Narratives of actuality in early twentieth century film and literature

Autores
Radyk, Lucrecia
Año de publicación
2019
Idioma
inglés
Tipo de recurso
artículo
Estado
versión publicada
Descripción
The inquiry about the present and its representation was one of the issues that concerned artists and writers at the beginning of the twentieth-century from either side of the Atlantic in the English-speaking world. This article intends to examine films and texts depicting their present time. Thematically, they allude to central topics of the period, such as international commerce and war in a rapidly changing global scheme. The corpus selection aims to provide some variety regarding the different material each writer and filmmaker considered appropriate for a relevant depiction of the present depending on their dreams, intentions, and worldview. Djuna Barnes in "The Hem of Manhattan" narrates a boat trip around the island while longing for Europe; Virginia Woolf walks through the docks of London to observe a piece of land that has drastically changed with modern global commerce; Paul Rotha and Humphrey Jennings in their films Shipyard (1935) and Farewell Topsails (1937), respectively, construct two perhaps complementary maritime views and stories.
Fil: Radyk, Lucrecia. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - Patagonia Norte; Argentina. Universidad Nacional de Río Negro. Sede Andina; Argentina
Materia
DOCUMENTARY FILM
MODERNIST LITERATURE
DOCUMENTARY CULTURE
Nivel de accesibilidad
acceso abierto
Condiciones de uso
https://creativecommons.org/licenses/by-nc-nd/2.5/ar/
Repositorio
CONICET Digital (CONICET)
Institución
Consejo Nacional de Investigaciones Científicas y Técnicas
OAI Identificador
oai:ri.conicet.gov.ar:11336/175832
Acceder
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spelling Narratives of actuality in early twentieth century film and literatureRadyk, LucreciaDOCUMENTARY FILMMODERNIST LITERATUREDOCUMENTARY CULTUREhttps://purl.org/becyt/ford/6.5https://purl.org/becyt/ford/6The inquiry about the present and its representation was one of the issues that concerned artists and writers at the beginning of the twentieth-century from either side of the Atlantic in the English-speaking world. This article intends to examine films and texts depicting their present time. Thematically, they allude to central topics of the period, such as international commerce and war in a rapidly changing global scheme. The corpus selection aims to provide some variety regarding the different material each writer and filmmaker considered appropriate for a relevant depiction of the present depending on their dreams, intentions, and worldview. Djuna Barnes in "The Hem of Manhattan" narrates a boat trip around the island while longing for Europe; Virginia Woolf walks through the docks of London to observe a piece of land that has drastically changed with modern global commerce; Paul Rotha and Humphrey Jennings in their films Shipyard (1935) and Farewell Topsails (1937), respectively, construct two perhaps complementary maritime views and stories.Fil: Radyk, Lucrecia. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - Patagonia Norte; Argentina. Universidad Nacional de Río Negro. Sede Andina; ArgentinaUniversidad Nacional de Río Negro2019-11info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdfapplication/pdfhttp://hdl.handle.net/11336/175832Radyk, Lucrecia; Narratives of actuality in early twentieth century film and literature; Universidad Nacional de Río Negro; Hyperborea; 2; 11-2019; 134-1452618-4397CONICET DigitalCONICETenginfo:eu-repo/semantics/altIdentifier/url/https://www.hyperborea-labtis.org/es/paper/narratives-actuality-early-twentieth-century-film-and-literature-140info:eu-repo/semantics/openAccesshttps://creativecommons.org/licenses/by-nc-nd/2.5/ar/reponame:CONICET Digital (CONICET)instname:Consejo Nacional de Investigaciones Científicas y Técnicas2025-09-03T09:49:45Zoai:ri.conicet.gov.ar:11336/175832instacron:CONICETInstitucionalhttp://ri.conicet.gov.ar/Organismo científico-tecnológicoNo correspondehttp://ri.conicet.gov.ar/oai/requestdasensio@conicet.gov.ar; lcarlino@conicet.gov.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:34982025-09-03 09:49:45.933CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicasfalse
dc.title.none.fl_str_mv Narratives of actuality in early twentieth century film and literature
title Narratives of actuality in early twentieth century film and literature
spellingShingle Narratives of actuality in early twentieth century film and literature
Radyk, Lucrecia
DOCUMENTARY FILM
MODERNIST LITERATURE
DOCUMENTARY CULTURE
title_short Narratives of actuality in early twentieth century film and literature
title_full Narratives of actuality in early twentieth century film and literature
