Dos modos del Artificio: la construcción poética de la historia en el pasaje de Rómulo de las <i>Metamorfosis</i> a la luz de los <i>Fastos</i>

Autores
Martínez Astorino, Pablo
Año de publicación
2017
Idioma
español castellano
Tipo de recurso
artículo
Estado
versión publicada
Descripción
In this paper, we analyse three kinds of appearance of history in the Romulus episode: 1. referential allusions to outstanding passages of the Romulus myth; 2. suppression of problematic references to his figure; 3. use of the Ennian intertext. Although points 1 and 2 have been understood as an example of historical or political correction, taking into account the importance of point 3 we will try to show that what prevails in the text is the representation of a poetic construction of history in terms of a device (this concept is duly explained): the three points, indeed, are intended to maintain or highlight the value of the central apotheosis theme, which, in the light of the ending, has a literary meaning. In Fasti, a work in which this device functions as a way of presenting the Romulus story according to his association with Augustus and his adaptation to times of peace, the image of Romulus fails to allude convincingly to Augustus because, in Ovid’s times of peace, he no longer responds to the Romulean prototype of a new founder of the city, and the image of a pacifier Romulus, merely announced in Metamorphoses and Fasti, leads to Numa, the paradigm of the idea and a better foil to the ‘new’ Augustus.
Departamento de Letras
Materia
Letras
Mito de Rómulo
Construcción poética
Ovidio
Nivel de accesibilidad
acceso abierto
Condiciones de uso
http://creativecommons.org/licenses/by-nc-sa/4.0/
Repositorio
SEDICI (UNLP)
Institución
Universidad Nacional de La Plata
OAI Identificador
oai:sedici.unlp.edu.ar:10915/103441

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spelling Dos modos del Artificio: la construcción poética de la historia en el pasaje de Rómulo de las <i>Metamorfosis</i> a la luz de los <i>Fastos</i>Martínez Astorino, PabloLetrasMito de RómuloConstrucción poéticaOvidioIn this paper, we analyse three kinds of appearance of history in the Romulus episode: 1. referential allusions to outstanding passages of the Romulus myth; 2. suppression of problematic references to his figure; 3. use of the Ennian intertext. Although points 1 and 2 have been understood as an example of historical or political correction, taking into account the importance of point 3 we will try to show that what prevails in the text is the representation of a poetic construction of history in terms of a device (this concept is duly explained): the three points, indeed, are intended to maintain or highlight the value of the central apotheosis theme, which, in the light of the ending, has a literary meaning. In <i>Fasti</i>, a work in which this device functions as a way of presenting the Romulus story according to his association with Augustus and his adaptation to times of peace, the image of Romulus fails to allude convincingly to Augustus because, in Ovid’s times of peace, he no longer responds to the Romulean prototype of a new founder of the city, and the image of a pacifier Romulus, merely announced in <i>Metamorphoses</i> and <i>Fasti</i>, leads to Numa, the paradigm of the idea and a better foil to the ‘new’ Augustus.Departamento de Letras2017info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArticulohttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdf569-583http://sedici.unlp.edu.ar/handle/10915/103441spainfo:eu-repo/semantics/altIdentifier/issn/0004-6574info:eu-repo/semantics/openAccesshttp://creativecommons.org/licenses/by-nc-sa/4.0/Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)reponame:SEDICI (UNLP)instname:Universidad Nacional de La Platainstacron:UNLP2025-09-29T11:22:28Zoai:sedici.unlp.edu.ar:10915/103441Institucionalhttp://sedici.unlp.edu.ar/Universidad públicaNo correspondehttp://sedici.unlp.edu.ar/oai/snrdalira@sedici.unlp.edu.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:13292025-09-29 11:22:28.47SEDICI (UNLP) - Universidad Nacional de La Platafalse
dc.title.none.fl_str_mv Dos modos del Artificio: la construcción poética de la historia en el pasaje de Rómulo de las <i>Metamorfosis</i> a la luz de los <i>Fastos</i>
