Kinetic multiples: between industrial vocation and handcraft solutions
- Autores
- Plante, Isabel
- Año de publicación
- 2019
- Idioma
- inglés
- Tipo de recurso
- documento de conferencia
- Estado
- versión publicada
- Descripción
- In the 1960s, kineticism attracted a wide audience and exhibitions of kinetic art drew large crowds, apparently fulfilling the most ambitious objective of the avant-garde: to integrate art and life. Some kinetic objects were made in series: the idea of multiples was at the core of these artists strategies of demystifying art objects by avoiding the uniqueness fetish. The idea of an industrial production of kinetic multiples made it possible to imagine the extension to a wider audience of the optically destabilizing effects of the visual artifacts. This paper analyzes kinetic multiples as an artistic production that discovered its limits and contradictions amid arguments about culture, standardization, and consumption around 1968.
Fil: Plante, Isabel. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad Nacional de San Martín. Centro de Investigaciones en Arte y Patrimonio. - Consejo Nacional de Investigaciones Científicas y Técnicas. Oficina de Coordinación Administrativa Parque Centenario. Centro de Investigaciones en Arte y Patrimonio; Argentina
Proceedings from the meeting organized by the Getty Conservation Institute
Milán
Italia
The Getty Conservation Institute - Materia
-
Kinetic art
Multiples
Paris
Cultural consumption - Nivel de accesibilidad
- acceso abierto
- Condiciones de uso
- https://creativecommons.org/licenses/by/2.5/ar/
- Repositorio
- Institución
- Consejo Nacional de Investigaciones Científicas y Técnicas
- OAI Identificador
- oai:ri.conicet.gov.ar:11336/179661
Ver los metadatos del registro completo
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Kinetic multiples: between industrial vocation and handcraft solutionsPlante, IsabelKinetic artMultiplesParisCultural consumptionhttps://purl.org/becyt/ford/6.4https://purl.org/becyt/ford/6In the 1960s, kineticism attracted a wide audience and exhibitions of kinetic art drew large crowds, apparently fulfilling the most ambitious objective of the avant-garde: to integrate art and life. Some kinetic objects were made in series: the idea of multiples was at the core of these artists strategies of demystifying art objects by avoiding the uniqueness fetish. The idea of an industrial production of kinetic multiples made it possible to imagine the extension to a wider audience of the optically destabilizing effects of the visual artifacts. This paper analyzes kinetic multiples as an artistic production that discovered its limits and contradictions amid arguments about culture, standardization, and consumption around 1968.Fil: Plante, Isabel. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad Nacional de San Martín. Centro de Investigaciones en Arte y Patrimonio. - Consejo Nacional de Investigaciones Científicas y Técnicas. Oficina de Coordinación Administrativa Parque Centenario. Centro de Investigaciones en Arte y Patrimonio; ArgentinaProceedings from the meeting organized by the Getty Conservation InstituteMilánItaliaThe Getty Conservation InstituteThe Getty Conservation Institute2019info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/conferenceObjectReuniónBookhttp://purl.org/coar/resource_type/c_5794info:ar-repo/semantics/documentoDeConferenciaapplication/pdfapplication/pdfapplication/pdfhttp://hdl.handle.net/11336/179661Kinetic multiples: between industrial vocation and handcraft solutions; Proceedings from the meeting organized by the Getty Conservation Institute; Milán; Italia; 2016; 1-18978-1-60606-537-2CONICET DigitalCONICETenginfo:eu-repo/semantics/altIdentifier/url/https://www.getty.edu/publications/keepitmoving/theoretical-issues/13-plante/Internacionalinfo:eu-repo/semantics/openAccesshttps://creativecommons.org/licenses/by/2.5/ar/reponame:CONICET Digital (CONICET)instname:Consejo Nacional de Investigaciones Científicas y Técnicas2025-09-03T09:54:56Zoai:ri.conicet.gov.ar:11336/179661instacron:CONICETInstitucionalhttp://ri.conicet.gov.ar/Organismo científico-tecnológicoNo correspondehttp://ri.conicet.gov.ar/oai/requestdasensio@conicet.gov.ar; lcarlino@conicet.gov.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:34982025-09-03 09:54:56.92CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicasfalse |
dc.title.none.fl_str_mv |
Kinetic multiples: between industrial vocation and handcraft solutions |
title |
Kinetic multiples: between industrial vocation and handcraft solutions |
spellingShingle |
Kinetic multiples: between industrial vocation and handcraft solutions Plante, Isabel Kinetic art Multiples Paris Cultural consumption |
title_short |
Kinetic multiples: between industrial vocation and handcraft solutions |
title_full |
Kinetic multiples: between industrial vocation and handcraft solutions |
title_fullStr |
