A dialogic perspective between the productive structure and the narratives of Argentine television fictions (2011-2020)

Autores
Carboni, Ornela Vanina; Rivero, Ezequiel Alexander
Año de publicación
2022
Idioma
inglés
Tipo de recurso
artículo
Estado
versión publicada
Descripción
This article analyzes how the ownership structure and the alliances between the agents producing serialized fiction for television are linked to the themes and narratives addressed by this type of cultural product. From the political economy of communication and cultural studies, the paper examines the predominant themes in the 100 most watched premiere fictions on open television in Argentina during the decade between 2011 and 2020. It is concluded that there is a wide predominance of universal themes with nonstructural local references, over purely local ones.
Este artículo analiza cómo la estructura de propiedad y las alianzas entre los agentes productores de ficción seriada para televisión se vinculan con las temáticas y narrativas abordadas por este tipo de producto cultural. Desde la economía política de la comunicación y los estudios culturales, el trabajo recupera las temáticas predominantes en las 100 ficciones de estreno más vistas en la televisión abierta de Argentina durante la década comprendida entre los años 2011 y 2020. Se concluye que existe un amplio predominio de temáticas universales con referencias locales no estructurales, sobre las puramente locales.
Este artigo analisa como a estrutura de propriedade e as alianças entre os agentes que produzem a ficção seriada para a televisão estão vinculadas aos temas e narrativas abordados por esse tipo de produto cultural. A partir da economia política da comunicação e estudos culturais, o trabalho recupera os temas predominantes nas 100 ficções de estreia mais assistidas na televisão aberta na Argentina durante a década entre 2011 e 2020. Conclui-se que há uma ampla predominância de temas universais com não referências locais estruturais, sobre as puramente locais.
Fil: Carboni, Ornela Vanina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad Nacional de Quilmes. Departamento de Ciencias Sociales; Argentina
Fil: Rivero, Ezequiel Alexander. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad Nacional de Quilmes. Departamento de Ciencias Sociales; Argentina
Materia
ARGENTINA
AUDIOVISUAL CONTENT
NARRATIVES
PRODUCTION COMPANIES
TELEVISION SERIAL FICTION
Nivel de accesibilidad
acceso abierto
Condiciones de uso
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
Repositorio
CONICET Digital (CONICET)
Institución
Consejo Nacional de Investigaciones Científicas y Técnicas
OAI Identificador
oai:ri.conicet.gov.ar:11336/200699
Acceder
id CONICETDig_bf32433ff6d9850a987c1b606371cf6a
oai_identifier_str oai:ri.conicet.gov.ar:11336/200699
network_acronym_str CONICETDig
repository_id_str 3498
network_name_str CONICET Digital (CONICET)
spelling A dialogic perspective between the productive structure and the narratives of Argentine television fictions (2011-2020)Una perspectiva dialógica entre la estructura productiva y las tramas narrativas de las ficciones seriadas televisivas argentinas (2011-2020)Carboni, Ornela VaninaRivero, Ezequiel AlexanderARGENTINAAUDIOVISUAL CONTENTNARRATIVESPRODUCTION COMPANIESTELEVISION SERIAL FICTIONhttps://purl.org/becyt/ford/5.8https://purl.org/becyt/ford/5This article analyzes how the ownership structure and the alliances between the agents producing serialized fiction for television are linked to the themes and narratives addressed by this type of cultural product. From the political economy of communication and cultural studies, the paper examines the predominant themes in the 100 most watched premiere fictions on open television in Argentina during the decade between 2011 and 2020. It is concluded that there is a wide predominance of universal themes with nonstructural local references, over purely local ones.Este artículo analiza cómo la estructura de propiedad y las alianzas entre los agentes productores de ficción seriada para televisión se vinculan con las temáticas y narrativas abordadas por este tipo de producto cultural. Desde la economía política de la comunicación y los estudios culturales, el trabajo recupera las temáticas predominantes en las 100 ficciones de estreno más vistas en la televisión abierta de Argentina durante la década comprendida entre los años 2011 y 2020. Se concluye que existe un amplio predominio de temáticas universales con referencias locales no