The acoustical quality of rooms for music based on their architectural typologies

Autores
Farina, María Andrea
Año de publicación
2016
Idioma
inglés
Tipo de recurso
documento de conferencia
Estado
versión publicada
Descripción
The acoustical quality of an auditorium for music is a complex cultural subject that involves, at least, the physics of waves, the auditory perception, the musical use of the space and the listeners’ individual preferences. The scientific analysis of those questions requires the examination of the complex correspondence between the acoustical fields and the music perception of them. The main objective of this paper is to develop a methodology of acoustical analysis and design, which allows us to predict some aspects of the final acoustical quality of a hall based on its basic architectural shapes. From the selected acoustical data, four main architectural typologies were established as canonical shapes: shoebox, fan, vineyard and horseshoe. All of them have their own and particular acoustical behavior. The analysis carried out in several auditoriums and theatres within the Republic of Argentina allows us to conclude that the acoustic quality of a hall for music can be inferred from its architectural basic typology, if certain general conditions are met. On the other hand, it is possible to explain the behavior of some non-traditional acoustic fields by applying an analysis that combines various architectural typologies.
Facultad de Artes
Materia
Música
acoustic quality
auditoriums
Argentina
Nivel de accesibilidad
acceso abierto
Condiciones de uso
http://creativecommons.org/licenses/by-nc-sa/4.0/
Repositorio
SEDICI (UNLP)
Institución
Universidad Nacional de La Plata
OAI Identificador
oai:sedici.unlp.edu.ar:10915/120629

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spelling The acoustical quality of rooms for music based on their architectural typologiesFarina, María AndreaMúsicaacoustic qualityauditoriumsArgentinaThe acoustical quality of an auditorium for music is a complex cultural subject that involves, at least, the physics of waves, the auditory perception, the musical use of the space and the listeners’ individual preferences. The scientific analysis of those questions requires the examination of the complex correspondence between the acoustical fields and the music perception of them. The main objective of this paper is to develop a methodology of acoustical analysis and design, which allows us to predict some aspects of the final acoustical quality of a hall based on its basic architectural shapes. From the selected acoustical data, four main architectural typologies were established as canonical shapes: shoebox, fan, vineyard and horseshoe. All of them have their own and particular acoustical behavior. The analysis carried out in several auditoriums and theatres within the Republic of Argentina allows us to conclude that the acoustic quality of a hall for music can be inferred from its architectural basic typology, if certain general conditions are met. On the other hand, it is possible to explain the behavior of some non-traditional acoustic fields by applying an analysis that combines various architectural typologies.Facultad de Artes2016info:eu-repo/semantics/conferenceObjectinfo:eu-repo/semantics/publishedVersionObjeto de conferenciahttp://purl.org/coar/resource_type/c_5794info:ar-repo/semantics/documentoDeConferenciaapplication/pdfhttp://sedici.unlp.edu.ar/handle/10915/120629enginfo:eu-repo/semantics/openAccesshttp://creativecommons.org/licenses/by-nc-sa/4.0/Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)reponame:SEDICI (UNLP)instname:Universidad Nacional de La Platainstacron:UNLP2025-09-29T11:28:34Zoai:sedici.unlp.edu.ar:10915/120629Institucionalhttp://sedici.unlp.edu.ar/Universidad públicaNo correspondehttp://sedici.unlp.edu.ar/oai/snrdalira@sedici.unlp.edu.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:13292025-09-29 11:28:34.752SEDICI (UNLP) - Universidad Nacional de La Platafalse
dc.title.none.fl_str_mv The acoustical quality of rooms for music based on their architectural typologies
title The acoustical quality of rooms for music based on their architectural typologies
spellingShingle The acoustical quality of rooms for music based on their architectural typologies
Farina, María Andrea
Música
acoustic quality
auditoriums
Argentina
title_short The acoustical quality of rooms for music based on their architectural typologies
title_full The acoustical quality of rooms for music based on their architectural typologies
title_fullStr The acoustical quality of rooms for music based on their architectural typologies
title_full_unstemmed The acoustical quality of rooms for music based on their architectural typologies
title_sort The acoustical quality of rooms for music based on their architectural typologies
dc.creator.none.fl_str_mv Farina, María Andrea
author Farina, María Andrea
author_facet Farina, María Andrea
author_role author
dc.subject.none.fl_str_mv Música
acoustic quality
auditoriums
Argentina
topic Música
acoustic quality
auditoriums
Argentina
dc.description.none.fl_txt_mv The acoustical quality of an auditorium for music is a complex cultural subject that involves, at least, the physics of waves, the auditory perception, the musical use of the space and the listeners’ individual preferences. The scientific analysis of those questions requires the examination of the complex correspondence between the acoustical fields and the music perception of them. The main objective of this paper is to develop a methodology of acoustical analysis and design, which allows us to predict some aspects of the final acoustical quality of a hall based on its basic architectural shapes. From the selected acoustical data, four main architectural typologies were established as canonical shapes: shoebox, fan, vineyard and horseshoe. All of them have their own and particular acoustical behavior. The analysis carried out in several auditoriums and theatres within the Republic of Argentina allows us to conclude that the acoustic quality of a hall for music can be inferred from its architectural basic typology, if certain general conditions are met. On the other hand, it is possible to explain the behavior of some non-traditional acoustic fields by applying an analysis that combines various architectural typologies.
Facultad de Artes
description The acoustical quality of an auditorium for music is a complex cultural subject that involves, at least, the physics of waves, the auditory perception, the musical use of the space and the listeners’ individual preferences. The scientific analysis of those questions requires the examination of the complex correspondence between the acoustical fields and the music perception of them. The main objective of this paper is to develop a methodology of acoustical analysis and design, which allows us to predict some aspects of the final acoustical quality of a hall based on its basic architectural shapes. From the selected acoustical data, four main architectural typologies were established as canonical shapes: shoebox, fan, vineyard and horseshoe. All of them have their own and particular acoustical behavior. The analysis carried out in several auditoriums and theatres within the Republic of Argentina allows us to conclude that the acoustic quality of a hall for music can be inferred from its architectural basic typology, if certain general conditions are met. On the other hand, it is possible to explain the behavior of some non-traditional acoustic fields by applying an analysis that combines various architectural typologies.
publishDate 2016
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