Kinetic multiples: between industrial vocation and handcraft solutions |
title_full_unstemmed |
Kinetic multiples: between industrial vocation and handcraft solutions |
title_sort |
Kinetic multiples: between industrial vocation and handcraft solutions |
dc.creator.none.fl_str_mv |
Plante, Isabel |
author |
Plante, Isabel |
author_facet |
Plante, Isabel |
author_role |
author |
dc.subject.none.fl_str_mv |
Kinetic art Multiples Paris Cultural consumption |
topic |
Kinetic art Multiples Paris Cultural consumption |
purl_subject.fl_str_mv |
https://purl.org/becyt/ford/6.4 https://purl.org/becyt/ford/6 |
dc.description.none.fl_txt_mv |
In the 1960s, kineticism attracted a wide audience and exhibitions of kinetic art drew large crowds, apparently fulfilling the most ambitious objective of the avant-garde: to integrate art and life. Some kinetic objects were made in series: the idea of multiples was at the core of these artists strategies of demystifying art objects by avoiding the uniqueness fetish. The idea of an industrial production of kinetic multiples made it possible to imagine the extension to a wider audience of the optically destabilizing effects of the visual artifacts. This paper analyzes kinetic multiples as an artistic production that discovered its limits and contradictions amid arguments about culture, standardization, and consumption around 1968. Fil: Plante, Isabel. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad Nacional de San Martín. Centro de Investigaciones en Arte y Patrimonio. - Consejo Nacional de Investigaciones Científicas y Técnicas. Oficina de Coordinación Administrativa Parque Centenario. Centro de Investigaciones en Arte y Patrimonio; Argentina Proceedings from the meeting organized by the Getty Conservation Institute Milán Italia The Getty Conservation Institute |
description |
In the 1960s, kineticism attracted a wide audience and exhibitions of kinetic art drew large crowds, apparently fulfilling the most ambitious objective of the avant-garde: to integrate art and life. Some kinetic objects were made in series: the idea of multiples was at the core of these artists strategies of demystifying art objects by avoiding the uniqueness fetish. The idea of an industrial production of kinetic multiples made it possible to imagine the extension to a wider audience of the optically destabilizing effects of the visual artifacts. This paper analyzes kinetic multiples as an artistic production that discovered its limits and contradictions amid arguments about culture, standardization, and consumption around 1968. |
publishDate |
2019 |
dc.date.none.fl_str_mv |
2019 |
dc.type.none.fl_str_mv |
info:eu-repo/semantics/publishedVersion info:eu-repo/semantics/conferenceObject Reunión Book http://purl.org/coar/resource_type/c_5794 info:ar-repo/semantics/documentoDeConferencia |
status_str |
publishedVersion |
format |
conferenceObject |
dc.identifier.none.fl_str_mv |
http://hdl.handle.net/11336/179661 Kinetic multiples: between industrial vocation and handcraft solutions; Proceedings from the meeting organized by the Getty Conservation Institute; Milán; Italia; 2016; 1-18 978-1-60606-537-2 CONICET Digital CONICET |
url |
http://hdl.handle.net/11336/179661 |
identifier_str_mv |
Kinetic multiples: between industrial vocation and handcraft solutions; Proceedings from the meeting organized by the Getty Conservation Institute; Milán; Italia; 2016; 1-18 978-1-60606-537-2 CONICET Digital CONICET |
dc.language.none.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
info:eu-repo/semantics/altIdentifier/url/https://www.getty.edu/publications/keepitmoving/theoretical-issues/13-plante/ |
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info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by/2.5/ar/ |
eu_rights_str_mv |
openAccess |
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https://creativecommons.org/licenses/by/2.5/ar/ |
dc.format.none.fl_str_mv |
application/pdf application/pdf application/pdf |
dc.coverage.none.fl_str_mv |
Internacional |
dc.publisher.none.fl_str_mv |
The Getty Conservation Institute |
publisher.none.fl_str_mv |
The Getty Conservation Institute |
dc.source.none.fl_str_mv |
reponame:CONICET Digital (CONICET) instname:Consejo Nacional de Investigaciones Científicas y Técnicas |
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CONICET Digital (CONICET) |
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CONICET Digital (CONICET) |
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Consejo Nacional de Investigaciones Científicas y Técnicas |
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CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicas |
repository.mail.fl_str_mv |
dasensio@conicet.gov.ar; lcarlino@conicet.gov.ar |
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1842269313648558080 |
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13.13397 |