Politics of Representation: Art and Human Rights

Autores
Giunta, Andrea Graciela
Año de publicación
2010
Idioma
inglés
Tipo de recurso
artículo
Estado
versión publicada
Descripción
The migration of images from public space (the street, protests or newspapers) to art spaces has been a recurring phenomenon in Latin American post-dictatorship art. This essay reflects on that process of migration in a series of contemporary art projects, analyzing how new and latent meanings of such images are re-activated and re-circulated through their translation to the register of art. When politically iconic images associated with political repression—such as identification photos of the disappeared used by human rights organizations as proof of the lives they reclaim and commemorate—are translated into the art field, they are connected to the power of the incomplete and undetermined that art makes possible. This in turn may grant stagnant historical documents another political and aesthetic life.
Fil: Giunta, Andrea Graciela. Universidad de Buenos Aires. Facultad de Filosofía y Letras. Instituto de Teoría e Historia del Arte "Julio E. Payró"; Argentina. University of Texas at Austin; Estados Unidos. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina
Materia
Representación
Derechos humanos
Arte
Política
Nivel de accesibilidad
acceso abierto
Condiciones de uso
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
Repositorio
CONICET Digital (CONICET)
Institución
Consejo Nacional de Investigaciones Científicas y Técnicas
OAI Identificador
oai:ri.conicet.gov.ar:11336/198874

id CONICETDig_d644d783632263a712a36adf021dfdfd
oai_identifier_str oai:ri.conicet.gov.ar:11336/198874
network_acronym_str CONICETDig
repository_id_str 3498
network_name_str CONICET Digital (CONICET)
spelling Politics of Representation: Art and Human RightsGiunta, Andrea GracielaRepresentaciónDerechos humanosArtePolíticahttps://purl.org/becyt/ford/6.4https://purl.org/becyt/ford/6The migration of images from public space (the street, protests or newspapers) to art spaces has been a recurring phenomenon in Latin American post-dictatorship art. This essay reflects on that process of migration in a series of contemporary art projects, analyzing how new and latent meanings of such images are re-activated and re-circulated through their translation to the register of art. When politically iconic images associated with political repression—such as identification photos of the disappeared used by human rights organizations as proof of the lives they reclaim and commemorate—are translated into the art field, they are connected to the power of the incomplete and undetermined that art makes possible. This in turn may grant stagnant historical documents another political and aesthetic life.Fil: Giunta, Andrea Graciela. Universidad de Buenos Aires. Facultad de Filosofía y Letras. Instituto de Teoría e Historia del Arte "Julio E. Payró"; Argentina. University of Texas at Austin; Estados Unidos. Consejo Nacional de Investigaciones Científicas y Técnicas; ArgentinaHemispheric Institute2010-09info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdfapplication/octet-streamapplication/pdfhttp://hdl.handle.net/11336/198874Giunta, Andrea Graciela; Politics of Representation: Art and Human Rights; Hemispheric Institute; E-misférica; 7; 2; 9-2010; 1-171554-37061554-3706CONICET DigitalCONICETenginfo:eu-repo/semantics/altIdentifier/url/https://hemisphericinstitute.org/en/emisferica-72/7-2-essays/politics-of-representation-art-a-human-rights.htmlinfo:eu-repo/semantics/altIdentifier/url/https://hemi.nyu.edu/hemi/en/e-misferica-72/giuntainfo:eu-repo/semantics/openAccesshttps://creativecommons.org/licenses/by-nc-sa/2.5/ar/reponame:CONICET Digital (CONICET)instname:Consejo Nacional de Investigaciones Científicas y Técnicas2025-09-03T09:49:11Zoai:ri.conicet.gov.ar:11336/198874instacron:CONICETInstitucionalhttp://ri.conicet.gov.ar/Organismo científico-tecnológicoNo correspondehttp://ri.conicet.gov.ar/oai/requestdasensio@conicet.gov.ar; lcarlino@conicet.gov.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:34982025-09-03 09:49:12.292CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicasfalse
dc.title.none.fl_str_mv Politics of Representation: Art and Human Rights
title Politics of Representation: Art and Human Rights
spellingShingle Politics of Representation: Art and Human Rights
Giunta, Andrea Graciela
Representación
Derechos humanos
Arte
