Ante el límite de la representación en el documental: cuerpo filmado, filmado-hablante, filmante, (anti)espectante

Autores
Ciancio, María Belén
Año de publicación
2017
Idioma
español castellano
Tipo de recurso
artículo
Estado
versión publicada
Descripción
This essay re-thinks some of the problems of contemporary documentary filmmaking, including categories such as the figure or author-function (long-debated not only in the field of cinema, but also in the fields of literature and philosophy), the concept of body and spectator, and the problem of representation, in the context of a series of documentaries sometimes considered as post-memory, critical memory, “first person” documentaries, or labyrinthine memory. My hypothesis is that the way in which corporality is modulated in the plot – in which memory and gender are decisive concepts and experiences to the problem of representation – produces not only the specificity in the analysis of certain documentary films, but also and ultimately the way of thinking the place of the body in the modes of production and reproduction in the audio-visual media of the global capitalism.
Fil: Ciancio, María Belén. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - Mendoza. Instituto de Ciencias Humanas, Sociales y Ambientales; Argentina
Materia
DOCUMENTAL
CUERPO
REPRESENTACIÓN
LIMITE
Nivel de accesibilidad
acceso abierto
Condiciones de uso
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
Repositorio
CONICET Digital (CONICET)
Institución
Consejo Nacional de Investigaciones Científicas y Técnicas
OAI Identificador
oai:ri.conicet.gov.ar:11336/64923
Acceder
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spelling Ante el límite de la representación en el documental: cuerpo filmado, filmado-hablante, filmante, (anti)espectanteCiancio, María BelénDOCUMENTALCUERPOREPRESENTACIÓNLIMITEhttps://purl.org/becyt/ford/5.9https://purl.org/becyt/ford/5This essay re-thinks some of the problems of contemporary documentary filmmaking, including categories such as the figure or author-function (long-debated not only in the field of cinema, but also in the fields of literature and philosophy), the concept of body and spectator, and the problem of representation, in the context of a series of documentaries sometimes considered as post-memory, critical memory, “first person” documentaries, or labyrinthine memory. My hypothesis is that the way in which corporality is modulated in the plot – in which memory and gender are decisive concepts and experiences to the problem of representation – produces not only the specificity in the analysis of certain documentary films, but also and ultimately the way of thinking the place of the body in the modes of production and reproduction in the audio-visual media of the global capitalism.Fil: Ciancio, María Belén. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - Mendoza. Instituto de Ciencias Humanas, Sociales y Ambientales; ArgentinaUniversität Heidelberg2017info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdfapplication/zipapplication/pdfhttp://hdl.handle.net/11336/64923Ciancio, María Belén; Ante el límite de la representación en el documental: cuerpo filmado, filmado-hablante, filmante, (anti)espectante; Universität Heidelberg; HeLix; 10; 2017; 234-2562191-642XCONICET DigitalCONICETspainfo:eu-repo/semantics/altIdentifier/doi/10.11588/helix.2017.0.42033info:eu-repo/semantics/altIdentifier/url/https://journals.ub.uni-heidelberg.de/index.php/helix/article/view/42033info:eu-repo/semantics/openAccesshttps://creativecommons.org/licenses/by-nc-sa/2.5/ar/reponame:CONICET Digital (CONICET)instname:Consejo Nacional de Investigaciones Científicas y Técnicas2025-09-03T10:11:47Zoai:ri.conicet.gov.ar:11336/64923instacron:CONICETInstitucionalhttp://ri.conicet.gov.ar/Organismo científico-tecnológicoNo correspondehttp://ri.conicet.gov.ar/oai/requestdasensio@conicet.gov.ar; lcarlino@conicet.gov.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:34982025-09-03 10:11:48.092CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicasfalse
dc.title.none.fl_str_mv Ante el límite de la representación en el documental: cuerpo filmado, filmado-hablante, filmante, (anti)espectante
title Ante el límite de la representación en el documental: cuerpo filmado, filmado-hablante, filmante, (anti)espectante
spellingShingle Ante el límite de la representación en el documental: cuerpo filmado, filmado-hablante, filmante, (anti)espectante
Ciancio, María Belén
DOCUMENTAL
CUERPO
REPRESENTACIÓN
LIMITE
title_short Ante el límite de la representación en el documental: cuerpo filmado, filmado-hablante, filmante, (anti)espectante
