A Comparative Study of Saxophone Multiphonics: Musical, Psychophysical and Spectral Analysis

Autores
Riera, Pablo Ernesto; Proscia, Martín Miguel; Eguia, Manuel Camilo
Año de publicación
2014
Idioma
inglés
Tipo de recurso
artículo
Estado
versión publicada
Descripción
Despite a number of recent studies on the production of multiphonics in woodwinds, an exhaustive study on the perception of these sonorities is still missing. In this work we undertake a comparative study of saxophone multiphonics from the musical, perceptual and acoustical points of view. We propose four major classes based on the analysis of the musical attributes and playing techniques of a set of 118 alto saxophone multiphonics, spanning all the possible sonorities previously reported. Then, we perform a dissimilarity rating experiment for all possible pairs of a subset of fifteen representative multiphonics. This experiment provides confidence in the suggested classification, since the four classes are segregated in a Multidimensional Scaling (MDS) representation. We also find two possible acoustical correlates of the perceptual dimensions: the spectral centroid (SC) and the modulation frequency (MF). Finally, this last representation is explored through morphing trajectories, which correspond to multiphonics that change the timbre and musical interval organization with fixed fingering.
Fil: Riera, Pablo Ernesto. Universidad Nacional de Quilmes. Departamento de Ciencia y Tecnología. Laboratorio de Acústica y Percepción Sonora; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina
Fil: Proscia, Martín Miguel. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad Nacional de Quilmes. Departamento de Ciencia y Tecnología. Laboratorio de Acústica y Percepción Sonora; Argentina
Fil: Eguia, Manuel Camilo. Universidad Nacional de Quilmes. Departamento de Ciencia y Tecnología. Laboratorio de Acústica y Percepción Sonora; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina
Materia
Timbre Perception
Saxophone Multiphonics
Dissimilarity Ratings
Acoustic Features
Musical Notation
Nivel de accesibilidad
acceso abierto
Condiciones de uso
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
Repositorio
CONICET Digital (CONICET)
Institución
Consejo Nacional de Investigaciones Científicas y Técnicas
OAI Identificador
oai:ri.conicet.gov.ar:11336/32585
Acceder
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network_name_str CONICET Digital (CONICET)
spelling A Comparative Study of Saxophone Multiphonics: Musical, Psychophysical and Spectral AnalysisRiera, Pablo ErnestoProscia, Martín MiguelEguia, Manuel CamiloTimbre PerceptionSaxophone MultiphonicsDissimilarity RatingsAcoustic FeaturesMusical Notationhttps://purl.org/becyt/ford/6.4https://purl.org/becyt/ford/6https://purl.org/becyt/ford/6.5https://purl.org/becyt/ford/6Despite a number of recent studies on the production of multiphonics in woodwinds, an exhaustive study on the perception of these sonorities is still missing. In this work we undertake a comparative study of saxophone multiphonics from the musical, perceptual and acoustical points of view. We propose four major classes based on the analysis of the musical attributes and playing techniques of a set of 118 alto saxophone multiphonics, spanning all the possible sonorities previously reported. Then, we perform a dissimilarity rating experiment for all possible pairs of a subset of fifteen representative multiphonics. This experiment provides confidence in the suggested classification, since the four classes are segregated in a Multidimensional Scaling (MDS) representation. We also find two possible acoustical correlates of the perceptual dimensions: the spectral centroid (SC) and the modulation frequency (MF). Finally, this last representation is explored through morphing trajectories, which correspond to multiphonics that change the timbre and musical interval organization with fixed fingering.Fil: Riera, Pablo Ernesto. Universidad Nacional de Quilmes. Departamento de Ciencia y Tecnología. Laboratorio de Acústica y Percepción Sonora; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; ArgentinaFil: Proscia, Martín Miguel. