Speech genres in the Odyssey
- Autores
- Werner, Christian
- Año de publicación
- 2015
- Idioma
- español castellano
- Tipo de recurso
- documento de conferencia
- Estado
- versión publicada
- Descripción
- Recent conceptualizations of early Greek epic poetry (Foley 2004; Martin 1989 and 2005; Minchin 2007) have shown that the Homeric poems functioned like a matrix-genre that diachronically incorporated many speech and poetic genres in a way that, at least for the “Odyssey” (Bakker 2013), can be considered dialogic according to the Bakhtinian model (Bakhtin 1982). In order to tackle the performance of Menelaos in “Odyssey” 4, 76-289, my starting point is comprised by the understanding of “genre” as the stabilization of communicative patterns and by the differentiation proposed by M. Bakhtin and T. Todorov between primary or everyday and secondary or literary genres (Bakhtin 1986; Todorov 1980), adapted respectively as “epos” and “aoidê” by E. Bakker (2013). I intend to pinpoint some aspects of three genres present in Menealaos performances: lament, ethnographic discourse and flyting
Facultad de Humanidades y Ciencias de la Educación - Materia
-
Humanidades
Letras
early Greek epic poetry
Homeric poems
matrix-genre
speech genres
Odyssey
Mundo Griego
Identidad de Género
Habla - Nivel de accesibilidad
- acceso abierto
- Condiciones de uso
- http://creativecommons.org/licenses/by-nc-nd/2.5/ar/
- Repositorio
- Institución
- Universidad Nacional de La Plata
- OAI Identificador
- oai:sedici.unlp.edu.ar:10915/55542
Ver los metadatos del registro completo
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Speech genres in the OdysseyWerner, ChristianHumanidadesLetrasearly Greek epic poetryHomeric poemsmatrix-genrespeech genresOdysseyMundo GriegoIdentidad de GéneroHablaRecent conceptualizations of early Greek epic poetry (Foley 2004; Martin 1989 and 2005; Minchin 2007) have shown that the Homeric poems functioned like a matrix-genre that diachronically incorporated many speech and poetic genres in a way that, at least for the “Odyssey” (Bakker 2013), can be considered dialogic according to the Bakhtinian model (Bakhtin 1982). In order to tackle the performance of Menelaos in “Odyssey” 4, 76-289, my starting point is comprised by the understanding of “genre” as the stabilization of communicative patterns and by the differentiation proposed by M. Bakhtin and T. Todorov between primary or everyday and secondary or literary genres (Bakhtin 1986; Todorov 1980), adapted respectively as “epos” and “aoidê” by E. Bakker (2013). I intend to pinpoint some aspects of three genres present in Menealaos performances: lament, ethnographic discourse and flytingFacultad de Humanidades y Ciencias de la Educación2015-06info:eu-repo/semantics/conferenceObjectinfo:eu-repo/semantics/publishedVersionObjeto de conferenciahttp://purl.org/coar/resource_type/c_5794info:ar-repo/semantics/documentoDeConferenciaapplication/pdfhttp://sedici.unlp.edu.ar/handle/10915/55542spainfo:eu-repo/semantics/altIdentifier/url/http://coloquiointernacionalceh.fahce.unlp.edu.ar/conferencias/Christian%20Werner.pdfinfo:eu-repo/semantics/altIdentifier/issn/2250-7388info:eu-repo/semantics/openAccesshttp://creativecommons.org/licenses/by-nc-nd/2.5/ar/Creative Commons Attribution-NonCommercial-NoDerivs 2.5 Argentina (CC BY-NC-ND 2.5)reponame:SEDICI (UNLP)instname:Universidad Nacional de La Platainstacron:UNLP2025-09-03T10:38:25Zoai:sedici.unlp.edu.ar:10915/55542Institucionalhttp://sedici.unlp.edu.ar/Universidad públicaNo correspondehttp://sedici.unlp.edu.ar/oai/snrdalira@sedici.unlp.edu.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:13292025-09-03 10:38:26.169SEDICI (UNLP) - Universidad Nacional de La Platafalse |
dc.title.none.fl_str_mv |
Speech genres in the Odyssey |
title |
Speech genres in the Odyssey |
spellingShingle |
Speech genres in the Odyssey Werner, Christian Humanidades Letras early Greek epic poetry Homeric poems matrix-genre speech genres Odyssey Mundo Griego Identidad de Género Habla |
title_short |
Speech genres in the Odyssey |
title_full |
Speech genres in the Odyssey |
title_fullStr |
Speech genres in the Odyssey |
title_full_unstemmed |
Speech genres in the Odyssey |
title_sort |
Speech genres in the Odyssey |
dc.creator.none.fl_str_mv |
Werner, Christian |
author |
Werner, Christian |
author_facet |
Werner, Christian |
author_role |
author |
dc.subject.none.fl_str_mv |
Humanidades Letras early Greek epic poetry Homeric poems matrix-genre speech genres Odyssey Mundo Griego Identidad de Género Habla |
topic |
Humanidades Letras early Greek epic poetry Homeric poems matrix-genre speech genres Odyssey Mundo Griego Identidad de Género Habla |
dc.description.none.fl_txt_mv |
Recent conceptualizations of early Greek epic poetry (Foley 2004; Martin 1989 and 2005; Minchin 2007) have shown that the Homeric poems functioned like a matrix-genre that diachronically incorporated many speech and poetic genres in a way that, at least for the “Odyssey” (Bakker 2013), can be considered dialogic according to the Bakhtinian model (Bakhtin 1982). In order to tackle the performance of Menelaos in “Odyssey” 4, 76-289, my starting point is comprised by the understanding of “genre” as the stabilization of communicative patterns and by the differentiation proposed by M. Bakhtin and T. Todorov between primary or everyday and secondary or literary genres (Bakhtin 1986; Todorov 1980), adapted respectively as “epos” and “aoidê” by E. Bakker (2013). I intend to pinpoint some aspects of three genres present in Menealaos performances: lament, ethnographic discourse and flyting Facultad de Humanidades y Ciencias de la Educación |
description |
Recent conceptualizations of early Greek epic poetry (Foley 2004; Martin 1989 and 2005; Minchin 2007) have shown that the Homeric poems functioned like a matrix-genre that diachronically incorporated many speech and poetic genres in a way that, at least for the “Odyssey” (Bakker 2013), can be considered dialogic according to the Bakhtinian model (Bakhtin 1982). In order to tackle the performance of Menelaos in “Odyssey” 4, 76-289, my starting point is comprised by the understanding of “genre” as the stabilization of communicative patterns and by the differentiation proposed by M. Bakhtin and T. Todorov between primary or everyday and secondary or literary genres (Bakhtin 1986; Todorov 1980), adapted respectively as “epos” and “aoidê” by E. Bakker (2013). I intend to pinpoint some aspects of three genres present in Menealaos performances: lament, ethnographic discourse and flyting |
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