Blackness as a dialogical construct in Toni Morrison's fiction
- Autores
- Fernández, Silvia Lucía
- Año de publicación
- 2006
- Idioma
- inglés
- Tipo de recurso
- documento de conferencia
- Estado
- versión publicada
- Descripción
- Identity can be defined in terms of an ideological relationship with others, especially “significant others”, that generally mirror back an image of the self in question within a social context. The human mind is not monological; therefore, we define identity in a dialogue with or a struggle against others. This paper presents how the identity of black female children in Toni Morrison’s The bluest eye (1994) is dialogically built up within a context that is American, canonical and whose literary supremacy is eminently white.
Facultad de Humanidades y Ciencias de la Educación - Fuente
- Memoria académica
- Materia
-
Letras
Literatura
Identidad - Nivel de accesibilidad
- acceso abierto
- Condiciones de uso
- http://creativecommons.org/licenses/by-nc-sa/4.0/
- Repositorio
- Institución
- Universidad Nacional de La Plata
- OAI Identificador
- oai:sedici.unlp.edu.ar:10915/115304
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Blackness as a dialogical construct in Toni Morrison's fictionFernández, Silvia LucíaLetrasLiteraturaIdentidadIdentity can be defined in terms of an ideological relationship with others, especially “significant others”, that generally mirror back an image of the self in question within a social context. The human mind is not monological; therefore, we define identity in a dialogue with or a struggle against others. This paper presents how the identity of black female children in Toni Morrison’s <i>The bluest eye</i> (1994) is dialogically built up within a context that is American, canonical and whose literary supremacy is eminently white.Facultad de Humanidades y Ciencias de la Educación2006info:eu-repo/semantics/conferenceObjectinfo:eu-repo/semantics/publishedVersionObjeto de conferenciahttp://purl.org/coar/resource_type/c_5794info:ar-repo/semantics/documentoDeConferenciaapplication/pdfhttp://sedici.unlp.edu.ar/handle/10915/115304<a href="http://www.memoria.fahce.unlp.edu.ar" target="_blank">Memoria académica</a>reponame:SEDICI (UNLP)instname:Universidad Nacional de La Platainstacron:UNLPenginfo:eu-repo/semantics/altIdentifier/url/http://www.memoria.fahce.unlp.edu.ar/trab_eventos/ev.13136/ev.13136.pdfinfo:eu-repo/semantics/altIdentifier/issn/1668-8449info:eu-repo/semantics/openAccesshttp://creativecommons.org/licenses/by-nc-sa/4.0/Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)2025-09-29T11:26:10Zoai:sedici.unlp.edu.ar:10915/115304Institucionalhttp://sedici.unlp.edu.ar/Universidad públicaNo correspondehttp://sedici.unlp.edu.ar/oai/snrdalira@sedici.unlp.edu.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:13292025-09-29 11:26:11.264SEDICI (UNLP) - Universidad Nacional de La Platafalse |
dc.title.none.fl_str_mv |
Blackness as a dialogical construct in Toni Morrison's fiction |
title |
Blackness as a dialogical construct in Toni Morrison's fiction |
spellingShingle |
Blackness as a dialogical construct in Toni Morrison's fiction Fernández, Silvia Lucía Letras Literatura Identidad |
title_short |
Blackness as a dialogical construct in Toni Morrison's fiction |
title_full |
Blackness as a dialogical construct in Toni Morrison's fiction |
title_fullStr |
Blackness as a dialogical construct in Toni Morrison's fiction |
title_full_unstemmed |
Blackness as a dialogical construct in Toni Morrison's fiction |
title_sort |
Blackness as a dialogical construct in Toni Morrison's fiction |
dc.creator.none.fl_str_mv |
Fernández, Silvia Lucía |
author |
Fernández, Silvia Lucía |
author_facet |
Fernández, Silvia Lucía |
author_role |
author |
dc.subject.none.fl_str_mv |
Letras Literatura Identidad |
topic |
Letras Literatura Identidad |
dc.description.none.fl_txt_mv |
Identity can be defined in terms of an ideological relationship with others, especially “significant others”, that generally mirror back an image of the self in question within a social context. The human mind is not monological; therefore, we define identity in a dialogue with or a struggle against others. This paper presents how the identity of black female children in Toni Morrison’s <i>The bluest eye</i> (1994) is dialogically built up within a context that is American, canonical and whose literary supremacy is eminently white. Facultad de Humanidades y Ciencias de la Educación |
description |
Identity can be defined in terms of an ideological relationship with others, especially “significant others”, that generally mirror back an image of the self in question within a social context. The human mind is not monological; therefore, we define identity in a dialogue with or a struggle against others. This paper presents how the identity of black female children in Toni Morrison’s <i>The bluest eye</i> (1994) is dialogically built up within a context that is American, canonical and whose literary supremacy is eminently white. |
publishDate |
2006 |
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2006 |
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eng |
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eng |
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