Linking Neuroscience To A Psychophysical Test On Line Perception And To The Use Of Self-Adhesive Tape In Contemporary Painting
- Autores
- Gottschaller, Pia
- Año de publicación
- 2017
- Idioma
- inglés
- Tipo de recurso
- artículo
- Estado
- versión publicada
- Descripción
- Artículo de anuario
La primera parte de este ensayo discute descubrimientos neurobiológicos recientes en el ámbito de la percepción de la línea y el color a medida que se manifiestan como reacciones de nuestro cerebro visual ante estímulos del arte visual. Subsecuentemente, explica el diseño y los hallazgos de un test psicofísico, que se llevó a cabo con el objetivo de obtener conocimiento sobre si aquellos denominados expertos y no expertos son igualmente capaces de distinguir líneas rectas en pinturas, creadas a mano o con el uso de cinta adhesiva. La segunda parte del ensayo se concentra en las adaptaciones particularmente creativas de la cinta adhesiva en el trabajo de algunos pintores contemporáneos selectos: Ed Ruscha, Michael Craig-Martin, Tim Eitel, Magnus Plessen, Silvia Plimack Mangold, Mel Bochner, Ben Johnson, Cipriano Martínez, Bernard Frize y David Reed.
The first part of this essay discusses recent neurobiological discoveries in the realm of line and color perception as they manifest as reactions of our visual brains to stimuli in visual art. It subsequently explains the design and findings of a psychophysical test, which was conducted with the aim of gaining insight into whether so-called experts and non-experts are equally capable of distinguishing straight lines in paintings, created freehand or with the use of self-adhesive tape. The second part of the essay focuses on the particularly creative adaptations of self-adhesive tape in the work of select contemporary painters: Ed Ruscha, Michael Craig-Martin, Tim Eitel, Magnus Plessen, Silvia Plimack Mangold, Mel Bochner, Ben Johnson, Cipriano Martínez, Bernard Frize, and David Reed
Fil:Gottschaller, Pia. Getty Conservation Institute, Los Ángeles, Estados Unidos. - Materia
-
NEUROSCIENCE
NEUROCIENCIA
SELF-ADHESIVE TAPE
CINTA AUTOADHESIVA - Nivel de accesibilidad
- acceso abierto
- Condiciones de uso
- http://creativecommons.org/licenses/by-nc-sa/2.5/ar/
- Repositorio
- Institución
- Universidad Nacional de General San Martín
- OAI Identificador
- oai:ri.unsam.edu.ar:123456789/2312
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Linking Neuroscience To A Psychophysical Test On Line Perception And To The Use Of Self-Adhesive Tape In Contemporary PaintingGottschaller, PiaNEUROSCIENCENEUROCIENCIASELF-ADHESIVE TAPECINTA AUTOADHESIVAArtículo de anuarioLa primera parte de este ensayo discute descubrimientos neurobiológicos recientes en el ámbito de la percepción de la línea y el color a medida que se manifiestan como reacciones de nuestro cerebro visual ante estímulos del arte visual. Subsecuentemente, explica el diseño y los hallazgos de un test psicofísico, que se llevó a cabo con el objetivo de obtener conocimiento sobre si aquellos denominados expertos y no expertos son igualmente capaces de distinguir líneas rectas en pinturas, creadas a mano o con el uso de cinta adhesiva. La segunda parte del ensayo se concentra en las adaptaciones particularmente creativas de la cinta adhesiva en el trabajo de algunos pintores contemporáneos selectos: Ed Ruscha, Michael Craig-Martin, Tim Eitel, Magnus Plessen, Silvia Plimack Mangold, Mel Bochner, Ben Johnson, Cipriano Martínez, Bernard Frize y David Reed.The first part of this essay discusses recent neurobiological discoveries in the realm of line and color perception as they manifest as reactions of our visual brains to stimuli in visual art. It