estructurales, sobre las puramente locales.Este artigo analisa como a estrutura de propriedade e as alianças entre os agentes que produzem a ficção seriada para a televisão estão vinculadas aos temas e narrativas abordados por esse tipo de produto cultural. A partir da economia política da comunicação e estudos culturais, o trabalho recupera os temas predominantes nas 100 ficções de estreia mais assistidas na televisão aberta na Argentina durante a década entre 2011 e 2020. Conclui-se que há uma ampla predominância de temas universais com não referências locais estruturais, sobre as puramente locais.Fil: Carboni, Ornela Vanina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad Nacional de Quilmes. Departamento de Ciencias Sociales; ArgentinaFil: Rivero, Ezequiel Alexander. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad Nacional de Quilmes. Departamento de Ciencias Sociales; ArgentinaUniversidad de Guadalajara2022-11info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdfapplication/pdfhttp://hdl.handle.net/11336/200699Carboni, Ornela Vanina; Rivero, Ezequiel Alexander; A dialogic perspective between the productive structure and the narratives of Argentine television fictions (2011-2020); Universidad de Guadalajara; Comunicación y Sociedad; 19; 11-2022; 1-242448-9042CONICET DigitalCONICETenginfo:eu-repo/semantics/altIdentifier/url/https://comunicacionysociedad.cucsh.udg.mx/index.php/comsoc/article/view/e8330info:eu-repo/semantics/altIdentifier/doi/10.32870/cys.v2022.8330info:eu-repo/semantics/openAccesshttps://creativecommons.org/licenses/by-nc-sa/2.5/ar/reponame:CONICET Digital (CONICET)instname:Consejo Nacional de Investigaciones Científicas y Técnicas2025-10-15T15:20:20Zoai:ri.conicet.gov.ar:11336/200699instacron:CONICETInstitucionalhttp://ri.conicet.gov.ar/Organismo científico-tecnológicoNo correspondehttp://ri.conicet.gov.ar/oai/requestdasensio@conicet.gov.ar; lcarlino@conicet.gov.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:34982025-10-15 15:20:20.839CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicasfalse
dc.title.none.fl_str_mv A dialogic perspective between the productive structure and the narratives of Argentine television fictions (2011-2020)
Una perspectiva dialógica entre la estructura productiva y las tramas narrativas de las ficciones seriadas televisivas argentinas (2011-2020)
title A dialogic perspective between the productive structure and the narratives of Argentine television fictions (2011-2020)
spellingShingle A dialogic perspective between the productive structure and the narratives of Argentine television fictions (2011-2020)
Carboni, Ornela Vanina
ARGENTINA
AUDIOVISUAL CONTENT
NARRATIVES
PRODUCTION COMPANIES
TELEVISION SERIAL FICTION
title_short A dialogic perspective between the productive structure and the narratives of Argentine television fictions (2011-2020)
title_full A dialogic perspective between the productive structure and the narratives of Argentine television fictions (2011-2020)
title_fullStr A dialogic perspective between the productive structure and the narratives of Argentine television fictions (2011-2020)
title_full_unstemmed A dialogic perspective between the productive structure and the narratives of Argentine television fictions (2011-2020)
title_sort A dialogic perspective between the productive structure and the narratives of Argentine television fictions (2011-2020)
dc.creator.none.fl_str_mv Carboni, Ornela Vanina
Rivero, Ezequiel Alexander
author Carboni, Ornela Vanina
author_facet Carboni, Ornela Vanina
Rivero, Ezequiel Alexander
author_role author
author2 Rivero, Ezequiel Alexander
author2_role author
dc.subject.none.fl_str_mv ARGENTINA
AUDIOVISUAL CONTENT
NARRATIVES
PRODUCTION COMPANIES
TELEVISION SERIAL FICTION
topic ARGENTINA
AUDIOVISUAL CONTENT
NARRATIVES
PRODUCTION COMPANIES
TELEVISION SERIAL FICTION
purl_subject.fl_str_mv https://purl.org/becyt/ford/5.8
https://purl.org/becyt/ford/5
dc.description.none.fl_txt_mv This article analyzes how the ownership structure and the alliances between the agents producing serialized fiction for television are linked to the themes and narratives addressed by this type of cultural product. From the political economy of communication and cultural studies, the paper examines the predominant themes in the 100 most watched premiere fictions on open television in Argentina during the decade between 2011 and 2020. It is concluded that there is a wide predominance of universal themes with nonstructural local references, over purely local ones.
