Luis Seoane, imágenes transatlánticas entre papeles y paredes

Autores
Dolinko, Silvia Esther
Año de publicación
2022
Idioma
español castellano
Tipo de recurso
parte de libro
Estado
versión publicada
Descripción
Since the late 1930s, Luis Seoane's artistic interventions in Argentina -bothwithin the Galician exile community and in his relationship with the Buenos Aires culturalfield aimed to realize an intellectual and artistic project that sought to provide accessto art to a wide audience, transcending the traditional limits of elite cultural consumption. In this project with a democratizing vocation, graphic and mural work were highlyrelevant. Taking that into consideration, there are numerous points of contact -both inthematic, as in formal and conceptual terms- between these two spheres within Seoane's vast production. This work focuses on various aspects of the artist's Buenos Airesactivity, developed between tradition and experimentation, the review of history andthe projection from modernity. It thusly aims to highlight the meanings of his printedproduction and his interventions in public art as works that sustained his intellectualprogram and his creative project.
Fil: Dolinko, Silvia Esther. Universidad Nacional de San Martin. Centro de Investigaciones En Arte y Patrimonio. - Consejo Nacional de Investigaciones Cientificas y Tecnicas. Oficina de Coordinacion Administrativa Pque. Centenario. Centro de Investigaciones En Arte y Patrimonio.; Argentina
Materia
MURALISMO
XILOGRAFÍA
MODERNIDAD
EDICIONES
Nivel de accesibilidad
acceso abierto
Condiciones de uso
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
Repositorio
CONICET Digital (CONICET)
Institución
Consejo Nacional de Investigaciones Científicas y Técnicas
OAI Identificador
oai:ri.conicet.gov.ar:11336/202949
Acceder
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network_name_str CONICET Digital (CONICET)
spelling Luis Seoane, imágenes transatlánticas entre papeles y paredesDolinko, Silvia EstherMURALISMOXILOGRAFÍAMODERNIDADEDICIONEShttps://purl.org/becyt/ford/6.4https://purl.org/becyt/ford/6Since the late 1930s, Luis Seoane's artistic interventions in Argentina -bothwithin the Galician exile community and in his relationship with the Buenos Aires culturalfield aimed to realize an intellectual and artistic project that sought to provide accessto art to a wide audience, transcending the traditional limits of elite cultural consumption. In this project with a democratizing vocation, graphic and mural work were highlyrelevant. Taking that into consideration, there are numerous points of contact -both inthematic, as in formal and conceptual terms- between these two spheres within Seoane's vast production. This work focuses on various aspects of the artist's Buenos Airesactivity, developed between tradition and experimentation, the review of history andthe projection from modernity. It thusly aims to highlight the meanings of his printedproduction and his interventions in public art as works that sustained his intellectualprogram and his creative project.Fil: Dolinko, Silvia Esther. Universidad Nacional de San Martin. Centro de Investigaciones En Arte y Patrimonio. - Consejo Nacional de Investigaciones Cientificas y Tecnicas. Oficina de Coordinacion Administrativa Pque. Centenario. Centro de Investigaciones En Arte y Patrimonio.; ArgentinaUniversità Ca' FoscariCroce, Marcela SilvinaLunardi, SilviaRegazzoni, Susanna2022info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/bookParthttp://purl.org/coar/resource_type/c_3248info:ar-repo/semantics/parteDeLibroapplication/pdfapplication/pdfhttp://hdl.handle.net/11336/202949Dolinko, Silvia Esther; Luis Seoane, imágenes transatlánticas entre papeles y paredes; Università Ca' Foscari; 17; 2022; 207-225978-88-6969-597-1CONICET DigitalCONICETspainfo:eu-repo/semantics/altIdentifier/url/https://edizionicafoscari.unive.it/en/edizioni4/libri/978-88-6969-597-1/info:eu-repo/semantics/altIdentifier/doi/10.30687/978-88-6969-596-4/014info:eu-repo/semantics/openAccesshttps://creativecommons.org/licenses/by-nc-sa/2.5/ar/reponame:CONICET Digital (CONICET)instname:Consejo Nacional de Investigaciones Científicas y Técnicas2025-09-03T09:48:01Zoai:ri.conicet.gov.ar:11336/202949instacron:CONICETInstitucionalhttp://ri.conicet.gov.ar/Organismo científico-tecnológicoNo correspondehttp://ri.conicet.gov.ar/oai/requestdasensio@conicet.gov.ar; lcarlino@conicet.gov.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:34982025-09-03 09:48:02.055CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicasfalse
dc.title.none.fl_str_mv Luis Seoane, imágenes transatlánticas entre papeles y paredes
title Luis Seoane, imágenes transatlánticas entre papeles y paredes
spellingShingle Luis Seoane, imágenes transatlánticas entre papeles y paredes
Dolinko, Silvia Esther
MURALISMO
XILOGRAFÍA
MODERNIDAD
EDICIONES
