A multimodal analysis of vitality forms in the play Krapp’s Last Tape

Autores
Nudler, Alicia C.; Español, Silvia; Jacquier, María de la P.; Porcel de Peralta, Julio A.
Año de publicación
2018
Idioma
inglés
Tipo de recurso
parte de libro
Estado
versión publicada
Descripción
Fil: Nudler, Alicia C. Universidad Nacional de Río Negro, Sede Andina, Argentina.
Fil: Español, Silvia. CONICET y FLACSO; Argentina
Fil: Jacquier, María de la P. Universidad Nacional de Río Negro. Instituto de Formación Docente Continua Bariloche; Argentina
Fil: Porcel de Peralta, Julio A. Universidad Nacional de Río Negro; Argentina
The aim of this paper is to describe and analyze a theatre fragment utilizing the concept of forms of vitality as proposed by developmental psychologist Daniel Stern. The selected fragmentbelongs to the play Krapp’s Last Tape by Samuel Beckett. Three performances of it, each by a renowned actor, were subjected to an ELAN program. A comparative analysis was made using an ad-hoc observational code containing four categories: forms of vitality in the actor´s movements, voice, scene sounds other than voice, and lighting. Subcategories were created based on attributes described by Stern (i.e. sudden, gentle, effortful), and were assigned along a temporal line. Prevalent forms of vitality per category were identified in each case, plus a comparison between categories. Finally, a description of the effect of these different display and combination of forms of vitality on the experience of spectators is discussed.
Materia
Humanidades
Forms of Vitality
Theater
Beckett
Humanidades
Nivel de accesibilidad
acceso abierto
Condiciones de uso
https://creativecommons.org/licenses/by-nc-sa/4.0/
Repositorio
RID-UNRN (UNRN)
Institución
Universidad Nacional de Río Negro
OAI Identificador
oai:rid.unrn.edu.ar:20.500.12049/4654
Acceder
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network_acronym_str RIDUNRN
repository_id_str 4369
network_name_str RID-UNRN (UNRN)
spelling A multimodal analysis of vitality forms in the play Krapp’s Last TapeNudler, Alicia C.Español, SilviaJacquier, María de la P.Porcel de Peralta, Julio A.HumanidadesForms of VitalityTheaterBeckettHumanidadesFil: Nudler, Alicia C. Universidad Nacional de Río Negro, Sede Andina, Argentina.Fil: Español, Silvia. CONICET y FLACSO; ArgentinaFil: Jacquier, María de la P. Universidad Nacional de Río Negro. Instituto de Formación Docente Continua Bariloche; ArgentinaFil: Porcel de Peralta, Julio A. Universidad Nacional de Río Negro; ArgentinaThe aim of this paper is to describe and analyze a theatre fragment utilizing the concept of forms of vitality as proposed by developmental psychologist Daniel Stern. The selected fragmentbelongs to the play Krapp’s Last Tape by Samuel Beckett. Three performances of it, each by a renowned actor, were subjected to an ELAN program. A comparative analysis was made using an ad-hoc observational code containing four categories: forms of vitality in the actor´s movements, voice, scene sounds other than voice, and lighting. Subcategories were created based on attributes described by Stern (i.e. sudden, gentle, effortful), and were assigned along a temporal line. Prevalent forms of vitality per category were identified in each case, plus a comparison between categories. Finally, a description of the effect of these different display and combination of forms of vitality on the experience of spectators is discussed.Centre for Systematic Musicology, University of Graz.2018-09info:eu-repo/semantics/bookPartinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_3248info:ar-repo/semantics/parteDeLibroapplication/pdfNudler, Alicia C., Español, Silvia., Jacquier, María de la P. y Porcel de Peralta, Julio A. (2018) A multimodal analysis of vitality forms in the play Krapp’s Last Tape. En Parncutt, R., & Sattmann, S. (Eds.) (2018). Proceedings of ICMPC15/ESCOM10. (pp. 341-343). Graz, Austria: Centre for Systematic Musicology, University of Graz.978-3-200-05771-5https://static.uni-graz.at/fileadmin/veranstaltungen/music-psychology-conference2018/documents/ICMPC15_ESCOM10%20Proceedings.pdfhttps://rid.unrn.edu.ar/jspui/handle/20.500.12049/4654enginfo:eu-repo/semantics/openAccesshttps://creativecommons.org/licenses/by-nc-sa/4.0/reponame:RID-UNRN (UNRN)instname:Universidad Nacional de Río Negro2025-09-04T11:12:53Zoai:rid.unrn.edu.ar:20.500.12049/4654instacron:UNRNInstitucionalhttps://rid.unrn.edu.ar/jspui/Universidad públicaNo correspondehttps://rid.unrn.edu.ar/oai/snrdrid@unrn.edu.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:43692025-09-04 11:12:53.969RID-UNRN (UNRN) - Universidad Nacional de Río Negrofalse
dc.title.none.fl_str_mv A multimodal analysis of vitality forms in the play Krapp’s Last Tape
title A multimodal analysis of vitality forms in the play Krapp’s Last Tape
spellingShingle A multimodal analysis of vitality forms in the play Krapp’s Last Tape
Nudler, Alicia C.