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad Nacional de Quilmes. Departamento de Ciencia y Tecnología. Laboratorio de Acústica y Percepción Sonora; ArgentinaFil: Eguia, Manuel Camilo. Universidad Nacional de Quilmes. Departamento de Ciencia y Tecnología. Laboratorio de Acústica y Percepción Sonora; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; ArgentinaTaylor & Francis2014-02info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdfapplication/pdfhttp://hdl.handle.net/11336/32585Proscia, Martín Miguel; Riera, Pablo Ernesto; Eguia, Manuel Camilo; A Comparative Study of Saxophone Multiphonics: Musical, Psychophysical and Spectral Analysis; Taylor & Francis; Journal of New Music Research; 43; 2; 2-2014; 202-2130929-8215CONICET DigitalCONICETenginfo:eu-repo/semantics/altIdentifier/url/http://www.tandfonline.com/doi/abs/10.1080/09298215.2013.860993info:eu-repo/semantics/altIdentifier/doi/10.1080/09298215.2013.860993info:eu-repo/semantics/openAccesshttps://creativecommons.org/licenses/by-nc-sa/2.5/ar/reponame:CONICET Digital (CONICET)instname:Consejo Nacional de Investigaciones Científicas y Técnicas2025-09-03T09:49:21Zoai:ri.conicet.gov.ar:11336/32585instacron:CONICETInstitucionalhttp://ri.conicet.gov.ar/Organismo científico-tecnológicoNo correspondehttp://ri.conicet.gov.ar/oai/requestdasensio@conicet.gov.ar; lcarlino@conicet.gov.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:34982025-09-03 09:49:22.022CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicasfalse
dc.title.none.fl_str_mv A Comparative Study of Saxophone Multiphonics: Musical, Psychophysical and Spectral Analysis
title A Comparative Study of Saxophone Multiphonics: Musical, Psychophysical and Spectral Analysis
spellingShingle A Comparative Study of Saxophone Multiphonics: Musical, Psychophysical and Spectral Analysis
Riera, Pablo Ernesto
Timbre Perception
Saxophone Multiphonics
Dissimilarity Ratings
Acoustic Features
Musical Notation
title_short A Comparative Study of Saxophone Multiphonics: Musical, Psychophysical and Spectral Analysis
title_full A Comparative Study of Saxophone Multiphonics: Musical, Psychophysical and Spectral Analysis
title_fullStr A Comparative Study of Saxophone Multiphonics: Musical, Psychophysical and Spectral Analysis
title_full_unstemmed A Comparative Study of Saxophone Multiphonics: Musical, Psychophysical and Spectral Analysis
title_sort A Comparative Study of Saxophone Multiphonics: Musical, Psychophysical and Spectral Analysis
dc.creator.none.fl_str_mv Riera, Pablo Ernesto
Proscia, Martín Miguel
Eguia, Manuel Camilo
author Riera, Pablo Ernesto
author_facet Riera, Pablo Ernesto
Proscia, Martín Miguel
Eguia, Manuel Camilo
author_role author
author2 Proscia, Martín Miguel
Eguia, Manuel Camilo
author2_role author
author
dc.subject.none.fl_str_mv Timbre Perception
Saxophone Multiphonics
Dissimilarity Ratings
Acoustic Features
Musical Notation
topic Timbre Perception
Saxophone Multiphonics
Dissimilarity Ratings
Acoustic Features
Musical Notation
purl_subject.fl_str_mv https://purl.org/becyt/ford/6.4
https://purl.org/becyt/ford/6
https://purl.org/becyt/ford/6.5
https://purl.org/becyt/ford/6
dc.description.none.fl_txt_mv Despite a number of recent studies on the production of multiphonics in woodwinds, an exhaustive study on the perception of these sonorities is still missing. In this work we undertake a comparative study of saxophone multiphonics from the musical, perceptual and acoustical points of view. We propose four major classes based on the analysis of the musical attributes and playing techniques of a set of 118 alto saxophone multiphonics, spanning all the possible sonorities previously reported. Then, we perform a dissimilarity rating experiment for all possible pairs of a subset of fifteen representative multiphonics. This experiment provides confidence in the suggested classification, since the four classes are segregated in a Multidimensional Scaling (MDS) representation. We also find two possible acoustical correlates of the perceptual dimensions: the spectral centroid (SC) and the modulation frequency (MF). Finally, this last representation is explored through morphing trajectories, which correspond to multiphonics that change the timbre and musical interval organization with fixed fingering.
