Fiction of an Identity: female figures and drifts in the New Korean Cinema
- Autores
- Iadevito, Paula Marina
- Año de publicación
- 2013
- Idioma
- inglés
- Tipo de recurso
- artículo
- Estado
- versión publicada
- Descripción
- Fictions constitute narratives that represent an exercise of identity construction, which leads us to the fact of understanding identity as a constant construction in discourse. In this sense, we understand that the experiences of ´Korean women´ have changed as a product of modernization regarding the senses and meanings that are articulated in filmic fiction territories. With this in mind, first we develop a brief review that defines the imaginary cinematographic of the New Korean Cinema. Then, we display a thematic and analytical lecture of the selected films attending the narrative interests and ways of representing regarding the experiences of women, which are part of a complex social process that tends to pluralism and cultural diversity. We reflect upon ´women of fiction´ -from a discursive and symbolic conception of the subjects- leading us to the ´historical woman´, and inviting us to (re)think the constitution of female identity in Korea from the particularity that it assumes in the field of the cinematographic representation.
Fil: Iadevito, Paula Marina. Universidad de Buenos Aires. Facultad de Ciencias Sociales. Instituto de Investigaciones "Gino Germani"; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina - Materia
-
Korea
Women
Cinema - Nivel de accesibilidad
- acceso abierto
- Condiciones de uso
- https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
- Repositorio
- Institución
- Consejo Nacional de Investigaciones Científicas y Técnicas
- OAI Identificador
- oai:ri.conicet.gov.ar:11336/27866
Ver los metadatos del registro completo
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Fiction of an Identity: female figures and drifts in the New Korean CinemaIadevito, Paula MarinaKoreaWomenCinemahttps://purl.org/becyt/ford/5.4https://purl.org/becyt/ford/5Fictions constitute narratives that represent an exercise of identity construction, which leads us to the fact of understanding identity as a constant construction in discourse. In this sense, we understand that the experiences of ´Korean women´ have changed as a product of modernization regarding the senses and meanings that are articulated in filmic fiction territories. With this in mind, first we develop a brief review that defines the imaginary cinematographic of the New Korean Cinema. Then, we display a thematic and analytical lecture of the selected films attending the narrative interests and ways of representing regarding the experiences of women, which are part of a complex social process that tends to pluralism and cultural diversity. We reflect upon ´women of fiction´ -from a discursive and symbolic conception of the subjects- leading us to the ´historical woman´, and inviting us to (re)think the constitution of female identity in Korea from the particularity that it assumes in the field of the cinematographic representation.Fil: Iadevito, Paula Marina. Universidad de Buenos Aires. Facultad de Ciencias Sociales. Instituto de Investigaciones "Gino Germani"; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; ArgentinaInternational Association of Comparative Korean Studies2013-08info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdfapplication/pdfhttp://hdl.handle.net/11336/27866Iadevito, Paula Marina; Fiction of an Identity: female figures and drifts in the New Korean Cinema; International Association of Comparative Korean Studies; Comparative Korean Studies; 21; 2; 8-2013; 133-1661226-2250CONICET DigitalCONICETenginfo:eu-repo/semantics/openAccesshttps://creativecommons.org/licenses/by-nc-sa/2.5/ar/reponame:CONICET Digital (CONICET)instname:Consejo Nacional de Investigaciones Científicas y Técnicas2025-10-15T15:01:40Zoai:ri.conicet.gov.ar:11336/27866instacron:CONICETInstitucionalhttp://ri.conicet.gov.ar/Organismo científico-tecnológicoNo correspondehttp://ri.conicet.gov.ar/oai/requestdasensio@conicet.gov.ar; lcarlino@conicet.gov.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:34982025-10-15 15:01:41.029CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicasfalse |
dc.title.none.fl_str_mv |
Fiction of an Identity: female figures and drifts in the New Korean Cinema |
title |
Fiction of an Identity: female figures and drifts in the New Korean Cinema |
spellingShingle |
Fiction of an Identity: female figures and drifts in the New Korean Cinema Iadevito, Paula Marina Korea Women Cinema |
title_short |
Fiction of an Identity: female figures and drifts in the New Korean Cinema |
title_full |
Fiction of an Identity: female figures and drifts in the New Korean Cinema |
title_fullStr |
Fiction of an Identity: female figures and drifts in the New Korean Cinema |
