Brasil, decime qué se siente: calcio, musica, narcisismo e Stato
- Autores
- Alabarces, Pablo Alejandro
- Año de publicación
- 2015
- Idioma
- italiano
- Tipo de recurso
- artículo
- Estado
- versión publicada
- Descripción
- During the World Cup 2014 in Brazil, the Argentine fans have travelled in large numbers, taking advantage, in many cases, of the fact that the distances could be covered by car, and they flooded the streets (more than the stadiums) all singing a chant of encouragement known for its first verse: «Brasil, decime qué se siente». The chant, based on an old song of the American rock band Creedence Clearwater Revival, was quickly adopted by hundreds of thousands of fans in Brazil and millions in Argentina, becoming viral in social networks. The paper addresses this phenomenon analysing the chants, the musical and political traditions on which they are based, and the relationship between music and nationalities. Finally the work presents the practices of the fans in relation to the Argentine football culture – characterized by what the researchers called the «culture of the aguante» – and the way in which these practices intersect with the stories that the media and the State in Argentina have drawn on the World Cup and its transmission in Argentina.
Fil: Alabarces, Pablo Alejandro. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad de Buenos Aires. Facultad de Ciencias Sociales. Instituto de Investigaciones "Gino Germani"; Argentina - Materia
-
Football
Popular Music
World Cup
Media
Fans
Narcissism - Nivel de accesibilidad
- acceso abierto
- Condiciones de uso
- https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
- Repositorio
- Institución
- Consejo Nacional de Investigaciones Científicas y Técnicas
- OAI Identificador
- oai:ri.conicet.gov.ar:11336/53696
Ver los metadatos del registro completo
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Brasil, decime qué se siente: calcio, musica, narcisismo e StatoBrasil, decime qué se siente: football, music, narcissism and StateAlabarces, Pablo AlejandroFootballPopular MusicWorld CupMediaFansNarcissismhttps://purl.org/becyt/ford/5.8https://purl.org/becyt/ford/5During the World Cup 2014 in Brazil, the Argentine fans have travelled in large numbers, taking advantage, in many cases, of the fact that the distances could be covered by car, and they flooded the streets (more than the stadiums) all singing a chant of encouragement known for its first verse: «Brasil, decime qué se siente». The chant, based on an old song of the American rock band Creedence Clearwater Revival, was quickly adopted by hundreds of thousands of fans in Brazil and millions in Argentina, becoming viral in social networks. The paper addresses this phenomenon analysing the chants, the musical and political traditions on which they are based, and the relationship between music and nationalities. Finally the work presents the practices of the fans in relation to the Argentine football culture – characterized by what the researchers called the «culture of the aguante» – and the way in which these practices intersect with the stories that the media and the State in Argentina have drawn on the World Cup and its transmission in Argentina.Fil: Alabarces, Pablo Alejandro. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad de Buenos Aires. Facultad de Ciencias Sociales. Instituto de Investigaciones "Gino Germani"; ArgentinaSocietà Editrice Il Mulino2015-04info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdfapplication/pdfhttp://hdl.handle.net/11336/53696Alabarces, Pablo Alejandro; Brasil, decime qué se siente: calcio, musica, narcisismo e Stato; Società Editrice Il Mulino; Problemi dell'informazione; I; 4-2015; 141-1650390-5195CONICET DigitalCONICETitainfo:eu-repo/semantics/altIdentifier/doi/10.1445/79611info:eu-repo/semantics/altIdentifier/url/http://www.rivisteweb.it/doi/10.1445/79611info:eu-repo/semantics/openAccesshttps://creativecommons.org/licenses/by-nc-sa/2.5/ar/reponame:CONICET Digital (CONICET)instname:Consejo Nacional de Investigaciones Científicas y Técnicas2025-09-03T10:11:48Zoai:ri.conicet.gov.ar:11336/53696instacron:CONICETInstitucionalhttp://ri.conicet.gov.ar/Organismo científico-tecnológicoNo correspondehttp://ri.conicet.gov.ar/oai/requestdasensio@conicet.gov.ar; lcarlino@conicet.gov.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:34982025-09-03 10:11:48.582CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicasfalse |
dc.title.none.fl_str_mv |
Brasil, decime qué se siente: calcio, musica, narcisismo e Stato Brasil, decime qué se siente: football, music, narcissism and State |
title |
Brasil, decime qué se siente: calcio, musica, narcisismo e Stato |
spellingShingle |
Brasil, decime qué se siente: calcio, musica, narcisismo e Stato Alabarces, Pablo Alejandro Football Popular Music World Cup Media Fans Narcissism |
title_short |
Brasil, decime qué se siente: calcio, musica, narcisismo e Stato |
