Green, yellow, and red pigments in South American painting, 1610-1780

Autores
Seldes, Alicia; Burucúa, José Emilio; Siracusano, Gabriela Silvana; Maier, Marta Silvia; Abad, Rodrigo Gonzalo
Año de publicación
2002
Idioma
inglés
Tipo de recurso
artículo
Estado
versión publicada
Descripción
A multidisciplinary team of chemists and art historians from the University of Buenos Aires and the National Council of Scientific and Technological Research (CONICET) has examined the green, yellow, and red pigments used in a collection of 29 paintings from the highlands of Peru in the Andean region during the colonial period (1610-1780). The results described in this paper are a continuation of previous research on blue pigments found in the same corpus (JAIC 38 [1999]: 100-23). The results show how the artists from the big workshops of Cusco and the cities of the Alto Peru (the highlands of Bolivia and N.W. Argentina) followed the recipes for color preparation included in the technical treatises written by Spanish painters. Once again, the figure of Mateo Pisarro, an artist active in the Puna of Atacama at the end of the 17th century, emerges as an exceptional investigator of color-rendering problems.
Fil: Seldes, Alicia. Universidad de Buenos Aires; Argentina
Fil: Burucúa, José Emilio. Universidad de Buenos Aires; Argentina
Fil: Siracusano, Gabriela Silvana. Consejo Nacional de Investigaciones Científicas y Técnicas. Oficina de Coordinación Administrativa Ciudad Universitaria. Unidad de Microanálisis y Métodos Físicos en Química Orgánica. Universidad de Buenos Aires. Facultad de Ciencias Exactas y Naturales. Unidad de Microanálisis y Métodos Físicos en Química Orgánica; Argentina
Fil: Maier, Marta Silvia. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina
Fil: Abad, Rodrigo Gonzalo. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina
Materia
PIGMENTS
ANDEAN COLONIAL ART
Nivel de accesibilidad
acceso abierto
Condiciones de uso
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
Repositorio
CONICET Digital (CONICET)
Institución
Consejo Nacional de Investigaciones Científicas y Técnicas
OAI Identificador
oai:ri.conicet.gov.ar:11336/91536
Acceder
id CONICETDig_3f9ca5d4a7f1af4bd9df90df6393d683
oai_identifier_str oai:ri.conicet.gov.ar:11336/91536
network_acronym_str CONICETDig
repository_id_str 3498
network_name_str CONICET Digital (CONICET)
spelling Green, yellow, and red pigments in South American painting, 1610-1780Seldes, AliciaBurucúa, José EmilioSiracusano, Gabriela SilvanaMaier, Marta SilviaAbad, Rodrigo GonzaloPIGMENTSANDEAN COLONIAL ARThttps://purl.org/becyt/ford/1.4https://purl.org/becyt/ford/1A multidisciplinary team of chemists and art historians from the University of Buenos Aires and the National Council of Scientific and Technological Research (CONICET) has examined the green, yellow, and red pigments used in a collection of 29 paintings from the highlands of Peru in the Andean region during the colonial period (1610-1780). The results described in this paper are a continuation of previous research on blue pigments found in the same corpus (JAIC 38 [1999]: 100-23). The results show how the artists from the big workshops of Cusco and the cities of the Alto Peru (the highlands of Bolivia and N.W. Argentina) followed the recipes for color preparation included in the technical treatises written by Spanish painters. Once again, the figure of Mateo Pisarro, an artist active in the Puna of Atacama at the end of the 17th century, emerges as an exceptional investigator of color-rendering problems.Fil: Seldes, Alicia. Universidad de Buenos Aires; ArgentinaFil: Burucúa, José Emilio. Universidad de Buenos Aires; ArgentinaFil: Siracusano, Gabriela Silvana. Consejo Nacional de Investigaciones Científicas y Técnicas. Oficina de Coordinación Administrativa Ciudad Universitaria. Unidad de Microanálisis y Métodos Físicos en Química Orgánica. Universidad de Buenos Aires. Facultad de Ciencias Exactas y Naturales. Unidad de Microanálisis y Métodos Físicos en Química Orgánica; ArgentinaFil: Maier, Marta Silvia. Consejo Nacional de Investigaciones Científicas y Técnicas; ArgentinaFil: Abad, Rodrigo Gonzalo. Consejo Nacional de Investigaciones Científicas y Técnicas; ArgentinaTaylor & Francis2002-10-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdfapplication/pdfhttp://hdl.handle.net/11336/91536Seldes, Alicia; Burucúa, José Emilio; Siracusano, Gabriela Silvana; Maier, Marta Silvia; Abad, Rodrigo Gonzalo; Green, yellow, and red pigments in South American painting, 1610-1780; Taylor & Francis; Journal Of The American Institute For Conservation; 41; 3; 1-10-2002; 225-2420197-1360CONICET DigitalCONICETenginfo:eu-repo/semantics/altIdentifier/doi/10.1179/019713602806082548info:eu-repo/semantics/altIdentifier/url/https://www.tandfonline.com/doi/abs/10.1179/019713602806082548info:eu-repo/semantics/openAccesshttps://creativecommons.org/licenses/by-nc-sa/2.5/ar/reponame:CONICET Digital (CONICET)instname:Consejo Nacional de Investigaciones Científicas y Técnicas2025-09-29T10:13:02Zoai:ri.conicet.gov.ar:11336/91536instacron:CONICETInstitucionalhttp://ri.conicet.gov.ar/Organismo científico-tecnológicoNo correspondehttp://ri.conicet.gov.ar/oai/requestdasensio@conicet.gov.ar; lcarlino@conicet.gov.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:34982025-09-29 10:13:02.499CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicasfalse
dc.title.none.fl_str_mv Green, yellow, and red pigments in South American painting, 1610-1780
title Green, yellow, and red pigments in South American painting, 1610-1780
