Papal Greed : The Theft of the Pala Monteluce and its Return to the Italian Peninsula
- Autores
- Beckers, Julie
- Año de publicación
- 2017
- Idioma
- inglés
- Tipo de recurso
- artículo
- Estado
- versión publicada
- Descripción
- This article examines the tortuous commission and subsequent loss of the famous Coronation of the Virgin by the Italian Master Raphael. It traces the naissance of the altarpiece (1503-25) as one of the key commissions by the Poor Clares of the convent of Santa Maria di Monteluce in Perugia, the looting of the piece by Napoleon’s invading troops in 1797 and, finally the stubborn Pope’s decision not to send the piece back to Perugia after the end of Napoleon’s reign, keeping it for his own growing Pinacoteca Vaticana, where the piece still rests today.
Este artículo examina el tortuoso encargo de la famosa Coronación de la Virgen, del maestro italiano Rafael y su subsiguiente pérdida. Rastrea el nacimiento del retablo (1503-25) como un encargo clave realizado por las Clarisas del convento Santa Maria di Monteluce en Perugia. Además, hace la crónica del saqueo efectuado por las tropas invasoras de Napoleón y la negación papal de devolver la pieza a Perugia después del reinado de Napoleón, conservándola en la acrecentada Pinacoteca Vaticana, donde permanece en el presente.
Facultad de Bellas Artes - Materia
-
Historia del Arte
Raphael
Poor Clares
Napoleon
Altarpiece - Nivel de accesibilidad
- acceso abierto
- Condiciones de uso
- http://creativecommons.org/licenses/by-nc-nd/4.0/
- Repositorio
- Institución
- Universidad Nacional de La Plata
- OAI Identificador
- oai:sedici.unlp.edu.ar:10915/63523
Ver los metadatos del registro completo
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Papal Greed : The Theft of the Pala Monteluce and its Return to the Italian PeninsulaLa codicia papal. El robo de la Pala Monteluce y su regreso a la península italianaBeckers, JulieHistoria del ArteRaphaelPoor ClaresNapoleonAltarpieceThis article examines the tortuous commission and subsequent loss of the famous Coronation of the Virgin by the Italian Master Raphael. It traces the naissance of the altarpiece (1503-25) as one of the key commissions by the Poor Clares of the convent of Santa Maria di Monteluce in Perugia, the looting of the piece by Napoleon’s invading troops in 1797 and, finally the stubborn Pope’s decision not to send the piece back to Perugia after the end of Napoleon’s reign, keeping it for his own growing Pinacoteca Vaticana, where the piece still rests today.Este artículo examina el tortuoso encargo de la famosa Coronación de la Virgen, del maestro italiano Rafael y su subsiguiente pérdida. Rastrea el nacimiento del retablo (1503-25) como un encargo clave realizado por las Clarisas del convento Santa Maria di Monteluce en Perugia. Además, hace la crónica del saqueo efectuado por las tropas invasoras de Napoleón y la negación papal de devolver la pieza a Perugia después del reinado de Napoleón, conservándola en la acrecentada Pinacoteca Vaticana, donde permanece en el presente.Facultad de Bellas Artes2017-09info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArticulohttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdf36-42http://sedici.unlp.edu.ar/handle/10915/63523enginfo:eu-repo/semantics/altIdentifier/url/http://papelcosido.fba.unlp.edu.ar/ojs/index.php/boa/article/view/487/772info:eu-repo/semantics/altIdentifier/issn/1853-0710info:eu-repo/semantics/openAccesshttp://creativecommons.org/licenses/by-nc-nd/4.0/Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0)reponame:SEDICI (UNLP)instname:Universidad Nacional de La Platainstacron:UNLP2025-09-29T11:08:25Zoai:sedici.unlp.edu.ar:10915/63523Institucionalhttp://sedici.unlp.edu.ar/Universidad públicaNo correspondehttp://sedici.unlp.edu.ar/oai/snrdalira@sedici.unlp.edu.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:13292025-09-29 11:08:25.737SEDICI (UNLP) - Universidad Nacional de La Platafalse |
dc.title.none.fl_str_mv |
