Brasil, decime qué se siente: calcio, musica, narcisismo e Stato

Autores
Alabarces, Pablo Alejandro
Año de publicación
2015
Idioma
italiano
Tipo de recurso
artículo
Estado
versión publicada
Descripción
During the World Cup 2014 in Brazil, the Argentine fans have travelled in large numbers, taking advantage, in many cases, of the fact that the distances could be covered by car, and they flooded the streets (more than the stadiums) all singing a chant of encouragement known for its first verse: «Brasil, decime qué se siente». The chant, based on an old song of the American rock band Creedence Clearwater Revival, was quickly adopted by hundreds of thousands of fans in Brazil and millions in Argentina, becoming viral in social networks. The paper addresses this phenomenon analysing the chants, the musical and political traditions on which they are based, and the relationship between music and nationalities. Finally the work presents the practices of the fans in relation to the Argentine football culture – characterized by what the researchers called the «culture of the aguante» – and the way in which these practices intersect with the stories that the media and the State in Argentina have drawn on the World Cup and its transmission in Argentina.
Fil: Alabarces, Pablo Alejandro. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad de Buenos Aires. Facultad de Ciencias Sociales. Instituto de Investigaciones "Gino Germani"; Argentina
Materia
Football
Popular Music
World Cup
Media
Fans
Narcissism
Nivel de accesibilidad
acceso abierto
Condiciones de uso
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
Repositorio
CONICET Digital (CONICET)
Institución
Consejo Nacional de Investigaciones Científicas y Técnicas
OAI Identificador
oai:ri.conicet.gov.ar:11336/53696

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spelling Brasil, decime qué se siente: calcio, musica, narcisismo e StatoBrasil, decime qué se siente: football, music, narcissism and StateAlabarces, Pablo AlejandroFootballPopular MusicWorld CupMediaFansNarcissismhttps://purl.org/becyt/ford/5.8https://purl.org/becyt/ford/5During the World Cup 2014 in Brazil, the Argentine fans have travelled in large numbers, taking advantage, in many cases, of the fact that the distances could be covered by car, and they flooded the streets (more than the stadiums) all singing a chant of encouragement known for its first verse: «Brasil, decime qué se siente». The chant, based on an old song of the American rock band Creedence Clearwater Revival, was quickly adopted by hundreds of thousands of fans in Brazil and millions in Argentina, becoming viral in social networks. The paper addresses this phenomenon analysing the chants, the musical and political traditions on which they are based, and the relationship between music and nationalities. Finally the work presents the practices of the fans in relation to the Argentine football culture – characterized by what the researchers called the «culture of the aguante» – and the way in which these practices intersect with the stories that the media and the State in Argentina have drawn on the World Cup and its transmission in Argentina.Fil: Alabarces, Pablo Alejandro. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad de Buenos Aires. Facultad de Ciencias Sociales. Instituto de Investigaciones "Gino Germani"; ArgentinaSocietà Editrice Il Mulino2015-04info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdfapplication/pdfhttp://hdl.handle.net/11336/53696Alabarces, Pablo Alejandro; Brasil, decime qué se siente: calcio, musica, narcisismo e Stato; Società Editrice Il Mulino; Problemi dell'informazione; I; 4-2015; 141-1650390-5195CONICET DigitalCONICETitainfo:eu-repo/semantics/altIdentifier/doi/10.1445/79611info:eu-repo/semantics/altIdentifier/url/http://www.rivisteweb.it/doi/10.1445/79611info:eu-repo/semantics/openAccesshttps://creativecommons.org/licenses/by-nc-sa/2.5/ar/reponame:CONICET Digital (CONICET)instname:Consejo Nacional de Investigaciones Científicas y Técnicas2025-09-03T10:11:48Zoai:ri.conicet.gov.ar:11336/53696instacron:CONICETInstitucionalhttp://ri.conicet.gov.ar/Organismo científico-tecnológicoNo correspondehttp://ri.conicet.gov.ar/oai/requestdasensio@conicet.gov.ar; lcarlino@conicet.gov.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:34982025-09-03 10:11:48.582CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicasfalse
dc.title.none.fl_str_mv Brasil, decime qué se siente: calcio, musica, narcisismo e Stato
Brasil, decime qué se siente: football, music, narcissism and State
title Brasil, decime qué se siente: calcio, musica, narcisismo e Stato
spellingShingle Brasil, decime qué se siente: calcio, musica, narcisismo e Stato
Alabarces, Pablo Alejandro
Football
Popular Music
World Cup
Media
Fans
Narcissism
