Music attending to linear constituent structures in tonal music
- Autores
- Martínez, Isabel Cecilia
- Año de publicación
- 2018
- Idioma
- inglés
- Tipo de recurso
- artículo
- Estado
- versión publicada
- Descripción
- This article investigates the perception of constituent linear structures of tonal musical pieces, using a divided attention paradigm combined with a click-detection technique. Two experiments were run so as to test whether the boundary of a linear constituent appears as a focal point in the perception of musical structure. In Experiment 1, musicians and non- musicians listened to open foreground prolongations in phrases with clicks located at different points of their constituent structures. Significant differences in response times were found that depended on click position in relation to the boundary; participants were faster in detecting clicks at constituent boundaries, and slower for clicks located before boundaries, with no effect of rhythmic factors. Experiment 2 used the same experimental design to explore perception of open linear foreground prolongations, with the assumption that an effect of branching (left to right, or vice versa) could orient attention differently to the boundary region. Results were similar to those of Experiment 1. Overall, the evidence supports the idea that linear constituency is a significant feature of the perception of tonal musical structure. Dominant events become cognitive reference points to which the focus of attention is allocated, and subordinate, dependent events that are associated to the former, orient expectations of continuation and/or closure.
Laboratorio para el Estudio de la Experiencia Musical - Materia
-
Música
click detection, constituency, dependency, music attending, structural linearity - Nivel de accesibilidad
- acceso abierto
- Condiciones de uso
- http://creativecommons.org/licenses/by-nc-nd/4.0/
- Repositorio
.jpg)
- Institución
- Universidad Nacional de La Plata
- OAI Identificador
- oai:sedici.unlp.edu.ar:10915/77484
Ver los metadatos del registro completo
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Music attending to linear constituent structures in tonal musicMartínez, Isabel CeciliaMúsicaclick detection, constituency, dependency, music attending, structural linearityThis article investigates the perception of constituent linear structures of tonal musical pieces, using a divided attention paradigm combined with a click-detection technique. Two experiments were run so as to test whether the boundary of a linear constituent appears as a focal point in the perception of musical structure. In Experiment 1, musicians and non- musicians listened to open foreground prolongations in phrases with clicks located at different points of their constituent structures. Significant differences in response times were found that depended on click position in relation to the boundary; participants were faster in detecting clicks at constituent boundaries, and slower for clicks located before boundaries, with no effect of rhythmic factors. Experiment 2 used the same experimental design to explore perception of open linear foreground prolongations, with the assumption that an effect of branching (left to right, or vice versa) could orient attention differently to the boundary region. Results were similar to those of Experiment 1. Overall, the evidence supports the idea that linear constituency is a significant feature of the perception of tonal musical structure. Dominant events become cognitive reference points to which the focus of attention is allocated, and subordinate, dependent events that are associated to the former, orient expectations of continuation and/or closure.Laboratorio para el Estudio de la Experiencia Musical2018-07-25info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArticulohttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdfhttp://sedici.unlp.edu.ar/handle/10915/77484enginfo:eu-repo/semantics/altIdentifier/issn/2059-2043info:eu-repo/semantics/altIdentifier/doi/10.1177/2059204318787763info:eu-repo/semantics/openAccesshttp://creativecommons.org/licenses/by-nc-nd/4.0/Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0)reponame:SEDICI (UNLP)instname:Universidad Nacional de La Platainstacron:UNLP2025-10-22T16:54:41Zoai:sedici.unlp.edu.ar:10915/77484Institucionalhttp://sedici.unlp.edu.ar/Universidad públicaNo correspondehttp://sedici.unlp.edu.ar/oai/snrdalira@sedici.unlp.edu.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:13292025-10-22 16:54:42.25SEDICI (UNLP) - Universidad Nacional de La Platafalse |
| dc.title.none.fl_str_mv |
Music attending to linear constituent structures in tonal music |
| title |
Music attending to linear constituent structures in tonal music |
| spellingShingle |
Music attending to linear constituent structures in tonal music Martínez, Isabel Cecilia Música click detection, constituency, dependency, music attending, structural linearity |
| title_short |
Music attending to linear constituent structures in tonal music |
| title_full |
Music attending to linear constituent structures in tonal music |
| title_fullStr |
Music attending to linear constituent structures in tonal music |
| title_full_unstemmed |
Music attending to linear constituent structures in tonal music |
| title_sort |
Music attending to linear constituent structures in tonal music |
| dc.creator.none.fl_str_mv |
Martínez, Isabel Cecilia |
| author |
Martínez, Isabel Cecilia |
| author_facet |
Martínez, Isabel Cecilia |
| author_role |
author |
| dc.subject.none.fl_str_mv |
Música click detection, constituency, dependency, music attending, structural linearity |
| topic |
Música click detection, constituency, dependency, music attending, structural linearity |
| dc.description.none.fl_txt_mv |
This article investigates the perception of constituent linear structures of tonal musical pieces, using a divided attention paradigm combined with a click-detection technique. Two experiments were run so as to test whether the boundary of a linear constituent appears as a focal point in the perception of musical structure. In Experiment 1, musicians and non- musicians listened to open foreground prolongations in phrases with clicks located at different points of their constituent structures. Significant differences in response times were found that depended on click position in relation to the boundary; participants were faster in detecting clicks at constituent boundaries, and slower for clicks located before boundaries, with no effect of rhythmic factors. Experiment 2 used the same experimental design to explore perception of open linear foreground prolongations, with the assumption that an effect of branching (left to right, or vice versa) could orient attention differently to the boundary region. Results were similar to those of Experiment 1. Overall, the evidence supports the idea that linear constituency is a significant feature of the perception of tonal musical structure. Dominant events become cognitive reference points to which the focus of attention is allocated, and subordinate, dependent events that are associated to the former, orient expectations of continuation and/or closure. Laboratorio para el Estudio de la Experiencia Musical |
| description |
This article investigates the perception of constituent linear structures of tonal musical pieces, using a divided attention paradigm combined with a click-detection technique. Two experiments were run so as to test whether the boundary of a linear constituent appears as a focal point in the perception of musical structure. In Experiment 1, musicians and non- musicians listened to open foreground prolongations in phrases with clicks located at different points of their constituent structures. Significant differences in response times were found that depended on click position in relation to the boundary; participants were faster in detecting clicks at constituent boundaries, and slower for clicks located before boundaries, with no effect of rhythmic factors. Experiment 2 used the same experimental design to explore perception of open linear foreground prolongations, with the assumption that an effect of branching (left to right, or vice versa) could orient attention differently to the boundary region. Results were similar to those of Experiment 1. Overall, the evidence supports the idea that linear constituency is a significant feature of the perception of tonal musical structure. Dominant events become cognitive reference points to which the focus of attention is allocated, and subordinate, dependent events that are associated to the former, orient expectations of continuation and/or closure. |
| publishDate |
2018 |
| dc.date.none.fl_str_mv |
2018-07-25 |
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info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Articulo http://purl.org/coar/resource_type/c_6501 info:ar-repo/semantics/articulo |
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eng |
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eng |
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