Papal Greed : The Theft of the Pala Monteluce and its Return to the Italian Peninsula

Autores
Beckers, Julie
Año de publicación
2017
Idioma
inglés
Tipo de recurso
artículo
Estado
versión publicada
Descripción
This article examines the tortuous commission and subsequent loss of the famous Coronation of the Virgin by the Italian Master Raphael. It traces the naissance of the altarpiece (1503-25) as one of the key commissions by the Poor Clares of the convent of Santa Maria di Monteluce in Perugia, the looting of the piece by Napoleon’s invading troops in 1797 and, finally the stubborn Pope’s decision not to send the piece back to Perugia after the end of Napoleon’s reign, keeping it for his own growing Pinacoteca Vaticana, where the piece still rests today.
Este artículo examina el tortuoso encargo de la famosa Coronación de la Virgen, del maestro italiano Rafael y su subsiguiente pérdida. Rastrea el nacimiento del retablo (1503-25) como un encargo clave realizado por las Clarisas del convento Santa Maria di Monteluce en Perugia. Además, hace la crónica del saqueo efectuado por las tropas invasoras de Napoleón y la negación papal de devolver la pieza a Perugia después del reinado de Napoleón, conservándola en la acrecentada Pinacoteca Vaticana, donde permanece en el presente.
Facultad de Bellas Artes
Materia
Historia del Arte
Raphael
Poor Clares
Napoleon
Altarpiece
Nivel de accesibilidad
acceso abierto
Condiciones de uso
http://creativecommons.org/licenses/by-nc-nd/4.0/
Repositorio
SEDICI (UNLP)
Institución
Universidad Nacional de La Plata
OAI Identificador
oai:sedici.unlp.edu.ar:10915/63523

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spelling Papal Greed : The Theft of the Pala Monteluce and its Return to the Italian PeninsulaLa codicia papal. El robo de la Pala Monteluce y su regreso a la península italianaBeckers, JulieHistoria del ArteRaphaelPoor ClaresNapoleonAltarpieceThis article examines the tortuous commission and subsequent loss of the famous Coronation of the Virgin by the Italian Master Raphael. It traces the naissance of the altarpiece (1503-25) as one of the key commissions by the Poor Clares of the convent of Santa Maria di Monteluce in Perugia, the looting of the piece by Napoleon’s invading troops in 1797 and, finally the stubborn Pope’s decision not to send the piece back to Perugia after the end of Napoleon’s reign, keeping it for his own growing Pinacoteca Vaticana, where the piece still rests today.Este artículo examina el tortuoso encargo de la famosa Coronación de la Virgen, del maestro italiano Rafael y su subsiguiente pérdida. Rastrea el nacimiento del retablo (1503-25) como un encargo clave realizado por las Clarisas del convento Santa Maria di Monteluce en Perugia. Además, hace la crónica del saqueo efectuado por las tropas invasoras de Napoleón y la negación papal de devolver la pieza a Perugia después del reinado de Napoleón, conservándola en la acrecentada Pinacoteca Vaticana, donde permanece en el presente.Facultad de Bellas Artes2017-09info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionArticulohttp://purl.org/coar/resource_type/c_6501info:ar-repo/semantics/articuloapplication/pdf36-42http://sedici.unlp.edu.ar/handle/10915/63523enginfo:eu-repo/semantics/altIdentifier/url/http://papelcosido.fba.unlp.edu.ar/ojs/index.php/boa/article/view/487/772info:eu-repo/semantics/altIdentifier/issn/1853-0710info:eu-repo/semantics/openAccesshttp://creativecommons.org/licenses/by-nc-nd/4.0/Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0)reponame:SEDICI (UNLP)instname:Universidad Nacional de La Platainstacron:UNLP2025-09-29T11:08:25Zoai:sedici.unlp.edu.ar:10915/63523Institucionalhttp://sedici.unlp.edu.ar/Universidad públicaNo correspondehttp://sedici.unlp.edu.ar/oai/snrdalira@sedici.unlp.edu.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:13292025-09-29 11:08:25.737SEDICI (UNLP) - Universidad Nacional de La Platafalse