title_full Ante el límite de la representación en el documental: cuerpo filmado, filmado-hablante, filmante, (anti)espectante
title_fullStr Ante el límite de la representación en el documental: cuerpo filmado, filmado-hablante, filmante, (anti)espectante
title_full_unstemmed Ante el límite de la representación en el documental: cuerpo filmado, filmado-hablante, filmante, (anti)espectante
title_sort Ante el límite de la representación en el documental: cuerpo filmado, filmado-hablante, filmante, (anti)espectante
dc.creator.none.fl_str_mv Ciancio, María Belén
author Ciancio, María Belén
author_facet Ciancio, María Belén
author_role author
dc.subject.none.fl_str_mv DOCUMENTAL
CUERPO
REPRESENTACIÓN
LIMITE
topic DOCUMENTAL
CUERPO
REPRESENTACIÓN
LIMITE
purl_subject.fl_str_mv https://purl.org/becyt/ford/5.9
https://purl.org/becyt/ford/5
dc.description.none.fl_txt_mv This essay re-thinks some of the problems of contemporary documentary filmmaking, including categories such as the figure or author-function (long-debated not only in the field of cinema, but also in the fields of literature and philosophy), the concept of body and spectator, and the problem of representation, in the context of a series of documentaries sometimes considered as post-memory, critical memory, “first person” documentaries, or labyrinthine memory. My hypothesis is that the way in which corporality is modulated in the plot – in which memory and gender are decisive concepts and experiences to the problem of representation – produces not only the specificity in the analysis of certain documentary films, but also and ultimately the way of thinking the place of the body in the modes of production and reproduction in the audio-visual media of the global capitalism.
Fil: Ciancio, María Belén. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - Mendoza. Instituto de Ciencias Humanas, Sociales y Ambientales; Argentina
description This essay re-thinks some of the problems of contemporary documentary filmmaking, including categories such as the figure or author-function (long-debated not only in the field of cinema, but also in the fields of literature and philosophy), the concept of body and spectator, and the problem of representation, in the context of a series of documentaries sometimes considered as post-memory, critical memory, “first person” documentaries, or labyrinthine memory. My hypothesis is that the way in which corporality is modulated in the plot – in which memory and gender are decisive concepts and experiences to the problem of representation – produces not only the specificity in the analysis of certain documentary films, but also and ultimately the way of thinking the place of the body in the modes of production and reproduction in the audio-visual media of the global capitalism.
publishDate 2017
dc.date.none.fl_str_mv 2017
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://purl.org/coar/resource_type/c_6501
info:ar-repo/semantics/articulo
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv http://hdl.handle.net/11336/64923
Ciancio, María Belén; Ante el límite de la representación en el documental: cuerpo filmado, filmado-hablante, filmante, (anti)espectante; Universität Heidelberg; HeLix; 10; 2017; 234-256
2191-642X
CONICET Digital
CONICET
url http://hdl.handle.net/11336/64923
identifier_str_mv Ciancio, María Belén; Ante el límite de la representación en el documental: cuerpo filmado, filmado-hablante, filmante, (anti)espectante; Universität Heidelberg; HeLix; 10; 2017; 234-256
2191-642X
CONICET Digital
CONICET
dc.language.none.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv info:eu-repo/semantics/altIdentifier/doi/10.11588/helix.2017.0.42033
info:eu-repo/semantics/altIdentifier/url/https://journals.ub.uni-heidelberg.de/index.php/helix/article/view/42033
dc.rights.none.fl_str_mv info:eu-repo/semantics/openAccess
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
eu_rights_str_mv openAccess
rights_invalid_str_mv https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
dc.format.none.fl_str_mv application/pdf
application/zip
application/pdf
dc.publisher.none.fl_str_mv Universität Heidelberg
publisher.none.fl_str_mv Universität Heidelberg
dc.source.none.fl_str_mv reponame:CONICET Digital (CONICET)
instname:Consejo Nacional de Investigaciones Científicas y Técnicas
reponame_str CONICET Digital (CONICET)
collection CONICET Digital (CONICET)
instname_str Consejo Nacional de Investigaciones Científicas y Técnicas
repository.name.fl_str_mv CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicas
repository.mail.fl_str_mv dasensio@conicet.gov.ar; lcarlino@conicet.gov.ar
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score 13.13397

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