Knowing each other in performance: musicians’ intentions in duets of jazz improvisation

Autores
Marchiano, María; Valles, Mónica Leonor; Milomes, Luciana Rosario; Martínez, Isabel Cecilia; Carballido, Ayelén
Año de publicación
2024
Idioma
inglés
Tipo de recurso
documento de conferencia
Estado
versión publicada
Descripción
Jazz improvisation is commonly understood as a conversation, a normative practice where musicians take turns and give-and-take musical motives. In this paper, we analyze the musicians’ intentions as multimodal actions directed to the other person, in phenomenological interviews with jazz duets (guitar/sax). Two temporally intertwined categories of intention were obtained, related to the thematic content of the improvised music, and to the diachronic/synchronic interactions between musicians during performance. Attributions reveal the urge of grasping one’s own and other’s mental content, an ability that goes beyond the sensorimotor descriptions of intentional actions accounted for by 4E theories.
Laboratorio para el Estudio de la Experiencia Musical
Materia
Música
Intention
Jazz improvisation
Atribution
Nivel de accesibilidad
acceso abierto
Condiciones de uso
http://creativecommons.org/licenses/by-nc-sa/4.0/
Repositorio
SEDICI (UNLP)
Institución
Universidad Nacional de La Plata
OAI Identificador
oai:sedici.unlp.edu.ar:10915/176959
Acceder
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spelling Knowing each other in performance: musicians’ intentions in duets of jazz improvisationMarchiano, MaríaValles, Mónica LeonorMilomes, Luciana RosarioMartínez, Isabel CeciliaCarballido, AyelénMúsicaIntentionJazz improvisationAtributionJazz improvisation is commonly understood as a conversation, a normative practice where musicians take turns and give-and-take musical motives. In this paper, we analyze the musicians’ intentions as multimodal actions directed to the other person, in phenomenological interviews with jazz duets (guitar/sax). Two temporally intertwined categories of intention were obtained, related to the thematic content of the improvised music, and to the diachronic/synchronic interactions between musicians during performance. Attributions reveal the urge of grasping one’s own and other’s mental content, an ability that goes beyond the sensorimotor descriptions of intentional actions accounted for by 4E theories.Laboratorio para el Estudio de la Experiencia Musical2024-07-03info:eu-repo/semantics/conferenceObjectinfo:eu-repo/semantics/publishedVersionResumenhttp://purl.org/coar/resource_type/c_5794info:ar-repo/semantics/documentoDeConferenciaapplication/pdf169-170http://sedici.unlp.edu.ar/handle/10915/176959enginfo:eu-repo/semantics/openAccesshttp://creativecommons.org/licenses/by-nc-sa/4.0/Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)reponame:SEDICI (UNLP)instname:Universidad Nacional de La Platainstacron:UNLP2025-09-29T11:47:49Zoai:sedici.unlp.edu.ar:10915/176959Institucionalhttp://sedici.unlp.edu.ar/Universidad públicaNo correspondehttp://sedici.unlp.edu.ar/oai/snrdalira@sedici.unlp.edu.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:13292025-09-29 11:47:49.551SEDICI (UNLP) - Universidad Nacional de La Platafalse
dc.title.none.fl_str_mv Knowing each other in performance: musicians’ intentions in duets of jazz improvisation
title Knowing each other in performance: musicians’ intentions in duets of jazz improvisation
spellingShingle Knowing each other in performance: musicians’ intentions in duets of jazz improvisation
Marchiano, María
Música
Intention
Jazz improvisation
Atribution
title_short Knowing each other in performance: musicians’ intentions in duets of jazz improvisation
title_full Knowing each other in performance: musicians’ intentions in duets of jazz improvisation
title_fullStr Knowing each other in performance: musicians’ intentions in duets of jazz improvisation
title_full_unstemmed Knowing each other in performance: musicians’ intentions in duets of jazz improvisation
title_sort Knowing each other in performance: musicians’ intentions in duets of jazz improvisation
dc.creator.none.fl_str_mv Marchiano, María
Valles, Mónica Leonor
Milomes, Luciana Rosario
Martínez, Isabel Cecilia
Carballido, Ayelén
author Marchiano, María
author_facet Marchiano, María
Valles, Mónica Leonor
Milomes, Luciana Rosario
Martínez, Isabel Cecilia
Carballido, Ayelén
author_role author
author2 Valles, Mónica Leonor
Milomes, Luciana Rosario
Martínez, Isabel Cecilia
Carballido, Ayelén
author2_role author
author
author
author
dc.subject.none.fl_str_mv Música
Intention
Jazz improvisation
Atribution
topic Música
Intention
Jazz improvisation
Atribution
dc.description.none.fl_txt_mv Jazz improvisation is commonly understood as a conversation, a normative practice where musicians take turns and give-and-take musical motives. In this paper, we analyze the musicians’ intentions as multimodal actions directed to the other person, in phenomenological interviews with jazz duets (guitar/sax). Two temporally intertwined categories of intention were obtained, related to the thematic content of the improvised music, and to the diachronic/synchronic interactions between musicians during performance. Attributions reveal the urge of grasping one’s own and other’s mental content, an ability that goes beyond the sensorimotor descriptions of intentional actions accounted for by 4E theories.
Laboratorio para el Estudio de la Experiencia Musical
description Jazz improvisation is commonly understood as a conversation, a normative practice where musicians take turns and give-and-take musical motives. In this paper, we analyze the musicians’ intentions as multimodal actions directed to the other person, in phenomenological interviews with jazz duets (guitar/sax). Two temporally intertwined categories of intention were obtained, related to the thematic content of the improvised music, and to the diachronic/synchronic interactions between musicians during performance. Attributions reveal the urge of grasping one’s own and other’s mental content, an ability that goes beyond the sensorimotor descriptions of intentional actions accounted for by 4E theories.
publishDate 2024
dc.date.none.fl_str_mv 2024-07-03
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info:eu-repo/semantics/publishedVersion
Resumen
http://purl.org/coar/resource_type/c_5794
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status_str publishedVersion
dc.identifier.none.fl_str_mv http://sedici.unlp.edu.ar/handle/10915/176959
url http://sedici.unlp.edu.ar/handle/10915/176959
dc.language.none.fl_str_mv eng
language eng
dc.rights.none.fl_str_mv info:eu-repo/semantics/openAccess
http://creativecommons.org/licenses/by-nc-sa/4.0/
Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)
eu_rights_str_mv openAccess
rights_invalid_str_mv http://creativecommons.org/licenses/by-nc-sa/4.0/
Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)
dc.format.none.fl_str_mv application/pdf
169-170
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repository.name.fl_str_mv SEDICI (UNLP) - Universidad Nacional de La Plata
repository.mail.fl_str_mv alira@sedici.unlp.edu.ar
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