Politics of Representation: Art and Human Rights
- Autores
- Giunta, Andrea Graciela
- Año de publicación
- 2010
- Idioma
- inglés
- Tipo de recurso
- artículo
- Estado
- versión publicada
- Descripción
- The migration of images from public space (the street, protests or newspapers) to art spaces has been a recurring phenomenon in Latin American post-dictatorship art. This essay reflects on that process of migration in a series of contemporary art projects, analyzing how new and latent meanings of such images are re-activated and re-circulated through their translation to the register of art. When politically iconic images associated with political repression—such as identification photos of the disappeared used by human rights organizations as proof of the lives they reclaim and commemorate—are translated into the art field, they are connected to the power of the incomplete and undetermined that art makes possible. This in turn may grant stagnant historical documents another political and aesthetic life.
Fil: Giunta, Andrea Graciela. Universidad de Buenos Aires. Facultad de Filosofía y Letras. Instituto de Teoría e Historia del Arte "Julio E. Payró"; Argentina. University of Texas at Austin; Estados Unidos. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina - Materia
-
Representación
Derechos humanos
Arte
Política - Nivel de accesibilidad
- acceso abierto
- Condiciones de uso
- https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
- Repositorio
- Institución
- Consejo Nacional de Investigaciones Científicas y Técnicas
- OAI Identificador
- oai:ri.conicet.gov.ar:11336/198874
Ver los metadatos del registro completo
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Politics of Representation: Art and Human RightsGiunta, Andrea GracielaRepresentaciónDerechos humanosArtePolíticahttps://purl.org/becyt/ford/6.4https://purl.org/becyt/ford/6The migration of images from public space (the street, protests or newspapers) to art spaces has been a recurring phenomenon in Latin American post-dictatorship art. This essay reflects on that process of migration in a series of contemporary art projects, analyzing how new and latent meanings of such images are re-activated and re-circulated through their translation to the register of art. When politically iconic images associated with political repression—such as identification photos of the disappeared used by human rights organizations as proof of the lives they reclaim and commemorate—are translated into the art field, they are connected to the power of the incomplete and undetermined that art makes possible. This in turn may grant stagnant historical documents another political and aesthetic life.Fil: Giunta, Andrea Graciela. Universidad de Buenos Aires. Facultad de Filosofía y Letras. Instituto de Teoría e Historia del Arte "Julio E. Payró"; Argentina. University of Texas at Austin; Estados Unidos. Consejo Nacional de Investigaciones Científicas y Técnicas; ArgentinaHemispheric Institute2010-09info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdfapplication/octet-streamapplication/pdfhttp://hdl.handle.net/11336/198874Giunta, Andrea Graciela; Politics of Representation: Art and Human Rights; Hemispheric Institute; E-misférica; 7; 2; 9-2010; 1-171554-37061554-3706CONICET DigitalCONICETenginfo:eu-repo/semantics/altIdentifier/url/https://hemisphericinstitute.org/en/emisferica-72/7-2-essays/politics-of-representation-art-a-human-rights.htmlinfo:eu-repo/semantics/altIdentifier/url/https://hemi.nyu.edu/hemi/en/e-misferica-72/giuntainfo:eu-repo/semantics/openAccesshttps://creativecommons.org/licenses/by-nc-sa/2.5/ar/reponame:CONICET Digital (CONICET)instname:Consejo Nacional de Investigaciones Científicas y Técnicas2025-09-03T09:49:11Zoai:ri.conicet.gov.ar:11336/198874instacron:CONICETInstitucionalhttp://ri.conicet.gov.ar/Organismo científico-tecnológicoNo correspondehttp://ri.conicet.gov.ar/oai/requestdasensio@conicet.gov.ar; lcarlino@conicet.gov.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:34982025-09-03 09:49:12.292CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicasfalse |
dc.title.none.fl_str_mv |
Politics of Representation: Art and Human Rights |
title |
Politics of Representation: Art and Human Rights |
spellingShingle |
Politics of Representation: Art and Human Rights Giunta, Andrea Graciela Representación Derechos humanos Arte Política |
title_short |
Politics of Representation: Art and Human Rights |
title_full |
Politics of Representation: Art and Human Rights |
title_fullStr |
Politics of Representation: Art and Human Rights |