title_full_unstemmed |
Fiction of an Identity: female figures and drifts in the New Korean Cinema |
title_sort |
Fiction of an Identity: female figures and drifts in the New Korean Cinema |
dc.creator.none.fl_str_mv |
Iadevito, Paula Marina |
author |
Iadevito, Paula Marina |
author_facet |
Iadevito, Paula Marina |
author_role |
author |
dc.subject.none.fl_str_mv |
Korea Women Cinema |
topic |
Korea Women Cinema |
purl_subject.fl_str_mv |
https://purl.org/becyt/ford/5.4 https://purl.org/becyt/ford/5 |
dc.description.none.fl_txt_mv |
Fictions constitute narratives that represent an exercise of identity construction, which leads us to the fact of understanding identity as a constant construction in discourse. In this sense, we understand that the experiences of ´Korean women´ have changed as a product of modernization regarding the senses and meanings that are articulated in filmic fiction territories. With this in mind, first we develop a brief review that defines the imaginary cinematographic of the New Korean Cinema. Then, we display a thematic and analytical lecture of the selected films attending the narrative interests and ways of representing regarding the experiences of women, which are part of a complex social process that tends to pluralism and cultural diversity. We reflect upon ´women of fiction´ -from a discursive and symbolic conception of the subjects- leading us to the ´historical woman´, and inviting us to (re)think the constitution of female identity in Korea from the particularity that it assumes in the field of the cinematographic representation. Fil: Iadevito, Paula Marina. Universidad de Buenos Aires. Facultad de Ciencias Sociales. Instituto de Investigaciones "Gino Germani"; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina |
description |
Fictions constitute narratives that represent an exercise of identity construction, which leads us to the fact of understanding identity as a constant construction in discourse. In this sense, we understand that the experiences of ´Korean women´ have changed as a product of modernization regarding the senses and meanings that are articulated in filmic fiction territories. With this in mind, first we develop a brief review that defines the imaginary cinematographic of the New Korean Cinema. Then, we display a thematic and analytical lecture of the selected films attending the narrative interests and ways of representing regarding the experiences of women, which are part of a complex social process that tends to pluralism and cultural diversity. We reflect upon ´women of fiction´ -from a discursive and symbolic conception of the subjects- leading us to the ´historical woman´, and inviting us to (re)think the constitution of female identity in Korea from the particularity that it assumes in the field of the cinematographic representation. |
publishDate |
2013 |
dc.date.none.fl_str_mv |
2013-08 |
dc.type.none.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion http://purl.org/coar/resource_type/c_6501 info:ar-repo/semantics/articulo |
format |
article |
status_str |
publishedVersion |
dc.identifier.none.fl_str_mv |
http://hdl.handle.net/11336/27866 Iadevito, Paula Marina; Fiction of an Identity: female figures and drifts in the New Korean Cinema; International Association of Comparative Korean Studies; Comparative Korean Studies; 21; 2; 8-2013; 133-166 1226-2250 CONICET Digital CONICET |
url |
http://hdl.handle.net/11336/27866 |
identifier_str_mv |
Iadevito, Paula Marina; Fiction of an Identity: female figures and drifts in the New Korean Cinema; International Association of Comparative Korean Studies; Comparative Korean Studies; 21; 2; 8-2013; 133-166 1226-2250 CONICET Digital CONICET |
dc.language.none.fl_str_mv |
eng |
language |
eng |
dc.rights.none.fl_str_mv |
info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by-nc-sa/2.5/ar/ |
eu_rights_str_mv |
openAccess |
rights_invalid_str_mv |
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/ |
dc.format.none.fl_str_mv |
application/pdf application/pdf |
dc.publisher.none.fl_str_mv |
International Association of Comparative Korean Studies |
publisher.none.fl_str_mv |
International Association of Comparative Korean Studies |
dc.source.none.fl_str_mv |
reponame:CONICET Digital (CONICET) instname:Consejo Nacional de Investigaciones Científicas y Técnicas |
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CONICET Digital (CONICET) |
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CONICET Digital (CONICET) |
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Consejo Nacional de Investigaciones Científicas y Técnicas |
repository.name.fl_str_mv |
CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicas |
repository.mail.fl_str_mv |
dasensio@conicet.gov.ar; lcarlino@conicet.gov.ar |
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13.22299 |