Linking Neuroscience To A Psychophysical Test On Line Perception And To The Use Of Self-Adhesive Tape In Contemporary Painting

Autores
Gottschaller, Pia
Año de publicación
2017
Idioma
inglés
Tipo de recurso
artículo
Estado
versión publicada
Descripción
Artículo de anuario
La primera parte de este ensayo discute descubrimientos neurobiológicos recientes en el ámbito de la percepción de la línea y el color a medida que se manifiestan como reacciones de nuestro cerebro visual ante estímulos del arte visual. Subsecuentemente, explica el diseño y los hallazgos de un test psicofísico, que se llevó a cabo con el objetivo de obtener conocimiento sobre si aquellos denominados expertos y no expertos son igualmente capaces de distinguir líneas rectas en pinturas, creadas a mano o con el uso de cinta adhesiva. La segunda parte del ensayo se concentra en las adaptaciones particularmente creativas de la cinta adhesiva en el trabajo de algunos pintores contemporáneos selectos: Ed Ruscha, Michael Craig-Martin, Tim Eitel, Magnus Plessen, Silvia Plimack Mangold, Mel Bochner, Ben Johnson, Cipriano Martínez, Bernard Frize y David Reed.
The first part of this essay discusses recent neurobiological discoveries in the realm of line and color perception as they manifest as reactions of our visual brains to stimuli in visual art. It subsequently explains the design and findings of a psychophysical test, which was conducted with the aim of gaining insight into whether so-called experts and non-experts are equally capable of distinguishing straight lines in paintings, created freehand or with the use of self-adhesive tape. The second part of the essay focuses on the particularly creative adaptations of self-adhesive tape in the work of select contemporary painters: Ed Ruscha, Michael Craig-Martin, Tim Eitel, Magnus Plessen, Silvia Plimack Mangold, Mel Bochner, Ben Johnson, Cipriano Martínez, Bernard Frize, and David Reed
Fil:Gottschaller, Pia. Getty Conservation Institute, Los Ángeles, Estados Unidos.
Materia
NEUROSCIENCE
NEUROCIENCIA
SELF-ADHESIVE TAPE
CINTA AUTOADHESIVA
Nivel de accesibilidad
acceso abierto
Condiciones de uso
http://creativecommons.org/licenses/by-nc-sa/2.5/ar/
Repositorio
Repositorio Institucional (UNSAM)
Institución
Universidad Nacional de General San Martín
OAI Identificador
oai:ri.unsam.edu.ar:123456789/2312
Acceder
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oai_identifier_str oai:ri.unsam.edu.ar:123456789/2312
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spelling Linking Neuroscience To A Psychophysical Test On Line Perception And To The Use Of Self-Adhesive Tape In Contemporary PaintingGottschaller, PiaNEUROSCIENCENEUROCIENCIASELF-ADHESIVE TAPECINTA AUTOADHESIVAArtículo de anuarioLa primera parte de este ensayo discute descubrimientos neurobiológicos recientes en el ámbito de la percepción de la línea y el color a medida que se manifiestan como reacciones de nuestro cerebro visual ante estímulos del arte visual. Subsecuentemente, explica el diseño y los hallazgos de un test psicofísico, que se llevó a cabo con el objetivo de obtener conocimiento sobre si aquellos denominados expertos y no expertos son igualmente capaces de distinguir líneas rectas en pinturas, creadas a mano o con el uso de cinta adhesiva. La segunda parte del ensayo se concentra en las adaptaciones particularmente creativas de la cinta adhesiva en el trabajo de algunos pintores contemporáneos selectos: Ed Ruscha, Michael Craig-Martin, Tim Eitel, Magnus Plessen, Silvia Plimack Mangold, Mel Bochner, Ben Johnson, Cipriano Martínez, Bernard Frize y David Reed.The first part of this essay discusses recent neurobiological discoveries in the realm of line and color perception as they manifest as reactions of our visual brains to stimuli in visual art. It subsequently explains the design and findings of a psychophysical test, which was conducted with the aim of gaining insight into whether so-called experts and non-experts are equally capable of distinguishing