practice of the intimate that sets out a haptic route’, a ‘mobile geography’ that blurs the limits between external space and affectivity. In these films, the co-existence of inner and outer mappings on the same surface, as pure filmic materialities, visual and sound potentials, problematises the hermetic nature of the private, making inner space porous, open to flows and contaminations. I will give an account of this new mobile and affective geography by analysing the trajectories of the protagonists of these films – a geologist and a female biologist – along with the relations they establish with the flora, fauna and physical and human environment they traverse. The central claim of this article is that through a visual, sonic and tactile inventory of nature, these films introduce a haptic dimension which is both aesthetic matrix and a way of thinking affects and subjectivity in the contemporary world.Fil: Depetris Chauvin, Irene. Universidad de Buenos Aires. Facultad de Filosofía y Letras; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; ArgentinaTaylor & Francis2016-05info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdfapplication/pdfhttp://hdl.handle.net/11336/44650Depetris Chauvin, Irene; Geographies of Love(Lessness), Space and Affectivity in Viajo Porque Preciso , Volto Porque Te Amo (I Travel Because I Need to, I Come Back Because I Love You) (Karim Aïnouz and Marcelo Gomes, 2009) and Turistas (Tourists) (Alicia Scherson , 2009 ); Taylor & Francis; Journal of Latin American Cultural Studies; 25; 3; 5-2016; 467-4831356-9325CONICET DigitalCONICETenginfo:eu-repo/semantics/altIdentifier/doi/10.1080/13569325.2016.1184038info:eu-repo/semantics/altIdentifier/url/https://www.tandfonline.com/doi/full/10.1080/13569325.2016.1184038info:eu-repo/semantics/openAccesshttps://creativecommons.org/licenses/by-nc-sa/2.5/ar/reponame:CONICET Digital (CONICET)instname:Consejo Nacional de Investigaciones Científicas y Técnicas2025-09-03T09:50:07Zoai:ri.conicet.gov.ar:11336/44650instacron:CONICETInstitucionalhttp://ri.conicet.gov.ar/Organismo científico-tecnológicoNo correspondehttp://ri.conicet.gov.ar/oai/requestdasensio@conicet.gov.ar; lcarlino@conicet.gov.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:34982025-09-03 09:50:07.566CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicasfalse |
dc.title.none.fl_str_mv |
Geographies of Love(Lessness), Space and Affectivity in Viajo Porque Preciso , Volto Porque Te Amo (I Travel Because I Need to, I Come Back Because I Love You) (Karim Aïnouz and Marcelo Gomes, 2009) and Turistas (Tourists) (Alicia Scherson , 2009 ) |
title |
Geographies of Love(Lessness), Space and Affectivity in Viajo Porque Preciso , Volto Porque Te Amo (I Travel Because I Need to, I Come Back Because I Love You) (Karim Aïnouz and Marcelo Gomes, 2009) and Turistas (Tourists) (Alicia Scherson , 2009 ) |
spellingShingle |
Geographies of Love(Lessness), Space and Affectivity in Viajo Porque Preciso , Volto Porque Te Amo (I Travel Because I Need to, I Come Back Because I Love You) (Karim Aïnouz and Marcelo Gomes, 2009) and Turistas (Tourists) (Alicia Scherson , 2009 ) Depetris Chauvin, Irene Cine Chileno Cine Brasileño Paisaje Afectos |
title_short |
Geographies of Love(Lessness), Space and Affectivity in Viajo Porque Preciso , Volto Porque Te Amo (I Travel Because I Need to, I Come Back Because I Love You) (Karim Aïnouz and Marcelo Gomes, 2009) and Turistas (Tourists) (Alicia Scherson , 2009 ) |
title_full |
Geographies of Love(Lessness), Space and Affectivity in Viajo Porque Preciso , Volto Porque Te Amo (I Travel Because I Need to, I Come Back Because I Love You) (Karim Aïnouz and Marcelo Gomes, 2009) and Turistas (Tourists) (Alicia Scherson , 2009 ) |
title_fullStr |
Geographies of Love(Lessness), Space and Affectivity in Viajo Porque Preciso , Volto Porque Te Amo (I Travel Because I Need to, I Come Back Because I Love You) (Karim Aïnouz and Marcelo Gomes, 2009) and Turistas (Tourists) (Alicia Scherson , 2009 ) |
title_full_unstemmed |
Geographies of Love(Lessness), Space and Affectivity in Viajo Porque Preciso , Volto Porque Te Amo (I Travel Because I Need to, I Come Back Because I Love You) (Karim Aïnouz and Marcelo Gomes, 2009) and Turistas (Tourists) (Alicia Scherson , 2009 ) |
title_sort |
Geographies of Love(Lessness), Space and Affectivity in Viajo Porque Preciso , Volto Porque Te Amo (I Travel Because I Need to, I Come Back Because I Love You) (Karim Aïnouz and Marcelo Gomes, 2009) and Turistas (Tourists) (Alicia Scherson , 2009 ) |
dc.creator.none.fl_str_mv |
Depetris Chauvin, Irene |
author |
Depetris Chauvin, Irene |
author_facet |
Depetris Chauvin, Irene |
author_role |
author |
dc.subject.none.fl_str_mv |
Cine Chileno Cine Brasileño Paisaje Afectos |
topic |
Cine Chileno Cine Brasileño Paisaje Afectos |
purl_subject.fl_str_mv |
https://purl.org/becyt/ford/6.4 https://purl.org/becyt/ford/6 |
dc.description.none.fl_txt_mv |