title_short Brasil, decime qué se siente: calcio, musica, narcisismo e Stato
title_full Brasil, decime qué se siente: calcio, musica, narcisismo e Stato
title_fullStr Brasil, decime qué se siente: calcio, musica, narcisismo e Stato
title_full_unstemmed Brasil, decime qué se siente: calcio, musica, narcisismo e Stato
title_sort Brasil, decime qué se siente: calcio, musica, narcisismo e Stato
dc.creator.none.fl_str_mv Alabarces, Pablo Alejandro
author Alabarces, Pablo Alejandro
author_facet Alabarces, Pablo Alejandro
author_role author
dc.subject.none.fl_str_mv Football
Popular Music
World Cup
Media
Fans
Narcissism
topic Football
Popular Music
World Cup
Media
Fans
Narcissism
purl_subject.fl_str_mv https://purl.org/becyt/ford/5.8
https://purl.org/becyt/ford/5
dc.description.none.fl_txt_mv During the World Cup 2014 in Brazil, the Argentine fans have travelled in large numbers, taking advantage, in many cases, of the fact that the distances could be covered by car, and they flooded the streets (more than the stadiums) all singing a chant of encouragement known for its first verse: «Brasil, decime qué se siente». The chant, based on an old song of the American rock band Creedence Clearwater Revival, was quickly adopted by hundreds of thousands of fans in Brazil and millions in Argentina, becoming viral in social networks. The paper addresses this phenomenon analysing the chants, the musical and political traditions on which they are based, and the relationship between music and nationalities. Finally the work presents the practices of the fans in relation to the Argentine football culture – characterized by what the researchers called the «culture of the aguante» – and the way in which these practices intersect with the stories that the media and the State in Argentina have drawn on the World Cup and its transmission in Argentina.
Fil: Alabarces, Pablo Alejandro. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad de Buenos Aires. Facultad de Ciencias Sociales. Instituto de Investigaciones "Gino Germani"; Argentina
description During the World Cup 2014 in Brazil, the Argentine fans have travelled in large numbers, taking advantage, in many cases, of the fact that the distances could be covered by car, and they flooded the streets (more than the stadiums) all singing a chant of encouragement known for its first verse: «Brasil, decime qué se siente». The chant, based on an old song of the American rock band Creedence Clearwater Revival, was quickly adopted by hundreds of thousands of fans in Brazil and millions in Argentina, becoming viral in social networks. The paper addresses this phenomenon analysing the chants, the musical and political traditions on which they are based, and the relationship between music and nationalities. Finally the work presents the practices of the fans in relation to the Argentine football culture – characterized by what the researchers called the «culture of the aguante» – and the way in which these practices intersect with the stories that the media and the State in Argentina have drawn on the World Cup and its transmission in Argentina.
publishDate 2015
dc.date.none.fl_str_mv 2015-04
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://purl.org/coar/resource_type/c_6501
info:ar-repo/semantics/articulo
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv http://hdl.handle.net/11336/53696
Alabarces, Pablo Alejandro; Brasil, decime qué se siente: calcio, musica, narcisismo e Stato; Società Editrice Il Mulino; Problemi dell'informazione; I; 4-2015; 141-165
0390-5195
CONICET Digital
CONICET
url http://hdl.handle.net/11336/53696
identifier_str_mv Alabarces, Pablo Alejandro; Brasil, decime qué se siente: calcio, musica, narcisismo e Stato; Società Editrice Il Mulino; Problemi dell'informazione; I; 4-2015; 141-165
0390-5195
CONICET Digital
CONICET
dc.language.none.fl_str_mv ita
language ita
dc.relation.none.fl_str_mv info:eu-repo/semantics/altIdentifier/doi/10.1445/79611
info:eu-repo/semantics/altIdentifier/url/http://www.rivisteweb.it/doi/10.1445/79611
dc.rights.none.fl_str_mv info:eu-repo/semantics/openAccess
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
eu_rights_str_mv openAccess
rights_invalid_str_mv https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv Società Editrice Il Mulino
publisher.none.fl_str_mv Società Editrice Il Mulino
dc.source.none.fl_str_mv reponame:CONICET Digital (CONICET)
instname:Consejo Nacional de Investigaciones Científicas y Técnicas
reponame_str CONICET Digital (CONICET)
collection CONICET Digital (CONICET)
instname_str Consejo Nacional de Investigaciones Científicas y Técnicas
repository.name.fl_str_mv CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicas
repository.mail.fl_str_mv dasensio@conicet.gov.ar; lcarlino@conicet.gov.ar
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