title_short Luis Seoane, imágenes transatlánticas entre papeles y paredes
title_full Luis Seoane, imágenes transatlánticas entre papeles y paredes
title_fullStr Luis Seoane, imágenes transatlánticas entre papeles y paredes
title_full_unstemmed Luis Seoane, imágenes transatlánticas entre papeles y paredes
title_sort Luis Seoane, imágenes transatlánticas entre papeles y paredes
dc.creator.none.fl_str_mv Dolinko, Silvia Esther
author Dolinko, Silvia Esther
author_facet Dolinko, Silvia Esther
author_role author
dc.contributor.none.fl_str_mv Croce, Marcela Silvina
Lunardi, Silvia
Regazzoni, Susanna
dc.subject.none.fl_str_mv MURALISMO
XILOGRAFÍA
MODERNIDAD
EDICIONES
topic MURALISMO
XILOGRAFÍA
MODERNIDAD
EDICIONES
purl_subject.fl_str_mv https://purl.org/becyt/ford/6.4
https://purl.org/becyt/ford/6
dc.description.none.fl_txt_mv Since the late 1930s, Luis Seoane's artistic interventions in Argentina -bothwithin the Galician exile community and in his relationship with the Buenos Aires culturalfield aimed to realize an intellectual and artistic project that sought to provide accessto art to a wide audience, transcending the traditional limits of elite cultural consumption. In this project with a democratizing vocation, graphic and mural work were highlyrelevant. Taking that into consideration, there are numerous points of contact -both inthematic, as in formal and conceptual terms- between these two spheres within Seoane's vast production. This work focuses on various aspects of the artist's Buenos Airesactivity, developed between tradition and experimentation, the review of history andthe projection from modernity. It thusly aims to highlight the meanings of his printedproduction and his interventions in public art as works that sustained his intellectualprogram and his creative project.
Fil: Dolinko, Silvia Esther. Universidad Nacional de San Martin. Centro de Investigaciones En Arte y Patrimonio. - Consejo Nacional de Investigaciones Cientificas y Tecnicas. Oficina de Coordinacion Administrativa Pque. Centenario. Centro de Investigaciones En Arte y Patrimonio.; Argentina
description Since the late 1930s, Luis Seoane's artistic interventions in Argentina -bothwithin the Galician exile community and in his relationship with the Buenos Aires culturalfield aimed to realize an intellectual and artistic project that sought to provide accessto art to a wide audience, transcending the traditional limits of elite cultural consumption. In this project with a democratizing vocation, graphic and mural work were highlyrelevant. Taking that into consideration, there are numerous points of contact -both inthematic, as in formal and conceptual terms- between these two spheres within Seoane's vast production. This work focuses on various aspects of the artist's Buenos Airesactivity, developed between tradition and experimentation, the review of history andthe projection from modernity. It thusly aims to highlight the meanings of his printedproduction and his interventions in public art as works that sustained his intellectualprogram and his creative project.
publishDate 2022
dc.date.none.fl_str_mv 2022
dc.type.none.fl_str_mv info:eu-repo/semantics/publishedVersion
info:eu-repo/semantics/bookPart
http://purl.org/coar/resource_type/c_3248
info:ar-repo/semantics/parteDeLibro
status_str publishedVersion
format bookPart
dc.identifier.none.fl_str_mv http://hdl.handle.net/11336/202949
Dolinko, Silvia Esther; Luis Seoane, imágenes transatlánticas entre papeles y paredes; Università Ca' Foscari; 17; 2022; 207-225
978-88-6969-597-1
CONICET Digital
CONICET
url http://hdl.handle.net/11336/202949
identifier_str_mv Dolinko, Silvia Esther; Luis Seoane, imágenes transatlánticas entre papeles y paredes; Università Ca' Foscari; 17; 2022; 207-225
978-88-6969-597-1
CONICET Digital
CONICET
dc.language.none.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv info:eu-repo/semantics/altIdentifier/url/https://edizionicafoscari.unive.it/en/edizioni4/libri/978-88-6969-597-1/
info:eu-repo/semantics/altIdentifier/doi/10.30687/978-88-6969-596-4/014
dc.rights.none.fl_str_mv info:eu-repo/semantics/openAccess
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
eu_rights_str_mv openAccess
rights_invalid_str_mv https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv Università Ca' Foscari
publisher.none.fl_str_mv Università Ca' Foscari
dc.source.none.fl_str_mv reponame:CONICET Digital (CONICET)
instname:Consejo Nacional de Investigaciones Científicas y Técnicas
reponame_str CONICET Digital (CONICET)
collection CONICET Digital (CONICET)
instname_str Consejo Nacional de Investigaciones Científicas y Técnicas
repository.name.fl_str_mv CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicas
repository.mail.fl_str_mv dasensio@conicet.gov.ar; lcarlino@conicet.gov.ar
_version_ 1842268897516978176
score 13.13397

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