Argentina: From the small screen to the platforms. The rebirth of television fiction

Autores
Kirchheimer, Monica Susana; Rivero, Ezequiel Alexander
Año de publicación
2023
Idioma
inglés
Tipo de recurso
parte de libro
Estado
versión publicada
Descripción
2022 was a year dominated by the return of the reality show par excellence: Big Brother -since October- and the World Cup. These two events were the most watched andgenerated an interesting debate about the topics, modes and programs that attractaudiences to broadcast television. In addition, only two fictions of national production were released on open television channels, while, as has been reported inprevious years, national fictions for streaming platforms release their first chapter inlinear television spaces. This premiere works as a sort of caller towards novelties inon-demand viewing spaces. In this scenario, the telenovelas released on open television during the year (El Primero de Nosotros and La 1-5/18 Somos Uno4) did not end up meeting the expectations initially generated.
Fil: Kirchheimer, Monica Susana. Universidad de Buenos Aires; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina
Fil: Rivero, Ezequiel Alexander. Universidad Nacional de Quilmes. Departamento de Ciencias Sociales; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina
Materia
SERIAL FICTION
TELEVISION
PLATFORMS
Nivel de accesibilidad
acceso abierto
Condiciones de uso
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
Repositorio
CONICET Digital (CONICET)
Institución
Consejo Nacional de Investigaciones Científicas y Técnicas
OAI Identificador
oai:ri.conicet.gov.ar:11336/256355
Acceder
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network_name_str CONICET Digital (CONICET)
spelling Argentina: From the small screen to the platforms. The rebirth of television fictionKirchheimer, Monica SusanaRivero, Ezequiel AlexanderSERIAL FICTIONTELEVISIONPLATFORMShttps://purl.org/becyt/ford/5.8https://purl.org/becyt/ford/52022 was a year dominated by the return of the reality show par excellence: Big Brother -since October- and the World Cup. These two events were the most watched andgenerated an interesting debate about the topics, modes and programs that attractaudiences to broadcast television. In addition, only two fictions of national production were released on open television channels, while, as has been reported inprevious years, national fictions for streaming platforms release their first chapter inlinear television spaces. This premiere works as a sort of caller towards novelties inon-demand viewing spaces. In this scenario, the telenovelas released on open television during the year (El Primero de Nosotros and La 1-5/18 Somos Uno4) did not end up meeting the expectations initially generated.Fil: Kirchheimer, Monica Susana. Universidad de Buenos Aires; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; ArgentinaFil: Rivero, Ezequiel Alexander. Universidad Nacional de Quilmes. Departamento de Ciencias Sociales; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; ArgentinaPontificia Universidad Católica de ChileSánchez Vilela, RosarioKirchheimer, Monica Susana2023info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/bookParthttp://purl.org/coar/resource_type/c_3248info:ar-repo/semantics/parteDeLibroapplication/pdfapplication/pdfapplication/pdfhttp://hdl.handle.net/11336/256355Kirchheimer, Monica Susana; Rivero, Ezequiel Alexander; Argentina: From the small screen to the platforms. The rebirth of television fiction; Pontificia Universidad Católica de Chile; 2023; 45-73978-956-14-3139-3CONICET DigitalCONICETenginfo:eu-repo/semantics/altIdentifier/url/https://obitel.s3.us-west-1.amazonaws.com/anuario2023/index.htminfo:eu-repo/semantics/openAccesshttps://creativecommons.org/licenses/by-nc-sa/2.5/ar/reponame:CONICET Digital (CONICET)instname:Consejo Nacional de Investigaciones Científicas y Técnicas2025-10-15T15:22:44Zoai:ri.conicet.gov.ar:11336/256355instacron:CONICETInstitucionalhttp://ri.conicet.gov.ar/Organismo científico-tecnológicoNo correspondehttp://ri.conicet.gov.ar/oai/requestdasensio@conicet.gov.ar; lcarlino@conicet.gov.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:34982025-10-15 15:22:44.8CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicasfalse
dc.title.none.fl_str_mv Argentina: From the small screen to the platforms. The rebirth of television fiction
title Argentina: From the small screen to the platforms. The rebirth of television fiction
spellingShingle Argentina: From the small screen to the platforms. The rebirth of television fiction
Kirchheimer, Monica Susana
SERIAL FICTION
TELEVISION
PLATFORMS
title_short Argentina: From the small screen to the platforms. The rebirth of television fiction
title_full Argentina: From the small screen to the platforms. The rebirth of television fiction