subsequently explains the design and findings of a psychophysical test, which was conducted with the aim of gaining insight into whether so-called experts and non-experts are equally capable of distinguishing straight lines in paintings, created freehand or with the use of self-adhesive tape. The second part of the essay focuses on the particularly creative adaptations of self-adhesive tape in the work of select contemporary painters: Ed Ruscha, Michael Craig-Martin, Tim Eitel, Magnus Plessen, Silvia Plimack Mangold, Mel Bochner, Ben Johnson, Cipriano Martínez, Bernard Frize, and David ReedFil:Gottschaller, Pia. Getty Conservation Institute, Los Ángeles, Estados Unidos.Universidad Nacional de San Martín. UNSAM Edita2017-11info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articlehttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdf34-58application/pdfGottschaller, Pia (2017). “Linking Neuroscience To A Psychophysical Test On Line Perception And To The Use Of Self-Adhesive Tape In Contemporary Painting”,TAREA, 4 (4), pp. 34-58.2469-0422ANU_IIPC-TAREA_2017_4_34-58http://ri.unsam.edu.ar/handle/123456789/2312engCalifornia (state) (World, North and Central America, United States)2017info:eu-repo/semantics/openAccesshttp://creativecommons.org/licenses/by-nc-sa/2.5/ar/Creative Commons Atribución-NoComercial-CompartirIgual 2.5 Argentina (CC BY-NC-SA 2.5)reponame:Repositorio Institucional (UNSAM)instname:Universidad Nacional de General San Martín2025-09-29T14:31:00Zoai:ri.unsam.edu.ar:123456789/2312instacron:UNSAMInstitucionalhttp://ri.unsam.edu.arUniversidad públicaNo correspondehttp://ri.unsam.edu.ar/oai/lpastran@unsam.edu.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:s2025-09-29 14:31:19.054Repositorio Institucional (UNSAM) - Universidad Nacional de General San Martínfalse |
dc.title.none.fl_str_mv |
Linking Neuroscience To A Psychophysical Test On Line Perception And To The Use Of Self-Adhesive Tape In Contemporary Painting |
title |
Linking Neuroscience To A Psychophysical Test On Line Perception And To The Use Of Self-Adhesive Tape In Contemporary Painting |
spellingShingle |
Linking Neuroscience To A Psychophysical Test On Line Perception And To The Use Of Self-Adhesive Tape In Contemporary Painting Gottschaller, Pia NEUROSCIENCE NEUROCIENCIA SELF-ADHESIVE TAPE CINTA AUTOADHESIVA |
title_short |
Linking Neuroscience To A Psychophysical Test On Line Perception And To The Use Of Self-Adhesive Tape In Contemporary Painting |
title_full |
Linking Neuroscience To A Psychophysical Test On Line Perception And To The Use Of Self-Adhesive Tape In Contemporary Painting |
title_fullStr |
Linking Neuroscience To A Psychophysical Test On Line Perception And To The Use Of Self-Adhesive Tape In Contemporary Painting |
title_full_unstemmed |
Linking Neuroscience To A Psychophysical Test On Line Perception And To The Use Of Self-Adhesive Tape In Contemporary Painting |
title_sort |
Linking Neuroscience To A Psychophysical Test On Line Perception And To The Use Of Self-Adhesive Tape In Contemporary Painting |
dc.creator.none.fl_str_mv |
Gottschaller, Pia |
author |
Gottschaller, Pia |
author_facet |
Gottschaller, Pia |
author_role |
author |
dc.subject.none.fl_str_mv |
NEUROSCIENCE NEUROCIENCIA SELF-ADHESIVE TAPE CINTA AUTOADHESIVA |
topic |
NEUROSCIENCE NEUROCIENCIA SELF-ADHESIVE TAPE CINTA AUTOADHESIVA |
dc.description.none.fl_txt_mv |