Fil: Riera, Pablo Ernesto. Universidad Nacional de Quilmes. Departamento de Ciencia y Tecnología. Laboratorio de Acústica y Percepción Sonora; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina
Fil: Proscia, Martín Miguel. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad Nacional de Quilmes. Departamento de Ciencia y Tecnología. Laboratorio de Acústica y Percepción Sonora; Argentina
Fil: Eguia, Manuel Camilo. Universidad Nacional de Quilmes. Departamento de Ciencia y Tecnología. Laboratorio de Acústica y Percepción Sonora; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina
description Despite a number of recent studies on the production of multiphonics in woodwinds, an exhaustive study on the perception of these sonorities is still missing. In this work we undertake a comparative study of saxophone multiphonics from the musical, perceptual and acoustical points of view. We propose four major classes based on the analysis of the musical attributes and playing techniques of a set of 118 alto saxophone multiphonics, spanning all the possible sonorities previously reported. Then, we perform a dissimilarity rating experiment for all possible pairs of a subset of fifteen representative multiphonics. This experiment provides confidence in the suggested classification, since the four classes are segregated in a Multidimensional Scaling (MDS) representation. We also find two possible acoustical correlates of the perceptual dimensions: the spectral centroid (SC) and the modulation frequency (MF). Finally, this last representation is explored through morphing trajectories, which correspond to multiphonics that change the timbre and musical interval organization with fixed fingering.
publishDate 2014
dc.date.none.fl_str_mv 2014-02
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://purl.org/coar/resource_type/c_6501
info:ar-repo/semantics/articulo
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv http://hdl.handle.net/11336/32585
Proscia, Martín Miguel; Riera, Pablo Ernesto; Eguia, Manuel Camilo; A Comparative Study of Saxophone Multiphonics: Musical, Psychophysical and Spectral Analysis; Taylor & Francis; Journal of New Music Research; 43; 2; 2-2014; 202-213
0929-8215
CONICET Digital
CONICET
url http://hdl.handle.net/11336/32585
identifier_str_mv Proscia, Martín Miguel; Riera, Pablo Ernesto; Eguia, Manuel Camilo; A Comparative Study of Saxophone Multiphonics: Musical, Psychophysical and Spectral Analysis; Taylor & Francis; Journal of New Music Research; 43; 2; 2-2014; 202-213
0929-8215
CONICET Digital
CONICET
dc.language.none.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv info:eu-repo/semantics/altIdentifier/url/http://www.tandfonline.com/doi/abs/10.1080/09298215.2013.860993
info:eu-repo/semantics/altIdentifier/doi/10.1080/09298215.2013.860993
dc.rights.none.fl_str_mv info:eu-repo/semantics/openAccess
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
eu_rights_str_mv openAccess
rights_invalid_str_mv https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv Taylor & Francis
publisher.none.fl_str_mv Taylor & Francis
dc.source.none.fl_str_mv reponame:CONICET Digital (CONICET)
instname:Consejo Nacional de Investigaciones Científicas y Técnicas
reponame_str CONICET Digital (CONICET)
collection CONICET Digital (CONICET)
instname_str Consejo Nacional de Investigaciones Científicas y Técnicas
repository.name.fl_str_mv CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicas
repository.mail.fl_str_mv dasensio@conicet.gov.ar; lcarlino@conicet.gov.ar
_version_ 1842268969828876288
score 13.13397

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