title_fullStr Argentina: From the small screen to the platforms. The rebirth of television fiction
title_full_unstemmed Argentina: From the small screen to the platforms. The rebirth of television fiction
title_sort Argentina: From the small screen to the platforms. The rebirth of television fiction
dc.creator.none.fl_str_mv Kirchheimer, Monica Susana
Rivero, Ezequiel Alexander
author Kirchheimer, Monica Susana
author_facet Kirchheimer, Monica Susana
Rivero, Ezequiel Alexander
author_role author
author2 Rivero, Ezequiel Alexander
author2_role author
dc.contributor.none.fl_str_mv Sánchez Vilela, Rosario
Kirchheimer, Monica Susana
dc.subject.none.fl_str_mv SERIAL FICTION
TELEVISION
PLATFORMS
topic SERIAL FICTION
TELEVISION
PLATFORMS
purl_subject.fl_str_mv https://purl.org/becyt/ford/5.8
https://purl.org/becyt/ford/5
dc.description.none.fl_txt_mv 2022 was a year dominated by the return of the reality show par excellence: Big Brother -since October- and the World Cup. These two events were the most watched andgenerated an interesting debate about the topics, modes and programs that attractaudiences to broadcast television. In addition, only two fictions of national production were released on open television channels, while, as has been reported inprevious years, national fictions for streaming platforms release their first chapter inlinear television spaces. This premiere works as a sort of caller towards novelties inon-demand viewing spaces. In this scenario, the telenovelas released on open television during the year (El Primero de Nosotros and La 1-5/18 Somos Uno4) did not end up meeting the expectations initially generated.
Fil: Kirchheimer, Monica Susana. Universidad de Buenos Aires; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina
Fil: Rivero, Ezequiel Alexander. Universidad Nacional de Quilmes. Departamento de Ciencias Sociales; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina
description 2022 was a year dominated by the return of the reality show par excellence: Big Brother -since October- and the World Cup. These two events were the most watched andgenerated an interesting debate about the topics, modes and programs that attractaudiences to broadcast television. In addition, only two fictions of national production were released on open television channels, while, as has been reported inprevious years, national fictions for streaming platforms release their first chapter inlinear television spaces. This premiere works as a sort of caller towards novelties inon-demand viewing spaces. In this scenario, the telenovelas released on open television during the year (El Primero de Nosotros and La 1-5/18 Somos Uno4) did not end up meeting the expectations initially generated.
publishDate 2023
dc.date.none.fl_str_mv 2023
dc.type.none.fl_str_mv info:eu-repo/semantics/publishedVersion
info:eu-repo/semantics/bookPart
http://purl.org/coar/resource_type/c_3248
info:ar-repo/semantics/parteDeLibro
status_str publishedVersion
format bookPart
dc.identifier.none.fl_str_mv http://hdl.handle.net/11336/256355
Kirchheimer, Monica Susana; Rivero, Ezequiel Alexander; Argentina: From the small screen to the platforms. The rebirth of television fiction; Pontificia Universidad Católica de Chile; 2023; 45-73
978-956-14-3139-3
CONICET Digital
CONICET
url http://hdl.handle.net/11336/256355
identifier_str_mv Kirchheimer, Monica Susana; Rivero, Ezequiel Alexander; Argentina: From the small screen to the platforms. The rebirth of television fiction; Pontificia Universidad Católica de Chile; 2023; 45-73
978-956-14-3139-3
CONICET Digital
CONICET
dc.language.none.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv info:eu-repo/semantics/altIdentifier/url/https://obitel.s3.us-west-1.amazonaws.com/anuario2023/index.htm
dc.rights.none.fl_str_mv info:eu-repo/semantics/openAccess
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
eu_rights_str_mv openAccess
rights_invalid_str_mv https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
dc.format.none.fl_str_mv application/pdf
application/pdf
application/pdf
dc.publisher.none.fl_str_mv Pontificia Universidad Católica de Chile
publisher.none.fl_str_mv Pontificia Universidad Católica de Chile
dc.source.none.fl_str_mv reponame:CONICET Digital (CONICET)
instname:Consejo Nacional de Investigaciones Científicas y Técnicas
reponame_str CONICET Digital (CONICET)
collection CONICET Digital (CONICET)
instname_str Consejo Nacional de Investigaciones Científicas y Técnicas
repository.name.fl_str_mv CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicas
repository.mail.fl_str_mv dasensio@conicet.gov.ar; lcarlino@conicet.gov.ar
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score 13.22299

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