The acoustical quality of rooms for music based on their architectural typologies
- Autores
- Farina, María Andrea
- Año de publicación
- 2016
- Idioma
- inglés
- Tipo de recurso
- documento de conferencia
- Estado
- versión publicada
- Descripción
- The acoustical quality of an auditorium for music is a complex cultural subject that involves, at least, the physics of waves, the auditory perception, the musical use of the space and the listeners’ individual preferences. The scientific analysis of those questions requires the examination of the complex correspondence between the acoustical fields and the music perception of them. The main objective of this paper is to develop a methodology of acoustical analysis and design, which allows us to predict some aspects of the final acoustical quality of a hall based on its basic architectural shapes. From the selected acoustical data, four main architectural typologies were established as canonical shapes: shoebox, fan, vineyard and horseshoe. All of them have their own and particular acoustical behavior. The analysis carried out in several auditoriums and theatres within the Republic of Argentina allows us to conclude that the acoustic quality of a hall for music can be inferred from its architectural basic typology, if certain general conditions are met. On the other hand, it is possible to explain the behavior of some non-traditional acoustic fields by applying an analysis that combines various architectural typologies.
Facultad de Artes - Materia
-
Música
acoustic quality
auditoriums
Argentina - Nivel de accesibilidad
- acceso abierto
- Condiciones de uso
- http://creativecommons.org/licenses/by-nc-sa/4.0/
- Repositorio
- Institución
- Universidad Nacional de La Plata
- OAI Identificador
- oai:sedici.unlp.edu.ar:10915/120629
Ver los metadatos del registro completo
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The acoustical quality of rooms for music based on their architectural typologiesFarina, María AndreaMúsicaacoustic qualityauditoriumsArgentinaThe acoustical quality of an auditorium for music is a complex cultural subject that involves, at least, the physics of waves, the auditory perception, the musical use of the space and the listeners’ individual preferences. The scientific analysis of those questions requires the examination of the complex correspondence between the acoustical fields and the music perception of them. The main objective of this paper is to develop a methodology of acoustical analysis and design, which allows us to predict some aspects of the final acoustical quality of a hall based on its basic architectural shapes. From the selected acoustical data, four main architectural typologies were established as canonical shapes: shoebox, fan, vineyard and horseshoe. All of them have their own and particular acoustical behavior. The analysis carried out in several auditoriums and theatres within the Republic of Argentina allows us to conclude that the acoustic quality of a hall for music can be inferred from its architectural basic typology, if certain general conditions are met. On the other hand, it is possible to explain the behavior of some non-traditional acoustic fields by applying an analysis that combines various architectural typologies.Facultad de Artes2016info:eu-repo/semantics/conferenceObjectinfo:eu-repo/semantics/publishedVersionObjeto de conferenciahttp://purl.org/coar/resource_type/c_5794info:ar-repo/semantics/documentoDeConferenciaapplication/pdfhttp://sedici.unlp.edu.ar/handle/10915/120629enginfo:eu-repo/semantics/openAccesshttp://creativecommons.org/licenses/by-nc-sa/4.0/Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)reponame:SEDICI (UNLP)instname:Universidad Nacional de La Platainstacron:UNLP2025-09-29T11:28:34Zoai:sedici.unlp.edu.ar:10915/120629Institucionalhttp://sedici.unlp.edu.ar/Universidad públicaNo correspondehttp://sedici.unlp.edu.ar/oai/snrdalira@sedici.unlp.edu.arArgentinaNo correspondeNo correspondeNo correspondeopendoar:13292025-09-29 11:28:34.752SEDICI (UNLP) - Universidad Nacional de La Platafalse |
dc.title.none.fl_str_mv |
The acoustical quality of rooms for music based on their architectural typologies |
title |
The acoustical quality of rooms for music based on their architectural typologies |
spellingShingle |
The acoustical quality of rooms for music based on their architectural typologies Farina, María Andrea Música acoustic quality auditoriums Argentina |
title_short |
The acoustical quality of rooms for music based on their architectural typologies |
title_full |
The acoustical quality of rooms for music based on their architectural typologies |
title_fullStr |
The acoustical quality of rooms for music based on their architectural typologies |
title_full_unstemmed |
The acoustical quality of rooms for music based on their architectural typologies |
title_sort |
The acoustical quality of rooms for music based on their architectural typologies |
dc.creator.none.fl_str_mv |
Farina, María Andrea |
author |
Farina, María Andrea |
author_facet |
Farina, María Andrea |
author_role |
author |
dc.subject.none.fl_str_mv |
Música acoustic quality auditoriums Argentina |
topic |
Música acoustic quality auditoriums Argentina |
dc.description.none.fl_txt_mv |
The acoustical quality of an auditorium for music is a complex cultural subject that involves, at least, the physics of waves, the auditory perception, the musical use of the space and the listeners’ individual preferences. The scientific analysis of those questions requires the examination of the complex correspondence between the acoustical fields and the music perception of them. The main objective of this paper is to develop a methodology of acoustical analysis and design, which allows us to predict some aspects of the final acoustical quality of a hall based on its basic architectural shapes. From the selected acoustical data, four main architectural typologies were established as canonical shapes: shoebox, fan, vineyard and horseshoe. All of them have their own and particular acoustical behavior. The analysis carried out in several auditoriums and theatres within the Republic of Argentina allows us to conclude that the acoustic quality of a hall for music can be inferred from its architectural basic typology, if certain general conditions are met. On the other hand, it is possible to explain the behavior of some non-traditional acoustic fields by applying an analysis that combines various architectural typologies. Facultad de Artes |
description |
The acoustical quality of an auditorium for music is a complex cultural subject that involves, at least, the physics of waves, the auditory perception, the musical use of the space and the listeners’ individual preferences. The scientific analysis of those questions requires the examination of the complex correspondence between the acoustical fields and the music perception of them. The main objective of this paper is to develop a methodology of acoustical analysis and design, which allows us to predict some aspects of the final acoustical quality of a hall based on its basic architectural shapes. From the selected acoustical data, four main architectural typologies were established as canonical shapes: shoebox, fan, vineyard and horseshoe. All of them have their own and particular acoustical behavior. The analysis carried out in several auditoriums and theatres within the Republic of Argentina allows us to conclude that the acoustic quality of a hall for music can be inferred from its architectural basic typology, if certain general conditions are met. On the other hand, it is possible to explain the behavior of some non-traditional acoustic fields by applying an analysis that combines various architectural typologies. |
publishDate |
2016 |
dc.date.none.fl_str_mv |
2016 |
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info:eu-repo/semantics/conferenceObject info:eu-repo/semantics/publishedVersion Objeto de conferencia http://purl.org/coar/resource_type/c_5794 info:ar-repo/semantics/documentoDeConferencia |
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eng |
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eng |
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openAccess |
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http://creativecommons.org/licenses/by-nc-sa/4.0/ Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) |
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