This article looks at how the idea of open space, articulated within a theoretical matrix that privileges affect, might be used to think through the inscription of subjects in the contemporary world. The audio-visual construction of space in the films Viajo porque preciso, volto porque te amo (2009), by Karim Aïnouz and Marcelo Gomes, and Turistas (2009), by Alicia Scherson, resonates with Giuliana Bruno’s (2002) idea of a cinema informed ‘by a cartographic practice of the intimate that sets out a haptic route’, a ‘mobile geography’ that blurs the limits between external space and affectivity. In these films, the co-existence of inner and outer mappings on the same surface, as pure filmic materialities, visual and sound potentials, problematises the hermetic nature of the private, making inner space porous, open to flows and contaminations. I will give an account of this new mobile and affective geography by analysing the trajectories of the protagonists of these films – a geologist and a female biologist – along with the relations they establish with the flora, fauna and physical and human environment they traverse. The central claim of this article is that through a visual, sonic and tactile inventory of nature, these films introduce a haptic dimension which is both aesthetic matrix and a way of thinking affects and subjectivity in the contemporary world. Fil: Depetris Chauvin, Irene. Universidad de Buenos Aires. Facultad de Filosofía y Letras; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina |
description |
This article looks at how the idea of open space, articulated within a theoretical matrix that privileges affect, might be used to think through the inscription of subjects in the contemporary world. The audio-visual construction of space in the films Viajo porque preciso, volto porque te amo (2009), by Karim Aïnouz and Marcelo Gomes, and Turistas (2009), by Alicia Scherson, resonates with Giuliana Bruno’s (2002) idea of a cinema informed ‘by a cartographic practice of the intimate that sets out a haptic route’, a ‘mobile geography’ that blurs the limits between external space and affectivity. In these films, the co-existence of inner and outer mappings on the same surface, as pure filmic materialities, visual and sound potentials, problematises the hermetic nature of the private, making inner space porous, open to flows and contaminations. I will give an account of this new mobile and affective geography by analysing the trajectories of the protagonists of these films – a geologist and a female biologist – along with the relations they establish with the flora, fauna and physical and human environment they traverse. The central claim of this article is that through a visual, sonic and tactile inventory of nature, these films introduce a haptic dimension which is both aesthetic matrix and a way of thinking affects and subjectivity in the contemporary world. |
publishDate |
2016 |
dc.date.none.fl_str_mv |
2016-05 |
dc.type.none.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion http://purl.org/coar/resource_type/c_6501 info:ar-repo/semantics/articulo |
format |
article |
status_str |
publishedVersion |
dc.identifier.none.fl_str_mv |
http://hdl.handle.net/11336/44650 Depetris Chauvin, Irene; Geographies of Love(Lessness), Space and Affectivity in Viajo Porque Preciso , Volto Porque Te Amo (I Travel Because I Need to, I Come Back Because I Love You) (Karim Aïnouz and Marcelo Gomes, 2009) and Turistas (Tourists) (Alicia Scherson , 2009 ); Taylor & Francis; Journal of Latin American Cultural Studies; 25; 3; 5-2016; 467-483 1356-9325 CONICET Digital CONICET |
url |
http://hdl.handle.net/11336/44650 |
identifier_str_mv |
Depetris Chauvin, Irene; Geographies of Love(Lessness), Space and Affectivity in Viajo Porque Preciso , Volto Porque Te Amo (I Travel Because I Need to, I Come Back Because I Love You) (Karim Aïnouz and Marcelo Gomes, 2009) and Turistas (Tourists) (Alicia Scherson , 2009 ); Taylor & Francis; Journal of Latin American Cultural Studies; 25; 3; 5-2016; 467-483 1356-9325 CONICET Digital CONICET |
dc.language.none.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
info:eu-repo/semantics/altIdentifier/doi/10.1080/13569325.2016.1184038 info:eu-repo/semantics/altIdentifier/url/https://www.tandfonline.com/doi/full/10.1080/13569325.2016.1184038 |
dc.rights.none.fl_str_mv |
info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by-nc-sa/2.5/ar/ |
eu_rights_str_mv |
openAccess |
rights_invalid_str_mv |
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/ |
dc.format.none.fl_str_mv |
application/pdf application/pdf |
dc.publisher.none.fl_str_mv |
Taylor & Francis |
publisher.none.fl_str_mv |
Taylor & Francis |
dc.source.none.fl_str_mv |
reponame:CONICET Digital (CONICET) instname:Consejo Nacional de Investigaciones Científicas y Técnicas |
reponame_str |
CONICET Digital (CONICET) |
collection |
CONICET Digital (CONICET) |
instname_str |
Consejo Nacional de Investigaciones Científicas y Técnicas |
repository.name.fl_str_mv |
CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicas |
repository.mail.fl_str_mv |
dasensio@conicet.gov.ar; lcarlino@conicet.gov.ar |
_version_ |
1842269014184689664 |
score |
13.13397 |