The individuality of metrical engagement: describing the individual differences of movements in response to musical meter

Autores
Martínez, Isabel Cecilia; Naveda, Luiz; Damesón, Javier; Herrera, Romina; Pereira Ghiena, Alejandro; Ordás, Manuel Alejandro
Año de publicación
2015
Idioma
inglés
Tipo de recurso
documento de conferencia
Estado
versión publicada
Descripción
Evidence behind theories about musical meter and rhythm is based on averages across empirical sets of data. Theory is also commonly forged from general observations of music practices. Ethnomusicology describes rhythm and dance based on patterning characterizations inside cultures. Without neglecting the value of that knowledge, so far we know very little about how individuals´ bodies respond to music. Derivation of common laws from controlled experimentation may have obfuscated the understanding of differences between individuals, their music, movements and dance. How large are these differences as expressed, and how our bodies map these idiosyncrasies are questions that still need answers. In this paper we look into a detailed account of differences between individuals by looking at their free movement responses to music. Using the state-of-the-art of motion capture technologies and a set of analytical techniques we uncover the embodied metric organization, exposing the idiosyncrasies between different people.
Trabajo publicado en M. Aramaki, R. Kronland-Martinet, S. Ystad (eds.) (2015). Music, Mind, and Embodiment. Proceedings of the 11th International Symposium on Computer Music Multidisciplinary Research (CMMR). Marseille: The Laboratory of Mechanics and Acoustics.
Facultad de Bellas Artes
Materia
Bellas Artes
Música
movement
rhythm
meter
embodiment
Nivel de accesibilidad
acceso abierto
Condiciones de uso
http://creativecommons.org/licenses/by/4.0/
Repositorio
SEDICI (UNLP)
Institución
Universidad Nacional de La Plata
OAI Identificador
oai:sedici.unlp.edu.ar:10915/54794
Acceder
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network_name_str SEDICI (UNLP)
spelling The individuality of metrical engagement: describing the individual differences of movements in response to musical meterMartínez, Isabel CeciliaNaveda, LuizDamesón, JavierHerrera, RominaPereira Ghiena, AlejandroOrdás, Manuel AlejandroBellas ArtesMúsicamovementrhythmmeterembodimentEvidence behind theories about musical meter and rhythm is based on averages across empirical sets of data. Theory is also commonly forged from general observations of music practices. Ethnomusicology describes rhythm and dance based on patterning characterizations inside cultures. Without neglecting the value of that knowledge, so far we know very little about how individuals´ bodies respond to music. Derivation of common laws from controlled experimentation may have obfuscated the understanding of differences between individuals, their music, movements and dance. How large are these differences as expressed, and how our bodies map these idiosyncrasies are questions that still need answers. In this paper we look into a detailed account of differences between individuals by looking at their free movement responses to music. Using the state-of-the-art of motion capture technologies and a set of analytical techniques we uncover the embodied metric organization, exposing the idiosyncrasies between different people.Trabajo publicado en M. Aramaki, R. Kronland-Martinet, S. Ystad (eds.) (2015). <i>Music, Mind, and Embodiment. Proceedings of the 11th International Symposium on Computer Music Multidisciplinary Research (CMMR)</i>. Marseille: The Laboratory of Mechanics and Acoustics.Facultad de Bellas Artes2015-06info:eu-repo/semantics/conferenceObjectinfo:eu-repo/semantics/publishedVersionObjeto de conferenciahttp://purl.org/coar/resource_type/c_5794info:ar-repo/semantics/documentoDeConferenciaapplication/pdfhttp://sedici.unlp.edu.ar/handle/10915/54794enginfo:eu-repo/semantics/altIdentifier/isbn/978-2-909669-24-3info:eu-repo/semantics/altIdentifier/url/http://cmr.soc.plymouth.ac.uk/cmmr2015/proceedings.pdfinfo:eu-repo/semantics/openAccesshttp://creativecommons.org/licenses/by/4.0/Creative Commons Attribution 4.0 International (CC BY 4.0)reponame:SEDICI (UNLP)instname:Universidad Nacional de La Platainstacron:UNLP2025-09-29T11:05:24Zoai:sedici.unlp.edu.ar:10915/54794Institucionalhttp://sedici.unlp.edu.ar/Universidad públicaNo correspondehttp://sedici.unlp.edu.ar/oai/snrdalira@sedici.unlp.edu.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:13292025-09-29 11:05:24.613SEDICI (UNLP) - Universidad Nacional de La Platafalse