Humanidades
Forms of Vitality
Theater
Beckett
Humanidades
title_short A multimodal analysis of vitality forms in the play Krapp’s Last Tape
title_full A multimodal analysis of vitality forms in the play Krapp’s Last Tape
title_fullStr A multimodal analysis of vitality forms in the play Krapp’s Last Tape
title_full_unstemmed A multimodal analysis of vitality forms in the play Krapp’s Last Tape
title_sort A multimodal analysis of vitality forms in the play Krapp’s Last Tape
dc.creator.none.fl_str_mv Nudler, Alicia C.
Español, Silvia
Jacquier, María de la P.
Porcel de Peralta, Julio A.
author Nudler, Alicia C.
author_facet Nudler, Alicia C.
Español, Silvia
Jacquier, María de la P.
Porcel de Peralta, Julio A.
author_role author
author2 Español, Silvia
Jacquier, María de la P.
Porcel de Peralta, Julio A.
author2_role author
author
author
dc.subject.none.fl_str_mv Humanidades
Forms of Vitality
Theater
Beckett
Humanidades
topic Humanidades
Forms of Vitality
Theater
Beckett
Humanidades
dc.description.none.fl_txt_mv Fil: Nudler, Alicia C. Universidad Nacional de Río Negro, Sede Andina, Argentina.
Fil: Español, Silvia. CONICET y FLACSO; Argentina
Fil: Jacquier, María de la P. Universidad Nacional de Río Negro. Instituto de Formación Docente Continua Bariloche; Argentina
Fil: Porcel de Peralta, Julio A. Universidad Nacional de Río Negro; Argentina
The aim of this paper is to describe and analyze a theatre fragment utilizing the concept of forms of vitality as proposed by developmental psychologist Daniel Stern. The selected fragmentbelongs to the play Krapp’s Last Tape by Samuel Beckett. Three performances of it, each by a renowned actor, were subjected to an ELAN program. A comparative analysis was made using an ad-hoc observational code containing four categories: forms of vitality in the actor´s movements, voice, scene sounds other than voice, and lighting. Subcategories were created based on attributes described by Stern (i.e. sudden, gentle, effortful), and were assigned along a temporal line. Prevalent forms of vitality per category were identified in each case, plus a comparison between categories. Finally, a description of the effect of these different display and combination of forms of vitality on the experience of spectators is discussed.
description Fil: Nudler, Alicia C. Universidad Nacional de Río Negro, Sede Andina, Argentina.
publishDate 2018
dc.date.none.fl_str_mv 2018-09
dc.type.none.fl_str_mv info:eu-repo/semantics/bookPart
info:eu-repo/semantics/publishedVersion
http://purl.org/coar/resource_type/c_3248
info:ar-repo/semantics/parteDeLibro
format bookPart
status_str publishedVersion
dc.identifier.none.fl_str_mv Nudler, Alicia C., Español, Silvia., Jacquier, María de la P. y Porcel de Peralta, Julio A. (2018) A multimodal analysis of vitality forms in the play Krapp’s Last Tape. En Parncutt, R., & Sattmann, S. (Eds.) (2018). Proceedings of ICMPC15/ESCOM10. (pp. 341-343). Graz, Austria: Centre for Systematic Musicology, University of Graz.
978-3-200-05771-5
https://static.uni-graz.at/fileadmin/veranstaltungen/music-psychology-conference2018/documents/ICMPC15_ESCOM10%20Proceedings.pdf
https://rid.unrn.edu.ar/jspui/handle/20.500.12049/4654
identifier_str_mv Nudler, Alicia C., Español, Silvia., Jacquier, María de la P. y Porcel de Peralta, Julio A. (2018) A multimodal analysis of vitality forms in the play Krapp’s Last Tape. En Parncutt, R., & Sattmann, S. (Eds.) (2018). Proceedings of ICMPC15/ESCOM10. (pp. 341-343). Graz, Austria: Centre for Systematic Musicology, University of Graz.
978-3-200-05771-5
url https://static.uni-graz.at/fileadmin/veranstaltungen/music-psychology-conference2018/documents/ICMPC15_ESCOM10%20Proceedings.pdf
https://rid.unrn.edu.ar/jspui/handle/20.500.12049/4654
dc.language.none.fl_str_mv eng
language eng
dc.rights.none.fl_str_mv info:eu-repo/semantics/openAccess
https://creativecommons.org/licenses/by-nc-sa/4.0/
eu_rights_str_mv openAccess
rights_invalid_str_mv https://creativecommons.org/licenses/by-nc-sa/4.0/
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv Centre for Systematic Musicology, University of Graz.
publisher.none.fl_str_mv Centre for Systematic Musicology, University of Graz.
dc.source.none.fl_str_mv reponame:RID-UNRN (UNRN)
instname:Universidad Nacional de Río Negro
reponame_str RID-UNRN (UNRN)
collection RID-UNRN (UNRN)
instname_str Universidad Nacional de Río Negro
repository.name.fl_str_mv RID-UNRN (UNRN) - Universidad Nacional de Río Negro
repository.mail.fl_str_mv rid@unrn.edu.ar
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score 12.623145

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