Fiction of an Identity: female figures and drifts in the New Korean Cinema

Autores
Iadevito, Paula Marina
Año de publicación
2013
Idioma
inglés
Tipo de recurso
artículo
Estado
versión publicada
Descripción
Fictions constitute narratives that represent an exercise of identity construction, which leads us to the fact of understanding identity as a constant construction in discourse. In this sense, we understand that the experiences of ´Korean women´ have changed as a product of modernization regarding the senses and meanings that are articulated in filmic fiction territories. With this in mind, first we develop a brief review that defines the imaginary cinematographic of the New Korean Cinema. Then, we display a thematic and analytical lecture of the selected films attending the narrative interests and ways of representing regarding the experiences of women, which are part of a complex social process that tends to pluralism and cultural diversity. We reflect upon ´women of fiction´ -from a discursive and symbolic conception of the subjects- leading us to the ´historical woman´, and inviting us to (re)think the constitution of female identity in Korea from the particularity that it assumes in the field of the cinematographic representation.
Fil: Iadevito, Paula Marina. Universidad de Buenos Aires. Facultad de Ciencias Sociales. Instituto de Investigaciones "Gino Germani"; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina
Materia
Korea
Women
Cinema
Nivel de accesibilidad
acceso abierto
Condiciones de uso
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
Repositorio
CONICET Digital (CONICET)
Institución
Consejo Nacional de Investigaciones Científicas y Técnicas
OAI Identificador
oai:ri.conicet.gov.ar:11336/27866

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spelling Fiction of an Identity: female figures and drifts in the New Korean CinemaIadevito, Paula MarinaKoreaWomenCinemahttps://purl.org/becyt/ford/5.4https://purl.org/becyt/ford/5Fictions constitute narratives that represent an exercise of identity construction, which leads us to the fact of understanding identity as a constant construction in discourse. In this sense, we understand that the experiences of ´Korean women´ have changed as a product of modernization regarding the senses and meanings that are articulated in filmic fiction territories. With this in mind, first we develop a brief review that defines the imaginary cinematographic of the New Korean Cinema. Then, we display a thematic and analytical lecture of the selected films attending the narrative interests and ways of representing regarding the experiences of women, which are part of a complex social process that tends to pluralism and cultural diversity. We reflect upon ´women of fiction´ -from a discursive and symbolic conception of the subjects- leading us to the ´historical woman´, and inviting us to (re)think the constitution of female identity in Korea from the particularity that it assumes in the field of the cinematographic representation.Fil: Iadevito, Paula Marina. Universidad de Buenos Aires. Facultad de Ciencias Sociales. Instituto de Investigaciones "Gino Germani"; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; ArgentinaInternational Association of Comparative Korean Studies2013-08info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionhttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdfapplication/pdfhttp://hdl.handle.net/11336/27866Iadevito, Paula Marina; Fiction of an Identity: female figures and drifts in the New Korean Cinema; International Association of Comparative Korean Studies; Comparative Korean Studies; 21; 2; 8-2013; 133-1661226-2250CONICET DigitalCONICETenginfo:eu-repo/semantics/openAccesshttps://creativecommons.org/licenses/by-nc-sa/2.5/ar/reponame:CONICET Digital (CONICET)instname:Consejo Nacional de Investigaciones Científicas y Técnicas2025-10-15T15:01:40Zoai:ri.conicet.gov.ar:11336/27866instacron:CONICETInstitucionalhttp://ri.conicet.gov.ar/Organismo científico-tecnológicoNo correspondehttp://ri.conicet.gov.ar/oai/requestdasensio@conicet.gov.ar; lcarlino@conicet.gov.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:34982025-10-15 15:01:41.029CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicasfalse
dc.title.none.fl_str_mv Fiction of an Identity: female figures and drifts in the New Korean Cinema
title Fiction of an Identity: female figures and drifts in the New Korean Cinema
spellingShingle Fiction of an Identity: female figures and drifts in the New Korean Cinema
Iadevito, Paula Marina
Korea
Women
Cinema
title_short Fiction of an Identity: female figures and drifts in the New Korean Cinema
title_full Fiction of an Identity: female figures and drifts in the New Korean Cinema