dc.title.none.fl_str_mv The individuality of metrical engagement: describing the individual differences of movements in response to musical meter
title The individuality of metrical engagement: describing the individual differences of movements in response to musical meter
spellingShingle The individuality of metrical engagement: describing the individual differences of movements in response to musical meter
Martínez, Isabel Cecilia
Bellas Artes
Música
movement
rhythm
meter
embodiment
title_short The individuality of metrical engagement: describing the individual differences of movements in response to musical meter
title_full The individuality of metrical engagement: describing the individual differences of movements in response to musical meter
title_fullStr The individuality of metrical engagement: describing the individual differences of movements in response to musical meter
title_full_unstemmed The individuality of metrical engagement: describing the individual differences of movements in response to musical meter
title_sort The individuality of metrical engagement: describing the individual differences of movements in response to musical meter
dc.creator.none.fl_str_mv Martínez, Isabel Cecilia
Naveda, Luiz
Damesón, Javier
Herrera, Romina
Pereira Ghiena, Alejandro
Ordás, Manuel Alejandro
author Martínez, Isabel Cecilia
author_facet Martínez, Isabel Cecilia
Naveda, Luiz
Damesón, Javier
Herrera, Romina
Pereira Ghiena, Alejandro
Ordás, Manuel Alejandro
author_role author
author2 Naveda, Luiz
Damesón, Javier
Herrera, Romina
Pereira Ghiena, Alejandro
Ordás, Manuel Alejandro
author2_role author
author
author
author
author
dc.subject.none.fl_str_mv Bellas Artes
Música
movement
rhythm
meter
embodiment
topic Bellas Artes
Música
movement
rhythm
meter
embodiment
dc.description.none.fl_txt_mv Evidence behind theories about musical meter and rhythm is based on averages across empirical sets of data. Theory is also commonly forged from general observations of music practices. Ethnomusicology describes rhythm and dance based on patterning characterizations inside cultures. Without neglecting the value of that knowledge, so far we know very little about how individuals´ bodies respond to music. Derivation of common laws from controlled experimentation may have obfuscated the understanding of differences between individuals, their music, movements and dance. How large are these differences as expressed, and how our bodies map these idiosyncrasies are questions that still need answers. In this paper we look into a detailed account of differences between individuals by looking at their free movement responses to music. Using the state-of-the-art of motion capture technologies and a set of analytical techniques we uncover the embodied metric organization, exposing the idiosyncrasies between different people.
Trabajo publicado en M. Aramaki, R. Kronland-Martinet, S. Ystad (eds.) (2015). <i>Music, Mind, and Embodiment. Proceedings of the 11th International Symposium on Computer Music Multidisciplinary Research (CMMR)</i>. Marseille: The Laboratory of Mechanics and Acoustics.
Facultad de Bellas Artes
description Evidence behind theories about musical meter and rhythm is based on averages across empirical sets of data. Theory is also commonly forged from general observations of music practices. Ethnomusicology describes rhythm and dance based on patterning characterizations inside cultures. Without neglecting the value of that knowledge, so far we know very little about how individuals´ bodies respond to music. Derivation of common laws from controlled experimentation may have obfuscated the understanding of differences between individuals, their music, movements and dance. How large are these differences as expressed, and how our bodies map these idiosyncrasies are questions that still need answers. In this paper we look into a detailed account of differences between individuals by looking at their free movement responses to music. Using the state-of-the-art of motion capture technologies and a set of analytical techniques we uncover the embodied metric organization, exposing the idiosyncrasies between different people.
publishDate 2015
dc.date.none.fl_str_mv 2015-06
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eu_rights_str_mv openAccess
rights_invalid_str_mv http://creativecommons.org/licenses/by/4.0/
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