title_full |
Brasil, decime qué se siente: calcio, musica, narcisismo e Stato |
title_fullStr |
Brasil, decime qué se siente: calcio, musica, narcisismo e Stato |
title_full_unstemmed |
Brasil, decime qué se siente: calcio, musica, narcisismo e Stato |
title_sort |
Brasil, decime qué se siente: calcio, musica, narcisismo e Stato |
dc.creator.none.fl_str_mv |
Alabarces, Pablo Alejandro |
author |
Alabarces, Pablo Alejandro |
author_facet |
Alabarces, Pablo Alejandro |
author_role |
author |
dc.subject.none.fl_str_mv |
Football Popular Music World Cup Media Fans Narcissism |
topic |
Football Popular Music World Cup Media Fans Narcissism |
purl_subject.fl_str_mv |
https://purl.org/becyt/ford/5.8 https://purl.org/becyt/ford/5 |
dc.description.none.fl_txt_mv |
During the World Cup 2014 in Brazil, the Argentine fans have travelled in large numbers, taking advantage, in many cases, of the fact that the distances could be covered by car, and they flooded the streets (more than the stadiums) all singing a chant of encouragement known for its first verse: «Brasil, decime qué se siente». The chant, based on an old song of the American rock band Creedence Clearwater Revival, was quickly adopted by hundreds of thousands of fans in Brazil and millions in Argentina, becoming viral in social networks. The paper addresses this phenomenon analysing the chants, the musical and political traditions on which they are based, and the relationship between music and nationalities. Finally the work presents the practices of the fans in relation to the Argentine football culture – characterized by what the researchers called the «culture of the aguante» – and the way in which these practices intersect with the stories that the media and the State in Argentina have drawn on the World Cup and its transmission in Argentina. Fil: Alabarces, Pablo Alejandro. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad de Buenos Aires. Facultad de Ciencias Sociales. Instituto de Investigaciones "Gino Germani"; Argentina |
description |
During the World Cup 2014 in Brazil, the Argentine fans have travelled in large numbers, taking advantage, in many cases, of the fact that the distances could be covered by car, and they flooded the streets (more than the stadiums) all singing a chant of encouragement known for its first verse: «Brasil, decime qué se siente». The chant, based on an old song of the American rock band Creedence Clearwater Revival, was quickly adopted by hundreds of thousands of fans in Brazil and millions in Argentina, becoming viral in social networks. The paper addresses this phenomenon analysing the chants, the musical and political traditions on which they are based, and the relationship between music and nationalities. Finally the work presents the practices of the fans in relation to the Argentine football culture – characterized by what the researchers called the «culture of the aguante» – and the way in which these practices intersect with the stories that the media and the State in Argentina have drawn on the World Cup and its transmission in Argentina. |
publishDate |
2015 |
dc.date.none.fl_str_mv |
2015-04 |
dc.type.none.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion http://purl.org/coar/resource_type/c_6501 info:ar-repo/semantics/articulo |
format |
article |
status_str |
publishedVersion |
dc.identifier.none.fl_str_mv |
http://hdl.handle.net/11336/53696 Alabarces, Pablo Alejandro; Brasil, decime qué se siente: calcio, musica, narcisismo e Stato; Società Editrice Il Mulino; Problemi dell'informazione; I; 4-2015; 141-165 0390-5195 CONICET Digital CONICET |
url |
http://hdl.handle.net/11336/53696 |
identifier_str_mv |
Alabarces, Pablo Alejandro; Brasil, decime qué se siente: calcio, musica, narcisismo e Stato; Società Editrice Il Mulino; Problemi dell'informazione; I; 4-2015; 141-165 0390-5195 CONICET Digital CONICET |
dc.language.none.fl_str_mv |
ita |
language |
ita |
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info:eu-repo/semantics/altIdentifier/doi/10.1445/79611 info:eu-repo/semantics/altIdentifier/url/http://www.rivisteweb.it/doi/10.1445/79611 |
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info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by-nc-sa/2.5/ar/ |
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openAccess |
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https://creativecommons.org/licenses/by-nc-sa/2.5/ar/ |
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application/pdf application/pdf |
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Società Editrice Il Mulino |
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Società Editrice Il Mulino |
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reponame:CONICET Digital (CONICET) instname:Consejo Nacional de Investigaciones Científicas y Técnicas |
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