Cross-cultural differences in free body movement responses to Argentinian and Afro-Brazilian music

Autores
Naveda, Luiz; Martínez, Isabel Cecilia; Damesón, Javier; Pereira Ghiena, Alejandro; Herrera, Romina; Ordás, Manuel Alejandro
Año de publicación
2015
Idioma
inglés
Tipo de recurso
documento de conferencia
Estado
versión publicada
Descripción
From all hidden assumptions behind the models of musical meter and rhythm, the notion that all individuals understand the periodic structure of music in the same way might be the most intractable and risky one. A number of evidences show that musical cultures differ in a number of aspects including cognitive priorities, musical function and relationships between music, movement and dance. From the methodological point of view, it is very difficult to describe the understanding of rhythm structures: tapping methods are limiting and biased, surveys can be too subjective and analyses of performances are ambiguous and multivariate. From the point of view of culture, cultural preferences may be subtle and comparisons between contrasting cultures might be unreliable. In this study we realize cross-cultural comparisons between free movement responses to musical cultures of samba and chacarera music, executed by Brazilian and Argentinian acculturated subjects. We use methods that track the density of kinematic events in the metrical grid at each level of the metrical structure. The results contrast to traditional models of metric structure by exposing an intrinsic diversity, variability and asymmetry of movement responses. The results also show morphological characteristics connected to cultural differences.
Trabajo publicado en M. Aramaki, R. Kronland-Martinet, S. Ystad (eds.) (2015). Music, Mind, and Embodiment. Proceedings of the 11th International Symposium on Computer Music Multidisciplinary Research (CMMR). Marseille: The Laboratory of Mechanics and Acoustics.
Facultad de Bellas Artes
Materia
Música
cross-cultural
movement
rhythm
meter
embodiment
Nivel de accesibilidad
acceso abierto
Condiciones de uso
http://creativecommons.org/licenses/by-nc-nd/4.0/
Repositorio
SEDICI (UNLP)
Institución
Universidad Nacional de La Plata
OAI Identificador
oai:sedici.unlp.edu.ar:10915/70430

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spelling Cross-cultural differences in free body movement responses to Argentinian and Afro-Brazilian musicNaveda, LuizMartínez, Isabel CeciliaDamesón, JavierPereira Ghiena, AlejandroHerrera, RominaOrdás, Manuel AlejandroMúsicacross-culturalmovementrhythmmeterembodimentFrom all hidden assumptions behind the models of musical meter and rhythm, the notion that all individuals understand the periodic structure of music in the same way might be the most intractable and risky one. A number of evidences show that musical cultures differ in a number of aspects including cognitive priorities, musical function and relationships between music, movement and dance. From the methodological point of view, it is very difficult to describe the understanding of rhythm structures: tapping methods are limiting and biased, surveys can be too subjective and analyses of performances are ambiguous and multivariate. From the point of view of culture, cultural preferences may be subtle and comparisons between contrasting cultures might be unreliable. In this study we realize cross-cultural comparisons between free movement responses to musical cultures of samba and chacarera music, executed by Brazilian and Argentinian acculturated subjects. We use methods that track the density of kinematic events in the metrical grid at each level of the metrical structure. The results contrast to traditional models of metric structure by exposing an intrinsic diversity, variability and asymmetry of movement responses. The results also show morphological characteristics connected to cultural differences.Trabajo publicado en M. Aramaki, R. Kronland-Martinet, S. Ystad (eds.) (2015). <i>Music, Mind, and Embodiment. Proceedings of the 11th International Symposium on Computer Music Multidisciplinary Research (CMMR)</i>. Marseille: The Laboratory of Mechanics and Acoustics.Facultad de Bellas Artes2015-06info:eu-repo/semantics/conferenceObjectinfo:eu-repo/semantics/publishedVersionObjeto de conferenciahttp://purl.org/coar/resource_type/c_5794info:ar-repo/semantics/documentoDeConferenciaapplication/pdf146-162http://sedici.unlp.edu.ar/handle/10915/70430enginfo:eu-repo/semantics/altIdentifier/isbn/978-2-909669-24-3info:eu-repo/semantics/altIdentifier/issn/1159-0947info:eu-repo/semantics/openAccesshttp://creativecommons.org/licenses/by-nc-nd/4.0/Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0)reponame:SEDICI (UNLP)instname:Universidad Nacional de La Platainstacron:UNLP2025-09-03T10:43:15Zoai:sedici.unlp.edu.ar:10915/70430Institucionalhttp://sedici.unlp.edu.ar/Universidad públicaNo correspondehttp://sedici.unlp.edu.ar/oai/snrdalira@sedici.unlp.edu.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:13292025-09-03 10:43:15.901SEDICI (UNLP) - Universidad Nacional de La Platafalse