dc.title.none.fl_str_mv Papal Greed : The Theft of the Pala Monteluce and its Return to the Italian Peninsula
La codicia papal. El robo de la Pala Monteluce y su regreso a la península italiana
title Papal Greed : The Theft of the Pala Monteluce and its Return to the Italian Peninsula
spellingShingle Papal Greed : The Theft of the Pala Monteluce and its Return to the Italian Peninsula
Beckers, Julie
Historia del Arte
Raphael
Poor Clares
Napoleon
Altarpiece
title_short Papal Greed : The Theft of the Pala Monteluce and its Return to the Italian Peninsula
title_full Papal Greed : The Theft of the Pala Monteluce and its Return to the Italian Peninsula
title_fullStr Papal Greed : The Theft of the Pala Monteluce and its Return to the Italian Peninsula
title_full_unstemmed Papal Greed : The Theft of the Pala Monteluce and its Return to the Italian Peninsula
title_sort Papal Greed : The Theft of the Pala Monteluce and its Return to the Italian Peninsula
dc.creator.none.fl_str_mv Beckers, Julie
author Beckers, Julie
author_facet Beckers, Julie
author_role author
dc.subject.none.fl_str_mv Historia del Arte
Raphael
Poor Clares
Napoleon
Altarpiece
topic Historia del Arte
Raphael
Poor Clares
Napoleon
Altarpiece
dc.description.none.fl_txt_mv This article examines the tortuous commission and subsequent loss of the famous Coronation of the Virgin by the Italian Master Raphael. It traces the naissance of the altarpiece (1503-25) as one of the key commissions by the Poor Clares of the convent of Santa Maria di Monteluce in Perugia, the looting of the piece by Napoleon’s invading troops in 1797 and, finally the stubborn Pope’s decision not to send the piece back to Perugia after the end of Napoleon’s reign, keeping it for his own growing Pinacoteca Vaticana, where the piece still rests today.
Este artículo examina el tortuoso encargo de la famosa Coronación de la Virgen, del maestro italiano Rafael y su subsiguiente pérdida. Rastrea el nacimiento del retablo (1503-25) como un encargo clave realizado por las Clarisas del convento Santa Maria di Monteluce en Perugia. Además, hace la crónica del saqueo efectuado por las tropas invasoras de Napoleón y la negación papal de devolver la pieza a Perugia después del reinado de Napoleón, conservándola en la acrecentada Pinacoteca Vaticana, donde permanece en el presente.
Facultad de Bellas Artes
description This article examines the tortuous commission and subsequent loss of the famous Coronation of the Virgin by the Italian Master Raphael. It traces the naissance of the altarpiece (1503-25) as one of the key commissions by the Poor Clares of the convent of Santa Maria di Monteluce in Perugia, the looting of the piece by Napoleon’s invading troops in 1797 and, finally the stubborn Pope’s decision not to send the piece back to Perugia after the end of Napoleon’s reign, keeping it for his own growing Pinacoteca Vaticana, where the piece still rests today.
publishDate 2017
dc.date.none.fl_str_mv 2017-09
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info:eu-repo/semantics/publishedVersion
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dc.identifier.none.fl_str_mv http://sedici.unlp.edu.ar/handle/10915/63523
url http://sedici.unlp.edu.ar/handle/10915/63523
dc.language.none.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv info:eu-repo/semantics/altIdentifier/url/http://papelcosido.fba.unlp.edu.ar/ojs/index.php/boa/article/view/487/772
info:eu-repo/semantics/altIdentifier/issn/1853-0710
dc.rights.none.fl_str_mv info:eu-repo/semantics/openAccess
http://creativecommons.org/licenses/by-nc-nd/4.0/
Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0)
eu_rights_str_mv openAccess
rights_invalid_str_mv http://creativecommons.org/licenses/by-nc-nd/4.0/
Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0)
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