Traveling Mermaids, Traveling Materials: Museum Objects and the Decentering of the Histories of Knowledge

Autores
Podgorny, Irina
Año de publicación
2024
Idioma
inglés
Tipo de recurso
artículo
Estado
versión publicada
Descripción
This article—which is mostly based on secondary literature following the questions suggested by a visit to the Victoria & Albert Museum—proposes how a decentering of the history of knowledge can be achieved by thinking with museum objects. I chose a particular Leitmotiv, distributed through international trade and scientific networks, which, in the longue durée, brought together a variety of people and connected the most diverse geographies. It follows the itineraries of the Mediterranean mermaid transformed in Latin America into a mermaid musician/guitarist, a character displayed in textiles, ceramics, and furniture and which is featured today in collections of popular culture, ethnography, and decorative arts. Using this example, this paper explores the cross-cultural transfers that shaped and cross-linked cultures to remind us that such objects were the result of multiple exchanges happening in several places and that, to understand them, historians have to cross national and disciplinary borders, languages, and, finally, those chronological periods that make us forget the centrality to history of change and continuity.
Fil: Podgorny, Irina. Universidad Nacional de La Plata. Facultad de Ciencias Naturales y Museo. Archivo Histórico; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - La Plata; Argentina
Materia
Circulation of Knowledge
Material Culture
Tapestry
Museum Collections
Nivel de accesibilidad
acceso abierto
Condiciones de uso
https://creativecommons.org/licenses/by/2.5/ar/
Repositorio
CONICET Digital (CONICET)
Institución
Consejo Nacional de Investigaciones Científicas y Técnicas
OAI Identificador
oai:ri.conicet.gov.ar:11336/256031

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spelling Traveling Mermaids, Traveling Materials: Museum Objects and the Decentering of the Histories of KnowledgePodgorny, IrinaCirculation of KnowledgeMaterial CultureTapestryMuseum Collectionshttps://purl.org/becyt/ford/6.1https://purl.org/becyt/ford/6This article—which is mostly based on secondary literature following the questions suggested by a visit to the Victoria & Albert Museum—proposes how a decentering of the history of knowledge can be achieved by thinking with museum objects. I chose a particular Leitmotiv, distributed through international trade and scientific networks, which, in the longue durée, brought together a variety of people and connected the most diverse geographies. It follows the itineraries of the Mediterranean mermaid transformed in Latin America into a mermaid musician/guitarist, a character displayed in textiles, ceramics, and furniture and which is featured today in collections of popular culture, ethnography, and decorative arts. Using this example, this paper explores the cross-cultural transfers that shaped and cross-linked cultures to remind us that such objects were the result of multiple exchanges happening in several places and that, to understand them, historians have to cross national and disciplinary borders, languages, and, finally, those chronological periods that make us forget the centrality to history of change and continuity.Fil: Podgorny, Irina. Universidad Nacional de La Plata. Facultad de Ciencias Naturales y Museo. Archivo Histórico; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - La Plata; ArgentinaThe Belgian-Dutch Society for the History of Science and Universities2024-12info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdfapplication/pdfhttp://hdl.handle.net/11336/256031Podgorny, Irina; Traveling Mermaids, Traveling Materials: Museum Objects and the Decentering of the Histories of Knowledge; The Belgian-Dutch Society for the History of Science and Universities; Journal for the History of Knowledge; 5; 12-2024; 253-2632632-282XCONICET DigitalCONICETenginfo:eu-repo/semantics/altIdentifier/url/https://journalhistoryknowledge.org/article/view/18647info:eu-repo/semantics/altIdentifier/doi/10.55283/jhk.18647info:eu-repo/semantics/openAccesshttps://creativecommons.org/licenses/by/2.5/ar/reponame:CONICET Digital (CONICET)instname:Consejo Nacional de Investigaciones Científicas y Técnicas2025-09-29T10:01:36Zoai:ri.conicet.gov.ar:11336/256031instacron:CONICETInstitucionalhttp://ri.conicet.gov.ar/Organismo científico-tecnológicoNo correspondehttp://ri.conicet.gov.ar/oai/requestdasensio@conicet.gov.ar; lcarlino@conicet.gov.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:34982025-09-29 10:01:36.827CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicasfalse
dc.title.none.fl_str_mv Traveling Mermaids, Traveling Materials: Museum Objects and the Decentering of the Histories of Knowledge
title Traveling Mermaids, Traveling Materials: Museum Objects and the Decentering of the Histories of Knowledge
spellingShingle Traveling Mermaids, Traveling Materials: Museum Objects and the Decentering of the Histories of Knowledge
Podgorny, Irina
Circulation of Knowledge
Material Culture
Tapestry
Museum Collections
title_short Traveling Mermaids, Traveling Materials: Museum Objects and the Decentering of the Histories of Knowledge
