Women “Cronistas” in Colonial Latin America

Autores
Añón, Valeria; Rodríguez, Ileana; Szurmuk, Mónica
Año de publicación
2016
Idioma
inglés
Tipo de recurso
parte de libro
Estado
versión publicada
Descripción
These archive images bring forth myriad questions about how the past and present are represented. They show the violent intersection of world visions and discursive traditions; translation and survival; dialogue, destruction, and change. It is a storytelling that is individual as well as collective and a space for that which has been expelled or relegated from hegemonic discourse, although this recognition may be limited to a specifi c period, stuck in the quagmire of incessant change. The most critical question that arises here is the following: To whom are we referring when we speak of women cronistas in colonial Latin America? Which types of writing and texts are we indicating? If these texts can be grouped under the broad concept of colonial chronicles , what connections can be made with the predominant colonial literary corpus – a literature directly associated with masculine voices, articulated from the sphere of power and authority? What bonds are established with the actors (soldiers, monks, indigenous nobles, mestizos)? As Julie Greer Johnson has noted, “Because men dominated the writing of both history and literature, the image of women during the colonial period is largely based upon their vision” (157). Nevertheless, Greer Johnson chooses to focus on men’s representation of women. In contrast, this chapter reveals how women represent, write, speak, remember, and affi rm themselves and make requests in the complex sphere of the early Latin American colonial world.
Facultad de Humanidades y Ciencias de la Educación
Materia
Letras
Literatura
Literatura latinoamericana
Mujeres
Nivel de accesibilidad
acceso abierto
Condiciones de uso
http://creativecommons.org/licenses/by-nc-sa/4.0/
Repositorio
SEDICI (UNLP)
Institución
Universidad Nacional de La Plata
OAI Identificador
oai:sedici.unlp.edu.ar:10915/106176

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network_name_str SEDICI (UNLP)
spelling Women “Cronistas” in Colonial Latin AmericaAñón, ValeriaRodríguez, IleanaSzurmuk, MónicaLetrasLiteraturaLiteratura latinoamericanaMujeresThese archive images bring forth myriad questions about how the past and present are represented. They show the violent intersection of world visions and discursive traditions; translation and survival; dialogue, destruction, and change. It is a storytelling that is individual as well as collective and a space for that which has been expelled or relegated from hegemonic discourse, although this recognition may be limited to a specifi c period, stuck in the quagmire of incessant change. The most critical question that arises here is the following: To whom are we referring when we speak of women cronistas in colonial Latin America? Which types of writing and texts are we indicating? If these texts can be grouped under the broad concept of colonial chronicles , what connections can be made with the predominant colonial literary corpus – a literature directly associated with masculine voices, articulated from the sphere of power and authority? What bonds are established with the actors (soldiers, monks, indigenous nobles, mestizos)? As Julie Greer Johnson has noted, “Because men dominated the writing of both history and literature, the image of women during the colonial period is largely based upon their vision” (157). Nevertheless, Greer Johnson chooses to focus on men’s representation of women. In contrast, this chapter reveals how women represent, write, speak, remember, and affi rm themselves and make requests in the complex sphere of the early Latin American colonial world.Facultad de Humanidades y Ciencias de la EducaciónCambridge University Press2016info:eu-repo/semantics/bookPartinfo:eu-repo/semantics/publishedVersionCapitulo de librohttp://purl.org/coar/resource_type/c_3248info:ar-repo/semantics/parteDeLibroapplication/pdf66-80http://sedici.unlp.edu.ar/handle/10915/106176enginfo:eu-repo/semantics/altIdentifier/isbn/978-1-107-08532-9info:eu-repo/semantics/openAccesshttp://creativecommons.org/licenses/by-nc-sa/4.0/Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)reponame:SEDICI (UNLP)instname:Universidad Nacional de La Platainstacron:UNLP2025-09-03T10:56:01Zoai:sedici.unlp.edu.ar:10915/106176Institucionalhttp://sedici.unlp.edu.ar/Universidad públicaNo correspondehttp://sedici.unlp.edu.ar/oai/snrdalira@sedici.unlp.edu.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:13292025-09-03 10:56:01.772SEDICI (UNLP) - Universidad Nacional de La Platafalse
dc.title.none.fl_str_mv Women “Cronistas” in Colonial Latin America
title Women “Cronistas” in Colonial Latin America
spellingShingle Women “Cronistas” in Colonial Latin America
Añón, Valeria
Letras
Literatura
Literatura latinoamericana
Mujeres
title_short Women “Cronistas” in Colonial Latin America
