Making visible the invisible : Metrical patterns, contrafacture and compilation in a Medieval Castilian Songbook

Autores
Rio Riande, María Gimena del; González Blanco García, Elena; Martínez Cantón, Clara
Año de publicación
2015
Idioma
español castellano
Tipo de recurso
documento de conferencia
Estado
versión publicada
Descripción
With the help of our databases we illustrate in this piece of work the possible contrafactures, common metrical and rhyming patterns, and cycles of poems in the antiquiores? corpus, and give an account of more complex definitions. The examples will also serve as an opportunity to cast our eyes again on the macro-microanalysis (Jockers, 2013; Jockers and Flanders, 2013; Liu, 2014) and data-text (Marche, 2012) debates in the field of literary studies and the concepts of close-distant reading (Moretti, 2013; Latour, 2014) and relate them to a subject of study that is interested in formal patterns (and not as much in content) and acquires new meaning when compared through large corpora: metrics.
Consejo Nacional de Investigaciones Científicas y Técnicas (CONICET)
Materia
Humanidades
Literatura Medieval
Humanidades Digitales
Metrical patterns
contrafacture
compilation
Medieval Castilian Songbook
Nivel de accesibilidad
acceso abierto
Condiciones de uso
http://creativecommons.org/licenses/by-nc-nd/4.0/
Repositorio
SEDICI (UNLP)
Institución
Universidad Nacional de La Plata
OAI Identificador
oai:sedici.unlp.edu.ar:10915/64447
Acceder
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repository_id_str 1329
network_name_str SEDICI (UNLP)
spelling Making visible the invisible : Metrical patterns, contrafacture and compilation in a Medieval Castilian SongbookRio Riande, María Gimena delGonzález Blanco García, ElenaMartínez Cantón, ClaraHumanidadesLiteratura MedievalHumanidades DigitalesMetrical patternscontrafacturecompilationMedieval Castilian SongbookWith the help of our databases we illustrate in this piece of work the possible contrafactures, common metrical and rhyming patterns, and cycles of poems in the antiquiores? corpus, and give an account of more complex definitions. The examples will also serve as an opportunity to cast our eyes again on the macro-microanalysis (Jockers, 2013; Jockers and Flanders, 2013; Liu, 2014) and data-text (Marche, 2012) debates in the field of literary studies and the concepts of close-distant reading (Moretti, 2013; Latour, 2014) and relate them to a subject of study that is interested in formal patterns (and not as much in content) and acquires new meaning when compared through large corpora: metrics.Consejo Nacional de Investigaciones Científicas y Técnicas (CONICET)2015-07info:eu-repo/semantics/conferenceObjectinfo:eu-repo/semantics/publishedVersionObjeto de conferenciahttp://purl.org/coar/resource_type/c_5794info:ar-repo/semantics/documentoDeConferenciaapplication/pdfhttp://sedici.unlp.edu.ar/handle/10915/64447spainfo:eu-repo/semantics/altIdentifier/url/https://www.aacademica.org/gimena.delrio.riande/86info:eu-repo/semantics/openAccesshttp://creativecommons.org/licenses/by-nc-nd/4.0/Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0)reponame:SEDICI (UNLP)instname:Universidad Nacional de La Platainstacron:UNLP2025-10-22T16:50:08Zoai:sedici.unlp.edu.ar:10915/64447Institucionalhttp://sedici.unlp.edu.ar/Universidad públicaNo correspondehttp://sedici.unlp.edu.ar/oai/snrdalira@sedici.unlp.edu.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:13292025-10-22 16:50:08.906SEDICI (UNLP) - Universidad Nacional de La Platafalse
dc.title.none.fl_str_mv Making visible the invisible : Metrical patterns, contrafacture and compilation in a Medieval Castilian Songbook
title Making visible the invisible : Metrical patterns, contrafacture and compilation in a Medieval Castilian Songbook
spellingShingle Making visible the invisible : Metrical patterns, contrafacture and compilation in a Medieval Castilian Songbook
Rio Riande, María Gimena del
Humanidades