title_full Traveling Mermaids, Traveling Materials: Museum Objects and the Decentering of the Histories of Knowledge
title_fullStr Traveling Mermaids, Traveling Materials: Museum Objects and the Decentering of the Histories of Knowledge
title_full_unstemmed Traveling Mermaids, Traveling Materials: Museum Objects and the Decentering of the Histories of Knowledge
title_sort Traveling Mermaids, Traveling Materials: Museum Objects and the Decentering of the Histories of Knowledge
dc.creator.none.fl_str_mv Podgorny, Irina
author Podgorny, Irina
author_facet Podgorny, Irina
author_role author
dc.subject.none.fl_str_mv Circulation of Knowledge
Material Culture
Tapestry
Museum Collections
topic Circulation of Knowledge
Material Culture
Tapestry
Museum Collections
purl_subject.fl_str_mv https://purl.org/becyt/ford/6.1
https://purl.org/becyt/ford/6
dc.description.none.fl_txt_mv This article—which is mostly based on secondary literature following the questions suggested by a visit to the Victoria & Albert Museum—proposes how a decentering of the history of knowledge can be achieved by thinking with museum objects. I chose a particular Leitmotiv, distributed through international trade and scientific networks, which, in the longue durée, brought together a variety of people and connected the most diverse geographies. It follows the itineraries of the Mediterranean mermaid transformed in Latin America into a mermaid musician/guitarist, a character displayed in textiles, ceramics, and furniture and which is featured today in collections of popular culture, ethnography, and decorative arts. Using this example, this paper explores the cross-cultural transfers that shaped and cross-linked cultures to remind us that such objects were the result of multiple exchanges happening in several places and that, to understand them, historians have to cross national and disciplinary borders, languages, and, finally, those chronological periods that make us forget the centrality to history of change and continuity.
Fil: Podgorny, Irina. Universidad Nacional de La Plata. Facultad de Ciencias Naturales y Museo. Archivo Histórico; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - La Plata; Argentina
description This article—which is mostly based on secondary literature following the questions suggested by a visit to the Victoria & Albert Museum—proposes how a decentering of the history of knowledge can be achieved by thinking with museum objects. I chose a particular Leitmotiv, distributed through international trade and scientific networks, which, in the longue durée, brought together a variety of people and connected the most diverse geographies. It follows the itineraries of the Mediterranean mermaid transformed in Latin America into a mermaid musician/guitarist, a character displayed in textiles, ceramics, and furniture and which is featured today in collections of popular culture, ethnography, and decorative arts. Using this example, this paper explores the cross-cultural transfers that shaped and cross-linked cultures to remind us that such objects were the result of multiple exchanges happening in several places and that, to understand them, historians have to cross national and disciplinary borders, languages, and, finally, those chronological periods that make us forget the centrality to history of change and continuity.
publishDate 2024
dc.date.none.fl_str_mv 2024-12
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://purl.org/coar/resource_type/c_6501
info:ar-repo/semantics/articulo
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv http://hdl.handle.net/11336/256031
Podgorny, Irina; Traveling Mermaids, Traveling Materials: Museum Objects and the Decentering of the Histories of Knowledge; The Belgian-Dutch Society for the History of Science and Universities; Journal for the History of Knowledge; 5; 12-2024; 253-263
2632-282X
CONICET Digital
CONICET
url http://hdl.handle.net/11336/256031
identifier_str_mv Podgorny, Irina; Traveling Mermaids, Traveling Materials: Museum Objects and the Decentering of the Histories of Knowledge; The Belgian-Dutch Society for the History of Science and Universities; Journal for the History of Knowledge; 5; 12-2024; 253-263
2632-282X
CONICET Digital
CONICET
dc.language.none.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv info:eu-repo/semantics/altIdentifier/url/https://journalhistoryknowledge.org/article/view/18647
info:eu-repo/semantics/altIdentifier/doi/10.55283/jhk.18647
dc.rights.none.fl_str_mv info:eu-repo/semantics/openAccess
https://creativecommons.org/licenses/by/2.5/ar/
eu_rights_str_mv openAccess
rights_invalid_str_mv https://creativecommons.org/licenses/by/2.5/ar/
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv The Belgian-Dutch Society for the History of Science and Universities
publisher.none.fl_str_mv The Belgian-Dutch Society for the History of Science and Universities
dc.source.none.fl_str_mv reponame:CONICET Digital (CONICET)
instname:Consejo Nacional de Investigaciones Científicas y Técnicas
reponame_str CONICET Digital (CONICET)
collection CONICET Digital (CONICET)
instname_str Consejo Nacional de Investigaciones Científicas y Técnicas
repository.name.fl_str_mv CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicas
repository.mail.fl_str_mv dasensio@conicet.gov.ar; lcarlino@conicet.gov.ar
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score 13.070432