straight lines in paintings, created freehand or with the use of self-adhesive tape. The second part of the essay focuses on the particularly creative adaptations of self-adhesive tape in the work of select contemporary painters: Ed Ruscha, Michael Craig-Martin, Tim Eitel, Magnus Plessen, Silvia Plimack Mangold, Mel Bochner, Ben Johnson, Cipriano Martínez, Bernard Frize, and David ReedFil:Gottschaller, Pia. Getty Conservation Institute, Los Ángeles, Estados Unidos.Universidad Nacional de San Martín. UNSAM Edita2017-11info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articlehttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdf34-58application/pdfGottschaller, Pia (2017). “Linking Neuroscience To A Psychophysical Test On Line Perception And To The Use Of Self-Adhesive Tape In Contemporary Painting”,TAREA, 4 (4), pp. 34-58.2469-0422ANU_IIPC-TAREA_2017_4_34-58http://ri.unsam.edu.ar/handle/123456789/2312engCalifornia (state) (World, North and Central America, United States)2017info:eu-repo/semantics/openAccesshttp://creativecommons.org/licenses/by-nc-sa/2.5/ar/Creative Commons Atribución-NoComercial-CompartirIgual 2.5 Argentina (CC BY-NC-SA 2.5)reponame:Repositorio Institucional (UNSAM)instname:Universidad Nacional de General San Martín2025-10-16T10:12:15Zoai:ri.unsam.edu.ar:123456789/2312instacron:UNSAMInstitucionalhttp://ri.unsam.edu.arUniversidad públicaNo correspondehttp://ri.unsam.edu.ar/oai/lpastran@unsam.edu.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:s2025-10-16 10:12:31.491Repositorio Institucional (UNSAM) - Universidad Nacional de General San Martínfalse
dc.title.none.fl_str_mv Linking Neuroscience To A Psychophysical Test On Line Perception And To The Use Of Self-Adhesive Tape In Contemporary Painting
title Linking Neuroscience To A Psychophysical Test On Line Perception And To The Use Of Self-Adhesive Tape In Contemporary Painting
spellingShingle Linking Neuroscience To A Psychophysical Test On Line Perception And To The Use Of Self-Adhesive Tape In Contemporary Painting
Gottschaller, Pia
NEUROSCIENCE
NEUROCIENCIA
SELF-ADHESIVE TAPE
CINTA AUTOADHESIVA
title_short Linking Neuroscience To A Psychophysical Test On Line Perception And To The Use Of Self-Adhesive Tape In Contemporary Painting
title_full Linking Neuroscience To A Psychophysical Test On Line Perception And To The Use Of Self-Adhesive Tape In Contemporary Painting
title_fullStr Linking Neuroscience To A Psychophysical Test On Line Perception And To The Use Of Self-Adhesive Tape In Contemporary Painting
title_full_unstemmed Linking Neuroscience To A Psychophysical Test On Line Perception And To The Use Of Self-Adhesive Tape In Contemporary Painting
title_sort Linking Neuroscience To A Psychophysical Test On Line Perception And To The Use Of Self-Adhesive Tape In Contemporary Painting
dc.creator.none.fl_str_mv Gottschaller, Pia
author Gottschaller, Pia
author_facet Gottschaller, Pia
author_role author
dc.subject.none.fl_str_mv NEUROSCIENCE
NEUROCIENCIA
SELF-ADHESIVE TAPE
CINTA AUTOADHESIVA
topic NEUROSCIENCE
NEUROCIENCIA
SELF-ADHESIVE TAPE
CINTA AUTOADHESIVA
dc.description.none.fl_txt_mv Artículo de anuario
La primera parte de este ensayo discute descubrimientos neurobiológicos recientes en el ámbito de la percepción de la línea y el color a medida que se manifiestan como reacciones de nuestro cerebro visual ante estímulos del arte visual. Subsecuentemente, explica el diseño y los hallazgos de un test psicofísico, que se llevó a cabo con el objetivo de obtener conocimiento sobre si aquellos denominados expertos y no expertos son igualmente capaces de distinguir líneas rectas en pinturas, creadas a mano o con el uso de cinta adhesiva. La segunda parte del ensayo se concentra en las adaptaciones particularmente creativas de la cinta adhesiva en el trabajo de algunos pintores contemporáneos selectos: Ed Ruscha, Michael Craig-Martin, Tim Eitel, Magnus Plessen, Silvia Plimack Mangold, Mel Bochner, Ben Johnson, Cipriano Martínez, Bernard Frize y David Reed.