Este artículo analiza cómo la estructura de propiedad y las alianzas entre los agentes productores de ficción seriada para televisión se vinculan con las temáticas y narrativas abordadas por este tipo de producto cultural. Desde la economía política de la comunicación y los estudios culturales, el trabajo recupera las temáticas predominantes en las 100 ficciones de estreno más vistas en la televisión abierta de Argentina durante la década comprendida entre los años 2011 y 2020. Se concluye que existe un amplio predominio de temáticas universales con referencias locales no estructurales, sobre las puramente locales.
Este artigo analisa como a estrutura de propriedade e as alianças entre os agentes que produzem a ficção seriada para a televisão estão vinculadas aos temas e narrativas abordados por esse tipo de produto cultural. A partir da economia política da comunicação e estudos culturais, o trabalho recupera os temas predominantes nas 100 ficções de estreia mais assistidas na televisão aberta na Argentina durante a década entre 2011 e 2020. Conclui-se que há uma ampla predominância de temas universais com não referências locais estruturais, sobre as puramente locais.
Fil: Carboni, Ornela Vanina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad Nacional de Quilmes. Departamento de Ciencias Sociales; Argentina
Fil: Rivero, Ezequiel Alexander. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad Nacional de Quilmes. Departamento de Ciencias Sociales; Argentina
description This article analyzes how the ownership structure and the alliances between the agents producing serialized fiction for television are linked to the themes and narratives addressed by this type of cultural product. From the political economy of communication and cultural studies, the paper examines the predominant themes in the 100 most watched premiere fictions on open television in Argentina during the decade between 2011 and 2020. It is concluded that there is a wide predominance of universal themes with nonstructural local references, over purely local ones.
publishDate 2022
dc.date.none.fl_str_mv 2022-11
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://purl.org/coar/resource_type/c_6501
info:ar-repo/semantics/articulo
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv http://hdl.handle.net/11336/200699
Carboni, Ornela Vanina; Rivero, Ezequiel Alexander; A dialogic perspective between the productive structure and the narratives of Argentine television fictions (2011-2020); Universidad de Guadalajara; Comunicación y Sociedad; 19; 11-2022; 1-24
2448-9042
CONICET Digital
CONICET
url http://hdl.handle.net/11336/200699
identifier_str_mv Carboni, Ornela Vanina; Rivero, Ezequiel Alexander; A dialogic perspective between the productive structure and the narratives of Argentine television fictions (2011-2020); Universidad de Guadalajara; Comunicación y Sociedad; 19; 11-2022; 1-24
2448-9042
CONICET Digital
CONICET
dc.language.none.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv info:eu-repo/semantics/altIdentifier/url/https://comunicacionysociedad.cucsh.udg.mx/index.php/comsoc/article/view/e8330
info:eu-repo/semantics/altIdentifier/doi/10.32870/cys.v2022.8330
dc.rights.none.fl_str_mv info:eu-repo/semantics/openAccess
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
eu_rights_str_mv openAccess
rights_invalid_str_mv https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv Universidad de Guadalajara
publisher.none.fl_str_mv Universidad de Guadalajara
dc.source.none.fl_str_mv reponame:CONICET Digital (CONICET)
instname:Consejo Nacional de Investigaciones Científicas y Técnicas
reponame_str CONICET Digital (CONICET)
collection CONICET Digital (CONICET)
instname_str Consejo Nacional de Investigaciones Científicas y Técnicas
repository.name.fl_str_mv CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicas
repository.mail.fl_str_mv dasensio@conicet.gov.ar; lcarlino@conicet.gov.ar
_version_ 1846083352073863168
score 13.22299

Publicaciones similares