Papal Greed : The Theft of the Pala Monteluce and its Return to the Italian Peninsula La codicia papal. El robo de la Pala Monteluce y su regreso a la península italiana |
title |
Papal Greed : The Theft of the Pala Monteluce and its Return to the Italian Peninsula |
spellingShingle |
Papal Greed : The Theft of the Pala Monteluce and its Return to the Italian Peninsula Beckers, Julie Historia del Arte Raphael Poor Clares Napoleon Altarpiece |
title_short |
Papal Greed : The Theft of the Pala Monteluce and its Return to the Italian Peninsula |
title_full |
Papal Greed : The Theft of the Pala Monteluce and its Return to the Italian Peninsula |
title_fullStr |
Papal Greed : The Theft of the Pala Monteluce and its Return to the Italian Peninsula |
title_full_unstemmed |
Papal Greed : The Theft of the Pala Monteluce and its Return to the Italian Peninsula |
title_sort |
Papal Greed : The Theft of the Pala Monteluce and its Return to the Italian Peninsula |
dc.creator.none.fl_str_mv |
Beckers, Julie |
author |
Beckers, Julie |
author_facet |
Beckers, Julie |
author_role |
author |
dc.subject.none.fl_str_mv |
Historia del Arte Raphael Poor Clares Napoleon Altarpiece |
topic |
Historia del Arte Raphael Poor Clares Napoleon Altarpiece |
dc.description.none.fl_txt_mv |
This article examines the tortuous commission and subsequent loss of the famous Coronation of the Virgin by the Italian Master Raphael. It traces the naissance of the altarpiece (1503-25) as one of the key commissions by the Poor Clares of the convent of Santa Maria di Monteluce in Perugia, the looting of the piece by Napoleon’s invading troops in 1797 and, finally the stubborn Pope’s decision not to send the piece back to Perugia after the end of Napoleon’s reign, keeping it for his own growing Pinacoteca Vaticana, where the piece still rests today. Este artículo examina el tortuoso encargo de la famosa Coronación de la Virgen, del maestro italiano Rafael y su subsiguiente pérdida. Rastrea el nacimiento del retablo (1503-25) como un encargo clave realizado por las Clarisas del convento Santa Maria di Monteluce en Perugia. Además, hace la crónica del saqueo efectuado por las tropas invasoras de Napoleón y la negación papal de devolver la pieza a Perugia después del reinado de Napoleón, conservándola en la acrecentada Pinacoteca Vaticana, donde permanece en el presente. Facultad de Bellas Artes |
description |
This article examines the tortuous commission and subsequent loss of the famous Coronation of the Virgin by the Italian Master Raphael. It traces the naissance of the altarpiece (1503-25) as one of the key commissions by the Poor Clares of the convent of Santa Maria di Monteluce in Perugia, the looting of the piece by Napoleon’s invading troops in 1797 and, finally the stubborn Pope’s decision not to send the piece back to Perugia after the end of Napoleon’s reign, keeping it for his own growing Pinacoteca Vaticana, where the piece still rests today. |
publishDate |
2017 |
dc.date.none.fl_str_mv |
2017-09 |
dc.type.none.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Articulo http://purl.org/coar/resource_type/c_6501 info:ar-repo/semantics/articulo |
format |
article |
status_str |
publishedVersion |
dc.identifier.none.fl_str_mv |
http://sedici.unlp.edu.ar/handle/10915/63523 |
url |
http://sedici.unlp.edu.ar/handle/10915/63523 |
dc.language.none.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
info:eu-repo/semantics/altIdentifier/url/http://papelcosido.fba.unlp.edu.ar/ojs/index.php/boa/article/view/487/772 info:eu-repo/semantics/altIdentifier/issn/1853-0710 |
dc.rights.none.fl_str_mv |
info:eu-repo/semantics/openAccess http://creativecommons.org/licenses/by-nc-nd/4.0/ Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) |
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openAccess |
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http://creativecommons.org/licenses/by-nc-nd/4.0/ Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) |
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application/pdf 36-42 |
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