spellingShingle Green, yellow, and red pigments in South American painting, 1610-1780
Seldes, Alicia
PIGMENTS
ANDEAN COLONIAL ART
title_short Green, yellow, and red pigments in South American painting, 1610-1780
title_full Green, yellow, and red pigments in South American painting, 1610-1780
title_fullStr Green, yellow, and red pigments in South American painting, 1610-1780
title_full_unstemmed Green, yellow, and red pigments in South American painting, 1610-1780
title_sort Green, yellow, and red pigments in South American painting, 1610-1780
dc.creator.none.fl_str_mv Seldes, Alicia
Burucúa, José Emilio
Siracusano, Gabriela Silvana
Maier, Marta Silvia
Abad, Rodrigo Gonzalo
author Seldes, Alicia
author_facet Seldes, Alicia
Burucúa, José Emilio
Siracusano, Gabriela Silvana
Maier, Marta Silvia
Abad, Rodrigo Gonzalo
author_role author
author2 Burucúa, José Emilio
Siracusano, Gabriela Silvana
Maier, Marta Silvia
Abad, Rodrigo Gonzalo
author2_role author
author
author
author
dc.subject.none.fl_str_mv PIGMENTS
ANDEAN COLONIAL ART
topic PIGMENTS
ANDEAN COLONIAL ART
purl_subject.fl_str_mv https://purl.org/becyt/ford/1.4
https://purl.org/becyt/ford/1
dc.description.none.fl_txt_mv A multidisciplinary team of chemists and art historians from the University of Buenos Aires and the National Council of Scientific and Technological Research (CONICET) has examined the green, yellow, and red pigments used in a collection of 29 paintings from the highlands of Peru in the Andean region during the colonial period (1610-1780). The results described in this paper are a continuation of previous research on blue pigments found in the same corpus (JAIC 38 [1999]: 100-23). The results show how the artists from the big workshops of Cusco and the cities of the Alto Peru (the highlands of Bolivia and N.W. Argentina) followed the recipes for color preparation included in the technical treatises written by Spanish painters. Once again, the figure of Mateo Pisarro, an artist active in the Puna of Atacama at the end of the 17th century, emerges as an exceptional investigator of color-rendering problems.
Fil: Seldes, Alicia. Universidad de Buenos Aires; Argentina
Fil: Burucúa, José Emilio. Universidad de Buenos Aires; Argentina
Fil: Siracusano, Gabriela Silvana. Consejo Nacional de Investigaciones Científicas y Técnicas. Oficina de Coordinación Administrativa Ciudad Universitaria. Unidad de Microanálisis y Métodos Físicos en Química Orgánica. Universidad de Buenos Aires. Facultad de Ciencias Exactas y Naturales. Unidad de Microanálisis y Métodos Físicos en Química Orgánica; Argentina
Fil: Maier, Marta Silvia. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina
Fil: Abad, Rodrigo Gonzalo. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina
description A multidisciplinary team of chemists and art historians from the University of Buenos Aires and the National Council of Scientific and Technological Research (CONICET) has examined the green, yellow, and red pigments used in a collection of 29 paintings from the highlands of Peru in the Andean region during the colonial period (1610-1780). The results described in this paper are a continuation of previous research on blue pigments found in the same corpus (JAIC 38 [1999]: 100-23). The results show how the artists from the big workshops of Cusco and the cities of the Alto Peru (the highlands of Bolivia and N.W. Argentina) followed the recipes for color preparation included in the technical treatises written by Spanish painters. Once again, the figure of Mateo Pisarro, an artist active in the Puna of Atacama at the end of the 17th century, emerges as an exceptional investigator of color-rendering problems.
publishDate 2002
dc.date.none.fl_str_mv 2002-10-01
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://purl.org/coar/resource_type/c_6501
info:ar-repo/semantics/articulo
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv http://hdl.handle.net/11336/91536
Seldes, Alicia; Burucúa, José Emilio; Siracusano, Gabriela Silvana; Maier, Marta Silvia; Abad, Rodrigo Gonzalo; Green, yellow, and red pigments in South American painting, 1610-1780; Taylor & Francis; Journal Of The American Institute For Conservation; 41; 3; 1-10-2002; 225-242
0197-1360
CONICET Digital
CONICET
url http://hdl.handle.net/11336/91536
identifier_str_mv Seldes, Alicia; Burucúa, José Emilio; Siracusano, Gabriela Silvana; Maier, Marta Silvia; Abad, Rodrigo Gonzalo; Green, yellow, and red pigments in South American painting, 1610-1780; Taylor & Francis; Journal Of The American Institute For Conservation; 41; 3; 1-10-2002; 225-242
0197-1360
CONICET Digital
CONICET
dc.language.none.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv info:eu-repo/semantics/altIdentifier/doi/10.1179/019713602806082548
info:eu-repo/semantics/altIdentifier/url/https://www.tandfonline.com/doi/abs/10.1179/019713602806082548
dc.rights.none.fl_str_mv info:eu-repo/semantics/openAccess
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
eu_rights_str_mv openAccess
rights_invalid_str_mv https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv Taylor & Francis
publisher.none.fl_str_mv Taylor & Francis
dc.source.none.fl_str_mv reponame:CONICET Digital (CONICET)
instname:Consejo Nacional de Investigaciones Científicas y Técnicas
reponame_str CONICET Digital (CONICET)
collection CONICET Digital (CONICET)
instname_str Consejo Nacional de Investigaciones Científicas y Técnicas
repository.name.fl_str_mv CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicas
repository.mail.fl_str_mv dasensio@conicet.gov.ar; lcarlino@conicet.gov.ar
_version_ 1844614042798260224
score 13.070432

Publicaciones similares