title_full Women “Cronistas” in Colonial Latin America
title_fullStr Women “Cronistas” in Colonial Latin America
title_full_unstemmed Women “Cronistas” in Colonial Latin America
title_sort Women “Cronistas” in Colonial Latin America
dc.creator.none.fl_str_mv Añón, Valeria
Rodríguez, Ileana
Szurmuk, Mónica
author Añón, Valeria
author_facet Añón, Valeria
Rodríguez, Ileana
Szurmuk, Mónica
author_role author
author2 Rodríguez, Ileana
Szurmuk, Mónica
author2_role author
author
dc.subject.none.fl_str_mv Letras
Literatura
Literatura latinoamericana
Mujeres
topic Letras
Literatura
Literatura latinoamericana
Mujeres
dc.description.none.fl_txt_mv These archive images bring forth myriad questions about how the past and present are represented. They show the violent intersection of world visions and discursive traditions; translation and survival; dialogue, destruction, and change. It is a storytelling that is individual as well as collective and a space for that which has been expelled or relegated from hegemonic discourse, although this recognition may be limited to a specifi c period, stuck in the quagmire of incessant change. The most critical question that arises here is the following: To whom are we referring when we speak of women cronistas in colonial Latin America? Which types of writing and texts are we indicating? If these texts can be grouped under the broad concept of colonial chronicles , what connections can be made with the predominant colonial literary corpus – a literature directly associated with masculine voices, articulated from the sphere of power and authority? What bonds are established with the actors (soldiers, monks, indigenous nobles, mestizos)? As Julie Greer Johnson has noted, “Because men dominated the writing of both history and literature, the image of women during the colonial period is largely based upon their vision” (157). Nevertheless, Greer Johnson chooses to focus on men’s representation of women. In contrast, this chapter reveals how women represent, write, speak, remember, and affi rm themselves and make requests in the complex sphere of the early Latin American colonial world.
Facultad de Humanidades y Ciencias de la Educación
description These archive images bring forth myriad questions about how the past and present are represented. They show the violent intersection of world visions and discursive traditions; translation and survival; dialogue, destruction, and change. It is a storytelling that is individual as well as collective and a space for that which has been expelled or relegated from hegemonic discourse, although this recognition may be limited to a specifi c period, stuck in the quagmire of incessant change. The most critical question that arises here is the following: To whom are we referring when we speak of women cronistas in colonial Latin America? Which types of writing and texts are we indicating? If these texts can be grouped under the broad concept of colonial chronicles , what connections can be made with the predominant colonial literary corpus – a literature directly associated with masculine voices, articulated from the sphere of power and authority? What bonds are established with the actors (soldiers, monks, indigenous nobles, mestizos)? As Julie Greer Johnson has noted, “Because men dominated the writing of both history and literature, the image of women during the colonial period is largely based upon their vision” (157). Nevertheless, Greer Johnson chooses to focus on men’s representation of women. In contrast, this chapter reveals how women represent, write, speak, remember, and affi rm themselves and make requests in the complex sphere of the early Latin American colonial world.
publishDate 2016
dc.date.none.fl_str_mv 2016
dc.type.none.fl_str_mv info:eu-repo/semantics/bookPart
info:eu-repo/semantics/publishedVersion
Capitulo de libro
http://purl.org/coar/resource_type/c_3248
info:ar-repo/semantics/parteDeLibro
format bookPart
status_str publishedVersion
dc.identifier.none.fl_str_mv http://sedici.unlp.edu.ar/handle/10915/106176
url http://sedici.unlp.edu.ar/handle/10915/106176
dc.language.none.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv info:eu-repo/semantics/altIdentifier/isbn/978-1-107-08532-9
dc.rights.none.fl_str_mv info:eu-repo/semantics/openAccess
http://creativecommons.org/licenses/by-nc-sa/4.0/
Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)
eu_rights_str_mv openAccess
rights_invalid_str_mv http://creativecommons.org/licenses/by-nc-sa/4.0/
Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)
dc.format.none.fl_str_mv application/pdf
66-80
dc.publisher.none.fl_str_mv Cambridge University Press
publisher.none.fl_str_mv Cambridge University Press
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instname:Universidad Nacional de La Plata
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institution UNLP
repository.name.fl_str_mv SEDICI (UNLP) - Universidad Nacional de La Plata
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