The first part of this essay discusses recent neurobiological discoveries in the realm of line and color perception as they manifest as reactions of our visual brains to stimuli in visual art. It subsequently explains the design and findings of a psychophysical test, which was conducted with the aim of gaining insight into whether so-called experts and non-experts are equally capable of distinguishing straight lines in paintings, created freehand or with the use of self-adhesive tape. The second part of the essay focuses on the particularly creative adaptations of self-adhesive tape in the work of select contemporary painters: Ed Ruscha, Michael Craig-Martin, Tim Eitel, Magnus Plessen, Silvia Plimack Mangold, Mel Bochner, Ben Johnson, Cipriano Martínez, Bernard Frize, and David Reed
Fil:Gottschaller, Pia. Getty Conservation Institute, Los Ángeles, Estados Unidos.
description Artículo de anuario
publishDate 2017
dc.date.none.fl_str_mv 2017-11
dc.type.none.fl_str_mv info:eu-repo/semantics/publishedVersion
info:eu-repo/semantics/article
http://purl.org/coar/resource_type/c_6501
info:ar-repo/semantics/articulo
status_str publishedVersion
format article
dc.identifier.none.fl_str_mv Gottschaller, Pia (2017). “Linking Neuroscience To A Psychophysical Test On Line Perception And To The Use Of Self-Adhesive Tape In Contemporary Painting”,TAREA, 4 (4), pp. 34-58.
2469-0422
ANU_IIPC-TAREA_2017_4_34-58
http://ri.unsam.edu.ar/handle/123456789/2312
identifier_str_mv Gottschaller, Pia (2017). “Linking Neuroscience To A Psychophysical Test On Line Perception And To The Use Of Self-Adhesive Tape In Contemporary Painting”,TAREA, 4 (4), pp. 34-58.
2469-0422
ANU_IIPC-TAREA_2017_4_34-58
url http://ri.unsam.edu.ar/handle/123456789/2312
dc.language.none.fl_str_mv eng
language eng
dc.rights.none.fl_str_mv info:eu-repo/semantics/openAccess
http://creativecommons.org/licenses/by-nc-sa/2.5/ar/
Creative Commons Atribución-NoComercial-CompartirIgual 2.5 Argentina (CC BY-NC-SA 2.5)
eu_rights_str_mv openAccess
rights_invalid_str_mv http://creativecommons.org/licenses/by-nc-sa/2.5/ar/
Creative Commons Atribución-NoComercial-CompartirIgual 2.5 Argentina (CC BY-NC-SA 2.5)
dc.format.none.fl_str_mv application/pdf
34-58
application/pdf
dc.coverage.none.fl_str_mv California (state) (World, North and Central America, United States)
2017
dc.publisher.none.fl_str_mv Universidad Nacional de San Martín. UNSAM Edita
publisher.none.fl_str_mv Universidad Nacional de San Martín. UNSAM Edita
dc.source.none.fl_str_mv reponame:Repositorio Institucional (UNSAM)
instname:Universidad Nacional de General San Martín
reponame_str Repositorio Institucional (UNSAM)
collection Repositorio Institucional (UNSAM)
instname_str Universidad Nacional de General San Martín
repository.name.fl_str_mv Repositorio Institucional (UNSAM) - Universidad Nacional de General San Martín
repository.mail.fl_str_mv lpastran@unsam.edu.ar
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score 12.471625

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