title_full_unstemmed |
Politics of Representation: Art and Human Rights |
title_sort |
Politics of Representation: Art and Human Rights |
dc.creator.none.fl_str_mv |
Giunta, Andrea Graciela |
author |
Giunta, Andrea Graciela |
author_facet |
Giunta, Andrea Graciela |
author_role |
author |
dc.subject.none.fl_str_mv |
Representación Derechos humanos Arte Política |
topic |
Representación Derechos humanos Arte Política |
purl_subject.fl_str_mv |
https://purl.org/becyt/ford/6.4 https://purl.org/becyt/ford/6 |
dc.description.none.fl_txt_mv |
The migration of images from public space (the street, protests or newspapers) to art spaces has been a recurring phenomenon in Latin American post-dictatorship art. This essay reflects on that process of migration in a series of contemporary art projects, analyzing how new and latent meanings of such images are re-activated and re-circulated through their translation to the register of art. When politically iconic images associated with political repression—such as identification photos of the disappeared used by human rights organizations as proof of the lives they reclaim and commemorate—are translated into the art field, they are connected to the power of the incomplete and undetermined that art makes possible. This in turn may grant stagnant historical documents another political and aesthetic life. Fil: Giunta, Andrea Graciela. Universidad de Buenos Aires. Facultad de Filosofía y Letras. Instituto de Teoría e Historia del Arte "Julio E. Payró"; Argentina. University of Texas at Austin; Estados Unidos. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina |
description |
The migration of images from public space (the street, protests or newspapers) to art spaces has been a recurring phenomenon in Latin American post-dictatorship art. This essay reflects on that process of migration in a series of contemporary art projects, analyzing how new and latent meanings of such images are re-activated and re-circulated through their translation to the register of art. When politically iconic images associated with political repression—such as identification photos of the disappeared used by human rights organizations as proof of the lives they reclaim and commemorate—are translated into the art field, they are connected to the power of the incomplete and undetermined that art makes possible. This in turn may grant stagnant historical documents another political and aesthetic life. |
publishDate |
2010 |
dc.date.none.fl_str_mv |
2010-09 |
dc.type.none.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion http://purl.org/coar/resource_type/c_6501 info:ar-repo/semantics/articulo |
format |
article |
status_str |
publishedVersion |
dc.identifier.none.fl_str_mv |
http://hdl.handle.net/11336/198874 Giunta, Andrea Graciela; Politics of Representation: Art and Human Rights; Hemispheric Institute; E-misférica; 7; 2; 9-2010; 1-17 1554-3706 1554-3706 CONICET Digital CONICET |
url |
http://hdl.handle.net/11336/198874 |
identifier_str_mv |
Giunta, Andrea Graciela; Politics of Representation: Art and Human Rights; Hemispheric Institute; E-misférica; 7; 2; 9-2010; 1-17 1554-3706 CONICET Digital CONICET |
dc.language.none.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
info:eu-repo/semantics/altIdentifier/url/https://hemisphericinstitute.org/en/emisferica-72/7-2-essays/politics-of-representation-art-a-human-rights.html info:eu-repo/semantics/altIdentifier/url/https://hemi.nyu.edu/hemi/en/e-misferica-72/giunta |
dc.rights.none.fl_str_mv |
info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by-nc-sa/2.5/ar/ |
eu_rights_str_mv |
openAccess |
rights_invalid_str_mv |
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/ |
dc.format.none.fl_str_mv |
application/pdf application/octet-stream application/pdf |
dc.publisher.none.fl_str_mv |
Hemispheric Institute |
publisher.none.fl_str_mv |
Hemispheric Institute |
dc.source.none.fl_str_mv |
reponame:CONICET Digital (CONICET) instname:Consejo Nacional de Investigaciones Científicas y Técnicas |
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CONICET Digital (CONICET) |
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CONICET Digital (CONICET) |
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Consejo Nacional de Investigaciones Científicas y Técnicas |
repository.name.fl_str_mv |
CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicas |
repository.mail.fl_str_mv |
dasensio@conicet.gov.ar; lcarlino@conicet.gov.ar |
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13.13397 |