Incidence of verbal commentaries on musicians’ corporality during a chamber music rehearsal
- Autores
- Milomes, Luciana Rosario; Martínez, Isabel Cecilia; Valles, Mónica Leonor
- Año de publicación
- 2018
- Idioma
- español castellano
- Tipo de recurso
- documento de conferencia
- Estado
- versión publicada
- Descripción
- Embodied music cognition theory emphasizes the fundamental role of the human body in cognition, and postulates that music is perceived as moving sonic forms that produce corporal resonances through which it is assigned meaning (Leman, 2008). Intersubjectivity refers to the ability to elaborate representations about the mental states of others, allowing us to interpret features of their subjectivity. Joint musical interpretation in rehearsal situations can be understood as an intersubjective process of constructing meaning, which is manifested through various aspects of musical production, during which verbal commentaries play an important role in the formation of joint musical ideas that can be reflected in the musicians’ corporality.
Facultad de Bellas Artes - Materia
-
Música
Música de cámara
Ensayos
Músicos - Nivel de accesibilidad
- acceso abierto
- Condiciones de uso
- http://creativecommons.org/licenses/by-nc-nd/4.0/
- Repositorio
.jpg)
- Institución
- Universidad Nacional de La Plata
- OAI Identificador
- oai:sedici.unlp.edu.ar:10915/95792
Ver los metadatos del registro completo
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Incidence of verbal commentaries on musicians’ corporality during a chamber music rehearsalMilomes, Luciana RosarioMartínez, Isabel CeciliaValles, Mónica LeonorMúsicaMúsica de cámaraEnsayosMúsicosEmbodied music cognition theory emphasizes the fundamental role of the human body in cognition, and postulates that music is perceived as moving sonic forms that produce corporal resonances through which it is assigned meaning (Leman, 2008). Intersubjectivity refers to the ability to elaborate representations about the mental states of others, allowing us to interpret features of their subjectivity. Joint musical interpretation in rehearsal situations can be understood as an intersubjective process of constructing meaning, which is manifested through various aspects of musical production, during which verbal commentaries play an important role in the formation of joint musical ideas that can be reflected in the musicians’ corporality.Facultad de Bellas Artes2018-07-26info:eu-repo/semantics/conferenceObjectinfo:eu-repo/semantics/publishedVersionResumenhttp://purl.org/coar/resource_type/c_5794info:ar-repo/semantics/documentoDeConferenciaapplication/pdf183-183http://sedici.unlp.edu.ar/handle/10915/95792spainfo:eu-repo/semantics/altIdentifier/isbn/978-3-200-05771-5info:eu-repo/semantics/openAccesshttp://creativecommons.org/licenses/by-nc-nd/4.0/Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0)reponame:SEDICI (UNLP)instname:Universidad Nacional de La Platainstacron:UNLP2025-10-15T11:12:33Zoai:sedici.unlp.edu.ar:10915/95792Institucionalhttp://sedici.unlp.edu.ar/Universidad públicaNo correspondehttp://sedici.unlp.edu.ar/oai/snrdalira@sedici.unlp.edu.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:13292025-10-15 11:12:34.084SEDICI (UNLP) - Universidad Nacional de La Platafalse |
| dc.title.none.fl_str_mv |
Incidence of verbal commentaries on musicians’ corporality during a chamber music rehearsal |
| title |
Incidence of verbal commentaries on musicians’ corporality during a chamber music rehearsal |
| spellingShingle |
Incidence of verbal commentaries on musicians’ corporality during a chamber music rehearsal Milomes, Luciana Rosario Música Música de cámara Ensayos Músicos |
| title_short |
Incidence of verbal commentaries on musicians’ corporality during a chamber music rehearsal |
| title_full |
Incidence of verbal commentaries on musicians’ corporality during a chamber music rehearsal |
| title_fullStr |
Incidence of verbal commentaries on musicians’ corporality during a chamber music rehearsal |
| title_full_unstemmed |
Incidence of verbal commentaries on musicians’ corporality during a chamber music rehearsal |
| title_sort |
Incidence of verbal commentaries on musicians’ corporality during a chamber music rehearsal |
| dc.creator.none.fl_str_mv |
Milomes, Luciana Rosario Martínez, Isabel Cecilia Valles, Mónica Leonor |
| author |
Milomes, Luciana Rosario |
| author_facet |
Milomes, Luciana Rosario Martínez, Isabel Cecilia Valles, Mónica Leonor |
| author_role |
author |
| author2 |
Martínez, Isabel Cecilia Valles, Mónica Leonor |
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author author |
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Música Música de cámara Ensayos Músicos |
| topic |
Música Música de cámara Ensayos Músicos |
| dc.description.none.fl_txt_mv |
Embodied music cognition theory emphasizes the fundamental role of the human body in cognition, and postulates that music is perceived as moving sonic forms that produce corporal resonances through which it is assigned meaning (Leman, 2008). Intersubjectivity refers to the ability to elaborate representations about the mental states of others, allowing us to interpret features of their subjectivity. Joint musical interpretation in rehearsal situations can be understood as an intersubjective process of constructing meaning, which is manifested through various aspects of musical production, during which verbal commentaries play an important role in the formation of joint musical ideas that can be reflected in the musicians’ corporality. Facultad de Bellas Artes |
| description |
Embodied music cognition theory emphasizes the fundamental role of the human body in cognition, and postulates that music is perceived as moving sonic forms that produce corporal resonances through which it is assigned meaning (Leman, 2008). Intersubjectivity refers to the ability to elaborate representations about the mental states of others, allowing us to interpret features of their subjectivity. Joint musical interpretation in rehearsal situations can be understood as an intersubjective process of constructing meaning, which is manifested through various aspects of musical production, during which verbal commentaries play an important role in the formation of joint musical ideas that can be reflected in the musicians’ corporality. |
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2018 |
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2018-07-26 |
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