Graphic design as a university discipline in Argentina, 1958-1985

Autores
Devalle, Veronica Estela
Año de publicación
2016
Idioma
inglés
Tipo de recurso
artículo
Estado
versión publicada
Descripción
This article aims to reconstruct the emergence and consolidation of graphic design as a university discipline in Argentina. It is a process that started in the late 1950s and has intersected with various important historical moments—for instance, the early dialogue between Max Bill and Argentinean avant-garde artists, such as Alfredo Hlito and Tomás Maldonado in the immediate postwar period Also instrumental in the process were the networks between Brazilian modernism -especially from Rio de Janeiro and São Paulo- and avant-garde artists from Montevideo and Buenos Aires, as well as the gradual arrival of what is known as the Modern Movement in the practice of architecture and in its teaching in universities.
Fil: Devalle, Veronica Estela. Universidad de Buenos Aires; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina
Materia
UNIVERSITY
DISCIPLINE
GRAPHIC DESIGN
ARGENTINA
Nivel de accesibilidad
acceso abierto
Condiciones de uso
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
Repositorio
CONICET Digital (CONICET)
Institución
Consejo Nacional de Investigaciones Científicas y Técnicas
OAI Identificador
oai:ri.conicet.gov.ar:11336/84727

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spelling Graphic design as a university discipline in Argentina, 1958-1985Devalle, Veronica EstelaUNIVERSITYDISCIPLINEGRAPHIC DESIGNARGENTINAhttps://purl.org/becyt/ford/6.5https://purl.org/becyt/ford/6This article aims to reconstruct the emergence and consolidation of graphic design as a university discipline in Argentina. It is a process that started in the late 1950s and has intersected with various important historical moments—for instance, the early dialogue between Max Bill and Argentinean avant-garde artists, such as Alfredo Hlito and Tomás Maldonado in the immediate postwar period Also instrumental in the process were the networks between Brazilian modernism -especially from Rio de Janeiro and São Paulo- and avant-garde artists from Montevideo and Buenos Aires, as well as the gradual arrival of what is known as the Modern Movement in the practice of architecture and in its teaching in universities.Fil: Devalle, Veronica Estela. Universidad de Buenos Aires; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; ArgentinaMIT Press Journals2016-07info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdfapplication/pdfhttp://hdl.handle.net/11336/84727Devalle, Veronica Estela; Graphic design as a university discipline in Argentina, 1958-1985; MIT Press Journals; Design Issues; 32; 3; 7-2016; 67-770747-93601531-4790CONICET DigitalCONICETenginfo:eu-repo/semantics/altIdentifier/url/https://www.mitpressjournals.org/doi/10.1162/DESI_a_00400info:eu-repo/semantics/altIdentifier/doi/10.1162/DESI_a_00400info:eu-repo/semantics/openAccesshttps://creativecommons.org/licenses/by-nc-sa/2.5/ar/reponame:CONICET Digital (CONICET)instname:Consejo Nacional de Investigaciones Científicas y Técnicas2025-09-29T10:42:14Zoai:ri.conicet.gov.ar:11336/84727instacron:CONICETInstitucionalhttp://ri.conicet.gov.ar/Organismo científico-tecnológicoNo correspondehttp://ri.conicet.gov.ar/oai/requestdasensio@conicet.gov.ar; lcarlino@conicet.gov.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:34982025-09-29 10:42:14.976CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicasfalse
dc.title.none.fl_str_mv Graphic design as a university discipline in Argentina, 1958-1985
title Graphic design as a university discipline in Argentina, 1958-1985
spellingShingle Graphic design as a university discipline in Argentina, 1958-1985
Devalle, Veronica Estela
UNIVERSITY
DISCIPLINE
GRAPHIC DESIGN
ARGENTINA
title_short Graphic design as a university discipline in Argentina, 1958-1985
title_full Graphic design as a university discipline in Argentina, 1958-1985
title_fullStr Graphic design as a university discipline in Argentina, 1958-1985
title_full_unstemmed Graphic design as a university discipline in Argentina, 1958-1985
title_sort Graphic design as a university discipline in Argentina, 1958-1985
dc.creator.none.fl_str_mv Devalle, Veronica Estela
author Devalle, Veronica Estela
author_facet Devalle, Veronica Estela
author_role author
dc.subject.none.fl_str_mv UNIVERSITY
DISCIPLINE
GRAPHIC DESIGN
ARGENTINA
topic UNIVERSITY
DISCIPLINE
GRAPHIC DESIGN
ARGENTINA
purl_subject.fl_str_mv https://purl.org/becyt/ford/6.5
https://purl.org/becyt/ford/6
dc.description.none.fl_txt_mv This article aims to reconstruct the emergence and consolidation of graphic design as a university discipline in Argentina. It is a process that started in the late 1950s and has intersected with various important historical moments—for instance, the early dialogue between Max Bill and Argentinean avant-garde artists, such as Alfredo Hlito and Tomás Maldonado in the immediate postwar period Also instrumental in the process were the networks between Brazilian modernism -especially from Rio de Janeiro and São Paulo- and avant-garde artists from Montevideo and Buenos Aires, as well as the gradual arrival of what is known as the Modern Movement in the practice of architecture and in its teaching in universities.
Fil: Devalle, Veronica Estela. Universidad de Buenos Aires; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina
description This article aims to reconstruct the emergence and consolidation of graphic design as a university discipline in Argentina. It is a process that started in the late 1950s and has intersected with various important historical moments—for instance, the early dialogue between Max Bill and Argentinean avant-garde artists, such as Alfredo Hlito and Tomás Maldonado in the immediate postwar period Also instrumental in the process were the networks between Brazilian modernism -especially from Rio de Janeiro and São Paulo- and avant-garde artists from Montevideo and Buenos Aires, as well as the gradual arrival of what is known as the Modern Movement in the practice of architecture and in its teaching in universities.
publishDate 2016
dc.date.none.fl_str_mv 2016-07
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://purl.org/coar/resource_type/c_6501
info:ar-repo/semantics/articulo
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv http://hdl.handle.net/11336/84727
Devalle, Veronica Estela; Graphic design as a university discipline in Argentina, 1958-1985; MIT Press Journals; Design Issues; 32; 3; 7-2016; 67-77
0747-9360
1531-4790
CONICET Digital
CONICET
url http://hdl.handle.net/11336/84727
identifier_str_mv Devalle, Veronica Estela; Graphic design as a university discipline in Argentina, 1958-1985; MIT Press Journals; Design Issues; 32; 3; 7-2016; 67-77
0747-9360
1531-4790
CONICET Digital
CONICET
dc.language.none.fl_str_mv eng
language eng
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info:eu-repo/semantics/altIdentifier/doi/10.1162/DESI_a_00400
dc.rights.none.fl_str_mv info:eu-repo/semantics/openAccess
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
eu_rights_str_mv openAccess
rights_invalid_str_mv https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv MIT Press Journals
publisher.none.fl_str_mv MIT Press Journals
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repository.mail.fl_str_mv dasensio@conicet.gov.ar; lcarlino@conicet.gov.ar
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