title_fullStr Narratives of actuality in early twentieth century film and literature
title_full_unstemmed Narratives of actuality in early twentieth century film and literature
title_sort Narratives of actuality in early twentieth century film and literature
dc.creator.none.fl_str_mv Radyk, Lucrecia
author Radyk, Lucrecia
author_facet Radyk, Lucrecia
author_role author
dc.subject.none.fl_str_mv DOCUMENTARY FILM
MODERNIST LITERATURE
DOCUMENTARY CULTURE
topic DOCUMENTARY FILM
MODERNIST LITERATURE
DOCUMENTARY CULTURE
purl_subject.fl_str_mv https://purl.org/becyt/ford/6.5
https://purl.org/becyt/ford/6
dc.description.none.fl_txt_mv The inquiry about the present and its representation was one of the issues that concerned artists and writers at the beginning of the twentieth-century from either side of the Atlantic in the English-speaking world. This article intends to examine films and texts depicting their present time. Thematically, they allude to central topics of the period, such as international commerce and war in a rapidly changing global scheme. The corpus selection aims to provide some variety regarding the different material each writer and filmmaker considered appropriate for a relevant depiction of the present depending on their dreams, intentions, and worldview. Djuna Barnes in "The Hem of Manhattan" narrates a boat trip around the island while longing for Europe; Virginia Woolf walks through the docks of London to observe a piece of land that has drastically changed with modern global commerce; Paul Rotha and Humphrey Jennings in their films Shipyard (1935) and Farewell Topsails (1937), respectively, construct two perhaps complementary maritime views and stories.
Fil: Radyk, Lucrecia. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - Patagonia Norte; Argentina. Universidad Nacional de Río Negro. Sede Andina; Argentina
description The inquiry about the present and its representation was one of the issues that concerned artists and writers at the beginning of the twentieth-century from either side of the Atlantic in the English-speaking world. This article intends to examine films and texts depicting their present time. Thematically, they allude to central topics of the period, such as international commerce and war in a rapidly changing global scheme. The corpus selection aims to provide some variety regarding the different material each writer and filmmaker considered appropriate for a relevant depiction of the present depending on their dreams, intentions, and worldview. Djuna Barnes in "The Hem of Manhattan" narrates a boat trip around the island while longing for Europe; Virginia Woolf walks through the docks of London to observe a piece of land that has drastically changed with modern global commerce; Paul Rotha and Humphrey Jennings in their films Shipyard (1935) and Farewell Topsails (1937), respectively, construct two perhaps complementary maritime views and stories.
publishDate 2019
dc.date.none.fl_str_mv 2019-11
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://purl.org/coar/resource_type/c_6501
info:ar-repo/semantics/articulo
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv http://hdl.handle.net/11336/175832
Radyk, Lucrecia; Narratives of actuality in early twentieth century film and literature; Universidad Nacional de Río Negro; Hyperborea; 2; 11-2019; 134-145
2618-4397
CONICET Digital
CONICET
url http://hdl.handle.net/11336/175832
identifier_str_mv Radyk, Lucrecia; Narratives of actuality in early twentieth century film and literature; Universidad Nacional de Río Negro; Hyperborea; 2; 11-2019; 134-145
2618-4397
CONICET Digital
CONICET
dc.language.none.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv info:eu-repo/semantics/altIdentifier/url/https://www.hyperborea-labtis.org/es/paper/narratives-actuality-early-twentieth-century-film-and-literature-140
dc.rights.none.fl_str_mv info:eu-repo/semantics/openAccess
https://creativecommons.org/licenses/by-nc-nd/2.5/ar/
eu_rights_str_mv openAccess
rights_invalid_str_mv https://creativecommons.org/licenses/by-nc-nd/2.5/ar/
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv Universidad Nacional de Río Negro
publisher.none.fl_str_mv Universidad Nacional de Río Negro
dc.source.none.fl_str_mv reponame:CONICET Digital (CONICET)
instname:Consejo Nacional de Investigaciones Científicas y Técnicas
reponame_str CONICET Digital (CONICET)
collection CONICET Digital (CONICET)
instname_str Consejo Nacional de Investigaciones Científicas y Técnicas
repository.name.fl_str_mv CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicas
repository.mail.fl_str_mv dasensio@conicet.gov.ar; lcarlino@conicet.gov.ar
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score 13.13397

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