Expressive timing in choir: An interactive study between choristers and conductor
- Autores
- Ordás, Manuel Alejandro; Martínez, Isabel Cecilia
- Año de publicación
- 2018
- Idioma
- español castellano
- Tipo de recurso
- documento de conferencia
- Estado
- versión publicada
- Descripción
- In traditional choral practice it would seem that the chorister’s action is an embodied way of responding to the conductor's gestures and being with the other from a second-person perspective (Gomila, 2003). From a conductor-choir interactive perspective, the choir is understood as a set of individuals who are also in interaction and not as a uniform group subordinated to the conductor. Clayton (2013) proposes three levels of musical entrainment between individuals: intra-individual, intra-group and inter-group, to describe the temporal interactions between singers in choral practice. A multimodal analysis (conductor movement and choir members' asynchronies) is presented to investigate the role of inter- and intra-individual variability in supporting collective (choir) musical performance.
Facultad de Bellas Artes - Materia
-
Música
choral practice
expressive timing
temporal variability
multimodal analysis - Nivel de accesibilidad
- acceso abierto
- Condiciones de uso
- http://creativecommons.org/licenses/by-nc-nd/4.0/
- Repositorio
- Institución
- Universidad Nacional de La Plata
- OAI Identificador
- oai:sedici.unlp.edu.ar:10915/70328
Ver los metadatos del registro completo
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Expressive timing in choir: An interactive study between choristers and conductorOrdás, Manuel AlejandroMartínez, Isabel CeciliaMúsicachoral practiceexpressive timingtemporal variabilitymultimodal analysisIn traditional choral practice it would seem that the chorister’s action is an embodied way of responding to the conductor's gestures and being with the other from a second-person perspective (Gomila, 2003). From a conductor-choir interactive perspective, the choir is understood as a set of individuals who are also in interaction and not as a uniform group subordinated to the conductor. Clayton (2013) proposes three levels of musical entrainment between individuals: intra-individual, intra-group and inter-group, to describe the temporal interactions between singers in choral practice. A multimodal analysis (conductor movement and choir members' asynchronies) is presented to investigate the role of inter- and intra-individual variability in supporting collective (choir) musical performance.Facultad de Bellas Artes2018-07-26info:eu-repo/semantics/conferenceObjectinfo:eu-repo/semantics/publishedVersionResumenhttp://purl.org/coar/resource_type/c_5794info:ar-repo/semantics/documentoDeConferenciaapplication/pdf291-291http://sedici.unlp.edu.ar/handle/10915/70328spainfo:eu-repo/semantics/altIdentifier/isbn/978-3-200-05771-5info:eu-repo/semantics/openAccesshttp://creativecommons.org/licenses/by-nc-nd/4.0/Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0)reponame:SEDICI (UNLP)instname:Universidad Nacional de La Platainstacron:UNLP2025-09-03T10:43:10Zoai:sedici.unlp.edu.ar:10915/70328Institucionalhttp://sedici.unlp.edu.ar/Universidad públicaNo correspondehttp://sedici.unlp.edu.ar/oai/snrdalira@sedici.unlp.edu.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:13292025-09-03 10:43:11.205SEDICI (UNLP) - Universidad Nacional de La Platafalse |
dc.title.none.fl_str_mv |
Expressive timing in choir: An interactive study between choristers and conductor |
title |
Expressive timing in choir: An interactive study between choristers and conductor |
spellingShingle |
Expressive timing in choir: An interactive study between choristers and conductor Ordás, Manuel Alejandro Música choral practice expressive timing temporal variability multimodal analysis |
title_short |
Expressive timing in choir: An interactive study between choristers and conductor |
title_full |
Expressive timing in choir: An interactive study between choristers and conductor |
title_fullStr |
Expressive timing in choir: An interactive study between choristers and conductor |
title_full_unstemmed |
Expressive timing in choir: An interactive study between choristers and conductor |
title_sort |
Expressive timing in choir: An interactive study between choristers and conductor |
dc.creator.none.fl_str_mv |
Ordás, Manuel Alejandro Martínez, Isabel Cecilia |
author |
Ordás, Manuel Alejandro |
author_facet |
Ordás, Manuel Alejandro Martínez, Isabel Cecilia |
author_role |
author |
author2 |
Martínez, Isabel Cecilia |
author2_role |
author |
dc.subject.none.fl_str_mv |
Música choral practice expressive timing temporal variability multimodal analysis |
topic |
Música choral practice expressive timing temporal variability multimodal analysis |
dc.description.none.fl_txt_mv |
In traditional choral practice it would seem that the chorister’s action is an embodied way of responding to the conductor's gestures and being with the other from a second-person perspective (Gomila, 2003). From a conductor-choir interactive perspective, the choir is understood as a set of individuals who are also in interaction and not as a uniform group subordinated to the conductor. Clayton (2013) proposes three levels of musical entrainment between individuals: intra-individual, intra-group and inter-group, to describe the temporal interactions between singers in choral practice. A multimodal analysis (conductor movement and choir members' asynchronies) is presented to investigate the role of inter- and intra-individual variability in supporting collective (choir) musical performance. Facultad de Bellas Artes |
description |
In traditional choral practice it would seem that the chorister’s action is an embodied way of responding to the conductor's gestures and being with the other from a second-person perspective (Gomila, 2003). From a conductor-choir interactive perspective, the choir is understood as a set of individuals who are also in interaction and not as a uniform group subordinated to the conductor. Clayton (2013) proposes three levels of musical entrainment between individuals: intra-individual, intra-group and inter-group, to describe the temporal interactions between singers in choral practice. A multimodal analysis (conductor movement and choir members' asynchronies) is presented to investigate the role of inter- and intra-individual variability in supporting collective (choir) musical performance. |
publishDate |
2018 |
dc.date.none.fl_str_mv |
2018-07-26 |
dc.type.none.fl_str_mv |
info:eu-repo/semantics/conferenceObject info:eu-repo/semantics/publishedVersion Resumen http://purl.org/coar/resource_type/c_5794 info:ar-repo/semantics/documentoDeConferencia |
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conferenceObject |
status_str |
publishedVersion |
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http://sedici.unlp.edu.ar/handle/10915/70328 |
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http://sedici.unlp.edu.ar/handle/10915/70328 |
dc.language.none.fl_str_mv |
spa |
language |
spa |
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info:eu-repo/semantics/altIdentifier/isbn/978-3-200-05771-5 |
dc.rights.none.fl_str_mv |
info:eu-repo/semantics/openAccess http://creativecommons.org/licenses/by-nc-nd/4.0/ Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) |
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openAccess |
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http://creativecommons.org/licenses/by-nc-nd/4.0/ Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) |
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application/pdf 291-291 |
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