Política
title_short Politics of Representation: Art and Human Rights
title_full Politics of Representation: Art and Human Rights
title_fullStr Politics of Representation: Art and Human Rights
title_full_unstemmed Politics of Representation: Art and Human Rights
title_sort Politics of Representation: Art and Human Rights
dc.creator.none.fl_str_mv Giunta, Andrea Graciela
author Giunta, Andrea Graciela
author_facet Giunta, Andrea Graciela
author_role author
dc.subject.none.fl_str_mv Representación
Derechos humanos
Arte
Política
topic Representación
Derechos humanos
Arte
Política
purl_subject.fl_str_mv https://purl.org/becyt/ford/6.4
https://purl.org/becyt/ford/6
dc.description.none.fl_txt_mv The migration of images from public space (the street, protests or newspapers) to art spaces has been a recurring phenomenon in Latin American post-dictatorship art. This essay reflects on that process of migration in a series of contemporary art projects, analyzing how new and latent meanings of such images are re-activated and re-circulated through their translation to the register of art. When politically iconic images associated with political repression—such as identification photos of the disappeared used by human rights organizations as proof of the lives they reclaim and commemorate—are translated into the art field, they are connected to the power of the incomplete and undetermined that art makes possible. This in turn may grant stagnant historical documents another political and aesthetic life.
Fil: Giunta, Andrea Graciela. Universidad de Buenos Aires. Facultad de Filosofía y Letras. Instituto de Teoría e Historia del Arte "Julio E. Payró"; Argentina. University of Texas at Austin; Estados Unidos. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina
description The migration of images from public space (the street, protests or newspapers) to art spaces has been a recurring phenomenon in Latin American post-dictatorship art. This essay reflects on that process of migration in a series of contemporary art projects, analyzing how new and latent meanings of such images are re-activated and re-circulated through their translation to the register of art. When politically iconic images associated with political repression—such as identification photos of the disappeared used by human rights organizations as proof of the lives they reclaim and commemorate—are translated into the art field, they are connected to the power of the incomplete and undetermined that art makes possible. This in turn may grant stagnant historical documents another political and aesthetic life.
publishDate 2010
dc.date.none.fl_str_mv 2010-09
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://purl.org/coar/resource_type/c_6501
info:ar-repo/semantics/articulo
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv http://hdl.handle.net/11336/198874
Giunta, Andrea Graciela; Politics of Representation: Art and Human Rights; Hemispheric Institute; E-misférica; 7; 2; 9-2010; 1-17
1554-3706
1554-3706
CONICET Digital
CONICET
url http://hdl.handle.net/11336/198874
identifier_str_mv Giunta, Andrea Graciela; Politics of Representation: Art and Human Rights; Hemispheric Institute; E-misférica; 7; 2; 9-2010; 1-17
1554-3706
CONICET Digital
CONICET
dc.language.none.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv info:eu-repo/semantics/altIdentifier/url/https://hemisphericinstitute.org/en/emisferica-72/7-2-essays/politics-of-representation-art-a-human-rights.html
info:eu-repo/semantics/altIdentifier/url/https://hemi.nyu.edu/hemi/en/e-misferica-72/giunta
dc.rights.none.fl_str_mv info:eu-repo/semantics/openAccess
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
eu_rights_str_mv openAccess
rights_invalid_str_mv https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
dc.format.none.fl_str_mv application/pdf
application/octet-stream
application/pdf
dc.publisher.none.fl_str_mv Hemispheric Institute
publisher.none.fl_str_mv Hemispheric Institute
dc.source.none.fl_str_mv reponame:CONICET Digital (CONICET)
instname:Consejo Nacional de Investigaciones Científicas y Técnicas
reponame_str CONICET Digital (CONICET)
collection CONICET Digital (CONICET)
instname_str Consejo Nacional de Investigaciones Científicas y Técnicas
repository.name.fl_str_mv CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicas
repository.mail.fl_str_mv dasensio@conicet.gov.ar; lcarlino@conicet.gov.ar
_version_ 1842268959816024064
score 13.13397