The construction of identity in African American fiction: female resistance in <i>Song of Solomon</i>

Autores
Germani, Miriam Patricia
Año de publicación
2006
Idioma
español castellano
Tipo de recurso
documento de conferencia
Estado
versión publicada
Descripción
The end of the totalising discourses of the great modern metanarratives has produced a displacement of fixed definitions of identity. Thus, a space for the recognition of difference has been created in which formerly silenced groups –the colonized, minority populations, women– have been able to voice their histories and experiences in an attempt to reinforce their cultural bonds and the values of their ancestral cultures as a means of resistance to the colonialist ideology (Sarup, 1996:101). Within this context, postcolonial narratives –such as the fiction produced by African-American women writers– have become an instrument of cultural transmission for historically subjugated peoples. Furthermore, they constitute a means of defiance and challenge to the values of the hegemonic society that oppresses them. The aim of the present work is to show how Toni Morrison constructs the identity of the main female character in her novel Song of Solomon and how she empowers her to become a symbol of resistance. The novel is approached from a postcolonial and cultural perspective in an attempt to analyse the reactions to colonialism as they are represented in contemporary African-American fiction.
Facultad de Humanidades y Ciencias de la Educación
Fuente
Memoria académica
Materia
Letras
Literatura
Identidad
Mujeres
Colonialismo
resistencia femenina
Nivel de accesibilidad
acceso abierto
Condiciones de uso
http://creativecommons.org/licenses/by-nc-sa/4.0/
Repositorio
SEDICI (UNLP)
Institución
Universidad Nacional de La Plata
OAI Identificador
oai:sedici.unlp.edu.ar:10915/115345

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spelling The construction of identity in African American fiction: female resistance in <i>Song of Solomon</i>Germani, Miriam PatriciaLetrasLiteraturaIdentidadMujeresColonialismoresistencia femeninaThe end of the totalising discourses of the great modern metanarratives has produced a displacement of fixed definitions of identity. Thus, a space for the recognition of difference has been created in which formerly silenced groups –the colonized, minority populations, women– have been able to voice their histories and experiences in an attempt to reinforce their cultural bonds and the values of their ancestral cultures as a means of resistance to the colonialist ideology (Sarup, 1996:101). Within this context, postcolonial narratives –such as the fiction produced by African-American women writers– have become an instrument of cultural transmission for historically subjugated peoples. Furthermore, they constitute a means of defiance and challenge to the values of the hegemonic society that oppresses them. The aim of the present work is to show how Toni Morrison constructs the identity of the main female character in her novel <i>Song of Solomon</i> and how she empowers her to become a symbol of resistance. The novel is approached from a postcolonial and cultural perspective in an attempt to analyse the reactions to colonialism as they are represented in contemporary African-American fiction.Facultad de Humanidades y Ciencias de la Educación2006info:eu-repo/semantics/conferenceObjectinfo:eu-repo/semantics/publishedVersionObjeto de conferenciahttp://purl.org/coar/resource_type/c_5794info:ar-repo/semantics/documentoDeConferenciaapplication/pdfhttp://sedici.unlp.edu.ar/handle/10915/115345<a href="http://www.memoria.fahce.unlp.edu.ar" target="_blank">Memoria académica</a>reponame:SEDICI (UNLP)instname:Universidad Nacional de La Platainstacron:UNLPspainfo:eu-repo/semantics/altIdentifier/url/http://www.memoria.fahce.unlp.edu.ar/trab_eventos/ev.13138/ev.13138.pdfinfo:eu-repo/semantics/altIdentifier/issn/1668-8449info:eu-repo/semantics/openAccesshttp://creativecommons.org/licenses/by-nc-sa/4.0/Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)2025-09-17T10:08:56Zoai:sedici.unlp.edu.ar:10915/115345Institucionalhttp://sedici.unlp.edu.ar/Universidad públicaNo correspondehttp://sedici.unlp.edu.ar/oai/snrdalira@sedici.unlp.edu.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:13292025-09-17 10:08:56.706SEDICI (UNLP) - Universidad Nacional de La Platafalse
dc.title.none.fl_str_mv The construction of identity in African American fiction: female resistance in <i>Song of Solomon</i>
title The construction of identity in African American fiction: female resistance in <i>Song of Solomon</i>
spellingShingle The construction of identity in African American fiction: female resistance in <i>Song of Solomon</i>
Germani, Miriam Patricia
Letras
Literatura
Identidad
Mujeres
Colonialismo
resistencia femenina
title_short The construction of identity in African American fiction: female resistance in <i>Song of Solomon</i>
title_full The construction of identity in African American fiction: female resistance in <i>Song of Solomon</i>
title_fullStr The construction of identity in African American fiction: female resistance in <i>Song of Solomon</i>
title_full_unstemmed The construction of identity in African American fiction: female resistance in <i>Song of Solomon</i>
title_sort The construction of identity in African American fiction: female resistance in <i>Song of Solomon</i>
dc.creator.none.fl_str_mv Germani, Miriam Patricia
author Germani, Miriam Patricia
author_facet Germani, Miriam Patricia
author_role author
dc.subject.none.fl_str_mv Letras
Literatura
Identidad
Mujeres
Colonialismo
resistencia femenina
topic Letras
Literatura
Identidad
Mujeres
Colonialismo
resistencia femenina
dc.description.none.fl_txt_mv The end of the totalising discourses of the great modern metanarratives has produced a displacement of fixed definitions of identity. Thus, a space for the recognition of difference has been created in which formerly silenced groups –the colonized, minority populations, women– have been able to voice their histories and experiences in an attempt to reinforce their cultural bonds and the values of their ancestral cultures as a means of resistance to the colonialist ideology (Sarup, 1996:101). Within this context, postcolonial narratives –such as the fiction produced by African-American women writers– have become an instrument of cultural transmission for historically subjugated peoples. Furthermore, they constitute a means of defiance and challenge to the values of the hegemonic society that oppresses them. The aim of the present work is to show how Toni Morrison constructs the identity of the main female character in her novel <i>Song of Solomon</i> and how she empowers her to become a symbol of resistance. The novel is approached from a postcolonial and cultural perspective in an attempt to analyse the reactions to colonialism as they are represented in contemporary African-American fiction.
Facultad de Humanidades y Ciencias de la Educación
description The end of the totalising discourses of the great modern metanarratives has produced a displacement of fixed definitions of identity. Thus, a space for the recognition of difference has been created in which formerly silenced groups –the colonized, minority populations, women– have been able to voice their histories and experiences in an attempt to reinforce their cultural bonds and the values of their ancestral cultures as a means of resistance to the colonialist ideology (Sarup, 1996:101). Within this context, postcolonial narratives –such as the fiction produced by African-American women writers– have become an instrument of cultural transmission for historically subjugated peoples. Furthermore, they constitute a means of defiance and challenge to the values of the hegemonic society that oppresses them. The aim of the present work is to show how Toni Morrison constructs the identity of the main female character in her novel <i>Song of Solomon</i> and how she empowers her to become a symbol of resistance. The novel is approached from a postcolonial and cultural perspective in an attempt to analyse the reactions to colonialism as they are represented in contemporary African-American fiction.
publishDate 2006
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