Artículo de anuario La primera parte de este ensayo discute descubrimientos neurobiológicos recientes en el ámbito de la percepción de la línea y el color a medida que se manifiestan como reacciones de nuestro cerebro visual ante estímulos del arte visual. Subsecuentemente, explica el diseño y los hallazgos de un test psicofísico, que se llevó a cabo con el objetivo de obtener conocimiento sobre si aquellos denominados expertos y no expertos son igualmente capaces de distinguir líneas rectas en pinturas, creadas a mano o con el uso de cinta adhesiva. La segunda parte del ensayo se concentra en las adaptaciones particularmente creativas de la cinta adhesiva en el trabajo de algunos pintores contemporáneos selectos: Ed Ruscha, Michael Craig-Martin, Tim Eitel, Magnus Plessen, Silvia Plimack Mangold, Mel Bochner, Ben Johnson, Cipriano Martínez, Bernard Frize y David Reed. The first part of this essay discusses recent neurobiological discoveries in the realm of line and color perception as they manifest as reactions of our visual brains to stimuli in visual art. It subsequently explains the design and findings of a psychophysical test, which was conducted with the aim of gaining insight into whether so-called experts and non-experts are equally capable of distinguishing straight lines in paintings, created freehand or with the use of self-adhesive tape. The second part of the essay focuses on the particularly creative adaptations of self-adhesive tape in the work of select contemporary painters: Ed Ruscha, Michael Craig-Martin, Tim Eitel, Magnus Plessen, Silvia Plimack Mangold, Mel Bochner, Ben Johnson, Cipriano Martínez, Bernard Frize, and David Reed Fil:Gottschaller, Pia. Getty Conservation Institute, Los Ángeles, Estados Unidos. |
description |
Artículo de anuario |
publishDate |
2017 |
dc.date.none.fl_str_mv |
2017-11 |
dc.type.none.fl_str_mv |
info:eu-repo/semantics/publishedVersion info:eu-repo/semantics/article http://purl.org/coar/resource_type/c_6501 info:ar-repo/semantics/articulo |
status_str |
publishedVersion |
format |
article |
dc.identifier.none.fl_str_mv |
Gottschaller, Pia (2017). “Linking Neuroscience To A Psychophysical Test On Line Perception And To The Use Of Self-Adhesive Tape In Contemporary Painting”,TAREA, 4 (4), pp. 34-58. 2469-0422 ANU_IIPC-TAREA_2017_4_34-58 http://ri.unsam.edu.ar/handle/123456789/2312 |
identifier_str_mv |
Gottschaller, Pia (2017). “Linking Neuroscience To A Psychophysical Test On Line Perception And To The Use Of Self-Adhesive Tape In Contemporary Painting”,TAREA, 4 (4), pp. 34-58. 2469-0422 ANU_IIPC-TAREA_2017_4_34-58 |
url |
http://ri.unsam.edu.ar/handle/123456789/2312 |
dc.language.none.fl_str_mv |
eng |
language |
eng |
dc.rights.none.fl_str_mv |
info:eu-repo/semantics/openAccess http://creativecommons.org/licenses/by-nc-sa/2.5/ar/ Creative Commons Atribución-NoComercial-CompartirIgual 2.5 Argentina (CC BY-NC-SA 2.5) |
eu_rights_str_mv |
openAccess |
rights_invalid_str_mv |
http://creativecommons.org/licenses/by-nc-sa/2.5/ar/ Creative Commons Atribución-NoComercial-CompartirIgual 2.5 Argentina (CC BY-NC-SA 2.5) |
dc.format.none.fl_str_mv |
application/pdf 34-58 application/pdf |
dc.coverage.none.fl_str_mv |
California (state) (World, North and Central America, United States) 2017 |
dc.publisher.none.fl_str_mv |
Universidad Nacional de San Martín. UNSAM Edita |
publisher.none.fl_str_mv |
Universidad Nacional de San Martín. UNSAM Edita |
dc.source.none.fl_str_mv |
reponame:Repositorio Institucional (UNSAM) instname:Universidad Nacional de General San Martín |
reponame_str |
Repositorio Institucional (UNSAM) |
collection |
Repositorio Institucional (UNSAM) |
instname_str |
Universidad Nacional de General San Martín |
repository.name.fl_str_mv |
Repositorio Institucional (UNSAM) - Universidad Nacional de General San Martín |
repository.mail.fl_str_mv |
lpastran@unsam.edu.ar |
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1844621919242944512 |
score |
12.559606 |