dc.title.none.fl_str_mv Cross-cultural differences in free body movement responses to Argentinian and Afro-Brazilian music
title Cross-cultural differences in free body movement responses to Argentinian and Afro-Brazilian music
spellingShingle Cross-cultural differences in free body movement responses to Argentinian and Afro-Brazilian music
Naveda, Luiz
Música
cross-cultural
movement
rhythm
meter
embodiment
title_short Cross-cultural differences in free body movement responses to Argentinian and Afro-Brazilian music
title_full Cross-cultural differences in free body movement responses to Argentinian and Afro-Brazilian music
title_fullStr Cross-cultural differences in free body movement responses to Argentinian and Afro-Brazilian music
title_full_unstemmed Cross-cultural differences in free body movement responses to Argentinian and Afro-Brazilian music
title_sort Cross-cultural differences in free body movement responses to Argentinian and Afro-Brazilian music
dc.creator.none.fl_str_mv Naveda, Luiz
Martínez, Isabel Cecilia
Damesón, Javier
Pereira Ghiena, Alejandro
Herrera, Romina
Ordás, Manuel Alejandro
author Naveda, Luiz
author_facet Naveda, Luiz
Martínez, Isabel Cecilia
Damesón, Javier
Pereira Ghiena, Alejandro
Herrera, Romina
Ordás, Manuel Alejandro
author_role author
author2 Martínez, Isabel Cecilia
Damesón, Javier
Pereira Ghiena, Alejandro
Herrera, Romina
Ordás, Manuel Alejandro
author2_role author
author
author
author
author
dc.subject.none.fl_str_mv Música
cross-cultural
movement
rhythm
meter
embodiment
topic Música
cross-cultural
movement
rhythm
meter
embodiment
dc.description.none.fl_txt_mv From all hidden assumptions behind the models of musical meter and rhythm, the notion that all individuals understand the periodic structure of music in the same way might be the most intractable and risky one. A number of evidences show that musical cultures differ in a number of aspects including cognitive priorities, musical function and relationships between music, movement and dance. From the methodological point of view, it is very difficult to describe the understanding of rhythm structures: tapping methods are limiting and biased, surveys can be too subjective and analyses of performances are ambiguous and multivariate. From the point of view of culture, cultural preferences may be subtle and comparisons between contrasting cultures might be unreliable. In this study we realize cross-cultural comparisons between free movement responses to musical cultures of samba and chacarera music, executed by Brazilian and Argentinian acculturated subjects. We use methods that track the density of kinematic events in the metrical grid at each level of the metrical structure. The results contrast to traditional models of metric structure by exposing an intrinsic diversity, variability and asymmetry of movement responses. The results also show morphological characteristics connected to cultural differences.
Trabajo publicado en M. Aramaki, R. Kronland-Martinet, S. Ystad (eds.) (2015). <i>Music, Mind, and Embodiment. Proceedings of the 11th International Symposium on Computer Music Multidisciplinary Research (CMMR)</i>. Marseille: The Laboratory of Mechanics and Acoustics.
Facultad de Bellas Artes
description From all hidden assumptions behind the models of musical meter and rhythm, the notion that all individuals understand the periodic structure of music in the same way might be the most intractable and risky one. A number of evidences show that musical cultures differ in a number of aspects including cognitive priorities, musical function and relationships between music, movement and dance. From the methodological point of view, it is very difficult to describe the understanding of rhythm structures: tapping methods are limiting and biased, surveys can be too subjective and analyses of performances are ambiguous and multivariate. From the point of view of culture, cultural preferences may be subtle and comparisons between contrasting cultures might be unreliable. In this study we realize cross-cultural comparisons between free movement responses to musical cultures of samba and chacarera music, executed by Brazilian and Argentinian acculturated subjects. We use methods that track the density of kinematic events in the metrical grid at each level of the metrical structure. The results contrast to traditional models of metric structure by exposing an intrinsic diversity, variability and asymmetry of movement responses. The results also show morphological characteristics connected to cultural differences.
publishDate 2015
dc.date.none.fl_str_mv 2015-06
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Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0)
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rights_invalid_str_mv http://creativecommons.org/licenses/by-nc-nd/4.0/
Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0)
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