Speech genres in the Odyssey

Autores
Werner, Christian
Año de publicación
2015
Idioma
español castellano
Tipo de recurso
documento de conferencia
Estado
versión publicada
Descripción
Recent conceptualizations of early Greek epic poetry (Foley 2004; Martin 1989 and 2005; Minchin 2007) have shown that the Homeric poems functioned like a matrix-genre that diachronically incorporated many speech and poetic genres in a way that, at least for the “Odyssey” (Bakker 2013), can be considered dialogic according to the Bakhtinian model (Bakhtin 1982). In order to tackle the performance of Menelaos in “Odyssey” 4, 76-289, my starting point is comprised by the understanding of “genre” as the stabilization of communicative patterns and by the differentiation proposed by M. Bakhtin and T. Todorov between primary or everyday and secondary or literary genres (Bakhtin 1986; Todorov 1980), adapted respectively as “epos” and “aoidê” by E. Bakker (2013). I intend to pinpoint some aspects of three genres present in Menealaos performances: lament, ethnographic discourse and flyting
Facultad de Humanidades y Ciencias de la Educación
Materia
Humanidades
Letras
early Greek epic poetry
Homeric poems
matrix-genre
speech genres
Odyssey
Mundo Griego
Identidad de Género
Habla
Nivel de accesibilidad
acceso abierto
Condiciones de uso
http://creativecommons.org/licenses/by-nc-nd/2.5/ar/
Repositorio
SEDICI (UNLP)
Institución
Universidad Nacional de La Plata
OAI Identificador
oai:sedici.unlp.edu.ar:10915/55542
Acceder
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network_name_str SEDICI (UNLP)
spelling Speech genres in the OdysseyWerner, ChristianHumanidadesLetrasearly Greek epic poetryHomeric poemsmatrix-genrespeech genresOdysseyMundo GriegoIdentidad de GéneroHablaRecent conceptualizations of early Greek epic poetry (Foley 2004; Martin 1989 and 2005; Minchin 2007) have shown that the Homeric poems functioned like a matrix-genre that diachronically incorporated many speech and poetic genres in a way that, at least for the “Odyssey” (Bakker 2013), can be considered dialogic according to the Bakhtinian model (Bakhtin 1982). In order to tackle the performance of Menelaos in “Odyssey” 4, 76-289, my starting point is comprised by the understanding of “genre” as the stabilization of communicative patterns and by the differentiation proposed by M. Bakhtin and T. Todorov between primary or everyday and secondary or literary genres (Bakhtin 1986; Todorov 1980), adapted respectively as “epos” and “aoidê” by E. Bakker (2013). I intend to pinpoint some aspects of three genres present in Menealaos performances: lament, ethnographic discourse and flytingFacultad de Humanidades y Ciencias de la Educación2015-06info:eu-repo/semantics/conferenceObjectinfo:eu-repo/semantics/publishedVersionObjeto de conferenciahttp://purl.org/coar/resource_type/c_5794info:ar-repo/semantics/documentoDeConferenciaapplication/pdfhttp://sedici.unlp.edu.ar/handle/10915/55542spainfo:eu-repo/semantics/altIdentifier/url/http://coloquiointernacionalceh.fahce.unlp.edu.ar/conferencias/Christian%20Werner.pdfinfo:eu-repo/semantics/altIdentifier/issn/2250-7388info:eu-repo/semantics/openAccesshttp://creativecommons.org/licenses/by-nc-nd/2.5/ar/Creative Commons Attribution-NonCommercial-NoDerivs 2.5 Argentina (CC BY-NC-ND 2.5)reponame:SEDICI (UNLP)instname:Universidad Nacional de La Platainstacron:UNLP2025-09-29T11:05:44Zoai:sedici.unlp.edu.ar:10915/55542Institucionalhttp://sedici.unlp.edu.ar/Universidad públicaNo correspondehttp://sedici.unlp.edu.ar/oai/snrdalira@sedici.unlp.edu.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:13292025-09-29 11:05:44.324SEDICI (UNLP) - Universidad Nacional de La Platafalse
dc.title.none.fl_str_mv Speech genres in the Odyssey
title Speech genres in the Odyssey
spellingShingle Speech genres in the Odyssey
Werner, Christian
Humanidades
Letras
early Greek epic poetry
Homeric poems
matrix-genre
speech genres
Odyssey
Mundo Griego
Identidad de Género
Habla
title_short Speech genres in the Odyssey
title_full Speech genres in the Odyssey
title_fullStr Speech genres in the Odyssey
title_full_unstemmed Speech genres in the Odyssey
title_sort Speech genres in the Odyssey
dc.creator.none.fl_str_mv Werner, Christian
author Werner, Christian
author_facet Werner, Christian
author_role author
dc.subject.none.fl_str_mv Humanidades
Letras
early Greek epic poetry
Homeric poems
matrix-genre
speech genres
Odyssey
Mundo Griego
Identidad de Género
Habla
topic Humanidades
Letras
early Greek epic poetry
Homeric poems
matrix-genre
speech genres
Odyssey
Mundo Griego
Identidad de Género
Habla
dc.description.none.fl_txt_mv Recent conceptualizations of early Greek epic poetry (Foley 2004; Martin 1989 and 2005; Minchin 2007) have shown that the Homeric poems functioned like a matrix-genre that diachronically incorporated many speech and poetic genres in a way that, at least for the “Odyssey” (Bakker 2013), can be considered dialogic according to the Bakhtinian model (Bakhtin 1982). In order to tackle the performance of Menelaos in “Odyssey” 4, 76-289, my starting point is comprised by the understanding of “genre” as the stabilization of communicative patterns and by the differentiation proposed by M. Bakhtin and T. Todorov between primary or everyday and secondary or literary genres (Bakhtin 1986; Todorov 1980), adapted respectively as “epos” and “aoidê” by E. Bakker (2013). I intend to pinpoint some aspects of three genres present in Menealaos performances: lament, ethnographic discourse and flyting
Facultad de Humanidades y Ciencias de la Educación
description Recent conceptualizations of early Greek epic poetry (Foley 2004; Martin 1989 and 2005; Minchin 2007) have shown that the Homeric poems functioned like a matrix-genre that diachronically incorporated many speech and poetic genres in a way that, at least for the “Odyssey” (Bakker 2013), can be considered dialogic according to the Bakhtinian model (Bakhtin 1982). In order to tackle the performance of Menelaos in “Odyssey” 4, 76-289, my starting point is comprised by the understanding of “genre” as the stabilization of communicative patterns and by the differentiation proposed by M. Bakhtin and T. Todorov between primary or everyday and secondary or literary genres (Bakhtin 1986; Todorov 1980), adapted respectively as “epos” and “aoidê” by E. Bakker (2013). I intend to pinpoint some aspects of three genres present in Menealaos performances: lament, ethnographic discourse and flyting
publishDate 2015
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http://purl.org/coar/resource_type/c_5794
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status_str publishedVersion
dc.identifier.none.fl_str_mv http://sedici.unlp.edu.ar/handle/10915/55542
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Creative Commons Attribution-NonCommercial-NoDerivs 2.5 Argentina (CC BY-NC-ND 2.5)
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