Literatura Medieval
Humanidades Digitales
Metrical patterns
contrafacture
compilation
Medieval Castilian Songbook
title_short Making visible the invisible : Metrical patterns, contrafacture and compilation in a Medieval Castilian Songbook
title_full Making visible the invisible : Metrical patterns, contrafacture and compilation in a Medieval Castilian Songbook
title_fullStr Making visible the invisible : Metrical patterns, contrafacture and compilation in a Medieval Castilian Songbook
title_full_unstemmed Making visible the invisible : Metrical patterns, contrafacture and compilation in a Medieval Castilian Songbook
title_sort Making visible the invisible : Metrical patterns, contrafacture and compilation in a Medieval Castilian Songbook
dc.creator.none.fl_str_mv Rio Riande, María Gimena del
González Blanco García, Elena
Martínez Cantón, Clara
author Rio Riande, María Gimena del
author_facet Rio Riande, María Gimena del
González Blanco García, Elena
Martínez Cantón, Clara
author_role author
author2 González Blanco García, Elena
Martínez Cantón, Clara
author2_role author
author
dc.subject.none.fl_str_mv Humanidades
Literatura Medieval
Humanidades Digitales
Metrical patterns
contrafacture
compilation
Medieval Castilian Songbook
topic Humanidades
Literatura Medieval
Humanidades Digitales
Metrical patterns
contrafacture
compilation
Medieval Castilian Songbook
dc.description.none.fl_txt_mv With the help of our databases we illustrate in this piece of work the possible contrafactures, common metrical and rhyming patterns, and cycles of poems in the antiquiores? corpus, and give an account of more complex definitions. The examples will also serve as an opportunity to cast our eyes again on the macro-microanalysis (Jockers, 2013; Jockers and Flanders, 2013; Liu, 2014) and data-text (Marche, 2012) debates in the field of literary studies and the concepts of close-distant reading (Moretti, 2013; Latour, 2014) and relate them to a subject of study that is interested in formal patterns (and not as much in content) and acquires new meaning when compared through large corpora: metrics.
Consejo Nacional de Investigaciones Científicas y Técnicas (CONICET)
description With the help of our databases we illustrate in this piece of work the possible contrafactures, common metrical and rhyming patterns, and cycles of poems in the antiquiores? corpus, and give an account of more complex definitions. The examples will also serve as an opportunity to cast our eyes again on the macro-microanalysis (Jockers, 2013; Jockers and Flanders, 2013; Liu, 2014) and data-text (Marche, 2012) debates in the field of literary studies and the concepts of close-distant reading (Moretti, 2013; Latour, 2014) and relate them to a subject of study that is interested in formal patterns (and not as much in content) and acquires new meaning when compared through large corpora: metrics.
publishDate 2015
dc.date.none.fl_str_mv 2015-07
dc.type.none.fl_str_mv info:eu-repo/semantics/conferenceObject
info:eu-repo/semantics/publishedVersion
Objeto de conferencia
http://purl.org/coar/resource_type/c_5794
info:ar-repo/semantics/documentoDeConferencia
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dc.identifier.none.fl_str_mv http://sedici.unlp.edu.ar/handle/10915/64447
url http://sedici.unlp.edu.ar/handle/10915/64447
dc.language.none.fl_str_mv spa
language spa
dc.relation.none.fl_str_mv info:eu-repo/semantics/altIdentifier/url/https://www.aacademica.org/gimena.delrio.riande/86
dc.rights.none.fl_str_mv info:eu-repo/semantics/openAccess
http://creativecommons.org/licenses/by-nc-nd/4.0/
Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0)
eu_rights_str_mv openAccess
rights_invalid_str_mv http://creativecommons.org/licenses/by-nc-nd/4.0/
Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0)
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repository.name.fl_str_mv SEDICI (UNLP) - Universidad Nacional de La Plata
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