title Dos modos del Artificio: la construcción poética de la historia en el pasaje de Rómulo de las <i>Metamorfosis</i> a la luz de los <i>Fastos</i>
spellingShingle Dos modos del Artificio: la construcción poética de la historia en el pasaje de Rómulo de las <i>Metamorfosis</i> a la luz de los <i>Fastos</i>
Martínez Astorino, Pablo
Letras
Mito de Rómulo
Construcción poética
Ovidio
title_short Dos modos del Artificio: la construcción poética de la historia en el pasaje de Rómulo de las <i>Metamorfosis</i> a la luz de los <i>Fastos</i>
title_full Dos modos del Artificio: la construcción poética de la historia en el pasaje de Rómulo de las <i>Metamorfosis</i> a la luz de los <i>Fastos</i>
title_fullStr Dos modos del Artificio: la construcción poética de la historia en el pasaje de Rómulo de las <i>Metamorfosis</i> a la luz de los <i>Fastos</i>
title_full_unstemmed Dos modos del Artificio: la construcción poética de la historia en el pasaje de Rómulo de las <i>Metamorfosis</i> a la luz de los <i>Fastos</i>
title_sort Dos modos del Artificio: la construcción poética de la historia en el pasaje de Rómulo de las <i>Metamorfosis</i> a la luz de los <i>Fastos</i>
dc.creator.none.fl_str_mv Martínez Astorino, Pablo
author Martínez Astorino, Pablo
author_facet Martínez Astorino, Pablo
author_role author
dc.subject.none.fl_str_mv Letras
Mito de Rómulo
Construcción poética
Ovidio
topic Letras
Mito de Rómulo
Construcción poética
Ovidio
dc.description.none.fl_txt_mv In this paper, we analyse three kinds of appearance of history in the Romulus episode: 1. referential allusions to outstanding passages of the Romulus myth; 2. suppression of problematic references to his figure; 3. use of the Ennian intertext. Although points 1 and 2 have been understood as an example of historical or political correction, taking into account the importance of point 3 we will try to show that what prevails in the text is the representation of a poetic construction of history in terms of a device (this concept is duly explained): the three points, indeed, are intended to maintain or highlight the value of the central apotheosis theme, which, in the light of the ending, has a literary meaning. In <i>Fasti</i>, a work in which this device functions as a way of presenting the Romulus story according to his association with Augustus and his adaptation to times of peace, the image of Romulus fails to allude convincingly to Augustus because, in Ovid’s times of peace, he no longer responds to the Romulean prototype of a new founder of the city, and the image of a pacifier Romulus, merely announced in <i>Metamorphoses</i> and <i>Fasti</i>, leads to Numa, the paradigm of the idea and a better foil to the ‘new’ Augustus.
Departamento de Letras
description In this paper, we analyse three kinds of appearance of history in the Romulus episode: 1. referential allusions to outstanding passages of the Romulus myth; 2. suppression of problematic references to his figure; 3. use of the Ennian intertext. Although points 1 and 2 have been understood as an example of historical or political correction, taking into account the importance of point 3 we will try to show that what prevails in the text is the representation of a poetic construction of history in terms of a device (this concept is duly explained): the three points, indeed, are intended to maintain or highlight the value of the central apotheosis theme, which, in the light of the ending, has a literary meaning. In <i>Fasti</i>, a work in which this device functions as a way of presenting the Romulus story according to his association with Augustus and his adaptation to times of peace, the image of Romulus fails to allude convincingly to Augustus because, in Ovid’s times of peace, he no longer responds to the Romulean prototype of a new founder of the city, and the image of a pacifier Romulus, merely announced in <i>Metamorphoses</i> and <i>Fasti</i>, leads to Numa, the paradigm of the idea and a better foil to the ‘new’ Augustus.
publishDate 2017
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Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)
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