title_fullStr Fiction of an Identity: female figures and drifts in the New Korean Cinema
title_full_unstemmed Fiction of an Identity: female figures and drifts in the New Korean Cinema
title_sort Fiction of an Identity: female figures and drifts in the New Korean Cinema
dc.creator.none.fl_str_mv Iadevito, Paula Marina
author Iadevito, Paula Marina
author_facet Iadevito, Paula Marina
author_role author
dc.subject.none.fl_str_mv Korea
Women
Cinema
topic Korea
Women
Cinema
purl_subject.fl_str_mv https://purl.org/becyt/ford/5.4
https://purl.org/becyt/ford/5
dc.description.none.fl_txt_mv Fictions constitute narratives that represent an exercise of identity construction, which leads us to the fact of understanding identity as a constant construction in discourse. In this sense, we understand that the experiences of ´Korean women´ have changed as a product of modernization regarding the senses and meanings that are articulated in filmic fiction territories. With this in mind, first we develop a brief review that defines the imaginary cinematographic of the New Korean Cinema. Then, we display a thematic and analytical lecture of the selected films attending the narrative interests and ways of representing regarding the experiences of women, which are part of a complex social process that tends to pluralism and cultural diversity. We reflect upon ´women of fiction´ -from a discursive and symbolic conception of the subjects- leading us to the ´historical woman´, and inviting us to (re)think the constitution of female identity in Korea from the particularity that it assumes in the field of the cinematographic representation.
Fil: Iadevito, Paula Marina. Universidad de Buenos Aires. Facultad de Ciencias Sociales. Instituto de Investigaciones "Gino Germani"; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina
description Fictions constitute narratives that represent an exercise of identity construction, which leads us to the fact of understanding identity as a constant construction in discourse. In this sense, we understand that the experiences of ´Korean women´ have changed as a product of modernization regarding the senses and meanings that are articulated in filmic fiction territories. With this in mind, first we develop a brief review that defines the imaginary cinematographic of the New Korean Cinema. Then, we display a thematic and analytical lecture of the selected films attending the narrative interests and ways of representing regarding the experiences of women, which are part of a complex social process that tends to pluralism and cultural diversity. We reflect upon ´women of fiction´ -from a discursive and symbolic conception of the subjects- leading us to the ´historical woman´, and inviting us to (re)think the constitution of female identity in Korea from the particularity that it assumes in the field of the cinematographic representation.
publishDate 2013
dc.date.none.fl_str_mv 2013-08
dc.type.none.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
http://purl.org/coar/resource_type/c_6501
info:ar-repo/semantics/articulo
format article
status_str publishedVersion
dc.identifier.none.fl_str_mv http://hdl.handle.net/11336/27866
Iadevito, Paula Marina; Fiction of an Identity: female figures and drifts in the New Korean Cinema; International Association of Comparative Korean Studies; Comparative Korean Studies; 21; 2; 8-2013; 133-166
1226-2250
CONICET Digital
CONICET
url http://hdl.handle.net/11336/27866
identifier_str_mv Iadevito, Paula Marina; Fiction of an Identity: female figures and drifts in the New Korean Cinema; International Association of Comparative Korean Studies; Comparative Korean Studies; 21; 2; 8-2013; 133-166
1226-2250
CONICET Digital
CONICET
dc.language.none.fl_str_mv eng
language eng
dc.rights.none.fl_str_mv info:eu-repo/semantics/openAccess
https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
eu_rights_str_mv openAccess
rights_invalid_str_mv https://creativecommons.org/licenses/by-nc-sa/2.5/ar/
dc.format.none.fl_str_mv application/pdf
application/pdf
dc.publisher.none.fl_str_mv International Association of Comparative Korean Studies
publisher.none.fl_str_mv International Association of Comparative Korean Studies
dc.source.none.fl_str_mv reponame:CONICET Digital (CONICET)
instname:Consejo Nacional de Investigaciones Científicas y Técnicas
reponame_str CONICET Digital (CONICET)
collection CONICET Digital (CONICET)
instname_str Consejo Nacional de Investigaciones Científicas y Técnicas
repository.name.fl_str_mv CONICET Digital (CONICET) - Consejo Nacional de Investigaciones Científicas y Técnicas
repository.mail.fl_str_mv dasensio@conicet.gov.ar; lcarlino@conicet.gov.ar
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