ART WORKS Projects: Claiming Public Space for Human Rights
- Autores
- Thomas, Leslie
- Año de publicación
- 2020
- Idioma
- inglés
- Tipo de recurso
- reseña artículo
- Estado
- versión publicada
- Descripción
- ART WORKS Projects (AWP) was born out of desperation. A photo of a small boy who had been murdered in a genocidal attack against civilians in Darfur by a Sudanese government intent upon their eradication led to the formation, first, of the DARFUR/DARFUR exhibition of large-scale exterior projections and, eventually, to AWP. The founders, by and large architects, filmmakers, editors, photographers, lawyers, and designers, weren’t naive enough to believe that art can always end genocide (or any other grave human rights abuse), but they knew it impacted them and so they theorized that the same could happen to policymakers, voters, and, ultimately, perpetrators.
Facultad de Ciencias Jurídicas y Sociales - Materia
-
Ciencias Jurídicas
Arte
Genocidio
Derechos Humanos - Nivel de accesibilidad
- acceso abierto
- Condiciones de uso
- http://creativecommons.org/licenses/by-nc-sa/4.0/
- Repositorio
.jpg)
- Institución
- Universidad Nacional de La Plata
- OAI Identificador
- oai:sedici.unlp.edu.ar:10915/111516
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ART WORKS Projects: Claiming Public Space for Human RightsThomas, LeslieCiencias JurídicasArteGenocidioDerechos HumanosART WORKS Projects (AWP) was born out of desperation. A photo of a small boy who had been murdered in a genocidal attack against civilians in Darfur by a Sudanese government intent upon their eradication led to the formation, first, of the DARFUR/DARFUR exhibition of large-scale exterior projections and, eventually, to AWP. The founders, by and large architects, filmmakers, editors, photographers, lawyers, and designers, weren’t naive enough to believe that art can always end genocide (or any other grave human rights abuse), but they knew it impacted them and so they theorized that the same could happen to policymakers, voters, and, ultimately, perpetrators.Facultad de Ciencias Jurídicas y Sociales2020-12info:eu-repo/semantics/reviewinfo:eu-repo/semantics/publishedVersionRevisionhttp://purl.org/coar/resource_type/c_dcae04bcinfo:ar-repo/semantics/resenaArticuloapplication/pdf167-170http://sedici.unlp.edu.ar/handle/10915/111516enginfo:eu-repo/semantics/altIdentifier/issn/2618-303Xinfo:eu-repo/semantics/altIdentifier/doi/10.24215/2618303Xe013info:eu-repo/semantics/openAccesshttp://creativecommons.org/licenses/by-nc-sa/4.0/Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)reponame:SEDICI (UNLP)instname:Universidad Nacional de La Platainstacron:UNLP2025-10-22T17:06:39Zoai:sedici.unlp.edu.ar:10915/111516Institucionalhttp://sedici.unlp.edu.ar/Universidad públicaNo correspondehttp://sedici.unlp.edu.ar/oai/snrdalira@sedici.unlp.edu.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:13292025-10-22 17:06:39.352SEDICI (UNLP) - Universidad Nacional de La Platafalse |
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ART WORKS Projects: Claiming Public Space for Human Rights |
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ART WORKS Projects: Claiming Public Space for Human Rights |
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ART WORKS Projects: Claiming Public Space for Human Rights Thomas, Leslie Ciencias Jurídicas Arte Genocidio Derechos Humanos |
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ART WORKS Projects: Claiming Public Space for Human Rights |
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ART WORKS Projects: Claiming Public Space for Human Rights |
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Thomas, Leslie |
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Thomas, Leslie |
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Thomas, Leslie |
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author |
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Ciencias Jurídicas Arte Genocidio Derechos Humanos |
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Ciencias Jurídicas Arte Genocidio Derechos Humanos |
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ART WORKS Projects (AWP) was born out of desperation. A photo of a small boy who had been murdered in a genocidal attack against civilians in Darfur by a Sudanese government intent upon their eradication led to the formation, first, of the DARFUR/DARFUR exhibition of large-scale exterior projections and, eventually, to AWP. The founders, by and large architects, filmmakers, editors, photographers, lawyers, and designers, weren’t naive enough to believe that art can always end genocide (or any other grave human rights abuse), but they knew it impacted them and so they theorized that the same could happen to policymakers, voters, and, ultimately, perpetrators. Facultad de Ciencias Jurídicas y Sociales |
| description |
ART WORKS Projects (AWP) was born out of desperation. A photo of a small boy who had been murdered in a genocidal attack against civilians in Darfur by a Sudanese government intent upon their eradication led to the formation, first, of the DARFUR/DARFUR exhibition of large-scale exterior projections and, eventually, to AWP. The founders, by and large architects, filmmakers, editors, photographers, lawyers, and designers, weren’t naive enough to believe that art can always end genocide (or any other grave human rights abuse), but they knew it impacted them and so they theorized that the same could happen to policymakers, voters, and, ultimately, perpetrators. |
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