Graphic design as a university discipline in Argentina, 1958-1985
- Autores
- Devalle, Veronica Estela
- Año de publicación
- 2016
- Idioma
- inglés
- Tipo de recurso
- artículo
- Estado
- versión publicada
- Descripción
- This article aims to reconstruct the emergence and consolidation of graphic design as a university discipline in Argentina. It is a process that started in the late 1950s and has intersected with various important historical moments—for instance, the early dialogue between Max Bill and Argentinean avant-garde artists, such as Alfredo Hlito and Tomás Maldonado in the immediate postwar period Also instrumental in the process were the networks between Brazilian modernism -especially from Rio de Janeiro and São Paulo- and avant-garde artists from Montevideo and Buenos Aires, as well as the gradual arrival of what is known as the Modern Movement in the practice of architecture and in its teaching in universities.
Fil: Devalle, Veronica Estela. Universidad de Buenos Aires; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina - Materia
-
UNIVERSITY
DISCIPLINE
GRAPHIC DESIGN
ARGENTINA - Nivel de accesibilidad
- acceso abierto
- Condiciones de uso
- https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
- Repositorio
- Institución
- Consejo Nacional de Investigaciones Científicas y Técnicas
- OAI Identificador
- oai:ri.conicet.gov.ar:11336/84727
Ver los metadatos del registro completo
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Graphic design as a university discipline in Argentina, 1958-1985Devalle, Veronica EstelaUNIVERSITYDISCIPLINEGRAPHIC DESIGNARGENTINAhttps://purl.org/becyt/ford/6.5https://purl.org/becyt/ford/6This article aims to reconstruct the emergence and consolidation of graphic design as a university discipline in Argentina. It is a process that started in the late 1950s and has intersected with various important historical moments—for instance, the early dialogue between Max Bill and Argentinean avant-garde artists, such as Alfredo Hlito and Tomás Maldonado in the immediate postwar period Also instrumental in the process were the networks between Brazilian modernism -especially from Rio de Janeiro and São Paulo- and avant-garde artists from Montevideo and Buenos Aires, as well as the gradual arrival of what is known as the Modern Movement in the practice of architecture and in its teaching in universities.Fil: Devalle, Veronica Estela. Universidad de Buenos Aires; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; ArgentinaMIT Press Journals2016-07info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdfapplication/pdfhttp://hdl.handle.net/11336/84727Devalle, Veronica Estela; Graphic design as a university discipline in Argentina, 1958-1985; MIT Press Journals; Design Issues; 32; 3; 7-2016; 67-770747-93601531-4790CONICET DigitalCONICETenginfo:eu-repo/semantics/altIdentifier/url/https://www.mitpressjournals.org/doi/10.1162/DESI_a_00400info:eu-repo/semantics/altIdentifier/doi/10.1162/DESI_a_00400info:eu-repo/semantics/openAccesshttps://creativecommons.org/licenses/by-nc-sa/2.5/ar/reponame:CONICET Digital (CONICET)instname:Consejo Nacional de Investigaciones Científicas y Técnicas2025-09-29T10:42:14Zoai:ri.conicet.gov.ar:11336/84727instacron:CONICETInstitucionalhttp://ri.conicet.gov.ar/Organismo científico-tecnológicoNo correspondehttp://ri.conicet.gov.ar/oai/requestdasensio@conicet.gov.ar; lcarlino@conicet.gov.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:34982025-09-29 10:42:14.976CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicasfalse |
dc.title.none.fl_str_mv |
Graphic design as a university discipline in Argentina, 1958-1985 |
title |
Graphic design as a university discipline in Argentina, 1958-1985 |
spellingShingle |
Graphic design as a university discipline in Argentina, 1958-1985 Devalle, Veronica Estela UNIVERSITY DISCIPLINE GRAPHIC DESIGN ARGENTINA |
title_short |
Graphic design as a university discipline in Argentina, 1958-1985 |
title_full |
Graphic design as a university discipline in Argentina, 1958-1985 |
title_fullStr |
Graphic design as a university discipline in Argentina, 1958-1985 |
title_full_unstemmed |
Graphic design as a university discipline in Argentina, 1958-1985 |
title_sort |
Graphic design as a university discipline in Argentina, 1958-1985 |
dc.creator.none.fl_str_mv |
Devalle, Veronica Estela |
author |
Devalle, Veronica Estela |
author_facet |
Devalle, Veronica Estela |
author_role |
author |
dc.subject.none.fl_str_mv |
UNIVERSITY DISCIPLINE GRAPHIC DESIGN ARGENTINA |
topic |
UNIVERSITY DISCIPLINE GRAPHIC DESIGN ARGENTINA |
purl_subject.fl_str_mv |
https://purl.org/becyt/ford/6.5 https://purl.org/becyt/ford/6 |
dc.description.none.fl_txt_mv |
This article aims to reconstruct the emergence and consolidation of graphic design as a university discipline in Argentina. It is a process that started in the late 1950s and has intersected with various important historical moments—for instance, the early dialogue between Max Bill and Argentinean avant-garde artists, such as Alfredo Hlito and Tomás Maldonado in the immediate postwar period Also instrumental in the process were the networks between Brazilian modernism -especially from Rio de Janeiro and São Paulo- and avant-garde artists from Montevideo and Buenos Aires, as well as the gradual arrival of what is known as the Modern Movement in the practice of architecture and in its teaching in universities. Fil: Devalle, Veronica Estela. Universidad de Buenos Aires; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina |
description |
This article aims to reconstruct the emergence and consolidation of graphic design as a university discipline in Argentina. It is a process that started in the late 1950s and has intersected with various important historical moments—for instance, the early dialogue between Max Bill and Argentinean avant-garde artists, such as Alfredo Hlito and Tomás Maldonado in the immediate postwar period Also instrumental in the process were the networks between Brazilian modernism -especially from Rio de Janeiro and São Paulo- and avant-garde artists from Montevideo and Buenos Aires, as well as the gradual arrival of what is known as the Modern Movement in the practice of architecture and in its teaching in universities. |
publishDate |
2016 |
dc.date.none.fl_str_mv |
2016-07 |
dc.type.none.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion http://purl.org/coar/resource_type/c_6501 info:ar-repo/semantics/articulo |
format |
article |
status_str |
publishedVersion |
dc.identifier.none.fl_str_mv |
http://hdl.handle.net/11336/84727 Devalle, Veronica Estela; Graphic design as a university discipline in Argentina, 1958-1985; MIT Press Journals; Design Issues; 32; 3; 7-2016; 67-77 0747-9360 1531-4790 CONICET Digital CONICET |
url |
http://hdl.handle.net/11336/84727 |
identifier_str_mv |
Devalle, Veronica Estela; Graphic design as a university discipline in Argentina, 1958-1985; MIT Press Journals; Design Issues; 32; 3; 7-2016; 67-77 0747-9360 1531-4790 CONICET Digital CONICET |
dc.language.none.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
info:eu-repo/semantics/altIdentifier/url/https://www.mitpressjournals.org/doi/10.1162/DESI_a_00400 info:eu-repo/semantics/altIdentifier/doi/10.1162/DESI_a_00400 |
dc.rights.none.fl_str_mv |
info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by-nc-sa/2.5/ar/ |
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openAccess |
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https://creativecommons.org/licenses/by-nc-sa/2.5/ar/ |
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application/pdf application/pdf |
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MIT Press Journals |
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MIT Press Journals |
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Consejo Nacional de Investigaciones Científicas y Técnicas |
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CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicas |
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dasensio@conicet.gov.ar; lcarlino@conicet.gov.ar |
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